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Jesters_folly (230 KP) rated Nobody (2021) in Movies
Jun 8, 2021
Contains spoilers, click to show
Nobody is what you get when you cross 'John Wick', 'Falling Down' and throw in a pinch of the British T.V. show 'The Prisoner'.
Hutch Mansell (Bob Odenkirk) is a seemingly normal family man who would let robbers take his money to make sure his son doesn't get shot, However, Hutch has a secret past which he has to turn to when events spiral out of control.
Bob Odenkirk plays Hutch well and manages an interesting take on the 'Past warrior/now family man' trope, most of the time the characters past is acknowledged/known by other characters and the viewer but Hutch comes across as a normal boring man whilst most of the other male characters seem to all be stronger than he is and the film slowly builds up to show us just how 'bad ass' he really is. And this leads to one of the problems with 'Nobody', it is obvious that Hutch's children know nothing of his past life but I was never sure of how much his wife, Becca, knew. From the beginning you assume she knows nothing, however as the film goes on Hutch and Becca refer to how things were before and some times it seems like she knew and even worked with Hutch whilst other times they could just be referring to earlier in there relationship and Becca's behaviour both seems to indicate that she does and doesn't know about Hutches past .
The action scenes are good with Hutch being a 'John Wick light' or a 'MacGyver', using guns and traps more than improvised weapons but still being able to make the fights entertaining.
Over all 'Nobody' is a good, entertaining film and well worth a watch and, lets face it, anything with Christopher Lloyd in it can't be all bad.
Hutch Mansell (Bob Odenkirk) is a seemingly normal family man who would let robbers take his money to make sure his son doesn't get shot, However, Hutch has a secret past which he has to turn to when events spiral out of control.
Bob Odenkirk plays Hutch well and manages an interesting take on the 'Past warrior/now family man' trope, most of the time the characters past is acknowledged/known by other characters and the viewer but Hutch comes across as a normal boring man whilst most of the other male characters seem to all be stronger than he is and the film slowly builds up to show us just how 'bad ass' he really is. And this leads to one of the problems with 'Nobody', it is obvious that Hutch's children know nothing of his past life but I was never sure of how much his wife, Becca, knew. From the beginning you assume she knows nothing, however as the film goes on Hutch and Becca refer to how things were before and some times it seems like she knew and even worked with Hutch whilst other times they could just be referring to earlier in there relationship and Becca's behaviour both seems to indicate that she does and doesn't know about Hutches past .
The action scenes are good with Hutch being a 'John Wick light' or a 'MacGyver', using guns and traps more than improvised weapons but still being able to make the fights entertaining.
Over all 'Nobody' is a good, entertaining film and well worth a watch and, lets face it, anything with Christopher Lloyd in it can't be all bad.
Sean Lennon recommended S.F. Sorrow by The Pretty Things in Music (curated)
LoganCrews (2861 KP) rated The Full Monty (1997) in Movies
Sep 20, 2020
I'm sure it's sacrilege saying so, but I got absolutely nothing out of this - in fact I'm deathly sure I hated it. Not because it was exactly awful, per se - moreso because it was just so exhaustively timid, top to bottom. Seldom has a sex comedy ever been more self-conscious of itself, I sat in almost pure impatient silence the entire time waiting for it to end. I mean is it not enough that we rarely ever get to see these tiresome (less than) one note characters actually ever interact as a group? Or that even the overly-familiar sorta-half-jokes have to fizzle out before they're even delivered? And while we're at it, why is the direction so violently bland? And why is the film so indifferent about its own story while also trying to bolster it up as the main selling point? I mean there's hardly any stakes let alone momentum, nor even light fun because everyone just sort of "Yeah sure, whatever"s to everything that happens which is allegedly of consequence. Are we supposed to care? Basically the bone marrow of every sex comedy ever made, stripped down of all the meat and other fixings that made them funny/interesting/charming/memorable. Zero personality, and deliberately stops itself from having any anytime it threatens to use some. At best only mildly amusing, whatever made this entirely pedestrian British 'comedy' get shot up to Best Picture status over something like the mega superior 𝘓𝘰𝘤𝘬, 𝘚𝘵𝘰𝘤𝘬, 𝘢𝘯𝘥 𝘛𝘸𝘰 𝘚𝘮𝘰𝘬𝘪𝘯𝘨 𝘉𝘢𝘳𝘳𝘦𝘭𝘴 I will never grasp. The whole time I just wanted to see the "Always Sunny" gang or even the Broken Lizard troupe take a stab at this premise and give it the non-passive justice it deserves.
LeftSideCut (3776 KP) rated Lifeforce (1985) in Movies
Oct 22, 2020
Fun fact - this is the second film I've seen where a female character uses Patrick Stewart's body to communicate with someone. Maybe this is some kind of niche sub-genre I'm just discovering...
Lifeforce is a film of three parts - it's one part sci-fi, one part British thriller, and one part ridiculous end-of-the-world horror, in that precise order.
The sci-fi part is decent enough, where a space crew discovers a strange object near Halley's comet, and further inspection reveals giant bats and sleeping naked humans in crystal coffins that turn out to weird space vampires (so on board with this ridiculous plot). It has a great aesthetic and some good special effects (keeping in mind this movie came out in 1985). The puppetry when some of the space-vampire victims come back to life is awesome.
Then the film shifts to Colonels Caine (Peter Firth) and Carlsen (Steve Railsback) as they track down one of the escaped aliens through London, whilst it kills and shapeshifts to it's hearts content.
This portion is slower, but Lifeforce has an engaging screenplay, and boasts a cast good enough to keep things entertaing. Patrick Stewart, Frank Finlay, Mathilda May, and John Hallam amongst others provide a solid ensemble that ensures the film doesn't fall into silly territory.
Everything leads up to the absurd finale however. London is completely aflame, hordes of vampire zombie things flood the street, there are bodies everywhere, shit is blowing up, vampire aliens are being vanquished with giant swords, people are being thrown out of helicopters - Tobe Hooper doesn't fuck about with this kind of stuff, and Lifeforce has a final sequence that puts a lot of other horror films to shame, and looks fantastic. It's glorious - This sci-fi-horror gem is well worth checking out.
Lifeforce is a film of three parts - it's one part sci-fi, one part British thriller, and one part ridiculous end-of-the-world horror, in that precise order.
The sci-fi part is decent enough, where a space crew discovers a strange object near Halley's comet, and further inspection reveals giant bats and sleeping naked humans in crystal coffins that turn out to weird space vampires (so on board with this ridiculous plot). It has a great aesthetic and some good special effects (keeping in mind this movie came out in 1985). The puppetry when some of the space-vampire victims come back to life is awesome.
Then the film shifts to Colonels Caine (Peter Firth) and Carlsen (Steve Railsback) as they track down one of the escaped aliens through London, whilst it kills and shapeshifts to it's hearts content.
This portion is slower, but Lifeforce has an engaging screenplay, and boasts a cast good enough to keep things entertaing. Patrick Stewart, Frank Finlay, Mathilda May, and John Hallam amongst others provide a solid ensemble that ensures the film doesn't fall into silly territory.
Everything leads up to the absurd finale however. London is completely aflame, hordes of vampire zombie things flood the street, there are bodies everywhere, shit is blowing up, vampire aliens are being vanquished with giant swords, people are being thrown out of helicopters - Tobe Hooper doesn't fuck about with this kind of stuff, and Lifeforce has a final sequence that puts a lot of other horror films to shame, and looks fantastic. It's glorious - This sci-fi-horror gem is well worth checking out.
Bong Mines Entertainment (15 KP) rated Keeper - Single by Olivia Nelson in Music
Jun 25, 2019
Olivia Nelson is a 23-year-old singer-songwriter based in East London. Not too long ago, she released an honest R&B tune, entitled, “Keeper”, the third track from her upcoming EP.
“I hope he cracks your back and treats you better than he did to me. I hope he builds a bridge and gets over his insecurities. I’m so over the complications, over the not letting go. I’m ready to move on, ready to open the door. And she’s a keeper if she can deal with all your sh*t. No, I wasn’t the one, wasn’t no fun to play with.” – lyrics
‘Keeper’ tells a straightforward tale of a young woman who sends her ex-beau an evergreen message.
Apparently, not too long ago, the once budding couple called it quits. Their breakup occurred because she lived in a fairytale world while he simultaneously dated someone else.
Later, after healing from her heartache, she tells her ex to keep his new girl close because she’s the only one who will deal with his shenanigans.
‘Keeper’ contains a bittersweet storyline, ear-welcoming vocals, and funky instrumentation flavored with contemporary R&B and neo-soul elements.
“It’s a message to his new girlfriend. A warning of what’s potentially to come.” – Olivia Nelson
Olivia Nelson blossomed after releasing her collaborative debut, “Someone That You Love”, which has amassed over 15M streams; and her standalone single, “Smother Me”, has over 1M streams online.
She is labeled one of British R&B’s most exciting new talents and set to perform on the BBC Introducing Stage at Reading & Leeds Festival this year. Followed by her own headline show at Hoxton Bar & Kitchen in London on October 15, 2019.
“I hope he cracks your back and treats you better than he did to me. I hope he builds a bridge and gets over his insecurities. I’m so over the complications, over the not letting go. I’m ready to move on, ready to open the door. And she’s a keeper if she can deal with all your sh*t. No, I wasn’t the one, wasn’t no fun to play with.” – lyrics
‘Keeper’ tells a straightforward tale of a young woman who sends her ex-beau an evergreen message.
Apparently, not too long ago, the once budding couple called it quits. Their breakup occurred because she lived in a fairytale world while he simultaneously dated someone else.
Later, after healing from her heartache, she tells her ex to keep his new girl close because she’s the only one who will deal with his shenanigans.
‘Keeper’ contains a bittersweet storyline, ear-welcoming vocals, and funky instrumentation flavored with contemporary R&B and neo-soul elements.
“It’s a message to his new girlfriend. A warning of what’s potentially to come.” – Olivia Nelson
Olivia Nelson blossomed after releasing her collaborative debut, “Someone That You Love”, which has amassed over 15M streams; and her standalone single, “Smother Me”, has over 1M streams online.
She is labeled one of British R&B’s most exciting new talents and set to perform on the BBC Introducing Stage at Reading & Leeds Festival this year. Followed by her own headline show at Hoxton Bar & Kitchen in London on October 15, 2019.
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