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Merissa (14194 KP) rated Composed (The Art of Love #7) in Books
Dec 23, 2025
COMPOSED is the seventh book in The Art of Loving series, and features Nally (Ronald) Hawthorne, the youngest of the bunch, and his BFF, Jude. Nally has just composed the soundtrack to a film and is swept away by all the publicity and social media attention. However, social media is where Jude excels, so he is more than happy to become Nally's agent for a while. There is a fly in the ointment, though, in the shape of a stalker 'fan', who seems to think Nally is his.
I thought this was really well-written, showing just how simple yet complicated a relationship can be between two men who have been lifelong friends, especially when there is a bad relationship example with another friend to get hung up on. And yes, I loved how it was resolved with Tim!
I thought the two of them made for a perfect pair, and both were slightly naive. I'm unsure if it's in a "they're supposed to be like that, because they're aristos" kind of way, or if that's just how I was reading it. That surprised me with Jude, especially with the stalker situation, as I thought he would have been more aware of things, due to his being an influencer.
This was an easy read that had both drama and lighthearted moments. Definitely recommended by me.
** Same worded review will appear elsewhere. **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Dec 23, 2025
I thought this was really well-written, showing just how simple yet complicated a relationship can be between two men who have been lifelong friends, especially when there is a bad relationship example with another friend to get hung up on. And yes, I loved how it was resolved with Tim!
I thought the two of them made for a perfect pair, and both were slightly naive. I'm unsure if it's in a "they're supposed to be like that, because they're aristos" kind of way, or if that's just how I was reading it. That surprised me with Jude, especially with the stalker situation, as I thought he would have been more aware of things, due to his being an influencer.
This was an easy read that had both drama and lighthearted moments. Definitely recommended by me.
** Same worded review will appear elsewhere. **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Dec 23, 2025
ClareR (6256 KP) rated Young Women in Books
Apr 12, 2023
Young Women is set against the #MeToo era. It’s a fascinating read, and it was interesting to take a look into the lives of Emily and her friend Tamsin.
Emily meets Tamsin at a protest march and they become friends very quickly. Tamsin is an actress who seems to be living a very expensive life. She owns a flat in Soho, eats in expensive restaurants and drinks in even more expensive bars. In contrast, Emily shares a small flat, and works for a charity that deals with women’s advocacy. Her life is very different, and she’s excited by what Tamsin has to offer.
When an actress comes forward to accuse a film director of sexual assault, Emily realises that Tamsin is involved in some way.
This novel looks at how women can be coerced into keeping quiet about assault and in this case, with large sums of money. We see how men have all the power, how acts of sexual assault by males are all too frequent and commonplace, and how women can make themselves complicit whilst experiencing trauma.
There’s a lot to talk about in this novel, and I think it would make an outstanding book club book. It would certainly create a great deal of discussion around both sides of the equation. All of the men are written as complication inappropriate behaviours around women, and the women initially take the money in exchange for their silence, only to disclose what happened to them later.
This is a brilliant book, I hope people will read it and discuss the questions it raises about our society as a whole.
Emily meets Tamsin at a protest march and they become friends very quickly. Tamsin is an actress who seems to be living a very expensive life. She owns a flat in Soho, eats in expensive restaurants and drinks in even more expensive bars. In contrast, Emily shares a small flat, and works for a charity that deals with women’s advocacy. Her life is very different, and she’s excited by what Tamsin has to offer.
When an actress comes forward to accuse a film director of sexual assault, Emily realises that Tamsin is involved in some way.
This novel looks at how women can be coerced into keeping quiet about assault and in this case, with large sums of money. We see how men have all the power, how acts of sexual assault by males are all too frequent and commonplace, and how women can make themselves complicit whilst experiencing trauma.
There’s a lot to talk about in this novel, and I think it would make an outstanding book club book. It would certainly create a great deal of discussion around both sides of the equation. All of the men are written as complication inappropriate behaviours around women, and the women initially take the money in exchange for their silence, only to disclose what happened to them later.
This is a brilliant book, I hope people will read it and discuss the questions it raises about our society as a whole.
Teenagers and Teenpics: The Juvenilization of American Movies in the 1950s
4.5
Rate It
Book
"Teenagers and Teenpics" tells the story of two signature developments in the 1950s: the decline of...
Nonfiction Culture Film Society
Kayleigh (12 KP) rated The Hunger Games in Books
Jan 2, 2019
I finished this book for the second time around 15 minutes ago, and I’m still missing being part of its world. Yes, it’s that good. Actually, I read the whole book just today. The first time I read it, just before the film came out, I’d followed a friend’s recommendation to read the books first, and devoured all three in as many days. I then had to give up my Kindle for a few days so that my friend could read it, and she was just as enamoured. I know my American cousins loved it too. Safe to say, it was very popular in my circle of friends! I have heard a couple of dismissive comments saying it’s a rip-off of Battle Royale, but I haven’t read that yet, so I’ll reserve judgement.
Set in post-apocalyptic America, now known as Panem, the book very quickly sets Katniss, the protagonist, up as a fiercely protective older sister. <spoiler>So protective, she learnt to hunt, barter on the black market and generally help her family survive when their father dies and their mother is overcome by depression. So protective, she volunteers in her sister’s place for the practically suicidal Hunger Games.</spoiler> It’s not long into the book that the reaping takes place, but by the time it does, the reader knows all they need to about who Katniss is, where she’s coming from, and also sets the scene for her dilemma over the coming books. I was rooting for her all the way, and the way Suzanne Collins writes from Katniss’s perspective is extremely effective. I was constantly sympathising with her, while at the same time simply admiring how the cogs in her mind worked in helping her to survive. None of it seemed contrived.
I’m a really big fan of dystopias anyway, but I loved what this plot was based on. Collins has said that her idea for The Hunger Games came from reality TV, and what might happen if it got warped. In a society where it’s almost impossible to avoid reality television, the plot is really contemporary, whilst also having a definite mix of Orwell’s Big Brother in there. Having also read the next two stories before, I know it gets a lot darker, but I’ll review those another time. <spoiler>In the TV context, it’s also really easy to see how anything that boosted ratings (the “star-crossed lovers”) would be extremely powerful. It took me a while to get this, but actually, being torn between Gale and Peeta is quite understandable, given the different extremes she knows both under. I suppose comparisons could be made, but it’s definitely no Twilight.</spoiler>
The pacing of the book is done brilliantly (hence why I’ve read it twice, both taking less than a day!). Collins controls the twists and turns of the plot as adeptly as the gamemakers. The main characters are really multi-faceted, and the important themes – action, politics, and yes, even love – all come out in sometimes unexpected places.
Having also seen the film, I’m really impressed with how well it translated across. Obviously, no film can ever compete with the level of detail and the reader’s own imagination in a book, but it was good. I can’t remember what I thought of casting at the time, but I must admit, I did see Jennifer Lawrence and Josh Hutcherson in my mind when reading the book this time. This may come across as a backhanded compliment, but Jennifer Lawrence seems to have the right level of awkwardness/social unease in front of the cameras that I associated with Katniss, and also fits the book’s description.
This review is also on my <a href="http://awowords.wordpress.com">blog</a>; - if you liked it, please check it out!
Set in post-apocalyptic America, now known as Panem, the book very quickly sets Katniss, the protagonist, up as a fiercely protective older sister. <spoiler>So protective, she learnt to hunt, barter on the black market and generally help her family survive when their father dies and their mother is overcome by depression. So protective, she volunteers in her sister’s place for the practically suicidal Hunger Games.</spoiler> It’s not long into the book that the reaping takes place, but by the time it does, the reader knows all they need to about who Katniss is, where she’s coming from, and also sets the scene for her dilemma over the coming books. I was rooting for her all the way, and the way Suzanne Collins writes from Katniss’s perspective is extremely effective. I was constantly sympathising with her, while at the same time simply admiring how the cogs in her mind worked in helping her to survive. None of it seemed contrived.
I’m a really big fan of dystopias anyway, but I loved what this plot was based on. Collins has said that her idea for The Hunger Games came from reality TV, and what might happen if it got warped. In a society where it’s almost impossible to avoid reality television, the plot is really contemporary, whilst also having a definite mix of Orwell’s Big Brother in there. Having also read the next two stories before, I know it gets a lot darker, but I’ll review those another time. <spoiler>In the TV context, it’s also really easy to see how anything that boosted ratings (the “star-crossed lovers”) would be extremely powerful. It took me a while to get this, but actually, being torn between Gale and Peeta is quite understandable, given the different extremes she knows both under. I suppose comparisons could be made, but it’s definitely no Twilight.</spoiler>
The pacing of the book is done brilliantly (hence why I’ve read it twice, both taking less than a day!). Collins controls the twists and turns of the plot as adeptly as the gamemakers. The main characters are really multi-faceted, and the important themes – action, politics, and yes, even love – all come out in sometimes unexpected places.
Having also seen the film, I’m really impressed with how well it translated across. Obviously, no film can ever compete with the level of detail and the reader’s own imagination in a book, but it was good. I can’t remember what I thought of casting at the time, but I must admit, I did see Jennifer Lawrence and Josh Hutcherson in my mind when reading the book this time. This may come across as a backhanded compliment, but Jennifer Lawrence seems to have the right level of awkwardness/social unease in front of the cameras that I associated with Katniss, and also fits the book’s description.
This review is also on my <a href="http://awowords.wordpress.com">blog</a>; - if you liked it, please check it out!
The Many Lives of Cy Endfield: Film Noir, the Blacklist, and Zulu
Book
Cy Endfield (1914-1995) was a filmmaker who was also fascinated by the worlds of close-up magic,...
Bodies of Desire and Bodies in Distress: The Golden Age of Italian Cult Cinema, 1970-1985
Book
In recent years, there has been an explosion of critical interest in the icons, genres and...
I Think I'm on the Guest List
Book
I was first introduced to this larger than life character back in 1979, albeit through a projector...
SA
Smoke, Ashes, Fable: William Kentridge in Bruges
Till-Holger Borchert, Benjamin H. D. Buchloh and Margaret K. Koerner
Book
The well-known South African artist William Kentridge (b. 1955) has become famous for his time-lapse...
Jesters_folly (230 KP) rated Zombeavers (2015) in Movies
Sep 21, 2020
Contains spoilers, click to show
Zombeavers is more an attempted at an 80's slasher film than a Zombie movie, you have your house by the lake, your horny teens and your monsters. The narrative is almost 'by the book' and once you work out what the threat is you could pretty much wright the script yourself. And it doesn't take much to work out the threat, between the title and opening credits you know what's going on before the protagonists do.
The effects are ok, the actual beavers are obviously fake animatronics but this is probably deliberate to help with the cheesy feel of the film, there is blood but not too much guts although there is a scene with a beaver ripped in half which is quite good (I'm not going to mention the scene meant to make any male's eyes water).
As with most 80's slashers there's sex, boobs and pruds. There are a few secondary characters, most of whom have no character and are really only there to flesh out the number victims and, to be honest the main characters don't really have much, well character.
Some of the water scenes seem to be going for a 'Friday the Thirteenth' feel but, where most films would have the characters messing about and joking about the monster and thus adding to their development, Zombeavers just gets down to the action and, as it's run time is is only around 1 hour 17 there is plenty of time for expansion.
If you like slashers then you may like Zombeavers, most of the elements are there but it's predictable, slightly funny and has mostly been done before, just not with Beavers.
The effects are ok, the actual beavers are obviously fake animatronics but this is probably deliberate to help with the cheesy feel of the film, there is blood but not too much guts although there is a scene with a beaver ripped in half which is quite good (I'm not going to mention the scene meant to make any male's eyes water).
As with most 80's slashers there's sex, boobs and pruds. There are a few secondary characters, most of whom have no character and are really only there to flesh out the number victims and, to be honest the main characters don't really have much, well character.
Some of the water scenes seem to be going for a 'Friday the Thirteenth' feel but, where most films would have the characters messing about and joking about the monster and thus adding to their development, Zombeavers just gets down to the action and, as it's run time is is only around 1 hour 17 there is plenty of time for expansion.
If you like slashers then you may like Zombeavers, most of the elements are there but it's predictable, slightly funny and has mostly been done before, just not with Beavers.
James Koppert (2698 KP) rated The Snail and the Whale in TV
Dec 27, 2019
Another Julia Donaldson
This animation company saw great success animating the gruffalo, then the gruffalo's child and have continued the pattern until we are on Julia Donaldson's Snail and The Whale. Here we have characters true to the original illustrations gliding through incredibly animated water in this heartwarming story of a snail who lives on a rock but wants to see the world so gets a lift on the tail of a whale. It's made for small children and is full of innocence and charm and is very very watchable. What's makes Donaldson's books work is her charming simple stories but also her rhythm. The TV show keeps the rhythm but slows it right down to create a peaceful dream like film. They don't overcomplicated it, they just deliver the book and make it cute.