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Kristy H (1252 KP) rated Once And For All in Books
Feb 1, 2018
Louna is the daughter of a single mother, Natalie Barrett. Natalie runs a famous wedding planning business with her friend William. Together--often with Louna's assistance--they help frantic brides have the perfect day. But Louna, Natalie, and William are a cynical trio: so much that they even take bets on the success of each wedding after every affair is over and they're cleaning up. Louna has another reason to be cynical: she met her true love the previous summer, but it ended tragically. After graduating high school, she's just trying to get through her last summer and head off to college. Standing in her way: charming Ambrose, the brother of one of her mother's clients. Natalie takes on Ambrose as an employee to appease her client, so Louna is stuck with cheery, serial-dater Ambrose. But the more time she spends with him, the less he starts to bother her...
<i>I was surprisingly charmed by this novel.</i> It's predictable, but in a good way. You know what you get with a Dessen novel, and this book came along at a good time for me. It's more serious than expected (I won't spoil that plot twist for you) but also <i>breezy and sweet at times.</i> Louna is a likeable heroine--flawed, complicated, real. The supporting cast of characters is humorous and realistic: Louna's best friend Jilly, whose parents have a food truck business and saddle Jilly with her many younger siblings; William, with his bride-whisperer tendencies; Natalie, and her rigid obsession with her business; and girl-crazy Ambrose, who verges on stereotype, but manages not to. The book also gives you a fun look into the wedding business, which is sort of enjoyable and lets you see how most of our characters deal with stress.
Overall, <i>this is an engaging novel, with serious undertones.</i> It's a quick read, powered by an enjoyable cast of characters. While there are some dark moments that may surprise you, the romance probably won't. But there's nothing necessarily wrong with that sometimes. :)
You can find my review of Dessen's novel SAINT ANYTHING <a href="https://www.goodreads.com/review/show/1267324399?book_show_action=false&from_review_page=1">here</a>;.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a>; ~ <a href="https://www.instagram.com/justacatandabook/">Instagram</a>; </center>
<i>I was surprisingly charmed by this novel.</i> It's predictable, but in a good way. You know what you get with a Dessen novel, and this book came along at a good time for me. It's more serious than expected (I won't spoil that plot twist for you) but also <i>breezy and sweet at times.</i> Louna is a likeable heroine--flawed, complicated, real. The supporting cast of characters is humorous and realistic: Louna's best friend Jilly, whose parents have a food truck business and saddle Jilly with her many younger siblings; William, with his bride-whisperer tendencies; Natalie, and her rigid obsession with her business; and girl-crazy Ambrose, who verges on stereotype, but manages not to. The book also gives you a fun look into the wedding business, which is sort of enjoyable and lets you see how most of our characters deal with stress.
Overall, <i>this is an engaging novel, with serious undertones.</i> It's a quick read, powered by an enjoyable cast of characters. While there are some dark moments that may surprise you, the romance probably won't. But there's nothing necessarily wrong with that sometimes. :)
You can find my review of Dessen's novel SAINT ANYTHING <a href="https://www.goodreads.com/review/show/1267324399?book_show_action=false&from_review_page=1">here</a>;.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a>; ~ <a href="https://www.instagram.com/justacatandabook/">Instagram</a>; </center>
Hazel (1853 KP) rated A Grimm Curse (Grimm Tales #3) in Books
Dec 17, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review </i>
Janna Jennings’ latest book, <i>A Grimm Curse</i>, is set long before the previous two novellas in <i>A Grimm Tales</i> series. Rather than focusing on Andi, a girl from the “real” world, this is a story about the characters in the fairytales – most importantly Cynthia or, whom readers may know her better as, Cinderella.
As in the traditional tale, Cynthia works as a slave for her horrible stepmother and stepsisters – a fate she succumbed to after the death of her father. There is also an upcoming ball at the palace for the prince who is seeking a bride. This, however, is where the similarities end. As well as <i>Cinderella</i>, other fairytales make their appearance, particularly <i>The Frog Prince </i>and <i>Rapunzel</i>. But something is unsettling the characters; they are experiencing bad dreams. Or are they memories?
Cynthia is a much more admirable character than the original Cinderella. She is clever, determined and independent – she does not need a fairy godmother for a start! Neither has she any interest in the prince. If she is going to escape from servitude it will be by her own dexterity, rather than her reliance on someone else to save her.
<i>A Grimm Curse</i> can work as a prequel to the first in the series as it sets the scene that Andi will come across. It can also survive as a stand alone as there is no reference to the events of the other books, however knowledge of these will help the ending make more sense.
Personally I preferred <i>A Grimm Curse</i> to the stories that Jennings’ previously wrote. I had misgivings about the author’s use of fairytales that were not one of those collected by the <i>Brothers Grimm</i>. The tales in this book were, however, so therefore fit better with the title.
I strongly recommend this story to readers – adult and adolescent – who are still in love with fairytales or retellings. It is as though it is written with feminism in mind as the heroine does not need a man to rescue her, thus is in keeping with modern times rather than the time period of the originals.
Janna Jennings’ latest book, <i>A Grimm Curse</i>, is set long before the previous two novellas in <i>A Grimm Tales</i> series. Rather than focusing on Andi, a girl from the “real” world, this is a story about the characters in the fairytales – most importantly Cynthia or, whom readers may know her better as, Cinderella.
As in the traditional tale, Cynthia works as a slave for her horrible stepmother and stepsisters – a fate she succumbed to after the death of her father. There is also an upcoming ball at the palace for the prince who is seeking a bride. This, however, is where the similarities end. As well as <i>Cinderella</i>, other fairytales make their appearance, particularly <i>The Frog Prince </i>and <i>Rapunzel</i>. But something is unsettling the characters; they are experiencing bad dreams. Or are they memories?
Cynthia is a much more admirable character than the original Cinderella. She is clever, determined and independent – she does not need a fairy godmother for a start! Neither has she any interest in the prince. If she is going to escape from servitude it will be by her own dexterity, rather than her reliance on someone else to save her.
<i>A Grimm Curse</i> can work as a prequel to the first in the series as it sets the scene that Andi will come across. It can also survive as a stand alone as there is no reference to the events of the other books, however knowledge of these will help the ending make more sense.
Personally I preferred <i>A Grimm Curse</i> to the stories that Jennings’ previously wrote. I had misgivings about the author’s use of fairytales that were not one of those collected by the <i>Brothers Grimm</i>. The tales in this book were, however, so therefore fit better with the title.
I strongly recommend this story to readers – adult and adolescent – who are still in love with fairytales or retellings. It is as though it is written with feminism in mind as the heroine does not need a man to rescue her, thus is in keeping with modern times rather than the time period of the originals.
ClareR (5721 KP) rated The Guest List in Books
Feb 27, 2020
The Guest List is a murder mystery set at a wedding - and not just any wedding. This is the event of the year. It's set on an exclusive island off the coast of Ireland. The bride, Jules Keegan, is a magazine publisher, and the groom, Will Slater, is a handsome survivalist TV star. But all is not as it seems. Will's guests consist mainly of old public school friends who aren't particularly nice people (the ushers are frankly appalling), and Jules' 'Best Man' is an ex-boyfriend from when she was a teenager. Now, he seems perfectly nice, as does his 'plus one', his wife Hannah. Part of the story is actually told from Hannah's perspective. She's the person that you could see being your friend, someone who you could go out drinking with (coffee or alcohol!).
Jules is a very strong, confident woman - the polar opposite of her sister Olivia. Olivia seems to have had a bad breakup and is very fragile.
All of these characters (apart from Hannah) have secrets and grudges against another person at the wedding - even Will's Best Man, Johnno, who at first appears not to have a care in the world. But appearances can be deceptive.
I really enjoyed the way this story was constructed, with jumps backwards and forwards in time. There's the linear story of the build-up to the wedding, with leaps in to the future where one of the waitresses has found an unidentified dead body on the wedding night at the evening party.
This book had me guessing as to the identity of both the murderer and the victim, and I had great fun trying to guess who they were (I didn't get anywhere near the right people, and I also now realise that I have something of a bloodthirsty penchant for retribution). I'm looking forward to Lucy Foley's next book already!
I read this on The Pigeonhole, and Lucy Foley joined in, showing us photos of places she'd been in Ireland that inspired her, and commenting on our (the readers) comments. Another great Pigeonhole experience - and another book that I had also requested and received from NetGalley. So thanks to NetGalley, but especially thanks to The Pigeonhole for helping me to make a dent in my NetGalley book mountain!!
Jules is a very strong, confident woman - the polar opposite of her sister Olivia. Olivia seems to have had a bad breakup and is very fragile.
All of these characters (apart from Hannah) have secrets and grudges against another person at the wedding - even Will's Best Man, Johnno, who at first appears not to have a care in the world. But appearances can be deceptive.
I really enjoyed the way this story was constructed, with jumps backwards and forwards in time. There's the linear story of the build-up to the wedding, with leaps in to the future where one of the waitresses has found an unidentified dead body on the wedding night at the evening party.
This book had me guessing as to the identity of both the murderer and the victim, and I had great fun trying to guess who they were (I didn't get anywhere near the right people, and I also now realise that I have something of a bloodthirsty penchant for retribution). I'm looking forward to Lucy Foley's next book already!
I read this on The Pigeonhole, and Lucy Foley joined in, showing us photos of places she'd been in Ireland that inspired her, and commenting on our (the readers) comments. Another great Pigeonhole experience - and another book that I had also requested and received from NetGalley. So thanks to NetGalley, but especially thanks to The Pigeonhole for helping me to make a dent in my NetGalley book mountain!!
Matthew Krueger (10051 KP) rated House of Dracula (1945) in Movies
Jun 18, 2020
Get The Gang All Together: The Crossover II
House of Dracula- was a direct sequel to House of Frankenstein, and continued the theme of combining Universal's three most popular monsters: Frankenstein's monster (Glenn Strange), Count Dracula (John Carradine), and the Wolf Man (Lon Chaney Jr.).
The plot: This monster movie focuses on the iconic vampire, Count Dracula (John Carradine), and Lawrence Talbot (Lon Chaney), better known as the Wolf Man. Both beings of the night are tired of their supernatural afflictions, so they seek out Dr. Franz Edelmann (Onslow Stevens) for cures for their respective curses. While trying to aid the imposing creatures, Edelmann himself develops a transformative condition, adding to the many ghouls lurking around the foreboding landscape.
The working titles for the film were Dracula vs. the Wolf Man or The Wolf Man vs. Dracula.
Although Glenn Strange appears as the Monster in most of the film, footage of Chaney as the Monster from The Ghost of Frankenstein and Boris Karloff from Bride of Frankenstein was recycled; Karloff appears in a dream sequence, while Chaney, as well as his double Eddie Parker, are seen in footage in a fire scene.
Strange recounts that a scene with the Monster stuck in quicksand was particularly arduous for him. On top of three hours of getting into makeup, Strange spent the rest of the day buried in cold sand, including during the lunch break, and was so cold by midafternoon that he could barely feel his legs. Lon Chaney Jr. attempted to help Strange keep warm by passing him a bottle of scotch, with the result that Strange was so drunk that after getting out of costume and makeup, he had difficulty dressing himself in his street clothes. Chaney's drinking contributed to his reputation as being difficult to work with, and probably was the reason Universal let him go after the film was completed.
The film, which was the seventh Universal film to feature Frankenstein's monster, as well as the fourth with Count Dracula and the Wolf Man, was a commercial success, but was one of the last Universal movies featuring Frankenstein's monster, vampires, and werewolves, with the exception of the comedy Abbott and Costello Meet Frankenstein (1948), in which all three appear.
Its a fun entertaing horror film starring the universal monsters.
The plot: This monster movie focuses on the iconic vampire, Count Dracula (John Carradine), and Lawrence Talbot (Lon Chaney), better known as the Wolf Man. Both beings of the night are tired of their supernatural afflictions, so they seek out Dr. Franz Edelmann (Onslow Stevens) for cures for their respective curses. While trying to aid the imposing creatures, Edelmann himself develops a transformative condition, adding to the many ghouls lurking around the foreboding landscape.
The working titles for the film were Dracula vs. the Wolf Man or The Wolf Man vs. Dracula.
Although Glenn Strange appears as the Monster in most of the film, footage of Chaney as the Monster from The Ghost of Frankenstein and Boris Karloff from Bride of Frankenstein was recycled; Karloff appears in a dream sequence, while Chaney, as well as his double Eddie Parker, are seen in footage in a fire scene.
Strange recounts that a scene with the Monster stuck in quicksand was particularly arduous for him. On top of three hours of getting into makeup, Strange spent the rest of the day buried in cold sand, including during the lunch break, and was so cold by midafternoon that he could barely feel his legs. Lon Chaney Jr. attempted to help Strange keep warm by passing him a bottle of scotch, with the result that Strange was so drunk that after getting out of costume and makeup, he had difficulty dressing himself in his street clothes. Chaney's drinking contributed to his reputation as being difficult to work with, and probably was the reason Universal let him go after the film was completed.
The film, which was the seventh Universal film to feature Frankenstein's monster, as well as the fourth with Count Dracula and the Wolf Man, was a commercial success, but was one of the last Universal movies featuring Frankenstein's monster, vampires, and werewolves, with the exception of the comedy Abbott and Costello Meet Frankenstein (1948), in which all three appear.
Its a fun entertaing horror film starring the universal monsters.
Neil Gaiman recommended Beauty and the Beast (1946) in Movies (curated)
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Bob Mann (459 KP) rated Table 19 (2017) in Movies
Sep 29, 2021
Mean spirited and atrocious.
I really hated this film. There. BOOM. Got it off my chest.
It all starts so promisingly, with a scene of Anna Kendrick (“The Accountant“, who can be a very good actress) rejecting a wedding invitation; then accepting it; then burning it; then blowing it out; then posting it. I laughed. This was a rarity. There are about five more smile-worthy moments in the movie, most of which are delivered by Stephen Merchant.
Anna plays Eloise who was SUPPOSED to be maid-of-honour at her best friend’s wedding, but then broke up – messily – with her brother (the best man). She stubbornly attends the wedding in a posh hotel and finds herself on “Table 19” – a socially unfavourable location, full of a bunch of misfits that everyone expected to say “no” but didn’t; a molly-coddled and awkward teen (Tony Revolori, “Spider-man: Homecoming“) with the single goal of getting laid; “The Kepps” – a bickering married couple (Lisa Kudrow (“The Girl on the Train“, “Friends”) and Craig Robinson (“Hot Tub Time Machine”)); a convicted fraudster serving his sentence in an open prison ( Stephen Merchant, “Logan“) and a druggie former nanny of the bride (June Squibb, “In and Out”).
The fundamental problem with the movie is that Jeffrey Blitz’s script (he also directs) is not only not very funny, but it is so fundamentally focused on the greedy and needy nature of the table’s American reprobates that at every turn it leaves a bad taste in the mouth. Their motives are all utterly selfish and there’s an “if we get away with it, then that’s fine” attitude that pervades the plot.
The nadir for me happens when – after trashing (albeit accidently) a key part of the wedding they are attending, they cover their selfish backsides by (deliberately) trashing the same key part of another wedding going on in the same hotel.
This is kind of positioned as a “revenge” sort of thing, but (in analysis) no wrong seems to have actually been done: its just another misunderstanding of the self-obsessed Eloise.
The Kepp’s story is also sad and selfish rather than comedic, and the resolution of this (and in fact all of the other sub-stories) for a nicely gift-wrapped ending is just saccharine and vomit-inducing.
This is a wedding present that should have come with a label in big red writing: “DO NOT OPEN“.
It all starts so promisingly, with a scene of Anna Kendrick (“The Accountant“, who can be a very good actress) rejecting a wedding invitation; then accepting it; then burning it; then blowing it out; then posting it. I laughed. This was a rarity. There are about five more smile-worthy moments in the movie, most of which are delivered by Stephen Merchant.
Anna plays Eloise who was SUPPOSED to be maid-of-honour at her best friend’s wedding, but then broke up – messily – with her brother (the best man). She stubbornly attends the wedding in a posh hotel and finds herself on “Table 19” – a socially unfavourable location, full of a bunch of misfits that everyone expected to say “no” but didn’t; a molly-coddled and awkward teen (Tony Revolori, “Spider-man: Homecoming“) with the single goal of getting laid; “The Kepps” – a bickering married couple (Lisa Kudrow (“The Girl on the Train“, “Friends”) and Craig Robinson (“Hot Tub Time Machine”)); a convicted fraudster serving his sentence in an open prison ( Stephen Merchant, “Logan“) and a druggie former nanny of the bride (June Squibb, “In and Out”).
The fundamental problem with the movie is that Jeffrey Blitz’s script (he also directs) is not only not very funny, but it is so fundamentally focused on the greedy and needy nature of the table’s American reprobates that at every turn it leaves a bad taste in the mouth. Their motives are all utterly selfish and there’s an “if we get away with it, then that’s fine” attitude that pervades the plot.
The nadir for me happens when – after trashing (albeit accidently) a key part of the wedding they are attending, they cover their selfish backsides by (deliberately) trashing the same key part of another wedding going on in the same hotel.
This is kind of positioned as a “revenge” sort of thing, but (in analysis) no wrong seems to have actually been done: its just another misunderstanding of the self-obsessed Eloise.
The Kepp’s story is also sad and selfish rather than comedic, and the resolution of this (and in fact all of the other sub-stories) for a nicely gift-wrapped ending is just saccharine and vomit-inducing.
This is a wedding present that should have come with a label in big red writing: “DO NOT OPEN“.