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Saw (2004)
Saw (2004)
2004 | Horror
The first Saw film has become tarnished over the years, due to the relentless shit filled wave of increasingly torturous (both for the audience and the characters) sequels, when really, Saw is a relatively low budget but super tight thriller.

The premise of a serial killer who kidnaps people who don't appreciate life itself, puts them in a dire situation, but gives them a chance to escape if they fight hard enough for it, is one that is intriguing, and captured the imagination of thousands - Jigsaw has since become an iconic horror antagonist.
The unlucky victims first time around are played by Cary Elwes and writer Leigh Whannell.
The two of them are situated in a very minimalist setting. It's grimy and nasty. Director James Wan works wonders with what little he has in that respect.
The cast also includes Danny Glover, which is always a win in my book.

The gore on show in Saw is pretty minimal compared to what's to come, but what we do see is effective and was just right - coupled with a plot that keeps the audience guessing until the final minute, it was enough to get everyone talking back in 2004.
And that ending absolutely shattered me on first watch. An iconic 'Gotcha!' moment for the ages.

Saw is a genuinely decent horror thriller and a rewarding experience for those that like a good twist. Just a shame about those sequels!
  
    Owl

    Owl

    Desmond Morris

    (0 Ratings) Rate It

    Book

    The owls are not what they seem. From ancient Babylon to Edward Lear's The Owl and the Pussycat and...

The Bad Beginning (A Series of Unfortunate Events #1)
The Bad Beginning (A Series of Unfortunate Events #1)
Lemony Snicket | 1999 | Children
8
8.2 (35 Ratings)
Book Rating
I had watched the Unfortunate Events film, and now I’m addicted to the Netflix series. I’ve lost count of the times I’ve rewatched the series, so I had been wanting to start reading the series for ages. It’s another one of those books that I haven’t gotten around to reading because I always found something I wanted to read more.

I’m glad I finally got The Bad Beginning though. It’s hilarious and some of the best children’s fiction I’ve read in ages. I’ve got a feeling I read it once when I was younger but I was never that into it. I definitely feel that some of the jokes are aimed more towards the readers my sort of age than kids, which is what makes it even better.

I absolutely love Justice Strauss and her library – it reminds me of something straight out of a fairytale.

The Bad Beginning is a hilarious start to the Unfortunate Events series and I can’t wait for my book ban to be over so I can buy the rest of the series and read them all over the stretch of a few weeks. They make the perfect quick read (I read this one in a couple of days around working, picking it up whenever I got a little bit of spare time).

Season two of Unfortunate Events comes out on Netflix in March, and it can’t come soon enough. Neil Patrick Harris makes the perfect Count Olaf and when I was reading this all I heard was his voice.
  
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Kyera (8 KP) rated Mockingjay in Books

Jan 31, 2018  
Mockingjay
Mockingjay
Suzanne Collins | 2012 | Young Adult (YA)
8
8.1 (174 Ratings)
Book Rating
A re-read of Mockingjay (and really the entire series) was long overdue. I haven't read the series since it came out and wanted to re=familiarize myself with it before watching the movie. I remember being Team Gale rather than Peeta (but that may have just been after the casting of Liam Hemsworth). Upon re-reading, I found myself not having a strong opinion about either suitor. Gale is much angrier than I recall him being, Peeta doesn't have much of an impression (after being jacked) and I just don't care what Katniss decides. That is certainly not how I felt in the first book. She becomes decidedly less relatable to me as the books progress. Hunger Games was definitely the strongest in the series and as a result, the finale felt like a bit of a letdown. The death toll was realistic, as they were embroiled in a war but not emotional. There were only a few deaths that I really felt, while the rest you could just immediately move on from. Perhaps that's terrible to say, but I believe they would have meant more if the reader was able to connect to the characters more. If you haven't read the series ye3t, what has taken you so long? Definitely read the series. The world building is wonderful, even if the ensemble cast can come across a bit flat at times. You will enjoy it if you're a fan of YA, dystopian fiction or want to read the books before you see their film adaptations.
  
Supernova (2020)
Supernova (2020)
2020 | Drama
8
8.0 (3 Ratings)
Movie Rating
Tucci and Firth - an acting masterclass (1 more)
A slow and very moving study of a difficult subject
“You’re not supposed to mourn someone before they die.”
Sam (Colin Firth) is a famous concert pianist. Tusker (Stanley Tucci) a famous author. But Tusker has Alzheimer's, and is starting to go downhill. The loving couple take their battered motorhome on a last great adventure round England's Lake District, taking in a visit with Sam's sister Lil while there.

Positives:
- "Love is a many splendored thing" as the song goes, and seldom has it been expressed so poignantly as in "Supernova". Harry Macqueen's script builds up a truly loving relationship between the two men. Any homophobes should be strapped into chairs and forced to watch this movie: perhaps that would cause some semblance of understanding to emerge in their petrified brains. (Who am I kidding?)
- Supporting the story brilliantly are Colin Firth and Stanley Tucci. Tucci has been in so many great movies over the years that it's no surprise to me that his acting moved me to tears. But when I think of Colin Firth (Hampshire's own! He went to my daughter's college!) my mind tends to skip over his dramatic roles in films like "The King's Speech" and "A Single Man". Instead, I tend to dwell on his lighter, fluffier roles, like "Bridget Jones" and "Mamma Mia". As such, I forget what a truly great actor he is. And here, he hits it out of the park! With all the Covid release confusion, I'm not sure whether "Supernova" is up for awards next year, or whether it has been cruelly overlooked from last year's awards. I truly hope it's the former, since both men are at the peak of their craft here.
- The cinematography by Dick Pope is beautiful. To be fair, you could put a Super 8 camera in the Lake District on a sunny day and it would look great. But the camera work here makes it look its best.

Negatives:
- Not really a negative for me, but it's about as far away from an "action film" as you can get. "Fast and Furious 9" is showing next door! This is an extremely slow, character-led piece that won't be for everyone.
- I wasn't totally convinced by the symptoms shown. Early in the film, Tusker wanders off in a daze, but seems comparatively compos mentis for most of the rest of the film. Perhaps this is just my ignorance of the randomness and unpredictability of the disease (anyone in the know - please enlighten me).

Summary Thoughts on "Supernova": As is often the way with cinema, genre films can come along like London buses. First this month we had Anthony Hopkin's Oscar-winning turn as a dementia sufferer in "The Father", and now "Supernova" appears. This takes a different approach to the subject. Not as flashy or clever. But no less effective at portraying the tragedy that this wretched disease wreaks with relationships, often making them a living hell.

Having straight actors play gay characters will no doubt provoke the usual outcry from the cancel culture. But if it's good acting - and it is a masterclass from the two leads in my book - such that you BELIEVE the story, then that's the whole point of the craft.

Like "The Father", this is a tough watch. I felt pretty well emotionally wrung-out by the end of it. But, it was well worth the wait in my book.

(For the full graphical review, please check out the "One Mann's Movies" review here - https://bob-the-movie-man.com/2021/06/24/supernova-youre-not-supposed-to-mourn-someone-before-they-die/. Thanks.)
  
Plain Bad Heroines
Plain Bad Heroines
Emily M. Danforth | 2021 | Contemporary, Horror, Humor & Comedy, LGBTQ+
7
7.0 (1 Ratings)
Book Rating
Plain Bad Heroines was one of my most anticipated reads of the year. I am a sucker for a lesbian tale. Add in a Gothic New England boarding school for girls? Sold.

The story centers around two time periods. The first, 1902, at the Brookhants School for Girls, run by Libbie Brookhants. A book by a young writer, Mary MacLane has come out--one that's incredibly scandalous for the times. Two Brookhants girls, Flo and Clara, are obsessed with it and establish The Plain Bad Heroine Society. The two are in love, meeting in secret--until they are attacked by yellow jackets at their hiding spot, a copy of the book found with them. A few years later the school closes, but not until after more scandal and death. Now, our second period, over a hundred years later, where Merritt Emmons, a young writer, publishes a book about Flo and Clara's story. It inspires a horror film starring Harper Harper, a famous lesbian actress. Harper will be playing Flo and B-list actress Audrey Wells, Clara. Filming on-site at the abandoned Brookhants site, the three women converge. But soon, weird things start happening, and the curse of Brookhants seems back to haunt the set--and our three modern-day heroines.

This book is absolutely enthralling at times. I flew through these 619 pages, that's for sure. My notes state "very lesbian," which is, of course, a major plus for me. Believe me, we don't get a lot of books starring ourselves. And you know, where we are killed off by swarms of yellow jackets. I honestly found both storylines compelling. It's hard not to fall a bit in love with Harper Harper, the charismatic celebrity (out!) lesbian. And 1902 isn't just about Clara and Flo, but Libbie Brookhants and her life trying to run a cursed school in the early 1900s. Honestly, the pages really flew by most of the time. Though, there are certainly moments where I felt some of the story could have been cut.

And yes, the narrative style is different, though it really adds to the uniqueness of the book. It's basically told by an omnipresent narrator, talking directly to the reader. There are footnotes, often humorous ones, and the end result is something you don't often find. For the most part, I felt like Danforth pulled it off, too. I do think Libbie was a little more fully developed than Merritt, Harper, and Audrey, but that also may have been because that trio could come across as a bit spoiled at times.

Probably my two biggest issues with this book (regretfully): for a Gothic horror novel, it's not really that scary. There are a few creepy and eerie moments, especially in the beginning, but it never really builds up to that terrifying moment that you're expecting. And, somewhat related, the ending. We read and stick with our various tales for the entire time and then... poof! Everything just fizzles out. I was so bummed. The ending was such a disappointment after all I'd read and kept this from being a full-fledged 4 or 4.5-star read. I couldn't believe it after what we'd been through. It was like even the author was tired.

So, overall, this is an original and fascinating read. I'm certainly still advising you to read it (especially if you're queer or enjoy reading queer fiction). Just be prepared that the ending may not have that big scary moment you're expecting. 3.5 stars.