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BankofMarquis (1832 KP) rated Klaus (2019) in Movies
Jul 28, 2020 (Updated Dec 24, 2020)
Visually Interesting - with strong voice performances
We have seen the Origin story of Santa Claus many times and in many ways over the years, so it was with some trepidation that the BankoMarquis ventured forth to check out the Netflix original film KLAUS which covers some very similar territory.
And I need not worry, for KLAUS is a visually interesting film with some very good voice performances that elevates a (relatively) by-the-book story into quite a delightful film experience.
Directed and Written by Sergio Pablos - a veteran animator with credits like Disney’s Tarzan, Despicable Me, Rio and Smallfoot - KLAUS tells the tale of…Jesper, a mailman who is also a privileged youth who’s lackluster ways runs him afoul of his father and he is banished to a remote, Northern country where her runs afoul of…KLAUS.
And…you can probably figure out where the story goes from there, but it is not the story - or the destination - that matters, it is the journey. And…what a wonderful journey it is.
Let’s start with the best part - this film is GORGEOUS to look at. Pablos uses hand drawn animation with lighting techniques taken from digital animation and the result is crisp, clean and stunning to look at. I will watch this film again, just to look at the visuals.
As for the voice casting - it is stellar - with one, small quibble. The great J.K. Simmon is…well…GREAT as Klaus. His deep baritone voice is perfect for the enigmatic hermit that is hiding secrets - and a heart of gold. Rashida Jones, Will Sasso, Norm MacDonald and the always brilliant Joan Cusack add their tremendous voices to the proceedings very well. My only quibble is with the work of Jason Schwartzman as Jesper, the character we follow throughout the film. I found his voice and character grating at times (I know this is on purpose, so Schwartzman did a good job in his work) but, I would have liked to have Pablos “tone down” the lead character just a bit.
But that is a “quibble” in a very entertaining movie that is a wonderful family film that can be enjoyed on different levels - and for different reasons - by children and adults alike.
Letter Grade: A-
8 Stars (out of 10) and you can take that to the Bank(ofMarquis)
And I need not worry, for KLAUS is a visually interesting film with some very good voice performances that elevates a (relatively) by-the-book story into quite a delightful film experience.
Directed and Written by Sergio Pablos - a veteran animator with credits like Disney’s Tarzan, Despicable Me, Rio and Smallfoot - KLAUS tells the tale of…Jesper, a mailman who is also a privileged youth who’s lackluster ways runs him afoul of his father and he is banished to a remote, Northern country where her runs afoul of…KLAUS.
And…you can probably figure out where the story goes from there, but it is not the story - or the destination - that matters, it is the journey. And…what a wonderful journey it is.
Let’s start with the best part - this film is GORGEOUS to look at. Pablos uses hand drawn animation with lighting techniques taken from digital animation and the result is crisp, clean and stunning to look at. I will watch this film again, just to look at the visuals.
As for the voice casting - it is stellar - with one, small quibble. The great J.K. Simmon is…well…GREAT as Klaus. His deep baritone voice is perfect for the enigmatic hermit that is hiding secrets - and a heart of gold. Rashida Jones, Will Sasso, Norm MacDonald and the always brilliant Joan Cusack add their tremendous voices to the proceedings very well. My only quibble is with the work of Jason Schwartzman as Jesper, the character we follow throughout the film. I found his voice and character grating at times (I know this is on purpose, so Schwartzman did a good job in his work) but, I would have liked to have Pablos “tone down” the lead character just a bit.
But that is a “quibble” in a very entertaining movie that is a wonderful family film that can be enjoyed on different levels - and for different reasons - by children and adults alike.
Letter Grade: A-
8 Stars (out of 10) and you can take that to the Bank(ofMarquis)
Solomon Wendt (30 KP) rated Ready Player One (2018) in Movies
May 5, 2019
Nostalgia (1 more)
Video Games
This movie is based off of the book of the same name and matches it for most of the major plot points. In short, the story follows Wade Wilson, an egg hunter (Gunter for short), on the search for a virtual Easter egg that unlock control over the virtual reality known as The Oasis. In a scavenger hunt fashion, there are clues and trials that Wade must figure out and overcome in his attempt at such a coveted prize.
The film follows the major points of the book, but does change the clues and trials so its not the same exact story, which I feel is the purpose of film adaptations. However, as with many sci-fi films, majority of interest here is of the world that is constructed which is quickly glossed over. To be fair, how much more do we really need to than people are addicted to virtual reality and want to have more power in it? But the issue is the sort of background that is left out that can leave the soley film consumers a bit confused or leave more questions. As for the actual content of the film, it is a real nostalgia trip for those who enjoyed 80's pop culture and tries to include more recent fandoms such as Overwatch and Halo. Sadly, the viewer doesn't really take part in the treasure hunt as mystery and adventure films try to do. The clues are obscure and related to the creator of the hunt, so there isn't much guessing at what a clue means until it is flat out explained.
However, with the audience participation aside, it is a good sci-fi adventure that utilizes a good blend of motion capture technology and cgi work. It explore a good variety of worlds, environments, and character models that make this film noteworthy of that aspect of production. It leaves quite the impression and I know I looked up how much virtual reality cost after I was done.
In short, it was a good overall production in terms of tools utilized, but lacked a little bit of story in an attempt to cram a different world and rule set while trying to make a complete adventure and story arc. I recommend viewing it at least once, but doesn't really need to be viewed more than that.
The film follows the major points of the book, but does change the clues and trials so its not the same exact story, which I feel is the purpose of film adaptations. However, as with many sci-fi films, majority of interest here is of the world that is constructed which is quickly glossed over. To be fair, how much more do we really need to than people are addicted to virtual reality and want to have more power in it? But the issue is the sort of background that is left out that can leave the soley film consumers a bit confused or leave more questions. As for the actual content of the film, it is a real nostalgia trip for those who enjoyed 80's pop culture and tries to include more recent fandoms such as Overwatch and Halo. Sadly, the viewer doesn't really take part in the treasure hunt as mystery and adventure films try to do. The clues are obscure and related to the creator of the hunt, so there isn't much guessing at what a clue means until it is flat out explained.
However, with the audience participation aside, it is a good sci-fi adventure that utilizes a good blend of motion capture technology and cgi work. It explore a good variety of worlds, environments, and character models that make this film noteworthy of that aspect of production. It leaves quite the impression and I know I looked up how much virtual reality cost after I was done.
In short, it was a good overall production in terms of tools utilized, but lacked a little bit of story in an attempt to cram a different world and rule set while trying to make a complete adventure and story arc. I recommend viewing it at least once, but doesn't really need to be viewed more than that.
Kelly (279 KP) rated Bird Box (2018) in Movies
Jan 7, 2019
Enjoyable
Contains spoilers, click to show
I had been eager to watch this for some time after reading reviews, and was not disappointed. Having never read the book in which the film is based, I did not know what to expect. I knew that the film was a horror, but am not easily shocked or scared, so was not expecting much from this point of view, however I did find the film enjoyable in terms of the storyline.
The story is based around a reluctant mother, played by Sandra Bullock, who finds she has to raise the child she never wanted as a result of an apocalyptic event. The general premise of the story is that there are creature, which if you see, result in impending insanity and suicidal thoughts. Malorie, the main character seeks refuge in a house with other survivors (who predictably don’t make it to the end of the story) in order to ride out the apocalypse. Realising that her position is not stable, the story also flashes to the future, showing Malories escape towards a safe haven with her son and the child of one of the other survivors. The path to the safe haven is taken blind folded (to avoid looking at the invisible threat), aided by a small box which contains birds, who can sense the presence of the evil. Having seen a fair few horrors, I am pretty desensitised to the use of fear in the movie - basically, I didn’t find it too scary, however I did feel that the story was intriguing.
One of the most interesting aspects of the film was the story of the relationship between Malorie and her children. The reluctant mother never named the children formally until the end, and we see the relationship and her feelings towards them both evolve over the course of the movie.
I felt that this was one of the better roles Sandra Bullock has played, and she acted well throughout the movie, her scenes that portrayed uncertainty and fear were believable and she evolved the character well as the story line develops.
Would I lose sleep after watching this, no- the film was not that scary, but ultimately I found it an enjoyable story with a sweet twist at the end. I look forward to reading the book next.
The story is based around a reluctant mother, played by Sandra Bullock, who finds she has to raise the child she never wanted as a result of an apocalyptic event. The general premise of the story is that there are creature, which if you see, result in impending insanity and suicidal thoughts. Malorie, the main character seeks refuge in a house with other survivors (who predictably don’t make it to the end of the story) in order to ride out the apocalypse. Realising that her position is not stable, the story also flashes to the future, showing Malories escape towards a safe haven with her son and the child of one of the other survivors. The path to the safe haven is taken blind folded (to avoid looking at the invisible threat), aided by a small box which contains birds, who can sense the presence of the evil. Having seen a fair few horrors, I am pretty desensitised to the use of fear in the movie - basically, I didn’t find it too scary, however I did feel that the story was intriguing.
One of the most interesting aspects of the film was the story of the relationship between Malorie and her children. The reluctant mother never named the children formally until the end, and we see the relationship and her feelings towards them both evolve over the course of the movie.
I felt that this was one of the better roles Sandra Bullock has played, and she acted well throughout the movie, her scenes that portrayed uncertainty and fear were believable and she evolved the character well as the story line develops.
Would I lose sleep after watching this, no- the film was not that scary, but ultimately I found it an enjoyable story with a sweet twist at the end. I look forward to reading the book next.
Beyond Blaxploitation
Novotny Lawrence and Gerald R. Butters
Book
Beyond Blaxploitation, the first book-length anthology of scholarly work on blaxploitation films,...
Sharpie0499 (114 KP) rated The Darkest Minds (2018) in Movies
Aug 9, 2018
Perfect casting (1 more)
Stayed true to the books
Great Adaptation
I have been waiting for this adaptation since I read the books a good few years ago. When it was finally announced, I was buzzing with excitement and for good reason. This film adaptation was pretty well done and felt like my vision of the book came to life. I originally had some doubts about the casting choices made, but those thoughts were immediately put out of my head when I watched the film; the casting choices were perfect and I now can't imagine anyone else playing those roles. Certain scenes did feel a bit rushed and should have been extended as I was left with a feeling of whiplash, but other than that, I was very happy with this YA adaptation.
Acting and its Refusal in Theatre and Film: The Devil Makes Believe
Book
Acting has traditionally been considered a form of pretending or falsehood, compared with the...
Jonah Hill recommended Inventing David Geffen (2012) in Movies (curated)
The Cinema of Cuba: Contemporary Film and the Legacy of the Revolution
Ann Marie Stock, Guy Baron and Antonio Alvarez Pitaluga
Book
Contemporary Cuba is opening up to the rest of the world. Its colonial past and the Communist...
Sassy Brit (97 KP) rated Timeless: Recreate the Most Iconic Looks from 100 Years of Beauty in Books
Jun 5, 2019
The hardcover version of Timeless: A Century of Iconic Looks by Louise Young, Loulia Sheppard is a stunning and informative book for recreating the most striking make-up and hair styles of the 20th century with step-by-step guides. If you love fashion, different hairstyles and the make-up that goes with these different years, I can see you loving this.
Timeless is indeed a beauty of a book, with glossy photos and clear, concise ‘how to’ steps to recreate the styles and make-up from the early years, and the jazz-age flapper 1930s right up to the 1980s and beyond.
I’m a fan of the sixties, Jean Shrimpton, Twiggy models, and designer Mary Quant, who all influenced the UK and made London an icon fashion hub back in the day. So I really liked how there was quite a chunk dedicated to this (and other) hairstyle and make-up periods. I wish I was old enough to have lived in this era!
It’s also amazing to see just how long brands like Max Factor, Yardley, Ponds, Elizabeth Arden and Revlon have been going. And sad to read how much of the make-up was bought from much-loved shops like Woolworths, which I do remember! (The shop, not buying make-up in the 60s!)
The cultural revolution of the 1960s saw innovative make-up formulations produced, boundaries being pushed and the youthful Swinging London scene influencing looks all over the world. ?????????”
Put together by renowned film, television and make-up artist Louise Young, along with leading film industry hairstylist Loulia Sheppard, this is an outstanding book full of tips, tricks and stunning photos. Whether you’re a fashion guru or just like this as a coffee table book, it’s definitely a conversation starter.
Timeless is indeed a beauty of a book, with glossy photos and clear, concise ‘how to’ steps to recreate the styles and make-up from the early years, and the jazz-age flapper 1930s right up to the 1980s and beyond.
I’m a fan of the sixties, Jean Shrimpton, Twiggy models, and designer Mary Quant, who all influenced the UK and made London an icon fashion hub back in the day. So I really liked how there was quite a chunk dedicated to this (and other) hairstyle and make-up periods. I wish I was old enough to have lived in this era!
It’s also amazing to see just how long brands like Max Factor, Yardley, Ponds, Elizabeth Arden and Revlon have been going. And sad to read how much of the make-up was bought from much-loved shops like Woolworths, which I do remember! (The shop, not buying make-up in the 60s!)
The cultural revolution of the 1960s saw innovative make-up formulations produced, boundaries being pushed and the youthful Swinging London scene influencing looks all over the world. ?????????”
Put together by renowned film, television and make-up artist Louise Young, along with leading film industry hairstylist Loulia Sheppard, this is an outstanding book full of tips, tricks and stunning photos. Whether you’re a fashion guru or just like this as a coffee table book, it’s definitely a conversation starter.
Art is Dead: The asdf Book
Book
In 2008, Thomas "TomSka" Ridgewell uploaded a short animated film to YouTube; he called it...