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Butch Vig recommended track Live Forever by Oasis in Stop the Clocks by Oasis in Music (curated)
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Galley Slave: The Autobiography of a Protestant Condemned to the French Galleys: v. 1: Seafarers' Voices
Book
This remarkable memoir tells of the miseries of Jean Marteilhe of Bergerac, 'a Protestant condemned...
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George and Martha Washington: A Revolutionary Marriage
Book
George and Martha Washington, of Mount Vernon, Virginia, were America's original first couple. From...
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Grace
Book
For decades, Grace Coddington's personal touch has steered wildly imaginative fashion spreads in...
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Arming Mother Nature: The Birth of Catastrophic Environmentalism
Book
When most Americans think of environmentalism, they think of the political left, of vegans dressed...
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Great Railway Maps of the World
Book
From Mark Ovenden, the author of London Underground by Design and Metro Maps of the World, comes...
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Hamilton: The Revolution
Lin-Manuel Miranda and Jeremy McCarter
Book
Winner of the 2016 Pulitzer Prize for Drama Goodreads best non-fiction book of 2016 From Tony...
Heart Religion: Evangelical Piety in England & Ireland, 1690-1850
Book
The Evangelical Revival of the mid-eighteenth century was a major turning point in Protestant...
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Matthew Krueger (10051 KP) rated Scars of Dracula (1970) in Movies
Nov 17, 2020
The plot: Bat's blood hits Dracula's (Christopher Lee) ashes, and he rises again to fight a couple (Dennis Waterman, Jenny Hanley) looking for trouble.
It also gives Lee more to do and say than any other Hammer Dracula film except its first, 1958's Dracula.
This film breaks the continuity maintained through the previous entries in the Hammer Dracula series: whereas at the end of the preceding film, Taste the Blood of Dracula, the Count met his end in a disused church near London, this film opens with a resurrection scene set in Dracula's castle in Transylvania, with no explanation of how his ashes got there (although, they might have been returned from England, as a contingency, by the young acolyte from the prologue of Dracula A.D. 1972). Furthermore; in Scars of Dracula, the Count has a servant named Klove, played by Patrick Troughton; in the third film of the series, Dracula: Prince of Darkness, Dracula has a servant named Klove (played by Philip Latham) who appears to be a different character, though identically named. The disruption of continuity caused by Scars of Dracula reflects the fact the film was originally tooled as a possible reboot of the series in the event Christopher Lee elected not to reprise the role of Dracula.
The British Film group EMI took over distribution of the film after Warner Bros., Universal Pictures and other American studios refused to distribute it in the U.S. It was also the first of several Hammer films to get an 'R' rating.
Its a good film.
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Matthew Krueger (10051 KP) rated Horror Express (1972) in Movies
Nov 23, 2020
The plot: Alexander Saxton (Christopher Lee), a brilliant British anthropologist researching in the Russian Far East, boards the Trans-Siberian Express with his latest discovery, a frozen specimen he hopes to prove is the missing link. But en route to Europe, passengers begin to turn up dead, and terror engulfs the train as Saxton and his partner, Dr. Wells (Peter Cushing), struggle to contain a mysterious -- and increasingly murderous -- force with the power to control minds.
According to Martin, the film was made because a producer obtained a train set from Nicholas and Alexandra (1971). "He came up with the idea of writing a script just so he would be able to use this prop," said Martin. "Now at that time, Phil was in the habit of buying up loads of short stories to adapt into screenplays, and the story for Horror Express was originally based on a tale written by a little-known American scriptwriter and playwright."
Securing Lee and Cushing was a coup for Gordon, since it lent an atmosphere reminiscent of Hammer Films, many of which starred both of the actors. When Cushing arrived in Madrid to begin work on the picture, however, he was still distraught over the recent death of his wife, and announced to Gordon that he could not do the film. With Gordon desperate over the idea of losing one of his important stars, Lee stepped in and put Cushing at ease simply by talking to his old friend about some of their previous work together. Cushing changed his mind and stayed on.
Its a great movie.