Search
Search results
Ritz and Escoffier: The Hotelier, the Chef, and the Rise of the Leisure Class
Book
In a tale replete with scandal and opulence, Luke Barr, author of the New York Times bestselling...
Suswatibasu (1703 KP) rated Spotlight (2015) in Movies
Aug 9, 2017
Such an important film, well worth all the awards
"If it takes a community to raise a child, it takes one to abuse them."
Spotlight is such an important part of media history because they uncovered one of the darkest secrets of one community, which mirrors all communities. The film is awe-inspiring, so much so that I wanted to go back into a newsroom and be a TV journalist again at the forefront of major news. This is literally the best film for journalists to watch and for audiences to understand what it's like to work in a newsroom. More importantly, it shows how vital the media can be when actually doing proper investigations.
It is extremely dark given the subject nature - but having been in a similar situation breaking the story of Jimmy Savile in the UK for British media, the film completely reflects my own personal experiences.
Spotlight is such an important part of media history because they uncovered one of the darkest secrets of one community, which mirrors all communities. The film is awe-inspiring, so much so that I wanted to go back into a newsroom and be a TV journalist again at the forefront of major news. This is literally the best film for journalists to watch and for audiences to understand what it's like to work in a newsroom. More importantly, it shows how vital the media can be when actually doing proper investigations.
It is extremely dark given the subject nature - but having been in a similar situation breaking the story of Jimmy Savile in the UK for British media, the film completely reflects my own personal experiences.
Awix (3310 KP) rated The Eagle Has Landed (1976) in Movies
May 22, 2018 (Updated May 22, 2018)
Pretty reasonable, slightly silly all-star war movie; the Germans attempt to bring the Allies to the negotiating table by kidnapping Churchill. Sent on this improbable mission is Michael Caine's decent paratrooper officer and his men, and ridiculously Irish IRA man Donald Sutherland. Spoiler alert: Germany still loses the war.
Good performances, mostly, and some well-staged action in the closing sections of the film; what's curious about it is the way that the Germans are mostly presented sympathetically, at least as much as the British and American characters. It's a war movie without bad guys, but without much sense of moral or emotional investment either - as a result it's enjoyable as a piece of action cinema, but rather shallow. (It doesn't feel like the moral ambiguity is a deliberate creative choice: Caine thought the director was more interested in going fishing than in overseeing the final edit.) Fun in a disposable sort of way; you could be forgiven for expecting more, given the talent involved.
Good performances, mostly, and some well-staged action in the closing sections of the film; what's curious about it is the way that the Germans are mostly presented sympathetically, at least as much as the British and American characters. It's a war movie without bad guys, but without much sense of moral or emotional investment either - as a result it's enjoyable as a piece of action cinema, but rather shallow. (It doesn't feel like the moral ambiguity is a deliberate creative choice: Caine thought the director was more interested in going fishing than in overseeing the final edit.) Fun in a disposable sort of way; you could be forgiven for expecting more, given the talent involved.
Awix (3310 KP) rated Ghost Stories (2018) in Movies
Mar 18, 2019
Loving and very scary update of the classic British anthology horror film. A skeptical parapsychologist is challenged to investigate three cases of the supernatural and prove there was nothing unearthly involved: a security guard, a teenager, and a wealthy businessman all recount their tales of dark forces - but is there something else going on?
Possibly a bit mannered and old fashioned for today's younger generation (mutter, grumble, etc), but a film made with enormous care and attention to detail, with terrific performances from the cast (okay, it's a bit white-male-centric; get your blazing torches out if you really must). The kind of film where, once you've seen the ending, you reflect on the rest of it and recognise all the subtle ways in which the film was tipping you off all along. And, as mentioned, a properly frightening experience when watched in a darkened cinema, but in a good way.
Possibly a bit mannered and old fashioned for today's younger generation (mutter, grumble, etc), but a film made with enormous care and attention to detail, with terrific performances from the cast (okay, it's a bit white-male-centric; get your blazing torches out if you really must). The kind of film where, once you've seen the ending, you reflect on the rest of it and recognise all the subtle ways in which the film was tipping you off all along. And, as mentioned, a properly frightening experience when watched in a darkened cinema, but in a good way.
Awix (3310 KP) rated Devil Girl from Mars (1955) in Movies
Mar 30, 2019 (Updated Mar 30, 2019)
Notorious cheapo British SF film objectively deserves about a 2 or 3, but it's worth at least an 8 for connoisseurs of duff B-movies, so I've split the difference. Title character Nyah (Laffan) swishes about in a shower curtain, occasionally hypnotising men she wants to take home to Mars, and devastating the countryside with her pet robot (which looks like a fridge with legs). Everyone else tries to get on with some very soapy subplots.
Absolutely a horrendous collision between a homespun UK programme filler and a spangly American flying saucer B-movie, but the weirdest thing about this very odd film is that there are individual bits of it that are actually pretty good: just not the acting, script, or sci-fi props. Shameless in its economy and genuinely very funny (just not intentionally), the result is sort of like an episode of The Twilight Zone performed as amateur theatre. Awful, but a fun kind of awful.
Absolutely a horrendous collision between a homespun UK programme filler and a spangly American flying saucer B-movie, but the weirdest thing about this very odd film is that there are individual bits of it that are actually pretty good: just not the acting, script, or sci-fi props. Shameless in its economy and genuinely very funny (just not intentionally), the result is sort of like an episode of The Twilight Zone performed as amateur theatre. Awful, but a fun kind of awful.
Awix (3310 KP) rated Saving Mr. Banks (2013) in Movies
Apr 4, 2019 (Updated Apr 4, 2019)
Well-mounted but self-referential (and that's putting it very charitably!) look at the origins of Mary Poppins. Pamela Travers (Thompson), who is very British and starchy, flies to Los Angeles where she meets the avuncular Walt Disney (Hanks), intent on adapting her books about a supernatural dominatrix for the cinema. Colin Farrell appears in flashback as Travers' feckless dad; despite what the soundtrack listing suggests, he does not sing 'Chim Chiminee', so manage your expectations.
Nicely made and played, and quite amusing an' all, but hard to escape the impression this is just a massive piece of self-aggrandisement by the House of Mouse: poor old repressed Travers just needs a bit more Disney in her life in order to become happier and more successful, to say nothing of the various factual inaccuracies. But then it's a Disney film actually about Walt Disney, so what do you expect? Watchable stuff, but take a pinch of salt along with the many spoonfuls of sugar.
Nicely made and played, and quite amusing an' all, but hard to escape the impression this is just a massive piece of self-aggrandisement by the House of Mouse: poor old repressed Travers just needs a bit more Disney in her life in order to become happier and more successful, to say nothing of the various factual inaccuracies. But then it's a Disney film actually about Walt Disney, so what do you expect? Watchable stuff, but take a pinch of salt along with the many spoonfuls of sugar.
Awix (3310 KP) rated Tomorrow Never Dies (1997) in Movies
Apr 9, 2019
Umpty-tumpth Bond film rests on the laurels of GoldenEye perhaps just a bit too much. Evil media magnate Carver tries to orchestrate a war between the UK and China so he can sell more papers and grab a satellite TV franchise; British intelligence decides to disrupt his scheme by sending James Bond to have sex with his wife.
Well-mounted set pieces, and plenty of them, plus Michelle Yeoh gets an eye-catching role as the 'Oh, James!' character, but the problem is that the rest of it feels like karaoke Bond, without the self-awareness or attempts to move the franchise on that lifted GoldenEye somewhat - plus, it's just not as well written. The result is a mid-range entry in the series, assuming one overlooks the schoolboy error of Bond not being able to read Chinese (as any fule kno, he got a First in Oriental Languages at Cambridge). This still equates to an entertaining movie, just not an exceptional one.
Well-mounted set pieces, and plenty of them, plus Michelle Yeoh gets an eye-catching role as the 'Oh, James!' character, but the problem is that the rest of it feels like karaoke Bond, without the self-awareness or attempts to move the franchise on that lifted GoldenEye somewhat - plus, it's just not as well written. The result is a mid-range entry in the series, assuming one overlooks the schoolboy error of Bond not being able to read Chinese (as any fule kno, he got a First in Oriental Languages at Cambridge). This still equates to an entertaining movie, just not an exceptional one.
Ashley Valencia (5 KP) rated Into the Woods (2014) in Movies
Apr 14, 2019
Cast (2 more)
Adaption to film
Music
Baker's father reduced role (1 more)
Missing songs
And Happy Ever After! (I wish)
Fans of the play will love this movie. They did a great job adapting this for a film.
The cast is especially amazing, esp Meryl Streep and my dream wife Anna Kendrick. However, while James um British talk show host that plays the Baker wasn't the worst choice, he kind of stuck out as mediocre compared to the other cast members. The singing from all cast members, James included, is all excellently done, all the actors performed their vocals live.
My only real beef with the movie is the complete removal of the narrator character and the missing song, "No More". While they also didnt include "Agony: Reprise," I liked the change they made to Rapunzel's story which would've recquired halfing the song or a complete rewrite. I'm good with that trade off. Plus I imagine the lyric "dwarves are very upsetting" might've proved for some to be indeed upsetting.
The cast is especially amazing, esp Meryl Streep and my dream wife Anna Kendrick. However, while James um British talk show host that plays the Baker wasn't the worst choice, he kind of stuck out as mediocre compared to the other cast members. The singing from all cast members, James included, is all excellently done, all the actors performed their vocals live.
My only real beef with the movie is the complete removal of the narrator character and the missing song, "No More". While they also didnt include "Agony: Reprise," I liked the change they made to Rapunzel's story which would've recquired halfing the song or a complete rewrite. I'm good with that trade off. Plus I imagine the lyric "dwarves are very upsetting" might've proved for some to be indeed upsetting.
Awix (3310 KP) rated The Shout (1979) in Movies
Apr 15, 2019
Watchable sort-of horror movie, distinguished by a good cast. These days we'd probably call it a post-horror movie, but they didn't have those back in the 1970s (maybe it's a pre-post-horror movie). An innocent couple are terrorised by a stranger who claims to have magical powers, including a deadly shout.
No-one in The Shout behaves remotely like a real person would, and the title is a bit misleading as the actual Shout itself (while a big moment and fairly well-staged when it comes) doesn't have much to do with the plot. But it does have a very good cast and the various strangenesses of the story can be explained by the fact this is a tall tale being told by the inmate of an insane asylum. Not the great lost British horror film some would have you believe it is, but a curious and distinctive tale.
No-one in The Shout behaves remotely like a real person would, and the title is a bit misleading as the actual Shout itself (while a big moment and fairly well-staged when it comes) doesn't have much to do with the plot. But it does have a very good cast and the various strangenesses of the story can be explained by the fact this is a tall tale being told by the inmate of an insane asylum. Not the great lost British horror film some would have you believe it is, but a curious and distinctive tale.
Mayhawke (97 KP) rated Murder In Steeple Martin in Books
Feb 7, 2018
Slow starter but soon pulls you in
This book starts a little slowly but very soon rewards those who stick with it and becomes one of the most engaging books I have read in a long time. Vaguely reminiscent of Agatha Raisin, in that the heroine is a dumpy middle-aged, neurotic woman who lives in deeply rural England with a cat. Yet this is by no means a rip-off.
Somewhat less manic than A.R., both series carry on an old and well-established style of British Mystery writing. That said, it is clear that Lesley Cookman has gone out of her way to break some of the rules. For example there is only -shock, horror!- *one* murder in her book;her characters have no access to the Police enquiry, so are working completly in the dark; and as much as she can she has avoided having characters do obviously stupid things.
This is not an earth-shattering book, but it is a thoroughly good read.
Somewhat less manic than A.R., both series carry on an old and well-established style of British Mystery writing. That said, it is clear that Lesley Cookman has gone out of her way to break some of the rules. For example there is only -shock, horror!- *one* murder in her book;her characters have no access to the Police enquiry, so are working completly in the dark; and as much as she can she has avoided having characters do obviously stupid things.
This is not an earth-shattering book, but it is a thoroughly good read.