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LeftSideCut (3776 KP) rated Spider-Man (2002) in Movies
Sep 19, 2020
The first major blockbuster Spider-Man movie hasn't aged particularly well, but it's overflowing with charm and a great cast.
Watching this as an adult is still as much fun as it was back in 2002 (when I was a fresh faced 13 year old). Tobey Maguire, Willem Defoe, James Franco, Kirsten Dunst, Cliff Robertson, Rosemary Harris, J.K. Simmons - all of them are really well cast and bring their comic book counterparts to life in a way that captured the imaginations of comic fans everywhere, all backed up by a fantastic score by Danny Elfman.
It's faults are few, but mainly in line with the first X-Men film - it's just doesn't quite stand up compared to comic films today and suffers from sub standard CGI and an early 2000s time stamp - I must say though - I have a special kind of love for the borderline Power Rangers villain costume that Green Goblin gets to wear...
Spider-Man is an important milestone in bringing comic books to the big screen, and will surely be enjoyed for years to come.
Watching this as an adult is still as much fun as it was back in 2002 (when I was a fresh faced 13 year old). Tobey Maguire, Willem Defoe, James Franco, Kirsten Dunst, Cliff Robertson, Rosemary Harris, J.K. Simmons - all of them are really well cast and bring their comic book counterparts to life in a way that captured the imaginations of comic fans everywhere, all backed up by a fantastic score by Danny Elfman.
It's faults are few, but mainly in line with the first X-Men film - it's just doesn't quite stand up compared to comic films today and suffers from sub standard CGI and an early 2000s time stamp - I must say though - I have a special kind of love for the borderline Power Rangers villain costume that Green Goblin gets to wear...
Spider-Man is an important milestone in bringing comic books to the big screen, and will surely be enjoyed for years to come.
Awix (3310 KP) rated Downton Abbey (2019) in Movies
Sep 28, 2019 (Updated Sep 28, 2019)
Big-screen version of the popular costume soap feels like a long episode of a TV costume soap that's ended up in a movie theatre by accident (there's a shock). Daily life at Downton is thrown into uproar by the royal visit; this is mainly just a pretext to hang various low-stakes storylines onto, none of which are especially gripping.
The heritage view of the country is pervasive and unquestioned; the plot mostly concerns a bunch of people utterly determined to be as servile and deferent as they can, no matter the obstacles in their way. You either accept this is normal behaviour and buy into the film's picture-book idea of English life, or you don't, in which case this is not the film for you. Fine performers get very little to do; not much happens overall, to be honest. But if you watched the TV show and have affection for these characters I expect there will be much here you will enjoy. To me it just seemed like a load of under-powered smug monarchist piffle.
The heritage view of the country is pervasive and unquestioned; the plot mostly concerns a bunch of people utterly determined to be as servile and deferent as they can, no matter the obstacles in their way. You either accept this is normal behaviour and buy into the film's picture-book idea of English life, or you don't, in which case this is not the film for you. Fine performers get very little to do; not much happens overall, to be honest. But if you watched the TV show and have affection for these characters I expect there will be much here you will enjoy. To me it just seemed like a load of under-powered smug monarchist piffle.
Graphic Novel
Photo & Video and Social Networking
App
Graphic novel is the perfect app to use if you want to create a story from your mobile photos. Have...
Sonofdel (6291 KP) rated The Elephant to Hollywood in Books
Aug 1, 2020
A great insight (2 more)
wonderful recollections
humorous anecdotes and stories
This is Michael Caine laid bare
I have always been a fan of Michael Caine and I have seen most of his movies from Zulu to Harry Brown and a lot more. Its fascinating to read about his life and the way he spent the first ten or so years of his adult life looking for that big break in acting. Its hard to think that he was actually over 30 when he got that big break. From his upbringing right upto the present day (2010) he gives a frank and revealing insight into the life of an actor, both in front of the camera and away from it. What i also like is there is none of the 'oh look at me and see how much i earn' about this book. In parts it even contains guidance and information if you are trying to make it in the film and TV world. A great read and i did find it hard to put down.
The Power of the Heart: Finding Your True Purpose
Book
Baptist de Pape had just finished law school and was about to start his legal career when, plagued...
Cartographies of Exile: A New Spatial Literacy
Book
This book proposes a fundamental relationship between exile and mapping. It seeks to understand the...
Ryan Hill (152 KP) rated Ant-Man (2015) in Movies
May 10, 2019
"I Know a Guy"
I've been a comic book junkie all my life. I have, however, never been really interested in Ant-Man. It's not an easy super hero to fall for. It is therefore to me all the more astonishing they managed to pull it off so well in this troubled production.
There are only a handful of ways to treat an origin story an Ant-Man breaks no molds there. It hits every single beat you'd expect it to, builds up the story like you'd expect it to and concludes it like you'd expect it to. So it is left to the moments in between and the schwung with which it delivers them to make the film. And it works like a charm.
Every time I felt myself getting a bit annoyed with yet another piece of expository dialogue or predictable plot development, it sideswiped me with a fantastic action sequence, hilarious fight scene or the utterly brilliant Michael Peña. There is so much clever entertainment chucked into the film that it was very easy for me to just say 'Fuck it' and enjoy the ride.
What I loved about it was the toned down treatment of the bizarreness of the super powers. It would have been very easy to go completely overboard with this, but Reed actually manages to bring a level headedness to the fantastical which I appreciated and which actually strengthened what they were basically trying to instill in Rudd's character, some semblance of identifiable humanity. As much as I love Wright, I'm perhaps one of the few people who don't think he would have been able to restrain himself and gone the route of Scott Pilgrim which is not something that would have worked I feel.
Rudd is excellent and plays it straight, casting off a vibe of 'What the hell am I doing?' very successfully. He is likable and his transformation into this unlikely hero worked mainly because of the way he played it. The rest of the cast is great (CGI-Michael Douglas will haunt me forever) and Michael Peña truly is stellar. Give him his own film. Please.
The main attraction in this type of film is usually the action. And while the action in this is fantastic, there is surprisingly little of it, making the final confrontation actually something to look forward to And boy does it deliver. It uses the potential of the, let's be honest, silliness of the powers to its fullest, making it what it should be. A thrilling ride.
Ant-Man surprised me. Wright's involvement is palpable, which is good. But its main attraction lies in the simple fact that it is effortlessly entertaining. Fun, funny and exciting. Exactly what it should be.
There are only a handful of ways to treat an origin story an Ant-Man breaks no molds there. It hits every single beat you'd expect it to, builds up the story like you'd expect it to and concludes it like you'd expect it to. So it is left to the moments in between and the schwung with which it delivers them to make the film. And it works like a charm.
Every time I felt myself getting a bit annoyed with yet another piece of expository dialogue or predictable plot development, it sideswiped me with a fantastic action sequence, hilarious fight scene or the utterly brilliant Michael Peña. There is so much clever entertainment chucked into the film that it was very easy for me to just say 'Fuck it' and enjoy the ride.
What I loved about it was the toned down treatment of the bizarreness of the super powers. It would have been very easy to go completely overboard with this, but Reed actually manages to bring a level headedness to the fantastical which I appreciated and which actually strengthened what they were basically trying to instill in Rudd's character, some semblance of identifiable humanity. As much as I love Wright, I'm perhaps one of the few people who don't think he would have been able to restrain himself and gone the route of Scott Pilgrim which is not something that would have worked I feel.
Rudd is excellent and plays it straight, casting off a vibe of 'What the hell am I doing?' very successfully. He is likable and his transformation into this unlikely hero worked mainly because of the way he played it. The rest of the cast is great (CGI-Michael Douglas will haunt me forever) and Michael Peña truly is stellar. Give him his own film. Please.
The main attraction in this type of film is usually the action. And while the action in this is fantastic, there is surprisingly little of it, making the final confrontation actually something to look forward to And boy does it deliver. It uses the potential of the, let's be honest, silliness of the powers to its fullest, making it what it should be. A thrilling ride.
Ant-Man surprised me. Wright's involvement is palpable, which is good. But its main attraction lies in the simple fact that it is effortlessly entertaining. Fun, funny and exciting. Exactly what it should be.
Sarah (7800 KP) rated Antebellum (2020) in Movies
Apr 2, 2021
Incredibly dull and predictable
Antebellum is a 2020 thriller film from debut writer directors Gerard Bush and Christopher Renz, the trailer for which implied it was a mind bending, time travelling horror story set during the times of slavery in America. However Antebellum never manages to live up to what it promised, instead turning out to be a rather dull and predictable affair.
Antebellum opens on an unknown plantation somewhere in Louisiana, run by confederate soldiers. Janelle Monae stars as Eden, a slave we first see being beaten and branded by the confederate leader general known only as “Him” (Eric Lange). Running the plantation alongside “Him” is sadistic confederate officer Captain Jasper (Jack Huston) and his equally unpleasant wife Elizabeth (Jena Malone). Eden and her fellow slaves, including newcomer Julia (Kiersey Clemons), suffer numerous acts of brutality and oppressions at the hands of confederate soldiers, all the while trying to plan their escape amid the feeling that this plantation isn’t quite what it seems.
Then one night lying in bed after being raped by the general, Eden hears the ringing of a mobile phone and suddenly wakes up in an entirely different era, where she is now know as renowned sociologist Dr Veronica Henley. Veronica has a husband (Marque Richardson) and young daughter and is currently finishing off a book tour, with some help from her best friends Dawn (Gabourey Sidibe) and Sarah (Lily Cowles). Strange things soon start to happen, and a night out with her friends doesn’t quite the way Veronica had expected.
Antebellum’s biggest flaw, and unfortunately a rather pivotal one, is the story itself. I feel like there is meant to be an important message here, but I feel like it’s lost in the stereotypes and predictability. I’m trying to avoid spoilers, but this film is very reminiscent of one by M. Night Shyamalan and has a very similar storyline. I’d actually go so far as saying that his film was at least more interesting. Antebellum seems to have shied away from showing any real intrigue or thrill or horror at all, and other than switching from Eden to Veronica part way in, nothing of any real substance happens until the last 30 minutes of the film. There was even a lack of hints or subtleties pointing to the later plot twist throughout, and this may at least have helped make it a little less dull.
It’s a shame, as this film did have potential. It looks stunning and has been very well made, from the set design to the costumes, it all looks authentic and the score is suitably tense and dramatic too. The opening scene on the plantation alongside the score made for a very intriguing opener, although sadly this was spoilt some by the use questionable slow motion. Performance wise Gabourey Sidibe brings some much needed humour and fun as Veronica’s man hungry best friend, and Janelle Monae is captivating as both Eden and Veronica. This film is lucky Monae is such a talent, as she’s the only reason this was watchable to the very end. It’s just a shame Jena Malone’s Elizabeth is far too over the top to be a believable villain.
Antebellum is obviously trying to make an important statement about slavery and racism packaged into an unusual thriller/horror, but unlike similar films like Jordan Peele’s Get Out, it doesn’t manage to pull it off and instead flounders with a dull and predictable storyline that most could figure out well before the final act. It’s also severely lacking in any real intrigue or horror, and aside from some good performances, there’s nothing memorable about this at all.
Antebellum opens on an unknown plantation somewhere in Louisiana, run by confederate soldiers. Janelle Monae stars as Eden, a slave we first see being beaten and branded by the confederate leader general known only as “Him” (Eric Lange). Running the plantation alongside “Him” is sadistic confederate officer Captain Jasper (Jack Huston) and his equally unpleasant wife Elizabeth (Jena Malone). Eden and her fellow slaves, including newcomer Julia (Kiersey Clemons), suffer numerous acts of brutality and oppressions at the hands of confederate soldiers, all the while trying to plan their escape amid the feeling that this plantation isn’t quite what it seems.
Then one night lying in bed after being raped by the general, Eden hears the ringing of a mobile phone and suddenly wakes up in an entirely different era, where she is now know as renowned sociologist Dr Veronica Henley. Veronica has a husband (Marque Richardson) and young daughter and is currently finishing off a book tour, with some help from her best friends Dawn (Gabourey Sidibe) and Sarah (Lily Cowles). Strange things soon start to happen, and a night out with her friends doesn’t quite the way Veronica had expected.
Antebellum’s biggest flaw, and unfortunately a rather pivotal one, is the story itself. I feel like there is meant to be an important message here, but I feel like it’s lost in the stereotypes and predictability. I’m trying to avoid spoilers, but this film is very reminiscent of one by M. Night Shyamalan and has a very similar storyline. I’d actually go so far as saying that his film was at least more interesting. Antebellum seems to have shied away from showing any real intrigue or thrill or horror at all, and other than switching from Eden to Veronica part way in, nothing of any real substance happens until the last 30 minutes of the film. There was even a lack of hints or subtleties pointing to the later plot twist throughout, and this may at least have helped make it a little less dull.
It’s a shame, as this film did have potential. It looks stunning and has been very well made, from the set design to the costumes, it all looks authentic and the score is suitably tense and dramatic too. The opening scene on the plantation alongside the score made for a very intriguing opener, although sadly this was spoilt some by the use questionable slow motion. Performance wise Gabourey Sidibe brings some much needed humour and fun as Veronica’s man hungry best friend, and Janelle Monae is captivating as both Eden and Veronica. This film is lucky Monae is such a talent, as she’s the only reason this was watchable to the very end. It’s just a shame Jena Malone’s Elizabeth is far too over the top to be a believable villain.
Antebellum is obviously trying to make an important statement about slavery and racism packaged into an unusual thriller/horror, but unlike similar films like Jordan Peele’s Get Out, it doesn’t manage to pull it off and instead flounders with a dull and predictable storyline that most could figure out well before the final act. It’s also severely lacking in any real intrigue or horror, and aside from some good performances, there’s nothing memorable about this at all.
Seen and Not Seen: Confessions of a Movie Autist
Book
Popular culture mirrors the human soul and it can't lie about the state it is in�which is what...
The Art of Atomhawk Design: v. 1
3DTotal Team, Cumron Ashtiani, Peter Thompson and Corlen Kruger
Book
Founded in 2009, Atomhawk Design has quickly developed a reputation for delivering exceptional...