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Mayhawke (97 KP) rated The Strange Disappearance of a Bollywood Star in Books
Feb 13, 2018
Kahn is establishing himself as a solid and reliable voice in cosy crime
Vaseem Khan is still a relatively new voice in cozy crime fiction, but I have been with him since the start, and on current showing I shall be with him long into the future.
One of the great pleasures for crime fiction readers of the last decade has been the influx of new voices as - in the search for something new and different - the British market has been opened up to translations from abroad (Camilleri, Akunin, Vargas) and English-language fiction set in different cultural environments (No.1 Ladies Detective Agency, Aurelio Zen, Dr. Siri Paboun). Khan has proven himself a skillful and delightful contributor to the latter category, lifting the vibrant sounds, colours, smells and characters of India (good and bad) from the page as he weaves remarkably clever and entertaining stories of brutal thefts, murder and abduction for the protagonist, Inspector Chopra (Retd) & and his mystical and cheeky four-legged sidekick, Ganesha, to unravel.
His latest book sees a young and arrogant Bollywood star abducted on the eve of his most important film shoot to date. As the biggest and most expensive film in Bollywood history grinds to a halt money, reputations and lives are on the line and Chopra is employed to quietly find and return the prodigal starlet to his duties. It quickly becomes apparent, though, that the boy has not just had a Bieberesque tantrum, and that the funding for, and personalities behind the movie may be a lot murkier and more complex than they seem.
Already on his third book in two years he promises to be as prolific as he is enjoyable.
One of the great pleasures for crime fiction readers of the last decade has been the influx of new voices as - in the search for something new and different - the British market has been opened up to translations from abroad (Camilleri, Akunin, Vargas) and English-language fiction set in different cultural environments (No.1 Ladies Detective Agency, Aurelio Zen, Dr. Siri Paboun). Khan has proven himself a skillful and delightful contributor to the latter category, lifting the vibrant sounds, colours, smells and characters of India (good and bad) from the page as he weaves remarkably clever and entertaining stories of brutal thefts, murder and abduction for the protagonist, Inspector Chopra (Retd) & and his mystical and cheeky four-legged sidekick, Ganesha, to unravel.
His latest book sees a young and arrogant Bollywood star abducted on the eve of his most important film shoot to date. As the biggest and most expensive film in Bollywood history grinds to a halt money, reputations and lives are on the line and Chopra is employed to quietly find and return the prodigal starlet to his duties. It quickly becomes apparent, though, that the boy has not just had a Bieberesque tantrum, and that the funding for, and personalities behind the movie may be a lot murkier and more complex than they seem.
Already on his third book in two years he promises to be as prolific as he is enjoyable.
ClareR (5885 KP) rated Not That Bad: Dispatches from Rape Culture in Books
Nov 23, 2018
This is an important book.
This is such an important book. Most of the contributions are from women who have experienced sexual assault, but there are contributions from men, and trans women as well. Some are terrible, life changing stories, some are stories of numerous occurrences that chip away at the writers self confidence and feelings of safety. Actually, the upshot is that a vast majority of women do not feel safe anymore.
As I began reading this, I thought that I was one of the lucky that had never experienced any of these things, but as I read on, I realised that I actually had. I think that the cat-calling, touching and looks are something that we don't so much expect as that we are just used to them. The fact that in my younger years I was very outspoken and told someone who touched me to keep their hands to themselves, or told a commenter to keep their mouths shut, probably meant that I was more lucky than effective when they backed down or apologised. And I also think that British culture was very different 20 years ago, as was I.
What saddens me, is that the people who should really read this probably won't. And if they do, they'll probably brush it off as women who exaggerate or are out to attack men, are men haters. But these are all genuine experiences. This isn't fiction. It's heart breaking, raw and something that shouldn't have any place in our modern world. I've never understood the need of some people to control, manipulate and hurt others, but I think I'm probably naive. Or hopeful, perhaps. Somehow, we need to stop this cycle of abuse and hurt, and until then, stories like this will continue.
As I began reading this, I thought that I was one of the lucky that had never experienced any of these things, but as I read on, I realised that I actually had. I think that the cat-calling, touching and looks are something that we don't so much expect as that we are just used to them. The fact that in my younger years I was very outspoken and told someone who touched me to keep their hands to themselves, or told a commenter to keep their mouths shut, probably meant that I was more lucky than effective when they backed down or apologised. And I also think that British culture was very different 20 years ago, as was I.
What saddens me, is that the people who should really read this probably won't. And if they do, they'll probably brush it off as women who exaggerate or are out to attack men, are men haters. But these are all genuine experiences. This isn't fiction. It's heart breaking, raw and something that shouldn't have any place in our modern world. I've never understood the need of some people to control, manipulate and hurt others, but I think I'm probably naive. Or hopeful, perhaps. Somehow, we need to stop this cycle of abuse and hurt, and until then, stories like this will continue.
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review</i>
<i>Captive</i> is the debut young adult thriller by British author A. J. Grainger. Set in contemporary Britain, sixteen-year-old Robyn, the daughter of the Prime Minister, is kidnapped and held hostage by three animal rights activists. Until the government agrees to release the person accused of the attempted assassination of the PM four month previously, they refuse to free Robyn from captivity. It soon becomes clear that a lot of lies and cover-ups have been occurring and it is difficult to know whom to trust.
The novel gets off to a great start with a lot of action as Robyn and her family is ambushed on their way to visit grandparents. The first half of the book is really exciting as the reader slowly gets to grips with what is going on.
Grainger writes really well with great use of descriptive words and phrases. To keep the reader engaged and to lengthen the story she includes other interesting details that are educational in a way – for example, knowledge about birds.
Unfortunately the second half of the book is not as exciting as the first. A relationship starts developing between Robyn and one of the captors, which is rather unoriginal and predictable.
One thing that I particularly liked about this novel was Robyn’s character. Naturally people may expect daughters of prime ministers to be snobbish and spoilt but Robyn was the complete opposite. She did not care about where her clothes came from or whether or not she went to parties. Robyn was the representation of the average teenage girl preparing for her GCSEs.
Despite the clichéd captor/hostage situation <i>Captive</i> is a very enjoyable novel with a few exhilarating twists in the plot.
<i>Captive</i> is the debut young adult thriller by British author A. J. Grainger. Set in contemporary Britain, sixteen-year-old Robyn, the daughter of the Prime Minister, is kidnapped and held hostage by three animal rights activists. Until the government agrees to release the person accused of the attempted assassination of the PM four month previously, they refuse to free Robyn from captivity. It soon becomes clear that a lot of lies and cover-ups have been occurring and it is difficult to know whom to trust.
The novel gets off to a great start with a lot of action as Robyn and her family is ambushed on their way to visit grandparents. The first half of the book is really exciting as the reader slowly gets to grips with what is going on.
Grainger writes really well with great use of descriptive words and phrases. To keep the reader engaged and to lengthen the story she includes other interesting details that are educational in a way – for example, knowledge about birds.
Unfortunately the second half of the book is not as exciting as the first. A relationship starts developing between Robyn and one of the captors, which is rather unoriginal and predictable.
One thing that I particularly liked about this novel was Robyn’s character. Naturally people may expect daughters of prime ministers to be snobbish and spoilt but Robyn was the complete opposite. She did not care about where her clothes came from or whether or not she went to parties. Robyn was the representation of the average teenage girl preparing for her GCSEs.
Despite the clichéd captor/hostage situation <i>Captive</i> is a very enjoyable novel with a few exhilarating twists in the plot.
David McK (3562 KP) rated Excavation in Books
Jan 28, 2019
I normally quite like James Rollins' novels, but this one? Not so much.
Although it is in his usual pseudo sci-fi style of writing which I have no problem with, I don't know whether the reason I wasn't really that sold on this one is due to the rather ridiculous (even for him) plot devices used, that fact that it's not one of his Sigma Force novels (best described as scientists with guns) and so lacks that over-reaching plot strands that connects all those novels, or (more likely) that he seems to share the common American misconception of my home town of Belfast as being (almost) a bombed out Beirout. Choice lines include:
"Surviving among the constant gunfire and bombings between the warring Irish factions and the British military had taught Maggie O'Donnell the vlaue of a good hiding place"
"Maggie knew that expression. A childhood friend ... had worn that same shocked face when caught by a stray bullet during a firefight back in Belfast"
"Henry crossed in front of the man and knocked the rifle towards Maggie. 'You know how to use that?' / 'I'm from Belfast' she said, retreiving the gun"
I mean, really? I could understand it a bit better if the book was set during the 70s, or if she was described as being older, but for somebody who I got the impression was meant to be in her 30s?
If this had been the first James Rollins book I had read I don't think I would have bothered with any others! Thankfully, I had the good fortune to read one of his far-superior Sigma Force novels first instead and hope that this is just a momentary blip on his track record - I also read somewhere that this is one of his earlier novels which, perhaps, excuses some of the flimsy plot devices used.
Although it is in his usual pseudo sci-fi style of writing which I have no problem with, I don't know whether the reason I wasn't really that sold on this one is due to the rather ridiculous (even for him) plot devices used, that fact that it's not one of his Sigma Force novels (best described as scientists with guns) and so lacks that over-reaching plot strands that connects all those novels, or (more likely) that he seems to share the common American misconception of my home town of Belfast as being (almost) a bombed out Beirout. Choice lines include:
"Surviving among the constant gunfire and bombings between the warring Irish factions and the British military had taught Maggie O'Donnell the vlaue of a good hiding place"
"Maggie knew that expression. A childhood friend ... had worn that same shocked face when caught by a stray bullet during a firefight back in Belfast"
"Henry crossed in front of the man and knocked the rifle towards Maggie. 'You know how to use that?' / 'I'm from Belfast' she said, retreiving the gun"
I mean, really? I could understand it a bit better if the book was set during the 70s, or if she was described as being older, but for somebody who I got the impression was meant to be in her 30s?
If this had been the first James Rollins book I had read I don't think I would have bothered with any others! Thankfully, I had the good fortune to read one of his far-superior Sigma Force novels first instead and hope that this is just a momentary blip on his track record - I also read somewhere that this is one of his earlier novels which, perhaps, excuses some of the flimsy plot devices used.
ClareR (5885 KP) rated Valkyrie (2008) in Movies
Jun 23, 2019
Surprisingly good!
I will hold my hands up and admit that I can be very critical of films set in Germany and particularly during the Second World War. I’m a bit of a germanophile - I studied German language, literature and history at university. I read into the furore that surrounded the making of this film: the Germans didn’t want Tom Cruise to play the main part because of his affiliation with Scientology (Germans believe it’s a cult, and therefore want nothing to do with it), and Claus von Stauffenberg’s eldest son even asked Cruise to stand down from the role. They all had a rethink though, and decided that it was more important that this story was actually told. And I have to agree with them. There’s a belief that all Germans were complicit in the actions of Hitler and his National Socialists, but this isn’t true. What might be true, is that people were terrified that they would be killed for any opposing thoughts or actions - and they were right.
I was really surprised (pleasantly!) by Cruises acting in this. After my initial horror at the opening sequence where he was talking in German (my children asked if he would be speaking German throughout, and were fully prepared to go to bed early - they didn’t want to read subtitles for a whole movie, I didn’t want to hear the shocking pronunciation!😆), it really picked up! The British actors really made it for me (I could well be accused of bias, but well, I don’t care 🤷🏼♀️), and Eddie Izzard was the most surprising - I really need to stop being surprised that he can act well!
It’s a good film! We had a good family film night anyway, and I think it’s worth watching.
I was really surprised (pleasantly!) by Cruises acting in this. After my initial horror at the opening sequence where he was talking in German (my children asked if he would be speaking German throughout, and were fully prepared to go to bed early - they didn’t want to read subtitles for a whole movie, I didn’t want to hear the shocking pronunciation!😆), it really picked up! The British actors really made it for me (I could well be accused of bias, but well, I don’t care 🤷🏼♀️), and Eddie Izzard was the most surprising - I really need to stop being surprised that he can act well!
It’s a good film! We had a good family film night anyway, and I think it’s worth watching.
Gareth von Kallenbach (980 KP) rated Ninja Assassin (2009) in Movies
Aug 8, 2019
The Ozunu Clan has long been secretly kidnapping and training children to become ninjas. But when a set of Europol agents get a little too close to discovering the secret, it is up to a former student of the Clan, Raizo (Rain), to defend the agents against the brutal ninjas’ attacks.
The film is loosely plotted at best, but it does manage to keep the viewer interested. Maybe it is the consistent comedy mixed with undeniable bloodshed. And there is bloodshed. “Ninja Assassin” is absolutely splattered with gore, weapons, and the unexpected attack that only ninjas can bring.
Joel Silver, of “Lethal Weapon”, “Die Hard”, and “Predator” fame, and the renowned Wachowski brothers, creators of “the Matrix”, are the producers behind “Ninja Assassin”. Therefore it should come as no surprise that the fight scenes are also engrossing in this ninja-tacular flick.
The international cast includes Korean superstar Rain as Raizo and martial arts regular Sho Kosugi, as the ninja master. The appearance of Ben Miles (from the hit British TV show “Coupling”) as Ryan Maslow, superior to the Europol officer and lead Mika Coretti (Naomie Harris), also enhances the casting of this one of kind film.
And it is one of a kind. What is most appealing about “Ninja Assassin” is that it truly displays ninjas in the way every child thinks about them; cunning, violent, and awesome. Somehow in a world full of films that feel like a new version of the same old thing, “Ninja Assassin” has… dare I write… a freshness.
Keeping you on the edge of your seat, focused on the nonstop 360 degree fight sequences and funny one-liners, “Ninja Assassin” brings more than expected to the big screen.
The film is loosely plotted at best, but it does manage to keep the viewer interested. Maybe it is the consistent comedy mixed with undeniable bloodshed. And there is bloodshed. “Ninja Assassin” is absolutely splattered with gore, weapons, and the unexpected attack that only ninjas can bring.
Joel Silver, of “Lethal Weapon”, “Die Hard”, and “Predator” fame, and the renowned Wachowski brothers, creators of “the Matrix”, are the producers behind “Ninja Assassin”. Therefore it should come as no surprise that the fight scenes are also engrossing in this ninja-tacular flick.
The international cast includes Korean superstar Rain as Raizo and martial arts regular Sho Kosugi, as the ninja master. The appearance of Ben Miles (from the hit British TV show “Coupling”) as Ryan Maslow, superior to the Europol officer and lead Mika Coretti (Naomie Harris), also enhances the casting of this one of kind film.
And it is one of a kind. What is most appealing about “Ninja Assassin” is that it truly displays ninjas in the way every child thinks about them; cunning, violent, and awesome. Somehow in a world full of films that feel like a new version of the same old thing, “Ninja Assassin” has… dare I write… a freshness.
Keeping you on the edge of your seat, focused on the nonstop 360 degree fight sequences and funny one-liners, “Ninja Assassin” brings more than expected to the big screen.
Awix (3310 KP) rated War of the Worlds: Global Dispatches in Books
Feb 3, 2020
Diverse collection of short stories all revisiting the Martian invasion of 1898 (as originally detailed by H.G. Wells). Most (but not all) of the stories are narrated by notables from the period, most (but not all) of these are famous writers: Henry James, Samuel Clemens, Rudyard Kipling, and so on. The collection kind of overlooks the implication that the Martians only actually invade southern England in Wells' novel, but then most adaptations do the same thing, and the stories here aren't even consistent with each other (the fate of Paris varies significantly in the Jules Verne and Pablo Picasso entries).
A bit of a mixed bag, to be honest: some of the stories just restage elements of Wells with a different backdrop, others treat the Martians as a backdrop for more introspective tales, still others indulge in literary pastiche. Unlikely juxtapositions and in-jokes abound - Rudyard Kipling meets Gandhi, Tolstoy meets Stalin, Samuel Clemens (d. 1910) makes reference to John Christopher (b. 1922). The best stories are mostly the ones which recognise the political/satirical subtext powering the Wells novel and attempt to do something similar - so Barbara Hambly's story concerns British imperialism in India, and the effect of the Martians on the situation there, while another looks at the consequences for pre-revolutionary Russia. That said, Connie Willis' Hugo-winning contribution sends the whole conceit of the novel up with a predictable mixture of tongue-in-cheek drollery and sheer absurd silliness, as the unlikely effect of a Martian encounter on the poetry of Emily Dickinson is revealed (especially considering Dickinson died twelve years before the coming of the Martians). The good stories are very good indeed, the less good ones merely a bit tedious. A worthy and worthwhile tribute to the original novel.
A bit of a mixed bag, to be honest: some of the stories just restage elements of Wells with a different backdrop, others treat the Martians as a backdrop for more introspective tales, still others indulge in literary pastiche. Unlikely juxtapositions and in-jokes abound - Rudyard Kipling meets Gandhi, Tolstoy meets Stalin, Samuel Clemens (d. 1910) makes reference to John Christopher (b. 1922). The best stories are mostly the ones which recognise the political/satirical subtext powering the Wells novel and attempt to do something similar - so Barbara Hambly's story concerns British imperialism in India, and the effect of the Martians on the situation there, while another looks at the consequences for pre-revolutionary Russia. That said, Connie Willis' Hugo-winning contribution sends the whole conceit of the novel up with a predictable mixture of tongue-in-cheek drollery and sheer absurd silliness, as the unlikely effect of a Martian encounter on the poetry of Emily Dickinson is revealed (especially considering Dickinson died twelve years before the coming of the Martians). The good stories are very good indeed, the less good ones merely a bit tedious. A worthy and worthwhile tribute to the original novel.
Gareth von Kallenbach (980 KP) rated Shaun the Sheep Movie (2015) in Movies
Aug 6, 2019
Shaun the Sheep is a spin-off from the popular British stop-motion animation show Wallace and Gromit. This one of a kind, smart, and loveable sheep burst on to the small screen nearly twenty years ago in the short “A Close Shave.” Winning the hearts of millions, it’s no surprise a movie was in the works.
This film starts off with a silent monologue of how Shaun, the rest of flock of sheep, and Bitzer, the loyal and always “by the book” sheepdog, came to live with the Farmer. Fast forward a few years, sick and tired of the redundant life of waking up early, being herded throughout the farm, shaved, and fed the same food every day, Shaun brilliantly devises a plan to give him and the flock the day off. Unfortunately, the plan of tricking the Farmer to fall asleep in an RV trailer goes awry when the trailer wriggles loose from its tire wedges sending the Farmer off on an out of control trip and ending up in the Big City with amnesia. Stuck on the Farm with no one to tend to their needs, the Sheep and Bitzer panic and set off to the Big City to bring the Farmer back home. And, so begins the adventure into unchartered territory.
It’s remarkable that a movie with no dialogue manages to convey so many messages and emotions-from anger, comic relief, sadness to gratitude and joy. My hats go off to writer-director duo, Mark Burton and Richard Starzak, and the rest of the animation team for paying such wonderful attention to detail with the characters, the vibrant scenery, and also being on point with the comedic timing.
Every generation will love this movie and it definitely proves that silence is golden.
This film starts off with a silent monologue of how Shaun, the rest of flock of sheep, and Bitzer, the loyal and always “by the book” sheepdog, came to live with the Farmer. Fast forward a few years, sick and tired of the redundant life of waking up early, being herded throughout the farm, shaved, and fed the same food every day, Shaun brilliantly devises a plan to give him and the flock the day off. Unfortunately, the plan of tricking the Farmer to fall asleep in an RV trailer goes awry when the trailer wriggles loose from its tire wedges sending the Farmer off on an out of control trip and ending up in the Big City with amnesia. Stuck on the Farm with no one to tend to their needs, the Sheep and Bitzer panic and set off to the Big City to bring the Farmer back home. And, so begins the adventure into unchartered territory.
It’s remarkable that a movie with no dialogue manages to convey so many messages and emotions-from anger, comic relief, sadness to gratitude and joy. My hats go off to writer-director duo, Mark Burton and Richard Starzak, and the rest of the animation team for paying such wonderful attention to detail with the characters, the vibrant scenery, and also being on point with the comedic timing.
Every generation will love this movie and it definitely proves that silence is golden.
Gareth von Kallenbach (980 KP) rated Closed Circuit (2013) in Movies
Aug 6, 2019
oday, we’re going to bring you something a little different from ‘across the pond’ in the form of the latest crime-thriller from
the United Kingdom ‘Closed Circuit’.
Directed by John Crowley, ‘Closed Circuit’ tells the story of a fictional terrorist attack on the city of London and it’s aftermath.
Staring Eric Bana, Rebecca Hall, Julia Stiles, Ciaran Hinds, and Jim Broadbent. ‘Closed Circuit’ follows two lawyers (Bana and Hall)
as they individually attempt to prepare the defense of their client, the lone suspect apprehended in the aftermath of the attack on a London market,
in most high profile criminal case in british history, They quickly learn though that all is not as it appears. As they discover they are being shadowed,
their every move monitored, and their pasts scrutinized, it soon becomes clear that no matter what the outcome of the trial is, it might not be
just their reputations that are on the line.
The movie is a fictional example of what unfortunately, has become almost commonplace in today’s world.
Terrorist attacks, manhunts, expanded surveillance, and it makes you ask yourself, Who is the biggest threat to us? Our enemies? Or those we trust
to defend us from our enemies?
‘Closed Circuit’ was well filmed and is cast be top-notch actors. However, once the movie gets past the very beginning it drags on for a while and has little
dialogue. Every line by the actors in the movie implies others hidden within others and is hard to follow sometimes unless you’re a conspiracy theorist.
I’d give the film 2 and a half out of 5 stars. It’s a good flick, don’t get me wrong. But it’s kind of a downer. Not exactly, an ‘escape’ from the summer heat.
Put it in in your queue for NetFilx.
the United Kingdom ‘Closed Circuit’.
Directed by John Crowley, ‘Closed Circuit’ tells the story of a fictional terrorist attack on the city of London and it’s aftermath.
Staring Eric Bana, Rebecca Hall, Julia Stiles, Ciaran Hinds, and Jim Broadbent. ‘Closed Circuit’ follows two lawyers (Bana and Hall)
as they individually attempt to prepare the defense of their client, the lone suspect apprehended in the aftermath of the attack on a London market,
in most high profile criminal case in british history, They quickly learn though that all is not as it appears. As they discover they are being shadowed,
their every move monitored, and their pasts scrutinized, it soon becomes clear that no matter what the outcome of the trial is, it might not be
just their reputations that are on the line.
The movie is a fictional example of what unfortunately, has become almost commonplace in today’s world.
Terrorist attacks, manhunts, expanded surveillance, and it makes you ask yourself, Who is the biggest threat to us? Our enemies? Or those we trust
to defend us from our enemies?
‘Closed Circuit’ was well filmed and is cast be top-notch actors. However, once the movie gets past the very beginning it drags on for a while and has little
dialogue. Every line by the actors in the movie implies others hidden within others and is hard to follow sometimes unless you’re a conspiracy theorist.
I’d give the film 2 and a half out of 5 stars. It’s a good flick, don’t get me wrong. But it’s kind of a downer. Not exactly, an ‘escape’ from the summer heat.
Put it in in your queue for NetFilx.
The Tale of Tom Kitten in Russian LITE
Book and Games
App
Bring the adventures of Tom Kitten to life with this fun immersive interactive storybook that...