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Sean Farrell (9 KP) rated Artifice in Books
Mar 15, 2018
I had been meaning to read this graphic novel for a while, having heard good things about how it used a sci-fi / action story to talk about homophobia, racism, free will, first love, and self-acceptance; and in light of recent current events, it seemed like the perfect time. The artwork is absolutely wonderful, and perfectly captures all the nuances of the story, which is pretty great in itself. While it can occasionally feel a little predictable, the tale of Deacon and Jeff was sweetly romantic and contained many moments that I found very relatable, in spite of the science fiction setting and sporadic bursts of violence. In a way, this story is similar to recent British hit anthology show "Black Mirror", in that it uses its sci-fi setting to tell a deeply human story to great effect. While it may fall a little short of being a masterpiece, it is a great comic, and one I would love to see continued.
Awix (3310 KP) rated Dredd (2012) in Movies
Feb 25, 2018 (Updated Feb 25, 2018)
Stripped-down, intensely violent adaptation of the classic British comic strip. More faithful in many ways than the reviled 1995 version with Stallone. Ruthless lawman Judge Dredd and trainee Judge Anderson find themselves trapped inside a vast tower block with a bunch of bad guys; community policing ensues.
Still doesn't quite achieve the humour, satire, or general SF weirdness of the comic strip at its best, and to be honest the sheer brutality of the film is a little off-putting in places, but Urban is about as good as Dredd as you can imagine a major film star being, and everyone else does serviceable work (Thirlby's character is essentially Judge Anderson in only the broadest possible sense). Stylish and well-made, even if it struggles with the facts that a) the best Judge Dredd film ever made is still Robocop and b) it has (coincidentally) exactly the same premise as The Raid, which came out the same year.
Still doesn't quite achieve the humour, satire, or general SF weirdness of the comic strip at its best, and to be honest the sheer brutality of the film is a little off-putting in places, but Urban is about as good as Dredd as you can imagine a major film star being, and everyone else does serviceable work (Thirlby's character is essentially Judge Anderson in only the broadest possible sense). Stylish and well-made, even if it struggles with the facts that a) the best Judge Dredd film ever made is still Robocop and b) it has (coincidentally) exactly the same premise as The Raid, which came out the same year.
Awix (3310 KP) rated The Man with the Golden Gun (1974) in Movies
Feb 19, 2018
Ninth James Bond film was rush-released to consolidate Roger Moore in the role, also to cash in on fad for kung fu movies at the time; forms part of the 'British civil servant travels by seaplane to sun-obsessed Christopher Lee's private island in search of missing girl, finds Britt Ekland waiting' movement of 1973-4. Bond must engage in battle of wits with triple-nippled assassin Scaramanga. Then-topical subplot about energy crisis trundles along in the background.
Not bad instance of Bond franchise as pure genre movie; decent fights and chases, but only one moment that really deserves a place on the 'best of Bond' showreel (the corkscrew bridge jump). Christopher Lee barely breaks a sweat as the best actor in the movie. Slightly sleazy atmosphere (in places it resembles a softcore porn movie with the sex edited out); you can kind of see why one of the original producers thought the series had run out of steam and departed before the next one.
Not bad instance of Bond franchise as pure genre movie; decent fights and chases, but only one moment that really deserves a place on the 'best of Bond' showreel (the corkscrew bridge jump). Christopher Lee barely breaks a sweat as the best actor in the movie. Slightly sleazy atmosphere (in places it resembles a softcore porn movie with the sex edited out); you can kind of see why one of the original producers thought the series had run out of steam and departed before the next one.
Awix (3310 KP) rated Warlords of Atlantis (1978) in Movies
Feb 20, 2018 (Updated Feb 20, 2018)
Really-not-bad-considering-what-it-is British fantasy film, from the makers of three other mid-70s Edgar Rice Burroughs adaptations - this story is original (well, up to a point). Two-fisted bathyscape engineer and his posh associate discover Atlantis, which is populated by various unexpected character actors, rubber monsters, and also Cyd Charisse (goes to show you never can tell).
Looks slightly more lavish than the three Amicus films; Atlantis bears a suspicious resemblance to Malta (which may give you a clue as to where the location filming was done). Pleasantly tropey plot, occasionally verges on the absurd; rubber monsters (the Zaargs!) are actually not too bad. The giant octopus has a kind of kitsch grandeur to it; somewhat emblematic of the whole movie. In the end it's not exactly written by Shakespeare but highly entertaining if you like this sort of thing; possibly the best of the Connor-McClure fantasy films.
Looks slightly more lavish than the three Amicus films; Atlantis bears a suspicious resemblance to Malta (which may give you a clue as to where the location filming was done). Pleasantly tropey plot, occasionally verges on the absurd; rubber monsters (the Zaargs!) are actually not too bad. The giant octopus has a kind of kitsch grandeur to it; somewhat emblematic of the whole movie. In the end it's not exactly written by Shakespeare but highly entertaining if you like this sort of thing; possibly the best of the Connor-McClure fantasy films.
Awix (3310 KP) rated Greystoke: The Legend of Tarzan, Lord of the Apes (1984) in Movies
Jun 15, 2018
Umpty-tumpth Tarzan movie goes back to Burroughs and features most of the stuff you'd expect from this kind of thing: posh English couple cark it somewhere in Africa, leaving infant son to be raised by wild apes. He grows up, quickly learns to wear a loincloth so as not to outrage the censor, rediscovers his heritage, and so on.
Christopher Lambert is pretty good as the Lord of the Apes, though the script has to explain exactly why Tarzan has a French accent; Ralph Richardson and Ian Holm are really better in supporting roles, though. If the film has a problem it's that it's just a bit too downbeat and glum for a Tarzan movie - you can take gritty realism just a bit too far, and director Hugh Hudson seems determined to make serious angry points about the evils of imperialism, colonialism, and the British establishment. Still, it's probably preferable to most of the previous, ultra-silly Tarzan movies.
Christopher Lambert is pretty good as the Lord of the Apes, though the script has to explain exactly why Tarzan has a French accent; Ralph Richardson and Ian Holm are really better in supporting roles, though. If the film has a problem it's that it's just a bit too downbeat and glum for a Tarzan movie - you can take gritty realism just a bit too far, and director Hugh Hudson seems determined to make serious angry points about the evils of imperialism, colonialism, and the British establishment. Still, it's probably preferable to most of the previous, ultra-silly Tarzan movies.
CJ (8 KP) rated The Bookshop (2017) in Movies
Sep 11, 2018 (Updated Sep 11, 2018)
Woman vs. town.
Based on the novel of the same title by Penelope Fitzgerald, it tells the story of widow Florence Green (Emily Mortimer) who opens a bookshop in an abandoned home in a small English village. Unfortunately, she does so against the wishes of some of the locals who try to get her removed from her shop. However, she does not find herself without allies and friends.
I was thoroughly delighted by the scenery and costumes in this movie. The stage was set very well. I’m a fan of Bill Nighy as a rule, but I can honestly say that this is the best role I’ve seen him in.
This isn’t a particularly feel good movie. If you’re looking for a Hallmark ending, keep looking. But it does have a few laughs, in that British small-town movie way, and I found it well worth my time. Especially in regards to Emily Mortimer’s and Bill Nighy’s performances.
I was thoroughly delighted by the scenery and costumes in this movie. The stage was set very well. I’m a fan of Bill Nighy as a rule, but I can honestly say that this is the best role I’ve seen him in.
This isn’t a particularly feel good movie. If you’re looking for a Hallmark ending, keep looking. But it does have a few laughs, in that British small-town movie way, and I found it well worth my time. Especially in regards to Emily Mortimer’s and Bill Nighy’s performances.
Sarah (7800 KP) rated Goodbye Christopher Robin (2017) in Movies
Oct 18, 2018
An interesting true story
Like many I know the stories of Winnie the Pooh, but until now I've never known the story behind the writing of the books and the real Christopher Robin.
This is a fascinating, if not slightly disturbing, tale of the creation of Winnie the Pooh and a large part of the life of A.A Milne. It's disturbing mainly for how badly Christopher Robin was treated and used by his parents, and I found this a little difficult to watch and at such a contrast with the happier scenes around the creation of the characters. Domnhall Gleeson is very good and convincing as the very prim and proper author, but I think my only issue is that this film takes the British stiff upper lip much too far. Whilst I don't doubt that this is how people were during this period of time, the stiff English accents really got on my nerves - especially Margot Robbie's, which was a little too proper and English.
This is a fascinating, if not slightly disturbing, tale of the creation of Winnie the Pooh and a large part of the life of A.A Milne. It's disturbing mainly for how badly Christopher Robin was treated and used by his parents, and I found this a little difficult to watch and at such a contrast with the happier scenes around the creation of the characters. Domnhall Gleeson is very good and convincing as the very prim and proper author, but I think my only issue is that this film takes the British stiff upper lip much too far. Whilst I don't doubt that this is how people were during this period of time, the stiff English accents really got on my nerves - especially Margot Robbie's, which was a little too proper and English.
Hazel (2934 KP) rated The Chosen Ones in Books
Oct 20, 2018
I have never read anything by Howard Linskey before but if this book is anything to go by, I won't be making that mistake again ... what a great read and even though this is book number 4 in the series, I don't think it's totally necessary to have read the previous ones. Yes you may miss out on some of the back story and relationship building that has gone on before but I think there is enough provided to give you a good idea but not so much that it becomes tedious.
The writing flows well making it easy to read and with great characters, creepy and disturbing storyline and a great ending, I have no hesitation in recommending this to those who enjoy a good police procedural with a psychologically thrilling edge.
Thanks go to the publisher, Penguin UK - Michael Joseph, via NetGalley for my copy in return for an honest and unbiased review and for introducing me to another fantastic British author.
The writing flows well making it easy to read and with great characters, creepy and disturbing storyline and a great ending, I have no hesitation in recommending this to those who enjoy a good police procedural with a psychologically thrilling edge.
Thanks go to the publisher, Penguin UK - Michael Joseph, via NetGalley for my copy in return for an honest and unbiased review and for introducing me to another fantastic British author.
David McK (3576 KP) rated The Maharajah's General (Jack Lark, #2) in Books
Jan 30, 2019
Following [a: Paul Fraser Collard|7024929|Paul Fraser Collard|https://d.gr-assets.com/authors/1368086413p2/7024929.jpg]'s [b: The Scarlet Thief|18752323|The Scarlet Thief|Paul Fraser Collard|https://d.gr-assets.com/books/1383577532s/18752323.jpg|24752025] (which dealt primarily with the Battle of Alma during the Crimean War), you would be forgiven for thinking that the Jack Lark series as a whole would be set during such war.
That's not the case.
Instead, in this, we move to an even further outpost of the British Imperial Empire: to India, to be precise, with Jack Lark impersonating a different officer than before.
I don't want to give too much away - suffice it to say that things do not always go to plan and that Jack finds himself caught up in the beginnings of the Indian Mutiny: a mutiny which, in retrospect, was no surprise given the way they were treated!
I have to say, I found this to be a thoroughly enjoyable 'Boys Own' style of read!
That's not the case.
Instead, in this, we move to an even further outpost of the British Imperial Empire: to India, to be precise, with Jack Lark impersonating a different officer than before.
I don't want to give too much away - suffice it to say that things do not always go to plan and that Jack finds himself caught up in the beginnings of the Indian Mutiny: a mutiny which, in retrospect, was no surprise given the way they were treated!
I have to say, I found this to be a thoroughly enjoyable 'Boys Own' style of read!
Sarah (7800 KP) rated In Darkness (2018) in Movies
Dec 24, 2018
An average thriller
I’m pretty sure this went straight to tv over here, so I wasn’t expecting much however it is slightly better than I expected, even if it still a bog standard thriller.
The soundtrack is great, and the first part of them film is very well executed and comes across as quite arty, with some great music. The problem is that the rest of the film seems to get bogged down with a convoluted plot that’s made more complicated than it needs to be. Natalie Dormer is very good, it’s nice to see Joely Richardson in something recent, and it’s always nice to see Neil Maskell (even if he does play a similar character in everything he’s in - he seems to be the go to bloke for British cops). It’s just a shame that the cast can’t rise above the average plot. And the twist ending I saw coming a mile off.
One of those films that’s watchable but instantly forgettable as being distinctly average.
The soundtrack is great, and the first part of them film is very well executed and comes across as quite arty, with some great music. The problem is that the rest of the film seems to get bogged down with a convoluted plot that’s made more complicated than it needs to be. Natalie Dormer is very good, it’s nice to see Joely Richardson in something recent, and it’s always nice to see Neil Maskell (even if he does play a similar character in everything he’s in - he seems to be the go to bloke for British cops). It’s just a shame that the cast can’t rise above the average plot. And the twist ending I saw coming a mile off.
One of those films that’s watchable but instantly forgettable as being distinctly average.