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Brumpolarbears (22 KP) rated The Hobbit in Tabletop Games
Jun 18, 2019
Delving into Middle-Earth
As Middle Earth fever prepares to take hold once again with talk of a Lord of the Rings inspired TV show, I thought it might be time to take the adventures of Bilbo into the living room in the form of The Hobbit Board Game.
Gathering four of my best companions to join me on the adventure, we settled down for an evening of troll slaying and dragon fighting.
Based on the J.R.R Tolkien book as opposed to the film releases, The Hobbit is a game for 2-5 players which utilises a scorecard system rather than individual player pieces. The aim of the game, kill Smaug and find the treasure – simple enough surely?
When opening the box we were pleasantly surprised by the level of detail of the board as well as some rather beautifully illustrated dwarf cards. A lot of work had gone into these which is why we were a bit surprised by the Bilbo and Smaug figures which were plastic and painted red
Having laid out all of the pieces we then tackled the game instructions, which actually took as long as Bilbo’s journey to the Lonely Mountain. Having passed the instructions around we decided to just play the game and when we came to a segment we weren’t sure about, we would refer back. Despite the initial hiatus, The Hobbit is a rather enjoyable game, however not for unseasoned gamers.
The game is split into four adventures. Players must level up their initiative, cunning, and strength in order to battle goblins, fight wolves and escape elves before confronting Smaug himself. On the way, players will also collect gems which is ultimately the aim of the game as the player with the most is declared the winner at the end.
Each adventure comes with a series of adventure cards which break down into Gifts, Abilities and Travelcards. Gift cards present players with attribute benefits; Abilities assist players with battles; and Travelcards move Bilbo along his adventure. When encountering a battle, players must roll five dice in order to match certain conditions before moving on. Should the conditions not be met, players must draw a Dragon card, which incurs penalties and may result in Smaug moving across the board. Should Smaug reach Laketown, the game is over and the player with the most gems is declared the winner.
Having played the game with four other players we did actually have fun once we got into it and overcame the rather confusing rules. My best advice would be to have someone read the instructions before you and your friends sit down together as it can eat into the evening.
Gathering four of my best companions to join me on the adventure, we settled down for an evening of troll slaying and dragon fighting.
Based on the J.R.R Tolkien book as opposed to the film releases, The Hobbit is a game for 2-5 players which utilises a scorecard system rather than individual player pieces. The aim of the game, kill Smaug and find the treasure – simple enough surely?
When opening the box we were pleasantly surprised by the level of detail of the board as well as some rather beautifully illustrated dwarf cards. A lot of work had gone into these which is why we were a bit surprised by the Bilbo and Smaug figures which were plastic and painted red
Having laid out all of the pieces we then tackled the game instructions, which actually took as long as Bilbo’s journey to the Lonely Mountain. Having passed the instructions around we decided to just play the game and when we came to a segment we weren’t sure about, we would refer back. Despite the initial hiatus, The Hobbit is a rather enjoyable game, however not for unseasoned gamers.
The game is split into four adventures. Players must level up their initiative, cunning, and strength in order to battle goblins, fight wolves and escape elves before confronting Smaug himself. On the way, players will also collect gems which is ultimately the aim of the game as the player with the most is declared the winner at the end.
Each adventure comes with a series of adventure cards which break down into Gifts, Abilities and Travelcards. Gift cards present players with attribute benefits; Abilities assist players with battles; and Travelcards move Bilbo along his adventure. When encountering a battle, players must roll five dice in order to match certain conditions before moving on. Should the conditions not be met, players must draw a Dragon card, which incurs penalties and may result in Smaug moving across the board. Should Smaug reach Laketown, the game is over and the player with the most gems is declared the winner.
Having played the game with four other players we did actually have fun once we got into it and overcame the rather confusing rules. My best advice would be to have someone read the instructions before you and your friends sit down together as it can eat into the evening.
Kirk Bage (1775 KP) rated Coco (2017) in Movies
Mar 3, 2020 (Updated Mar 3, 2020)
As part of my project to compile a coffee table book called 21st Century cinema: 200 Unmissable Films, I have found it interesting, but not surprising, that almost 10% of the list since the year 2000 are animated features. It is an art form that Pixar and Disney especially, but many smaller studios, are excelling in, because of technological advances, and the free range of realising an imaginative vision. The trouble often is that they aren’t my first port of call anymore now I don’t have a kid around to watch them with. So it takes me some time to catch up on the good ones these days.
Also, for every good one there are several really lame ones, designed to get families into cinemas and take their money without much concession to a good script. It only takes the bad experience of a couple of those to put you off the genre as an adult. It can be hard to remember that some are made only with 6 year olds in mind. Frozen, for example. They have their place, and the phenomenon of which ones kids are drawn to is a different study altogether. For the purposes of my list, I am looking for the ones that can entertain young and older audiences at the same time. And, to date, no one has done that better than Pixar.
The benchmark, for me, remains Monsters Inc, The Incredibles and the Toy Story series. The latter especially, have a great knack of pleasing all generations. The key is always the writing. Animation styles and techniques can impress the eye, but it is always the theme, the relationships and the words that make an animated film enduring. Music also plays a big part; as does the level of humour. Both incredibly intangible arts that you can’t just buy.
I watched Coco on a Sunday morning – the perfect time to watch an animated film, by law! Chances are you will be a little hungover (I was) and susceptible to the inevitable sentimentality you are about to experience. The first thing that struck me was the colours! Embracing a Latin American cultural canvas, I don’t think I have ever seen such a vivid rainbow attacking my senses. From the naked flames of the candles, to the warm tones of the sunlight and the almost neon glow on display around the dead and the world of the afterlife, it was a visual treat I can honestly say I have never experienced before.
Oh, yes, Coco is about dying, if you didn’t know! And to say more about the genius of their approach to it, would be classed as a spoiler! The action takes place on Diá de Muertos (the day of the dead), when family members can revisit their loved ones, as long as they have been remembered. Our hero, young Miguel, loves music. But his family have banned him from listening to, or playing, it because of the shame surrounding a long dead ancestor. The magic of the day leads him to the underworld of the dead, to find out the truth and save the day.
Of course, once there, he meets all sorts of strange characters, and is lead on a fateful journey with lots of unexpected twists. Again, we won’t go into who, or why for the sake of spoilers. Suffice to say, the ideas, emotion and sense of righteousness flow, stirred up in the mix of constant moments of humour, some that land, some that don’t quite, at a pace fitting, and demanded, by young audiences. The ultimate aim being to reveal the truth behind the family story and to allow the dead to be remembered for their real worth.
On the negatives first: it is all pitched at quite a young audience, in the same way one of Pixar’s less successful films, Cars, is. Which means a lot of the humour lacks the sophistication needed to make it a classic. Also, for a film about the love and joy of music, the songs are only OK, and not especially memorable, although the Oscar winning main theme “Remember Me” serves its purpose very well in the climax. There are also one or two dips in the pacing of scenes that break the spell; surely the cornerstone rule of animated films: don’t drop the ball! Something both Wall-E and Up do at points, spoiling the overall impression of something so glorious in their best moments.
The power of Grandmas
To be more positive, we have to acknowledge the very, very high bar that Pixar set themselves. From an animation point of view, if this film had been released in 2001, we’d be in raptures about it! It is beautiful to look at! And the attention to detail is extraordinary, allowing for many re-watches, just to see the things they have put in there to largely amuse themselves. As a vision of an idea brought to life it is a consummate success! It is, essentially, so likeable. And at its heart, once again, right on the money.
It isn’t called Miguel. It isn’t called The Day of the Dead. It is called Coco. And by the end, you realise why that is important. Death is sad. Dementia is also an awful, awful thing. The strength of Coco is taking these difficult subjects and shining a meaningful light on them, that not only comments intelligently on them, but breaks the heart with the truth of it all. It takes a while to get there with this one, but the pay-off is sublime, yet again! Remember me, a simple sentiment that goes a long, long way!
As a side note, there is a controversial, but massively effective medical technique being utilised in the real world, with alzheimers sufferers, that uses music to trigger memory. It’s application and results are astonishing, for their ability to bring people “back to life”. Which, naturally, moved me immensely. To think the best moment of Coco isn’t just wish fulfilment in a sentimental world, but a real thing that can be done!
Sentimentality aside, Coco is a good film, in every sense of the word. As a parent, I would revel in the opportunity to show this to a child, for the positive conversations it might invoke. The aspects of cinema magic needed to make it an experience worth having are all there. To fault it is only to be unnecessarily picky. Better to go on the journey and enjoy it for what it is. Which, increasingly, is my mantra for watching anything. Who would not hope that someone chooses to celebrate life, with the thought “Remember Me”?
Also, for every good one there are several really lame ones, designed to get families into cinemas and take their money without much concession to a good script. It only takes the bad experience of a couple of those to put you off the genre as an adult. It can be hard to remember that some are made only with 6 year olds in mind. Frozen, for example. They have their place, and the phenomenon of which ones kids are drawn to is a different study altogether. For the purposes of my list, I am looking for the ones that can entertain young and older audiences at the same time. And, to date, no one has done that better than Pixar.
The benchmark, for me, remains Monsters Inc, The Incredibles and the Toy Story series. The latter especially, have a great knack of pleasing all generations. The key is always the writing. Animation styles and techniques can impress the eye, but it is always the theme, the relationships and the words that make an animated film enduring. Music also plays a big part; as does the level of humour. Both incredibly intangible arts that you can’t just buy.
I watched Coco on a Sunday morning – the perfect time to watch an animated film, by law! Chances are you will be a little hungover (I was) and susceptible to the inevitable sentimentality you are about to experience. The first thing that struck me was the colours! Embracing a Latin American cultural canvas, I don’t think I have ever seen such a vivid rainbow attacking my senses. From the naked flames of the candles, to the warm tones of the sunlight and the almost neon glow on display around the dead and the world of the afterlife, it was a visual treat I can honestly say I have never experienced before.
Oh, yes, Coco is about dying, if you didn’t know! And to say more about the genius of their approach to it, would be classed as a spoiler! The action takes place on Diá de Muertos (the day of the dead), when family members can revisit their loved ones, as long as they have been remembered. Our hero, young Miguel, loves music. But his family have banned him from listening to, or playing, it because of the shame surrounding a long dead ancestor. The magic of the day leads him to the underworld of the dead, to find out the truth and save the day.
Of course, once there, he meets all sorts of strange characters, and is lead on a fateful journey with lots of unexpected twists. Again, we won’t go into who, or why for the sake of spoilers. Suffice to say, the ideas, emotion and sense of righteousness flow, stirred up in the mix of constant moments of humour, some that land, some that don’t quite, at a pace fitting, and demanded, by young audiences. The ultimate aim being to reveal the truth behind the family story and to allow the dead to be remembered for their real worth.
On the negatives first: it is all pitched at quite a young audience, in the same way one of Pixar’s less successful films, Cars, is. Which means a lot of the humour lacks the sophistication needed to make it a classic. Also, for a film about the love and joy of music, the songs are only OK, and not especially memorable, although the Oscar winning main theme “Remember Me” serves its purpose very well in the climax. There are also one or two dips in the pacing of scenes that break the spell; surely the cornerstone rule of animated films: don’t drop the ball! Something both Wall-E and Up do at points, spoiling the overall impression of something so glorious in their best moments.
The power of Grandmas
To be more positive, we have to acknowledge the very, very high bar that Pixar set themselves. From an animation point of view, if this film had been released in 2001, we’d be in raptures about it! It is beautiful to look at! And the attention to detail is extraordinary, allowing for many re-watches, just to see the things they have put in there to largely amuse themselves. As a vision of an idea brought to life it is a consummate success! It is, essentially, so likeable. And at its heart, once again, right on the money.
It isn’t called Miguel. It isn’t called The Day of the Dead. It is called Coco. And by the end, you realise why that is important. Death is sad. Dementia is also an awful, awful thing. The strength of Coco is taking these difficult subjects and shining a meaningful light on them, that not only comments intelligently on them, but breaks the heart with the truth of it all. It takes a while to get there with this one, but the pay-off is sublime, yet again! Remember me, a simple sentiment that goes a long, long way!
As a side note, there is a controversial, but massively effective medical technique being utilised in the real world, with alzheimers sufferers, that uses music to trigger memory. It’s application and results are astonishing, for their ability to bring people “back to life”. Which, naturally, moved me immensely. To think the best moment of Coco isn’t just wish fulfilment in a sentimental world, but a real thing that can be done!
Sentimentality aside, Coco is a good film, in every sense of the word. As a parent, I would revel in the opportunity to show this to a child, for the positive conversations it might invoke. The aspects of cinema magic needed to make it an experience worth having are all there. To fault it is only to be unnecessarily picky. Better to go on the journey and enjoy it for what it is. Which, increasingly, is my mantra for watching anything. Who would not hope that someone chooses to celebrate life, with the thought “Remember Me”?
Unofficial Doctor Who: The Big Book of Lists
Andrew Skilleter and Cameron K. McEwan
Book
Whovians rejoice! Blogtor Who is back...Known for his popular lists, Cameron K. McEwan, author of...
Kristy H (1252 KP) rated Into the Night in Books
Mar 6, 2019
Intriguing and refreshing mystery
Detective Sergeant Gemma Woodstock is working in Melbourne now, trying to negotiate relationships with her new boss, Chief Inspector Toby Isaacs, and her partner, Detective Sergeant Fleet. She has been in Melbourne for three months; this has meant leaving behind her five-year-old son, Ben, and his father, Scott. She's keeping busy with a series of cases, including that of a homeless man, Walter Miller, who was brutally killed and one with the famous actor, Sterling Wade, who was stabbed while filming a high-profile zombie film. Alone and away from her son, Gemma throws herself into her work, but will these difficult cases prove too much for her and her emotional well-being?
"I was high-functioning but deeply broken and eventually something had to give. When the opportunity to transfer to Melbourne arose, I needed to take it. Living in Smithson was slowly killing me."
This novel picks up a few years after the first Gemma book. Gemma has been haunted by the Rosalind Rose case featured in Bailey's superb first novel, The Dark Lake, as well as her affair with her former partner, Felix. We find her lost and floundering. This serves a dual-purpose for us, the reader. We get to read a novel with a complicated, realistic character in Gemma. She's true to herself. On the other hand, she's not always the easiest to like or even empathize with. This is a woman who has left her child behind, after all. I have to congratulate Bailey on having Gemma not make the easy/safe choices in life, or the ones you typically see in detective novels. Not only do we get a strong yet vulnerable female character, we get one who is flawed, real, and struggling to find her way in the world. I certainly didn't always agree with her choices, but I do enjoy reading about them.
Even better, Gemma features in an excellent complicated and captivating mystery, with several cases that keep you guessing. The prominent one is the Sterling Wade case. Bailey brings in various Hollywood elements, and there are a lot of characters to suspect and pieces to put together. I quite liked not knowing who had killed Sterling. Even the detectives were flummoxed at times: how refreshing. Throughout all her cases, Gemma is working out where she fits in her new department and how she relates to her new partner, Fleet. There's a lot going on, but Bailey handles it all quite deftly. The excellent writing I enjoyed so much in her first novel is on display again here; you'll be impressed at the way she can pull together her story and bring out her characters.
"'Or maybe this case is just fucking with my mind,' I say, 'and making me think that Agatha Christie plots are coming to life.'"
Overall, I found this book intriguing and refreshing. Gemma is a complicated and complex character who is matched by the intricate cases she attempts to solve. Those who enjoy a character-driven mystery will be drawn to Gemma's prickly exterior, while those who simply enjoy a hard-to-solve case will find plenty to like here as well. Sarah Bailey is certainly a go-to author for me.
I received a copy of this book from the publisher and Netgalley in return for an unbiased review (thank you!).
"I was high-functioning but deeply broken and eventually something had to give. When the opportunity to transfer to Melbourne arose, I needed to take it. Living in Smithson was slowly killing me."
This novel picks up a few years after the first Gemma book. Gemma has been haunted by the Rosalind Rose case featured in Bailey's superb first novel, The Dark Lake, as well as her affair with her former partner, Felix. We find her lost and floundering. This serves a dual-purpose for us, the reader. We get to read a novel with a complicated, realistic character in Gemma. She's true to herself. On the other hand, she's not always the easiest to like or even empathize with. This is a woman who has left her child behind, after all. I have to congratulate Bailey on having Gemma not make the easy/safe choices in life, or the ones you typically see in detective novels. Not only do we get a strong yet vulnerable female character, we get one who is flawed, real, and struggling to find her way in the world. I certainly didn't always agree with her choices, but I do enjoy reading about them.
Even better, Gemma features in an excellent complicated and captivating mystery, with several cases that keep you guessing. The prominent one is the Sterling Wade case. Bailey brings in various Hollywood elements, and there are a lot of characters to suspect and pieces to put together. I quite liked not knowing who had killed Sterling. Even the detectives were flummoxed at times: how refreshing. Throughout all her cases, Gemma is working out where she fits in her new department and how she relates to her new partner, Fleet. There's a lot going on, but Bailey handles it all quite deftly. The excellent writing I enjoyed so much in her first novel is on display again here; you'll be impressed at the way she can pull together her story and bring out her characters.
"'Or maybe this case is just fucking with my mind,' I say, 'and making me think that Agatha Christie plots are coming to life.'"
Overall, I found this book intriguing and refreshing. Gemma is a complicated and complex character who is matched by the intricate cases she attempts to solve. Those who enjoy a character-driven mystery will be drawn to Gemma's prickly exterior, while those who simply enjoy a hard-to-solve case will find plenty to like here as well. Sarah Bailey is certainly a go-to author for me.
I received a copy of this book from the publisher and Netgalley in return for an unbiased review (thank you!).
Sensitivemuse (246 KP) rated The Ritual in Books
Nov 17, 2017
Great Horror, Could have been shorter.
So you know when you’re watching a horror movie and there’s an unseen being involved and you only catch little glimpses here and there throughout the film, and when you do actually see it you think (or more likely, scream out) WHAT THE HELL IS THAT?
Yeah that’s basically what you get throughout the book. It could be similar horror elements like Blair Witch Project, only you do find out what it is towards the latter part of the story. (And it’s still pretty creepy to figure out and picture).
I really do enjoy the horror aspects in this book and the feelings it invokes. You can really feel the desperation, frustration, and anguish felt within the characters. Tempers flare and understandably fights happen from within the group. You feel Luke’s anger and his highs and lows as you follow him throughout this horror journey.
There’s not many twists or blindside moments in this book it’s pretty much standard that you would see in horror books but the setting is very well done. A remote forest in Scandinavia while there’s something big and bad out there provides great atmosphere for the dark and scary.
It does drag out through the last third of the novel where you just have to feel for Luke and you wonder how much the human spirit can take. The ending really should have ended about 50 pages ago and there is repetition through the novel that some may find a trial to go through when reading. It’s manageable most of the time but I was close to losing my interest towards the end of the novel but powered through. It was still an enjoyable read, and recommended for those that want a good solid horror.
I’ll be reading more of his books for sure. I enjoyed the thrill and can only imagine what his other books will be like.
Yeah that’s basically what you get throughout the book. It could be similar horror elements like Blair Witch Project, only you do find out what it is towards the latter part of the story. (And it’s still pretty creepy to figure out and picture).
I really do enjoy the horror aspects in this book and the feelings it invokes. You can really feel the desperation, frustration, and anguish felt within the characters. Tempers flare and understandably fights happen from within the group. You feel Luke’s anger and his highs and lows as you follow him throughout this horror journey.
There’s not many twists or blindside moments in this book it’s pretty much standard that you would see in horror books but the setting is very well done. A remote forest in Scandinavia while there’s something big and bad out there provides great atmosphere for the dark and scary.
It does drag out through the last third of the novel where you just have to feel for Luke and you wonder how much the human spirit can take. The ending really should have ended about 50 pages ago and there is repetition through the novel that some may find a trial to go through when reading. It’s manageable most of the time but I was close to losing my interest towards the end of the novel but powered through. It was still an enjoyable read, and recommended for those that want a good solid horror.
I’ll be reading more of his books for sure. I enjoyed the thrill and can only imagine what his other books will be like.
Stumbling Stones: A Path Through Grief, Love and Loss
Book
This book is a beautifully written exploration of grief and loss. Thought-provoking, often poetic,...
Darren (1599 KP) rated Paddington 2 (2017) in Movies
Nov 26, 2019
Verdict: Charming and Entertaining
Story: Paddington 2 starts as Paddington is a welcome member of the Brown family, the neighbours are always willing to accept his help and now Paddington sees a gift for his Aunt Lucy in Mr Gruber (Broadbent) antique shop and decides to get a job to pay for it.
Just about to buy the present, Paddington catches a thief breaking into the store and goes in chase, only to find himself captured and thrown in prison. Paddington soon makes friends with the prisoners including the feared Knuckles (Gleeson), while the Brown family Henry (Bonneville) and Mary (Hawkins) try to free Paddington, learning that the once famous actor Phoenix Buchanan (Grant) is behind the crime.
Thoughts on Paddington 2
Characters – Paddington is the kind-hearted marmalade loving bear living in London, he has made countless friends both human and animal, he wants to get a present for his Aunt which sees him trying to get a job. He does try to do the right thing by helping with a robbery only to be found guilty. Paddington always the people bear makes friends, while believing that everybody has good about them. Henry, Mary Brown and Mrs Bird treat Paddington like their third child and will do everything to help get him out of prison. Phoenix Buchanan is the once famous actor that has moved in next door to the Browns, he is very eccentric and trying to rebuild his fortune which sees him stealing the book and learning about the clues in the book, always trying to stay ahead of the people trying to capture him, using his different costumes from his career. Knuckles McGinty is the prison chef, he is feared by the other inmates, but Paddington breaks down those barriers showing him to be a good man inside, one that could bring the prisoners together.
Performances – When we go into the performances, the original cast are all wonderfully, but it is the addition members of the cast that truly shine, Hugh Grant practically steals every scene, while Brendan Gleeson proves that he can be the funniest man on camera, these two are outstanding in every single scene they are in.
Story – The story here follows Paddington’s next adventure as he tries to give his Aunt a present of seeing London only for him to get framed and thrown in prison, while the Brown family try to figure out who really committed the crime. This is a coming together story, it shows how somebody’s good nature can change everything in life and without them around you will notice the change in life. The idea that Paddington is facing off against an evil washed up actor is entertaining too, though it would have been nice to see more of the treasure hunt side of the story. While most of the story is largely predictable it does have a huge heart behind it and shows that good people will rub off on others to show kindness can be a change to life for the better.
Adventure/Comedy – The adventure side of the film seems to be focused more on the villains adventure, more than seeing what Paddington must get up to, the comedy comes from seeing just what Paddington gets himself into and the trouble he causes with his innocent nature.
Settings – We keep London as the main backdrop for the film, while we do have Paddington in a prison and the major landmarks being used as clues to a treasure, most places are locations we are expecting to see in any London based movie.
Special Effects – The effects are brilliant putting Paddington in every scene like he is really there, it never looks out of place which shows just how far this technology has come.
Scene of the Movie – Lets make marmalade.
That Moment That Annoyed Me – Surely, Mr Gruber would be the one who decides whether to press charges against Paddington?
Final Thoughts – This is a entertaining, big hearted movie that could be enjoyed by the whole family and would leave a smile on everybody’s face.
Overall: Big Heart Movie.
Story: Paddington 2 starts as Paddington is a welcome member of the Brown family, the neighbours are always willing to accept his help and now Paddington sees a gift for his Aunt Lucy in Mr Gruber (Broadbent) antique shop and decides to get a job to pay for it.
Just about to buy the present, Paddington catches a thief breaking into the store and goes in chase, only to find himself captured and thrown in prison. Paddington soon makes friends with the prisoners including the feared Knuckles (Gleeson), while the Brown family Henry (Bonneville) and Mary (Hawkins) try to free Paddington, learning that the once famous actor Phoenix Buchanan (Grant) is behind the crime.
Thoughts on Paddington 2
Characters – Paddington is the kind-hearted marmalade loving bear living in London, he has made countless friends both human and animal, he wants to get a present for his Aunt which sees him trying to get a job. He does try to do the right thing by helping with a robbery only to be found guilty. Paddington always the people bear makes friends, while believing that everybody has good about them. Henry, Mary Brown and Mrs Bird treat Paddington like their third child and will do everything to help get him out of prison. Phoenix Buchanan is the once famous actor that has moved in next door to the Browns, he is very eccentric and trying to rebuild his fortune which sees him stealing the book and learning about the clues in the book, always trying to stay ahead of the people trying to capture him, using his different costumes from his career. Knuckles McGinty is the prison chef, he is feared by the other inmates, but Paddington breaks down those barriers showing him to be a good man inside, one that could bring the prisoners together.
Performances – When we go into the performances, the original cast are all wonderfully, but it is the addition members of the cast that truly shine, Hugh Grant practically steals every scene, while Brendan Gleeson proves that he can be the funniest man on camera, these two are outstanding in every single scene they are in.
Story – The story here follows Paddington’s next adventure as he tries to give his Aunt a present of seeing London only for him to get framed and thrown in prison, while the Brown family try to figure out who really committed the crime. This is a coming together story, it shows how somebody’s good nature can change everything in life and without them around you will notice the change in life. The idea that Paddington is facing off against an evil washed up actor is entertaining too, though it would have been nice to see more of the treasure hunt side of the story. While most of the story is largely predictable it does have a huge heart behind it and shows that good people will rub off on others to show kindness can be a change to life for the better.
Adventure/Comedy – The adventure side of the film seems to be focused more on the villains adventure, more than seeing what Paddington must get up to, the comedy comes from seeing just what Paddington gets himself into and the trouble he causes with his innocent nature.
Settings – We keep London as the main backdrop for the film, while we do have Paddington in a prison and the major landmarks being used as clues to a treasure, most places are locations we are expecting to see in any London based movie.
Special Effects – The effects are brilliant putting Paddington in every scene like he is really there, it never looks out of place which shows just how far this technology has come.
Scene of the Movie – Lets make marmalade.
That Moment That Annoyed Me – Surely, Mr Gruber would be the one who decides whether to press charges against Paddington?
Final Thoughts – This is a entertaining, big hearted movie that could be enjoyed by the whole family and would leave a smile on everybody’s face.
Overall: Big Heart Movie.
Whatchareadin (174 KP) rated I'll Take You There in Books
May 10, 2018
Felix Funicello is a film professor who lives in Connecticut. He is divorced and has one daughter, Eliza, who is currently working for New York Magazine. Felix also has two older sister, Simone and Frances who are an integral part of his life. Felix hold a movie club on Monday nights in the old Vaudeville theater in town. One night as he is setting up, he is visited by the ghost of Lois Weber, a renowned film director in her time. Lois shows Felix glimpses of his life along with the important women in it. Through these snapshots, Felix gains a greater understanding of the women in his life and women in general.
This book was reminiscent to A Christmas Carol, but he is visited by the same ghost, who brings three different visitors with her. Felix is first returned to his six year-old self. Where he and his sisters are helping their neighbor gather votes to become the next Rheingold Girl. Rheingold is a beer. This happens after his daughter tells him she has to write a piece about these girls.
The next transportation is a few years later when Felix is twelve. His mother and sister are talking in the kitchen about her boss being inappropriate with her at work. This part I heard just a few days after hearing day after day about a new man in a high position has been removed because of inappropriate behavior in the work place. Mind you, this is taking place in the early '60s and times were different, but some things never change. As Eliza, is telling her mother about what her boss has said, it's the mother's response that truly strikes me.
<i>"Men are men. Shapely girls like you just have to put up with stuff like that in the working world or else quit. Those are your choices."</i>
Thank God, those are no longer our choices, and that shouldn't have been the mentality then, maybe we wouldn't have all these issues today.
Also during this trip, Felix is given some news about his family that will change the dynamic forever.
The final time Lois comes to visit, the guest she brings, gives Felix a testimony that he has wondered about in the back of his mind for most of his life. That helps to fill a missing piece. The story is sad and is a part of the two previous visits from Lois.
All of these visits help Felix to be a better man, brother and father to the women in his life.
I think this is a very important book for all women to read, especially with the things going on in our world today. Told from the male point of view, I think it helps to see that some men can be empathetic to the plights of women. And this books covers a lot of those plights, from feminism, to abortion, adoption and acceptance. Years ago, I read She's Come Undone by Wally Lamb and I remember feeling the same way after reading it. Read them both.
This book was reminiscent to A Christmas Carol, but he is visited by the same ghost, who brings three different visitors with her. Felix is first returned to his six year-old self. Where he and his sisters are helping their neighbor gather votes to become the next Rheingold Girl. Rheingold is a beer. This happens after his daughter tells him she has to write a piece about these girls.
The next transportation is a few years later when Felix is twelve. His mother and sister are talking in the kitchen about her boss being inappropriate with her at work. This part I heard just a few days after hearing day after day about a new man in a high position has been removed because of inappropriate behavior in the work place. Mind you, this is taking place in the early '60s and times were different, but some things never change. As Eliza, is telling her mother about what her boss has said, it's the mother's response that truly strikes me.
<i>"Men are men. Shapely girls like you just have to put up with stuff like that in the working world or else quit. Those are your choices."</i>
Thank God, those are no longer our choices, and that shouldn't have been the mentality then, maybe we wouldn't have all these issues today.
Also during this trip, Felix is given some news about his family that will change the dynamic forever.
The final time Lois comes to visit, the guest she brings, gives Felix a testimony that he has wondered about in the back of his mind for most of his life. That helps to fill a missing piece. The story is sad and is a part of the two previous visits from Lois.
All of these visits help Felix to be a better man, brother and father to the women in his life.
I think this is a very important book for all women to read, especially with the things going on in our world today. Told from the male point of view, I think it helps to see that some men can be empathetic to the plights of women. And this books covers a lot of those plights, from feminism, to abortion, adoption and acceptance. Years ago, I read She's Come Undone by Wally Lamb and I remember feeling the same way after reading it. Read them both.
Movie Metropolis (309 KP) rated Beauty and the Beast (2017) in Movies
Jun 10, 2019 (Updated Jun 10, 2019)
A tale as old as time
Whichever big wig down at Disney decided it would be a good idea to remake all of their animated classics using live-action is surely due a massive promotion. The studio’s reputation is soaring after the acquisition of Marvel and Lucasfilm and this new way of thinking is paying off at the box office.
Last year’s The Jungle Book earned just shy of $1billion worldwide, their Marvel Cinematic Universe has taken upwards of $5billion and don’t get me started on Star Wars. Continuing the studio’s trend of remaking their animated features is Beauty & the Beast, but does this modern day reimagining of a fairly modern classic conjure up memories of 1991?
Belle (Emma Watson), a bright, beautiful and independent young woman, is taken prisoner by a beast (Dan Stevens) in its castle. Despite her fears, she befriends the castle’s enchanted staff including Cogsworth (Ian McKellen) and Lumiere (Ewan McGregor) and tries her best to learn to look beyond the beast’s hideous exterior, allowing her to recognise the kind heart and soul of the true prince that hides on the inside.
There were gasps of shock when Harry Potter actress Emma Watson was cast as Belle, but thankfully after sitting through 129 minutes of her singing and dancing, there is no reason to be concerned. She slots into the role of a Disney princess with ease, though it’s still incredibly difficult to see her as anything but the talented witch from Hogwarts.
The rest of the cast is very good with the exception of Ewan McGregor’s dreadful French accent. It can be forgiven however because the sense of nostalgia that the castle’s staff bring to the table is wonderful. Ian McKellen, Emma Thompson, Stanley Tucci all lend their voices with Thompson taking over from Angela Lansbury beautifully. Her rendition of the iconic titular song brings goose bumps.
Elsewhere, Luke Evans is an excellent choice to play villainous Gaston. It’s hard to imagine anyone better to play the gluttonous womaniser and Josh Gad is sublime as his sidekick.
Dan Stevens’ transformation into Beast is one that’s a little bit harder to judge. There is no doubt he is up to the task of playing this iconic character, but the limits of current motion capture technology can sometimes render him a little playdoh like. There are fleeting moments when the illusion is shattered because of something as trivial as the way his fur moves.
Nevertheless, the rest of the special effects are absolutely top notch. The costumes and the set design all integrate perfectly with the naturally heavy use of CGI to create a film that harks back to its predecessor in every way.
Whilst not as dark as last year’s The Jungle Book, Beauty & the Beast is still a deeply disturbing film at times, made all the more so by its recreation in live-action. Young children may find it a troubling watch, a reason why the BBFC has awarded it a PG rating rather than the typical U that most other Disney features receive.
Overall, Beauty & the Beast is a faithful recreation of its 1991 predecessor and that comes with its own set of challenges. The animated version is widely regarded as one of Disney’s best films, so director Bill Condon (Dreamgirls, Twilight) had massive shoes to fill. For the most part, he’s succeeded in crafting a visually stunning and poignant movie that’s only drawbacks are its length and poor motion capture. Much better than Cinderella, but not quite as ground-breaking as The Jungle Book, it’s a lovely watch for all the family.
https://moviemetropolis.net/2017/03/17/a-tale-as-old-as-time-beauty-the-beast-review/
Last year’s The Jungle Book earned just shy of $1billion worldwide, their Marvel Cinematic Universe has taken upwards of $5billion and don’t get me started on Star Wars. Continuing the studio’s trend of remaking their animated features is Beauty & the Beast, but does this modern day reimagining of a fairly modern classic conjure up memories of 1991?
Belle (Emma Watson), a bright, beautiful and independent young woman, is taken prisoner by a beast (Dan Stevens) in its castle. Despite her fears, she befriends the castle’s enchanted staff including Cogsworth (Ian McKellen) and Lumiere (Ewan McGregor) and tries her best to learn to look beyond the beast’s hideous exterior, allowing her to recognise the kind heart and soul of the true prince that hides on the inside.
There were gasps of shock when Harry Potter actress Emma Watson was cast as Belle, but thankfully after sitting through 129 minutes of her singing and dancing, there is no reason to be concerned. She slots into the role of a Disney princess with ease, though it’s still incredibly difficult to see her as anything but the talented witch from Hogwarts.
The rest of the cast is very good with the exception of Ewan McGregor’s dreadful French accent. It can be forgiven however because the sense of nostalgia that the castle’s staff bring to the table is wonderful. Ian McKellen, Emma Thompson, Stanley Tucci all lend their voices with Thompson taking over from Angela Lansbury beautifully. Her rendition of the iconic titular song brings goose bumps.
Elsewhere, Luke Evans is an excellent choice to play villainous Gaston. It’s hard to imagine anyone better to play the gluttonous womaniser and Josh Gad is sublime as his sidekick.
Dan Stevens’ transformation into Beast is one that’s a little bit harder to judge. There is no doubt he is up to the task of playing this iconic character, but the limits of current motion capture technology can sometimes render him a little playdoh like. There are fleeting moments when the illusion is shattered because of something as trivial as the way his fur moves.
Nevertheless, the rest of the special effects are absolutely top notch. The costumes and the set design all integrate perfectly with the naturally heavy use of CGI to create a film that harks back to its predecessor in every way.
Whilst not as dark as last year’s The Jungle Book, Beauty & the Beast is still a deeply disturbing film at times, made all the more so by its recreation in live-action. Young children may find it a troubling watch, a reason why the BBFC has awarded it a PG rating rather than the typical U that most other Disney features receive.
Overall, Beauty & the Beast is a faithful recreation of its 1991 predecessor and that comes with its own set of challenges. The animated version is widely regarded as one of Disney’s best films, so director Bill Condon (Dreamgirls, Twilight) had massive shoes to fill. For the most part, he’s succeeded in crafting a visually stunning and poignant movie that’s only drawbacks are its length and poor motion capture. Much better than Cinderella, but not quite as ground-breaking as The Jungle Book, it’s a lovely watch for all the family.
https://moviemetropolis.net/2017/03/17/a-tale-as-old-as-time-beauty-the-beast-review/
Leanne Crabtree (480 KP) rated Hollywood Playboy (Hollywood Royalty, #1) in Books
Jan 11, 2021
Jessica is an entertainment journalist and good at it but one celebrity in particular does not get on with her: Tyler Beckett. She's always ready with a scoop on him only for him to go public with it before she can. When Jessica is asked to be on the press junket for Tyler's latest film they clash a few times before getting into an argument that makes them both realise how wrong they've been about each other and they begin to grow closer. It's starts as a kind of friendship before becoming more.
I did enjoy this. Mainly for the relationship between Jessica and Tyler but it wasn't always smooth sailing for them. First they don't even like each other, then they come to a truce to try and get along and before long they actually become friends that want to be more. It was an emotional ride towards the end and I had a good old cry, I'll admit.
I don't think I'd like to be a celebrity, having no privacy and everything from your past being brought back to haunt you. Luckily Tyler has a fairly clean life, though people are always willing to sell false stories about him and others. Tyler is good at handling the press and treats the ones on the tour like friends, taking them out for meals at amazing but little known places, sending them for spa days, etc. With Jessica, Tyler just wants her to spend time with him and they have some really cute days out all over the tour cities.
Some of the secondary characters were cool like Kellie and Tyler's parents. One character I wanted to slap silly and Tyler and Jessica, I just wanted to hug.
I'm intrigued by Kellie's story and her romance with her bodyguard who she has a history with so I'll keep my eyes open for her book.
I did enjoy this. Mainly for the relationship between Jessica and Tyler but it wasn't always smooth sailing for them. First they don't even like each other, then they come to a truce to try and get along and before long they actually become friends that want to be more. It was an emotional ride towards the end and I had a good old cry, I'll admit.
I don't think I'd like to be a celebrity, having no privacy and everything from your past being brought back to haunt you. Luckily Tyler has a fairly clean life, though people are always willing to sell false stories about him and others. Tyler is good at handling the press and treats the ones on the tour like friends, taking them out for meals at amazing but little known places, sending them for spa days, etc. With Jessica, Tyler just wants her to spend time with him and they have some really cute days out all over the tour cities.
Some of the secondary characters were cool like Kellie and Tyler's parents. One character I wanted to slap silly and Tyler and Jessica, I just wanted to hug.
I'm intrigued by Kellie's story and her romance with her bodyguard who she has a history with so I'll keep my eyes open for her book.