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Ryan Hill (152 KP) rated Shazam! (2019) in Movies
Jun 22, 2019
"i'd like to purchase some of your finest beer please"
Shout "Shazam!" into the sky and you're struck by a bolt of lightning from the heavens; blessed with the wisdom of Solomon, the strength of Hercules, the stamina of Atlas, the power of Zeus, the courage of Achilles and the speed of Mercury. Instantly elevated from whatever you were into your peak self; reborn with a crack of thunder, a flash of light and a cloud of smoke. It's a wonderfully novel and simple idea for a comic book character. Something that allows for a spectacular hero moment right before each conflict or feat; an epic bit of imagery to light up the night sky and electrify the frame. This transformation also perfectly captures the spirit of both this film and it's hero; a belief in the idea that even the most forgotten, marginalized and seemingly powerless person can change the world.
Shazam! distinguishes itself as DC's first true crack at a comedy; also it's lightest and most modest effort yet. There's a really nice commitment to the lofty, somewhat ridiculously mythological source material here. There's little liberty taken with Shazam's campy world of wizards, demons and magic; the attitude towards these elements can best be described as self-aware without being self-conscious. The jokes almost all land and there's charm oozing out of every frame. Loads of heart, tons of humor and a true fidelity to childhood joy make this such a uniquely enjoyable flick; and an impressively confident approach to a hero that soars due to it's big personality and earnest attitude.
Our hero's journey here boils down to a kid learning to care about a world that has never bothered to care about him. Abandoned as a child and shuttled through the foster system; the explanation and depiction of Billy Batson's unenviable situation is irreverent and laced with sarcasm, true to how teens often confront traumas that imply vulnerability. The film allows these kids to be kids; meaning they're impulsive and ill-equipped for the situation they're in; and often crude and frustratingly ignorant to a seemingly obvious truth. The premise lends itself to a close look at responsibility and purpose; basically a feature length look at a lost kid reclaiming his identity and finding a family. The point at which Billy truly becomes a hero with something to fight for is powerful; a simple but big-hearted affirmation of the importance of connection and love, especially to a kid who's never allowed himself to know either.
Superhero stories can impart lessons in a variety of ways. Both on the page and on the screen; there's a wide array of films that all excel in their own specific way; shaping themselves in the image of their hero, and what he/she means to readers around the world. Shazam! distinguishes itself spectacularly as a film about what constitutes a family, and how that family reflects who we are. There's a powerful yearning in Billy for a connection; someone or something to fight for. A desperate desire for love and support; to feel like a part of something in some way. There's a meaningful, deeply human core to that concept; something universal and immediately affecting. Shazam! understands this from the start; setting aside the punchsplosians and skybeams for a moment, to remind us that sometimes a kid looking for his mom can be as compelling than the threat of planetary destruction. So bring on Joker, Birds of Prey, Wonder Woman 1984 and whatever else DC has in it's chaotic, ever-changing slate of planned superhero flicks; they're on a roll right now.
Shazam! distinguishes itself as DC's first true crack at a comedy; also it's lightest and most modest effort yet. There's a really nice commitment to the lofty, somewhat ridiculously mythological source material here. There's little liberty taken with Shazam's campy world of wizards, demons and magic; the attitude towards these elements can best be described as self-aware without being self-conscious. The jokes almost all land and there's charm oozing out of every frame. Loads of heart, tons of humor and a true fidelity to childhood joy make this such a uniquely enjoyable flick; and an impressively confident approach to a hero that soars due to it's big personality and earnest attitude.
Our hero's journey here boils down to a kid learning to care about a world that has never bothered to care about him. Abandoned as a child and shuttled through the foster system; the explanation and depiction of Billy Batson's unenviable situation is irreverent and laced with sarcasm, true to how teens often confront traumas that imply vulnerability. The film allows these kids to be kids; meaning they're impulsive and ill-equipped for the situation they're in; and often crude and frustratingly ignorant to a seemingly obvious truth. The premise lends itself to a close look at responsibility and purpose; basically a feature length look at a lost kid reclaiming his identity and finding a family. The point at which Billy truly becomes a hero with something to fight for is powerful; a simple but big-hearted affirmation of the importance of connection and love, especially to a kid who's never allowed himself to know either.
Superhero stories can impart lessons in a variety of ways. Both on the page and on the screen; there's a wide array of films that all excel in their own specific way; shaping themselves in the image of their hero, and what he/she means to readers around the world. Shazam! distinguishes itself spectacularly as a film about what constitutes a family, and how that family reflects who we are. There's a powerful yearning in Billy for a connection; someone or something to fight for. A desperate desire for love and support; to feel like a part of something in some way. There's a meaningful, deeply human core to that concept; something universal and immediately affecting. Shazam! understands this from the start; setting aside the punchsplosians and skybeams for a moment, to remind us that sometimes a kid looking for his mom can be as compelling than the threat of planetary destruction. So bring on Joker, Birds of Prey, Wonder Woman 1984 and whatever else DC has in it's chaotic, ever-changing slate of planned superhero flicks; they're on a roll right now.
Gareth von Kallenbach (980 KP) rated Planet 51 (2009) in Movies
Aug 8, 2019
On a planet far from our own, green creatures are experiencing their own version of the 1950’s. Among them is Lem (Justin Long) who has just gotten his first job as an assistant at the local planetarium. When a space ship appears harboring an alien, human astronaut Captain Charles T. Baker (Dwayne Johnson), the fearful locals are not so friendly. It is up to Lem to save the astronaut and help his people learn not to fear the world beyond what they know.
The film is written for both children and adults, like a toned down version of “Shrek†with a more relevant moral feel. Putting the characters in the 1950s adds to the film’s charm, allowing kids access to the blatant characterizations of the time period, such as the bumbling science professor and the hippy protestor who maintains from the start that the alien is friendly.
Other characters of note are Lem’s comic book and movie fanatic best friend, Skiff (Seann William Scott) and the military commander General Grawl (Gary Oldman) who is hell-bent on capturing the alien. Children will also enjoy the two pet creatures from a local alien dog that excretes acid to a rock-obsessed robot sent to pick up local specimens for Baker.
“Planet 51†is wholly entertaining. It provides some mature insight by displaying how we would appear to another culture if we ever did encounter aliens. This switch of perspective is sure to make children think and laugh over the simple cross-cultural mishaps that occur while Lem and Baker are attempting to find common ground.
A delightful, animated romp, “Planet 51†will make you hope for a groovy 1960’s sequel.
The film is written for both children and adults, like a toned down version of “Shrek†with a more relevant moral feel. Putting the characters in the 1950s adds to the film’s charm, allowing kids access to the blatant characterizations of the time period, such as the bumbling science professor and the hippy protestor who maintains from the start that the alien is friendly.
Other characters of note are Lem’s comic book and movie fanatic best friend, Skiff (Seann William Scott) and the military commander General Grawl (Gary Oldman) who is hell-bent on capturing the alien. Children will also enjoy the two pet creatures from a local alien dog that excretes acid to a rock-obsessed robot sent to pick up local specimens for Baker.
“Planet 51†is wholly entertaining. It provides some mature insight by displaying how we would appear to another culture if we ever did encounter aliens. This switch of perspective is sure to make children think and laugh over the simple cross-cultural mishaps that occur while Lem and Baker are attempting to find common ground.
A delightful, animated romp, “Planet 51†will make you hope for a groovy 1960’s sequel.
Show Dog: The Charmed Life and Trying Times of a Near-Perfect Purebred
Book
By spending a year alongside rising star Jack, a champion Australian Shepherd, and his friends,...
AM
A Middle-Earth Traveller: Sketches from Bag End to Mordor
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Let acclaimed Tolkien artist John Howe take you on an unforgettable journey across Middle-earth,...
Kirk Bage (1775 KP) rated Abducted in Plain Sight (2017) in Movies
Apr 8, 2021
Now this one has to be seen to be believed! It is a short documentary film of about 90 minutes, not a series, but it plays like a longer episode of a series – except by the end there is no more to tell. In and out, thankfully! It is the story of Jan Broberg, a relatively successful Hollywood supporting actress, who wrote a book about her abduction by a close family friend when she was a child in the 70s. As the story unfolds, especially if you are a parent yourself, you will be screaming at the screen in total disbelief and indignation every ten minutes, and twice as loud at the end!
I can’t go into the details without ruining it, but suffice to say that the series of events is one of the strangest stories, fact or fiction, that I have ever heard! The audacity and total manipulation of the offender, in conjunction with the insane naivety of Jan and her parents is mind-blowing! How he got away with it in any way for longer than a day is unfathomable enough, but this was abuse that went on unpunished for years. Is it the bible belt attitude to blame? I am… still… scratching my head on this one! How did these events and crimes ever happen? Just, wow! Do yourself a favour if you want to be shocked and have a good rant at the TV, watch this and see for yourself.
I can’t go into the details without ruining it, but suffice to say that the series of events is one of the strangest stories, fact or fiction, that I have ever heard! The audacity and total manipulation of the offender, in conjunction with the insane naivety of Jan and her parents is mind-blowing! How he got away with it in any way for longer than a day is unfathomable enough, but this was abuse that went on unpunished for years. Is it the bible belt attitude to blame? I am… still… scratching my head on this one! How did these events and crimes ever happen? Just, wow! Do yourself a favour if you want to be shocked and have a good rant at the TV, watch this and see for yourself.
AP
Arthur Penn
Robin Wood, Richard Lippe and Barry Keith Grant
Book
Arthur Penn - director of The Miracle Worker , Bonnie and Clyde , Alice's Restaurant and Little Big...
Awix (3310 KP) rated Bloodshot (2020) in Movies
Mar 16, 2020
Ding-dong action movie based on an obscure comic book is saddled with a silly name, plus it's a non-Fast & Furious Vin Diesel vehicle, but turns out to be reasonably watchable if you cut it some slack. US special forces soldier is murdered but resurrected by boffins; now he's super-strong, heals really fast, and his blood can connect to the internet. He sets out to get revenge on his killers, but discovers his memories may not be entirely trustworthy...
Whatever his other limitations as a performer, Diesel is fairly well-cast as a relentless human bulldozer of revenge, and the film does have (in theory) a decent plot twist, some interesting ideas (bordering on the existential), and reasonably well-mounted action sequences. With a bigger budget and a more inspired director this could have been an impressively thoughtful piece of SF action, but it feels clunky, not interested in exploring the things that make it distinctive, and there are lots of annoying missteps and short-cuts (a foot chase supposedly around London is clearly really taking place in suburban South Africa). Passes the time in a reasonably diverting way, though.
Whatever his other limitations as a performer, Diesel is fairly well-cast as a relentless human bulldozer of revenge, and the film does have (in theory) a decent plot twist, some interesting ideas (bordering on the existential), and reasonably well-mounted action sequences. With a bigger budget and a more inspired director this could have been an impressively thoughtful piece of SF action, but it feels clunky, not interested in exploring the things that make it distinctive, and there are lots of annoying missteps and short-cuts (a foot chase supposedly around London is clearly really taking place in suburban South Africa). Passes the time in a reasonably diverting way, though.
Fantabulously Disappointing
Having seen trailers for this film quite a while ago I had high hopes for Birds Of Prey. Unfortunately, this is one of those movies that cram packs all the decent and semi decent action sequences into 3-4 minute trailers to try and entice people into watching. So sad.
While Suicide Squad had left me feeling rather lukewarm, there were enough good points in it so that I hadn't left the cinema feeling like I'd completely wasted my money. Birds Of Prey on the other hand... My God!
It seemed more akin to a comic book version of Thelma And Louise (with a couple more tag alongs thrown in to try and simulate the girl power vibe) than anything vaguely resembling how Harley had been portrayed in Suicide Squad- or in the graphic novels for that matter.
It truly is a shame as I think Margot Robbie is quite good an actress, but I think when she'd been handed this script by her agent she should have just chucked it in the bin without a second thought.
While Suicide Squad had left me feeling rather lukewarm, there were enough good points in it so that I hadn't left the cinema feeling like I'd completely wasted my money. Birds Of Prey on the other hand... My God!
It seemed more akin to a comic book version of Thelma And Louise (with a couple more tag alongs thrown in to try and simulate the girl power vibe) than anything vaguely resembling how Harley had been portrayed in Suicide Squad- or in the graphic novels for that matter.
It truly is a shame as I think Margot Robbie is quite good an actress, but I think when she'd been handed this script by her agent she should have just chucked it in the bin without a second thought.
Lygia Pape: A Multitude of Forms
Iria Candela, Glória Ferreira , Sérgio B. Martins and John Rajchman
Book
An exceptional overview of the experimental, political, and participatory artwork of an important,...
art biography