Search
Search results
Kayleigh (12 KP) rated The Hunger Games in Books
Jan 2, 2019
I finished this book for the second time around 15 minutes ago, and I’m still missing being part of its world. Yes, it’s that good. Actually, I read the whole book just today. The first time I read it, just before the film came out, I’d followed a friend’s recommendation to read the books first, and devoured all three in as many days. I then had to give up my Kindle for a few days so that my friend could read it, and she was just as enamoured. I know my American cousins loved it too. Safe to say, it was very popular in my circle of friends! I have heard a couple of dismissive comments saying it’s a rip-off of Battle Royale, but I haven’t read that yet, so I’ll reserve judgement.
Set in post-apocalyptic America, now known as Panem, the book very quickly sets Katniss, the protagonist, up as a fiercely protective older sister. <spoiler>So protective, she learnt to hunt, barter on the black market and generally help her family survive when their father dies and their mother is overcome by depression. So protective, she volunteers in her sister’s place for the practically suicidal Hunger Games.</spoiler> It’s not long into the book that the reaping takes place, but by the time it does, the reader knows all they need to about who Katniss is, where she’s coming from, and also sets the scene for her dilemma over the coming books. I was rooting for her all the way, and the way Suzanne Collins writes from Katniss’s perspective is extremely effective. I was constantly sympathising with her, while at the same time simply admiring how the cogs in her mind worked in helping her to survive. None of it seemed contrived.
I’m a really big fan of dystopias anyway, but I loved what this plot was based on. Collins has said that her idea for The Hunger Games came from reality TV, and what might happen if it got warped. In a society where it’s almost impossible to avoid reality television, the plot is really contemporary, whilst also having a definite mix of Orwell’s Big Brother in there. Having also read the next two stories before, I know it gets a lot darker, but I’ll review those another time. <spoiler>In the TV context, it’s also really easy to see how anything that boosted ratings (the “star-crossed lovers”) would be extremely powerful. It took me a while to get this, but actually, being torn between Gale and Peeta is quite understandable, given the different extremes she knows both under. I suppose comparisons could be made, but it’s definitely no Twilight.</spoiler>
The pacing of the book is done brilliantly (hence why I’ve read it twice, both taking less than a day!). Collins controls the twists and turns of the plot as adeptly as the gamemakers. The main characters are really multi-faceted, and the important themes – action, politics, and yes, even love – all come out in sometimes unexpected places.
Having also seen the film, I’m really impressed with how well it translated across. Obviously, no film can ever compete with the level of detail and the reader’s own imagination in a book, but it was good. I can’t remember what I thought of casting at the time, but I must admit, I did see Jennifer Lawrence and Josh Hutcherson in my mind when reading the book this time. This may come across as a backhanded compliment, but Jennifer Lawrence seems to have the right level of awkwardness/social unease in front of the cameras that I associated with Katniss, and also fits the book’s description.
This review is also on my <a href="http://awowords.wordpress.com">blog</a>; - if you liked it, please check it out!
Set in post-apocalyptic America, now known as Panem, the book very quickly sets Katniss, the protagonist, up as a fiercely protective older sister. <spoiler>So protective, she learnt to hunt, barter on the black market and generally help her family survive when their father dies and their mother is overcome by depression. So protective, she volunteers in her sister’s place for the practically suicidal Hunger Games.</spoiler> It’s not long into the book that the reaping takes place, but by the time it does, the reader knows all they need to about who Katniss is, where she’s coming from, and also sets the scene for her dilemma over the coming books. I was rooting for her all the way, and the way Suzanne Collins writes from Katniss’s perspective is extremely effective. I was constantly sympathising with her, while at the same time simply admiring how the cogs in her mind worked in helping her to survive. None of it seemed contrived.
I’m a really big fan of dystopias anyway, but I loved what this plot was based on. Collins has said that her idea for The Hunger Games came from reality TV, and what might happen if it got warped. In a society where it’s almost impossible to avoid reality television, the plot is really contemporary, whilst also having a definite mix of Orwell’s Big Brother in there. Having also read the next two stories before, I know it gets a lot darker, but I’ll review those another time. <spoiler>In the TV context, it’s also really easy to see how anything that boosted ratings (the “star-crossed lovers”) would be extremely powerful. It took me a while to get this, but actually, being torn between Gale and Peeta is quite understandable, given the different extremes she knows both under. I suppose comparisons could be made, but it’s definitely no Twilight.</spoiler>
The pacing of the book is done brilliantly (hence why I’ve read it twice, both taking less than a day!). Collins controls the twists and turns of the plot as adeptly as the gamemakers. The main characters are really multi-faceted, and the important themes – action, politics, and yes, even love – all come out in sometimes unexpected places.
Having also seen the film, I’m really impressed with how well it translated across. Obviously, no film can ever compete with the level of detail and the reader’s own imagination in a book, but it was good. I can’t remember what I thought of casting at the time, but I must admit, I did see Jennifer Lawrence and Josh Hutcherson in my mind when reading the book this time. This may come across as a backhanded compliment, but Jennifer Lawrence seems to have the right level of awkwardness/social unease in front of the cameras that I associated with Katniss, and also fits the book’s description.
This review is also on my <a href="http://awowords.wordpress.com">blog</a>; - if you liked it, please check it out!
The Many Lives of Cy Endfield: Film Noir, the Blacklist, and Zulu
Book
Cy Endfield (1914-1995) was a filmmaker who was also fascinated by the worlds of close-up magic,...
Bodies of Desire and Bodies in Distress: The Golden Age of Italian Cult Cinema, 1970-1985
Book
In recent years, there has been an explosion of critical interest in the icons, genres and...
I Think I'm on the Guest List
Book
I was first introduced to this larger than life character back in 1979, albeit through a projector...
SA
Smoke, Ashes, Fable: William Kentridge in Bruges
Till-Holger Borchert, Benjamin H. D. Buchloh and Margaret K. Koerner
Book
The well-known South African artist William Kentridge (b. 1955) has become famous for his time-lapse...
Jesters_folly (230 KP) rated Zombeavers (2015) in Movies
Sep 21, 2020
Contains spoilers, click to show
Zombeavers is more an attempted at an 80's slasher film than a Zombie movie, you have your house by the lake, your horny teens and your monsters. The narrative is almost 'by the book' and once you work out what the threat is you could pretty much wright the script yourself. And it doesn't take much to work out the threat, between the title and opening credits you know what's going on before the protagonists do.
The effects are ok, the actual beavers are obviously fake animatronics but this is probably deliberate to help with the cheesy feel of the film, there is blood but not too much guts although there is a scene with a beaver ripped in half which is quite good (I'm not going to mention the scene meant to make any male's eyes water).
As with most 80's slashers there's sex, boobs and pruds. There are a few secondary characters, most of whom have no character and are really only there to flesh out the number victims and, to be honest the main characters don't really have much, well character.
Some of the water scenes seem to be going for a 'Friday the Thirteenth' feel but, where most films would have the characters messing about and joking about the monster and thus adding to their development, Zombeavers just gets down to the action and, as it's run time is is only around 1 hour 17 there is plenty of time for expansion.
If you like slashers then you may like Zombeavers, most of the elements are there but it's predictable, slightly funny and has mostly been done before, just not with Beavers.
The effects are ok, the actual beavers are obviously fake animatronics but this is probably deliberate to help with the cheesy feel of the film, there is blood but not too much guts although there is a scene with a beaver ripped in half which is quite good (I'm not going to mention the scene meant to make any male's eyes water).
As with most 80's slashers there's sex, boobs and pruds. There are a few secondary characters, most of whom have no character and are really only there to flesh out the number victims and, to be honest the main characters don't really have much, well character.
Some of the water scenes seem to be going for a 'Friday the Thirteenth' feel but, where most films would have the characters messing about and joking about the monster and thus adding to their development, Zombeavers just gets down to the action and, as it's run time is is only around 1 hour 17 there is plenty of time for expansion.
If you like slashers then you may like Zombeavers, most of the elements are there but it's predictable, slightly funny and has mostly been done before, just not with Beavers.
James Koppert (2698 KP) rated The Snail and the Whale in TV
Dec 27, 2019
Another Julia Donaldson
This animation company saw great success animating the gruffalo, then the gruffalo's child and have continued the pattern until we are on Julia Donaldson's Snail and The Whale. Here we have characters true to the original illustrations gliding through incredibly animated water in this heartwarming story of a snail who lives on a rock but wants to see the world so gets a lift on the tail of a whale. It's made for small children and is full of innocence and charm and is very very watchable. What's makes Donaldson's books work is her charming simple stories but also her rhythm. The TV show keeps the rhythm but slows it right down to create a peaceful dream like film. They don't overcomplicated it, they just deliver the book and make it cute.
Directory of World Cinema: Russia: 2
Book
Soviet and Russian filmmakers have traditionally had uneasy relationships to the concept of genre....
Modernity Britain: Book One: Opening the Box, 1957-1959
Book
The late 1950s was an action-packed, often dramatic time in which the contours of modern Britain...
Art, Ethics and Provocation
Anna Suwalska-Kolecka and Izabella Penier
Book
The main purpose of this volume is to look into a wide spectrum of artistic ventures which cross...