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iStatVball 2 (Combined)
Sports and Productivity
App
'iStatVball 2 iPad Edition' is an extremely powerful, yet easy to use, sports statistics engine for...
Calisthenics Workout • Learn how to Muscle Up
Health & Fitness, Sports and Stickers
App
Unlock the 20 levels all the way to the Muscle up. "This is seriously a great app for anyone...
Jurassic Parts
8.0
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Tabletop Game
Jurassic Parts is a small box area enclosure and set collection tile game featuring dinosaur...
Paul Kellett (118 KP) rated Legends Untold: The Weeping Caves Novice Set in Tabletop Games
May 1, 2019
Small box, big on content (3 more)
Short playtime
Well written, easy to follow rules
Good replayability
A Deep, Strategic Exploration Adventure
Played my first game of Legends Untold, a superb RPG card game with a focus on skill checks and exploration rather than combat.
There are two different games in this series - The Weeping Caves and The Great Sewers. Both play the same but come with different characters, events and locations.
The promise is simple - choose a single scenario (8 available in each set) or play the story campaign (one 8 episode campaign in each set) and set off exploring. You control 1-4 characters who are normal villagers that have taken up arms and gone adventuring (the campaign has you leading the rest of your village to a new place of safety).
As you make your way through the caves (or sewers), you have to decide which path to take and whether you will be stealthy. Different paths have different levels of light which can affect whether you spot traps or gain surprise on enemies or they see you first. When you enter a new location you roll 3d6 and check your awareness against the light level on the new location. If you pass, you are aware and gain bonuses but if you fail you will get negative modifiers to some tests and could trigger traps.
The location cards have great artwork and can be laid out in any position (lining up exits) which makes the map look great and very different from the regimented layout of other games.
Once you've dealt with any goes, you can explore your surroundings and hopefully gain some loot to help you deal with things.
Everything is resolved with skill tests, rolling 3d6 and adding your characters attribute in a relevant skill plus any modifiers (pluses for being aware, minuses for being careless, etc) from equipment or talents.
There are 4 characters to choose from and an array of weapons, items and talents. The rules give you recommended setups for each character or you can create your own. As you play through, you will level up, gaining upgraded weapons and more talents to help you along. This makes for a great deal of replayability.
The mechanisms while seem daunting at first are intuitive and mesh together really well. The rule book is fantastic and written in such a way that you can start setting up the game and start aging while reading along. Everything is clearly laid out with an index and glossary as well as some handy refer me cards so checking a rule is quick and easy.
If you want a great, quick adventure game, Legends Untold is well worth a look.
There are two different games in this series - The Weeping Caves and The Great Sewers. Both play the same but come with different characters, events and locations.
The promise is simple - choose a single scenario (8 available in each set) or play the story campaign (one 8 episode campaign in each set) and set off exploring. You control 1-4 characters who are normal villagers that have taken up arms and gone adventuring (the campaign has you leading the rest of your village to a new place of safety).
As you make your way through the caves (or sewers), you have to decide which path to take and whether you will be stealthy. Different paths have different levels of light which can affect whether you spot traps or gain surprise on enemies or they see you first. When you enter a new location you roll 3d6 and check your awareness against the light level on the new location. If you pass, you are aware and gain bonuses but if you fail you will get negative modifiers to some tests and could trigger traps.
The location cards have great artwork and can be laid out in any position (lining up exits) which makes the map look great and very different from the regimented layout of other games.
Once you've dealt with any goes, you can explore your surroundings and hopefully gain some loot to help you deal with things.
Everything is resolved with skill tests, rolling 3d6 and adding your characters attribute in a relevant skill plus any modifiers (pluses for being aware, minuses for being careless, etc) from equipment or talents.
There are 4 characters to choose from and an array of weapons, items and talents. The rules give you recommended setups for each character or you can create your own. As you play through, you will level up, gaining upgraded weapons and more talents to help you along. This makes for a great deal of replayability.
The mechanisms while seem daunting at first are intuitive and mesh together really well. The rule book is fantastic and written in such a way that you can start setting up the game and start aging while reading along. Everything is clearly laid out with an index and glossary as well as some handy refer me cards so checking a rule is quick and easy.
If you want a great, quick adventure game, Legends Untold is well worth a look.
Gareth von Kallenbach (980 KP) rated The Last Witch Hunter (2015) in Movies
Jun 19, 2019
Over 800 years ago, a group of warriors and Clergy set off on a journey to destroy a witch and her minions in her lair. The witch had unleashed a plague upon the human race and she was determined to wipe them from the face of the planet.
During the battle, the witch is defeated but with her dying breath, she curses the one who vanquished her to a life of eternity, destined to be alone and never know peace.
Flash forward to modern day New York, and we find that man is now an elite Witch Hunter named Kaulder (Vin Diesel), who toils his trade working for a group who along with Witches maintain the peace. The Witches promise not to practice their craft against humans and in turn they are left alone. But when one does not follow the rules or is a threat to humanity, Kaulder and his ability to heal from injury via his immortality is dispatched to dispense justice.
When his Dolan (Michael Caine) is found dead the day after he retires, Koulder and his new Dolan (Elijah Wood), set out to find the Witch who is responsible which in turn leads to a discovery that his former Dolan is not dead but deeply cursed. In a race against time, Koulder must find the Witch who issues the curse and make an uneasy alliance with a witch named Chloe (Rose Leslie) to get to the bottom of a mystery darker and more deadly than they could have ever imagined.
One would think with the presence of Diesel and the interesting premise of the film, “The Last Witch Hunter”, would be more than it is. The film sadly plods along and has no real tension or surprises and at times, plays out more like a direct to DVD release or something one would find on cable late at night. I think the presence of Diesel is what got the film a theatrical release but one would hope with such a fine supporting cast it would have been better.
That is not to say the film is bad, as it was better than I thought it would be, but sadly as it went along, it simply failed to deliver on the potential of the premise.
In many ways I see this like “Hansel and Gretel” in that it will likely play better to the foreign market but after the total box office, DVD, and Pay Per View are factored in, do not be shocked if a second outing for the characters arrives someday as Diesel has shown a fondness for franchise characters.
For now the film is a decent distraction and offers entertainment as long as you set your expectations accordingly.
http://sknr.net/2015/10/23/the-last-witch-hunter/
During the battle, the witch is defeated but with her dying breath, she curses the one who vanquished her to a life of eternity, destined to be alone and never know peace.
Flash forward to modern day New York, and we find that man is now an elite Witch Hunter named Kaulder (Vin Diesel), who toils his trade working for a group who along with Witches maintain the peace. The Witches promise not to practice their craft against humans and in turn they are left alone. But when one does not follow the rules or is a threat to humanity, Kaulder and his ability to heal from injury via his immortality is dispatched to dispense justice.
When his Dolan (Michael Caine) is found dead the day after he retires, Koulder and his new Dolan (Elijah Wood), set out to find the Witch who is responsible which in turn leads to a discovery that his former Dolan is not dead but deeply cursed. In a race against time, Koulder must find the Witch who issues the curse and make an uneasy alliance with a witch named Chloe (Rose Leslie) to get to the bottom of a mystery darker and more deadly than they could have ever imagined.
One would think with the presence of Diesel and the interesting premise of the film, “The Last Witch Hunter”, would be more than it is. The film sadly plods along and has no real tension or surprises and at times, plays out more like a direct to DVD release or something one would find on cable late at night. I think the presence of Diesel is what got the film a theatrical release but one would hope with such a fine supporting cast it would have been better.
That is not to say the film is bad, as it was better than I thought it would be, but sadly as it went along, it simply failed to deliver on the potential of the premise.
In many ways I see this like “Hansel and Gretel” in that it will likely play better to the foreign market but after the total box office, DVD, and Pay Per View are factored in, do not be shocked if a second outing for the characters arrives someday as Diesel has shown a fondness for franchise characters.
For now the film is a decent distraction and offers entertainment as long as you set your expectations accordingly.
http://sknr.net/2015/10/23/the-last-witch-hunter/
Movie Metropolis (309 KP) rated King Arthur: Legend Of The Sword (2017) in Movies
Jun 10, 2019
Schrodinger's Film
There is a thought experiment that is used to help make sense of the Copenhagen Interpretation of Quantum Mechanics. Say you have a cat, a box and a fragile vial of poison. You put the cat and the poison in the box knowing that the vial may break, you lunatic.
At this point, so goes the thought experiment, until we can perceive whether or not the cat is dead, the cat is dead AND alive simultaneously, and it is only when you look into the box that you know whether you have a friend for life or a Korean meal.
I bring this up because I often insist that I prefer a bad movie with great moments than a movie that’s adequate across the board, but Guy Ritchie’s most recent film certainly puts that to the test. It’s almost my favourite film of the year but is full of nigh-unforgiveable blunders that I don’t think I can watch it again. But I don’t regret seeing it. King Arthur is both good and not good and the cat is still in the box.
Well, I might as well start with what’s good about the film. For one, the character of Arthur himself has a pretty interesting arc. Normally interpretations of the Arthur myth focus on the King bit, so despite it being yet another origin story, it at least is for a character who rarely gets one, and it’s an interesting spin on the reluctant hero arc.
In addition, the world itself feels like it desperately needs a hero. You get the sense that this world is falling apart, which is much better than some other chosen one narratives like Harry Potter, where even when Voldemort took over the wizarding world he didn’t seem to do anything. Also, this is a fantasy film that isn’t just Lord of the Rings again, but a more Celtic mystic mythology that is ripe for exploration.
Then there’s Jude Law, who is so moustache-twirlingly evil that he’s hilarious. He’s clearly having the time of his life playing this cartoon super villain and making him campy enough to be fun while still threatening and compelling when he needs to be.
Shame about the rest of the cast, who all have the same personality, that of “Ah’m just one o’ tha lads, apples and pears, apples and pears.” It’s like a Chelsea game but set in the Dark Ages. So it’s identical to a Chelsea game. The only exception is Astrid Frizbee’s mage, whose intense magic power is so devastating that she manages to put a sleep spell on the audience every time she opens her noise-hole and lets out a monotone bored drone.
There’s also the action, and Hollywood, we need to talk. I thought that shaky cam was just a phase, but I’ve seen you doing it again, and you need to stop. I’ve played VR games where you do nothing but ride particularly unstable cows and came out the other end less motion sick than your sword fighting scenes. Come on, you’re better than this, and we just what’s best for you, so just buy a steady-cam already.
Maybe it’s Guy Ritchie himself, though. Nothing in the film seems to last longer than three minutes aside Arthur’s whining. Sometimes it works, like the very snappy but informative way we see Arthur grow from stupid baby to stupid adult, and sometimes it’s stupid, like when an entire other movie’s worth of content gets squashed into an uninspired montage.
But that’s the great dilemma; the montages are good and bad, like the movie itself. You will only enjoy the movie if you enjoy the movie but if you don’t then you won’t. I write this piece a defeated critic, ladies and gentlemen. Is it worth seeing? I don’t really know. A bigger fan of Guy Ritchie or quantum mechanics than I will probably get something out of it and there are worse movies out there, but it also can’t help but disappoint somehow. The cat isn’t dead, but it has a bit of a cold.
https://moviemetropolis.net/2017/05/25/schrodingers-film-king-arthur-legend-of-the-sword-review/
At this point, so goes the thought experiment, until we can perceive whether or not the cat is dead, the cat is dead AND alive simultaneously, and it is only when you look into the box that you know whether you have a friend for life or a Korean meal.
I bring this up because I often insist that I prefer a bad movie with great moments than a movie that’s adequate across the board, but Guy Ritchie’s most recent film certainly puts that to the test. It’s almost my favourite film of the year but is full of nigh-unforgiveable blunders that I don’t think I can watch it again. But I don’t regret seeing it. King Arthur is both good and not good and the cat is still in the box.
Well, I might as well start with what’s good about the film. For one, the character of Arthur himself has a pretty interesting arc. Normally interpretations of the Arthur myth focus on the King bit, so despite it being yet another origin story, it at least is for a character who rarely gets one, and it’s an interesting spin on the reluctant hero arc.
In addition, the world itself feels like it desperately needs a hero. You get the sense that this world is falling apart, which is much better than some other chosen one narratives like Harry Potter, where even when Voldemort took over the wizarding world he didn’t seem to do anything. Also, this is a fantasy film that isn’t just Lord of the Rings again, but a more Celtic mystic mythology that is ripe for exploration.
Then there’s Jude Law, who is so moustache-twirlingly evil that he’s hilarious. He’s clearly having the time of his life playing this cartoon super villain and making him campy enough to be fun while still threatening and compelling when he needs to be.
Shame about the rest of the cast, who all have the same personality, that of “Ah’m just one o’ tha lads, apples and pears, apples and pears.” It’s like a Chelsea game but set in the Dark Ages. So it’s identical to a Chelsea game. The only exception is Astrid Frizbee’s mage, whose intense magic power is so devastating that she manages to put a sleep spell on the audience every time she opens her noise-hole and lets out a monotone bored drone.
There’s also the action, and Hollywood, we need to talk. I thought that shaky cam was just a phase, but I’ve seen you doing it again, and you need to stop. I’ve played VR games where you do nothing but ride particularly unstable cows and came out the other end less motion sick than your sword fighting scenes. Come on, you’re better than this, and we just what’s best for you, so just buy a steady-cam already.
Maybe it’s Guy Ritchie himself, though. Nothing in the film seems to last longer than three minutes aside Arthur’s whining. Sometimes it works, like the very snappy but informative way we see Arthur grow from stupid baby to stupid adult, and sometimes it’s stupid, like when an entire other movie’s worth of content gets squashed into an uninspired montage.
But that’s the great dilemma; the montages are good and bad, like the movie itself. You will only enjoy the movie if you enjoy the movie but if you don’t then you won’t. I write this piece a defeated critic, ladies and gentlemen. Is it worth seeing? I don’t really know. A bigger fan of Guy Ritchie or quantum mechanics than I will probably get something out of it and there are worse movies out there, but it also can’t help but disappoint somehow. The cat isn’t dead, but it has a bit of a cold.
https://moviemetropolis.net/2017/05/25/schrodingers-film-king-arthur-legend-of-the-sword-review/
Night Reader Reviews (683 KP) rated Full Dark No Stars in Books
Apr 14, 2020
Casual Review
Full Dark, No Stars is a collection of four short stories by Stephen King. These stories include 1922, Big Driver, Fair Extension, and A Good Marriage. As Stephen King admits in the Afterword at the back of the book these four stories are disturbing and hard to read at times but they are well worth it. In these four books Stephen King explores the possibility of each person having at least one more person inside them, the person that comes out when we experience something too traumatic for our typical self to handle. What happens when this person we keep hidden deep inside of us gets let out? Can we put this person back and go on to live a normal life or does it change us forever?
1922
This story reminded me largely of Poe's Tell-Tale Heart and I am sure many other bookworms will see the resemblance between these two stories. Wilfred Leland James is a farmer living on 80 acres of land with his wife and his son. When his wife is given 100 acres of adjacent land when her father dies, Wilfred is thrilled until he learns that she plans on selling all of it off to a big company and that there is nothing he can do to stop her. She is determined to sell the land and move to the city, taking their son with her either Wilfred wants to go or not. Their respective stubbornness starts a chain of events that can only end in pain and misery for all involved.
Big Driver
Tess is a mystery writer of the sort that writes simple little mysteries often read by older ladies and their book clubs and who occasionally makes guest appearances to talk about her books. When she takes a shortcut home suggested to her after one such event she finds herself in a world that she doesn't even dare to write about. A stranger stopping to help her ends up having other plans for her and leaves her for dead after raping her multiple times. Tess manages to survive and makes her way home but the damage has been done in more than one way and she sets out to get revenge on all she believes to be involved in what happened. Is it possible though that she doesn't know the full story?
Fair Extension
Dave Streeter has cancer and doesn't have much time left to live, under a year for sure. He is extremely jealous of an old friend of his from school who seems to have it all while Dave and his family are not struggling but they also are not doing as well as what his old friend is. Then one day while heading home and contemplating his life. he sees a man along the extension by the airport with a little stand set up. This man offers Dave an extension on his life but Dave has to offer someone that he hates up to this man in exchange, not to kill him but someone must pay the price.
A Good Marriage
One day while Darcy's husband is away on business and she is looking for batteries she stubbles on a box that her husband has hidden under a table in the garage. When she tries to push the box under the table the rest of the way she pushes the box up against something that she ends up wishing she never investigated. When she looks at what the box hit she ends up discovering that her husband has been harboring a horrible secret from even before they were married but this puts her in a very bad spot. She fears no one would believe that she did not know about what he was doing until now and she also fears the stigma that the discovery will leave on their children. At the same time though she must do something about what she found out.
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https://smashbomb.com/nightreader
1922
This story reminded me largely of Poe's Tell-Tale Heart and I am sure many other bookworms will see the resemblance between these two stories. Wilfred Leland James is a farmer living on 80 acres of land with his wife and his son. When his wife is given 100 acres of adjacent land when her father dies, Wilfred is thrilled until he learns that she plans on selling all of it off to a big company and that there is nothing he can do to stop her. She is determined to sell the land and move to the city, taking their son with her either Wilfred wants to go or not. Their respective stubbornness starts a chain of events that can only end in pain and misery for all involved.
Big Driver
Tess is a mystery writer of the sort that writes simple little mysteries often read by older ladies and their book clubs and who occasionally makes guest appearances to talk about her books. When she takes a shortcut home suggested to her after one such event she finds herself in a world that she doesn't even dare to write about. A stranger stopping to help her ends up having other plans for her and leaves her for dead after raping her multiple times. Tess manages to survive and makes her way home but the damage has been done in more than one way and she sets out to get revenge on all she believes to be involved in what happened. Is it possible though that she doesn't know the full story?
Fair Extension
Dave Streeter has cancer and doesn't have much time left to live, under a year for sure. He is extremely jealous of an old friend of his from school who seems to have it all while Dave and his family are not struggling but they also are not doing as well as what his old friend is. Then one day while heading home and contemplating his life. he sees a man along the extension by the airport with a little stand set up. This man offers Dave an extension on his life but Dave has to offer someone that he hates up to this man in exchange, not to kill him but someone must pay the price.
A Good Marriage
One day while Darcy's husband is away on business and she is looking for batteries she stubbles on a box that her husband has hidden under a table in the garage. When she tries to push the box under the table the rest of the way she pushes the box up against something that she ends up wishing she never investigated. When she looks at what the box hit she ends up discovering that her husband has been harboring a horrible secret from even before they were married but this puts her in a very bad spot. She fears no one would believe that she did not know about what he was doing until now and she also fears the stigma that the discovery will leave on their children. At the same time though she must do something about what she found out.
https://www.facebook.com/nightreaderreviews
https://nightreaderreviews.blogspot.com/
https://smashbomb.com/nightreader
Throne of Games: King Fergie, Lord Moyes and the Season of Grim Death
7.0
Rate It
Book
Summer is at an end in the 20 kingdoms and Sir Fergie, King of the House Manc, originally from a...
Three Novels by Cesar Aira
Book
Three novels by Cesar Aira combines three short novels by the cult Argentinian writer in one...
