Search
Search results
Sharpe's Revenge
8.0
Rate It
Book
It is 1814. After a long and exhausting series of battles the British and Spanish armies are...
Beneath the World, a Sea
8.0
Rate It
Book
South America, 1990. Ben Ronson, a British police officer, arrives in a mysterious forest to...
Gareth von Kallenbach (980 KP) rated The Tourist (2010) in Movies
Aug 8, 2019
Frank Tupelo, played by Johnny Depp, is a math teacher from Wisconsin who decides to take a vacation in Italy, in hopes of mending his broken heart. While traveling on a train bound for Venice, he befriends an interesting and mysterious woman who sits next to him. Elise Clifton-Ward, played by Angelina Jolie, has been on the run from the mob and the British police for the past couple of years because her lover, Alexander Pearce, embezzled over $2 billion from a mobster. The British police want their cut for taxes owed, but without really knowing what Alexander looks like, the police are essentially just waiting for Elise to make contact with him.
Elise picks Frank to play a part in her plans of steering the mob and the British police in a different direction. After arriving in Venice, they both go their separate ways, but still end up finding each other later while Frank is sightseeing. Elise invites him on her boat and then takes him back to her hotel. They share a few passionate moments as Elise attempts to make the police who are spying on them believe that Frank is really Alexander. When Frank awakens the next day, he realizes that Elise is gone. This is where the action begins. Not only are the police after Frank, so are the mobsters from whom Alexander stole, making for a messy situationi for Frank. With a lot of great twists and turns in this movie as well as smart dialogue, The Tourist succeeds in putting a smile on your face while keeping you on the edge of your seat.
Angelina Jolie’s Elise Ward knows the power of her beauty and uses it to her great advantage. The strong supporting cast includes the likes of Paul Bettany, Timothy Dalton and Steven Berkoff. Unlike most of Johnny Depp’s other movies where he exudes confidence, he is like a lost puppy being chased for something he is unaware of doing. I do have to say that I am always able to see some of Depp’s most famous character, Captain Jack Sparrow, shine through in his current roles. If you watch closely during a chase scene, he starts to run away from the mob exactly as Captain Jack would. Or maybe that’s just how Johnny Depp runs.
Directed by Florian Henckel von Donnersmarck, who makes great use of spectacular views and locales, The Tourist is a great action-adventure with storyline that keeps you interested. Sharp, witty dialog and two of the hottest stars playing the leads make The Tourist a movie worth watching.
Elise picks Frank to play a part in her plans of steering the mob and the British police in a different direction. After arriving in Venice, they both go their separate ways, but still end up finding each other later while Frank is sightseeing. Elise invites him on her boat and then takes him back to her hotel. They share a few passionate moments as Elise attempts to make the police who are spying on them believe that Frank is really Alexander. When Frank awakens the next day, he realizes that Elise is gone. This is where the action begins. Not only are the police after Frank, so are the mobsters from whom Alexander stole, making for a messy situationi for Frank. With a lot of great twists and turns in this movie as well as smart dialogue, The Tourist succeeds in putting a smile on your face while keeping you on the edge of your seat.
Angelina Jolie’s Elise Ward knows the power of her beauty and uses it to her great advantage. The strong supporting cast includes the likes of Paul Bettany, Timothy Dalton and Steven Berkoff. Unlike most of Johnny Depp’s other movies where he exudes confidence, he is like a lost puppy being chased for something he is unaware of doing. I do have to say that I am always able to see some of Depp’s most famous character, Captain Jack Sparrow, shine through in his current roles. If you watch closely during a chase scene, he starts to run away from the mob exactly as Captain Jack would. Or maybe that’s just how Johnny Depp runs.
Directed by Florian Henckel von Donnersmarck, who makes great use of spectacular views and locales, The Tourist is a great action-adventure with storyline that keeps you interested. Sharp, witty dialog and two of the hottest stars playing the leads make The Tourist a movie worth watching.
SL
Sous Les Ordres de Rommel: Des Deserts D'Afrique Du Nord Aux Plages de Normandie
Hans Holler and Markus Reisner
Book
In this extraordinary autobiography by Hans Holler, an Austrian born in 1921 near Wiener Neustadt,...
Wild About Britain: A Lifetime of Award-Winning Nature Writing
Book
A new collection of award-winning journalist and author Brian Jackman's nature and travel writings...
How Did We Get So Dark? by Royal Blood
8.0
Rate It
Album Watch
After becoming the biggest breaking British rock band with their self-titled 2014 debut album, Royal...
rock
Bob Mann (459 KP) rated Churchill (2017) in Movies
Sep 29, 2021
“We will bore them on the beaches”.
“Churchill” tells the story of the great leader’s extreme opposition to “Operation Overlord”, the Eisenhower-led invasion of Normandy in 1944 that ultimately led – more by luck that judgement perhaps – to the fall of the Third Reich in the following year.
I’m not a historian but am married to one, so know the importance of “sources” in the pursuit of “truth”: one man’s terrorist is after all another man’s freedom fighter from a different perspective. Some sources on the internet (here for example) certainly suggest the The British (led by Churchill as Prime Minister) might have sensibly promoted the acceleration of the Italian campaign to reach Berlin rather than the far riskier Channel crossing.
This film however paints Churchill as a man demonised by his decision to send young men to their deaths in the fateful Gallipoli beach landings of World War One, with this – rather than a sensible strategic one – being the primary reason for opposing the Normandy landings. To further paint him as a bumbling old fool that is “worked around” by his peers strikes you as borderline libellous.
So the film’s script, by novice Alex von Tunzelmann, immediately set the wrong tone with me, and the undeniably strong performances of Brian Cox (“The Bourne Identity”) as Churchill and the wonderful Miranda Richardson (“Harry Potter” and the soon to be released “Stronger”) as Clemmie can’t fill the gap.
Besides anything else, diretor Jonathan Teplitzky (“The Railway Man”) delivers a piece so dull and lifeless, and with so much brooding, that its not remotely enjoyable. You think the introduction of a bullied secretary – Ms Garrett (Ella Purnell) – with a strong personal connection to ‘Overlord’ will add dramatic colour? But this angle too seems to go nowhere in particular.
There are many tales of the Normandy landings that are fascinating, over and above the dramatic sweep of “The Longest Day” (which is surely well overdue for a remake?) and Spielberg’s fictionalisation of the Niland brothers in “Saving Private Ryan”. How about the 2 out of 29 American amphibious tanks that reached Omaha beach after ignoring British advice to not launch so far from shore in rough seas?
So, as a film, it might be “worthy”. But I didn’t remotely believe the depiction of Churchill and it astonished me that such a rivetingly exciting period of British history could deliver a film that bored me. So, sorry, can’t recommend this one. Perhaps Joe Wright will have a better go with Gary Oldman as Churchill in “Darkest Hour”…
I’m not a historian but am married to one, so know the importance of “sources” in the pursuit of “truth”: one man’s terrorist is after all another man’s freedom fighter from a different perspective. Some sources on the internet (here for example) certainly suggest the The British (led by Churchill as Prime Minister) might have sensibly promoted the acceleration of the Italian campaign to reach Berlin rather than the far riskier Channel crossing.
This film however paints Churchill as a man demonised by his decision to send young men to their deaths in the fateful Gallipoli beach landings of World War One, with this – rather than a sensible strategic one – being the primary reason for opposing the Normandy landings. To further paint him as a bumbling old fool that is “worked around” by his peers strikes you as borderline libellous.
So the film’s script, by novice Alex von Tunzelmann, immediately set the wrong tone with me, and the undeniably strong performances of Brian Cox (“The Bourne Identity”) as Churchill and the wonderful Miranda Richardson (“Harry Potter” and the soon to be released “Stronger”) as Clemmie can’t fill the gap.
Besides anything else, diretor Jonathan Teplitzky (“The Railway Man”) delivers a piece so dull and lifeless, and with so much brooding, that its not remotely enjoyable. You think the introduction of a bullied secretary – Ms Garrett (Ella Purnell) – with a strong personal connection to ‘Overlord’ will add dramatic colour? But this angle too seems to go nowhere in particular.
There are many tales of the Normandy landings that are fascinating, over and above the dramatic sweep of “The Longest Day” (which is surely well overdue for a remake?) and Spielberg’s fictionalisation of the Niland brothers in “Saving Private Ryan”. How about the 2 out of 29 American amphibious tanks that reached Omaha beach after ignoring British advice to not launch so far from shore in rough seas?
So, as a film, it might be “worthy”. But I didn’t remotely believe the depiction of Churchill and it astonished me that such a rivetingly exciting period of British history could deliver a film that bored me. So, sorry, can’t recommend this one. Perhaps Joe Wright will have a better go with Gary Oldman as Churchill in “Darkest Hour”…
Nicole Hadley (380 KP) rated The Lost History of Stars in Books
Jun 16, 2018
The Lost History of Stars by Dave Boling is a powerful and shocking story about a family during The Second Anglo-Boer War during the early part of the 20th century in Africa. It's a historical fiction story that is inspired by true events. The Lost History of Stars is a story of desperation and hope.
The main character, Lettie, who is a thirteen year old Dutch-Africkaner girl comes from a poor farming family. She endures the loss of her home with her mother and two younger siblings when the scorched earth policy employed by the British during the Boer War burns their farm and forces them to leave in a wagon. Their African maid, Bina, tries to stay with the family, but is given no choice by the soldiers but to return to her people.
Lettie and her family are sent to a concentration camp where the conditions are awful. Her father, older brother, uncles, and grandfather are sent to fight the British with guerrilla tactics. Lettie worries and wonders about Bina and her family. Often Lettie remembers the songs and wisdom Bina shared during her childhood and the history of stars that Grandpa shared with her at night under the sparkling sky.
The story is told from Lettie's point of view. The reader learns of her experience in the concentration camp. Lettie attempt to find the good in small moments. Her more treasured possession is her English dictionary, which she reads for comfort to pass time.
The story switches between the present and past. This allows the reader to understand life before the war and during the war. It give the reader background information to understand the family dynamics.
The main character, Lettie, who is a thirteen year old Dutch-Africkaner girl comes from a poor farming family. She endures the loss of her home with her mother and two younger siblings when the scorched earth policy employed by the British during the Boer War burns their farm and forces them to leave in a wagon. Their African maid, Bina, tries to stay with the family, but is given no choice by the soldiers but to return to her people.
Lettie and her family are sent to a concentration camp where the conditions are awful. Her father, older brother, uncles, and grandfather are sent to fight the British with guerrilla tactics. Lettie worries and wonders about Bina and her family. Often Lettie remembers the songs and wisdom Bina shared during her childhood and the history of stars that Grandpa shared with her at night under the sparkling sky.
The story is told from Lettie's point of view. The reader learns of her experience in the concentration camp. Lettie attempt to find the good in small moments. Her more treasured possession is her English dictionary, which she reads for comfort to pass time.
The story switches between the present and past. This allows the reader to understand life before the war and during the war. It give the reader background information to understand the family dynamics.
David McK (3576 KP) rated The Lone Warrior (Jack Lark, #4) in Books
Jan 30, 2019
Fourth entry in [a: Paul Fraser Collard|7024929|Paul Fraser Collard|https://d.gr-assets.com/authors/1368086413p2/7024929.jpg]'s 'Jack Lark' series (that started with [b: The Scarlet Thief|18752323|The Scarlet Thief (Jack Lark, #1)|Paul Fraser Collard|https://d.gr-assets.com/books/1383577532s/18752323.jpg|24752025]), this sees Jack Lark caught up in the Indian Mutiny (or First War of Independence, depending upon your point of view!) of 1857, and is my pick for the best of the series so far.
The novel starts out pretty much as it means to go on, with Jack rescuing someone from her indentured lifestyle, then agreeing to accompany her home to Delhi, arriving just in time to get caught up in the mutiny.
Despite holding a British passport myself (well, Northern Irish ...) this is actually a subject that I don't think we were ever taught anything about while I was at school. Sure, I'd heard of it, but only through word-of-mouth, and only ever forming a general impression of it rather than having any real knowledge of the cause, or the effects. As such, and (I.M.O.) like all the best kinds of historical fiction, I actually learned something while simultaneously being entertained (by the general story, NOT by the rather graphic depictions of some of the more harrowing events).
Talking of that story, I also feel that the book could (almost) be split into at least three distinct sections: Jacks journey to Delhi, his involvement in the siege of the British magazine while within it, and the final - and longest - part his involvement in the siege and (partial) recapture of the city.
Like the best of the Sharpe books (a hackneyed comparison, I know, but apt), I also read through this one in only a matter of days - always the sign of a good book!
The novel starts out pretty much as it means to go on, with Jack rescuing someone from her indentured lifestyle, then agreeing to accompany her home to Delhi, arriving just in time to get caught up in the mutiny.
Despite holding a British passport myself (well, Northern Irish ...) this is actually a subject that I don't think we were ever taught anything about while I was at school. Sure, I'd heard of it, but only through word-of-mouth, and only ever forming a general impression of it rather than having any real knowledge of the cause, or the effects. As such, and (I.M.O.) like all the best kinds of historical fiction, I actually learned something while simultaneously being entertained (by the general story, NOT by the rather graphic depictions of some of the more harrowing events).
Talking of that story, I also feel that the book could (almost) be split into at least three distinct sections: Jacks journey to Delhi, his involvement in the siege of the British magazine while within it, and the final - and longest - part his involvement in the siege and (partial) recapture of the city.
Like the best of the Sharpe books (a hackneyed comparison, I know, but apt), I also read through this one in only a matter of days - always the sign of a good book!
Rob P (30 KP) rated Dog Soldiers (2002) in Movies
Jan 23, 2019
Great British cast (3 more)
Black/dark humour throughout
Great one liners
One of the last films I remember to use makeup, costumes, and what looks like actual sausages for special effects and gore.
There is no Spoon
Contains spoilers, click to show
This is just one of those films from my youth that will never look back on with anything but pure joy.
The plot has already been laid out here, the reasons to watch this movie aren't really based around storyline. It's more that a group of "everyman" type British soldiers are thrust into a bat sh*t crazy situation, fighting off seven foot werewolves inside an abandoned farmhouse in the Scottish highlands. Comedy is of course going to come with that.
If the premise doesn't grab you, come for Liam Cunningham (AKA Ser Davos Seaworth) playing a bad guy, it's such a brilliant thing to see his range. If that doesn't do it, come to hear Sean Pertwee say "We are now up against live, hostile targets. So, if Little Red Riding Hood should show up with a bazooka and a bad attitude, I expect you to chin the bitch."
The jokes and quotables are thick and fast, the makeup and costumes of the werewolves is still analogue, and the work put into them must have been immense. They are genuinely menacing, and it's nice to remind yourself that not everything needs to be computer generated to have impact.
As a last point, Id like to point out that besides the great cast, the comedy, and the quotes, this isn't really jump scare, or torture p*rn, it's just an old fashioned run and gun, action comedy horror. It also ends in a way I just haven't seen before, with the use of photographs in a particular "action shot" kind of way, set up during the movie. Excellent.
- Rob
The plot has already been laid out here, the reasons to watch this movie aren't really based around storyline. It's more that a group of "everyman" type British soldiers are thrust into a bat sh*t crazy situation, fighting off seven foot werewolves inside an abandoned farmhouse in the Scottish highlands. Comedy is of course going to come with that.
If the premise doesn't grab you, come for Liam Cunningham (AKA Ser Davos Seaworth) playing a bad guy, it's such a brilliant thing to see his range. If that doesn't do it, come to hear Sean Pertwee say "We are now up against live, hostile targets. So, if Little Red Riding Hood should show up with a bazooka and a bad attitude, I expect you to chin the bitch."
The jokes and quotables are thick and fast, the makeup and costumes of the werewolves is still analogue, and the work put into them must have been immense. They are genuinely menacing, and it's nice to remind yourself that not everything needs to be computer generated to have impact.
As a last point, Id like to point out that besides the great cast, the comedy, and the quotes, this isn't really jump scare, or torture p*rn, it's just an old fashioned run and gun, action comedy horror. It also ends in a way I just haven't seen before, with the use of photographs in a particular "action shot" kind of way, set up during the movie. Excellent.
- Rob