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Ivana A. | Diary of Difference (1171 KP) rated The Thursday Murder Club in Books
Oct 5, 2020
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I am so happy I am able to be part of the instagram tour for The Thursday Murder Club by Richard Osman. Thank you to the amazing team at Penguin Random House and Viking, for sending me an ARC copy of this book.
<b><i>Synopsis:</i></b>
We follow Elizabeth, Joyce, Ron and Ibrahim, who all meet up on Thursdays and solve mysteries. But when a murder happens in their environment, they cannot stay idle. Having their own tricks up their sleeves, they uncover evidence and keep getting closer to solving the mystery. But one mystery leads to another, and another, and before they know it, they are tangled in a mystery where everyone is a suspect and no one can be trusted.
<b><i>My Thoughts:</i></b>
Their personalities, especially the ability to be brutally honest and not care what they say or do is what kept me giggling throughout. Their resilience and perseverance, and the ability to trick people as well as be a nuisance was so refreshing to read, because it was so real, and I have seen it before.
I used to work in a care home with people that were suffering from dementia, and I am glad that there is a book like this one, that realistically describes how the elderly spend their free time and how mischievous they can be.
Sometimes they help the police, and sometimes they hide things and manipulate so much that I just couldn’t believe the audacity (which was funny on its own). But I think what I loved the most was how much fun they have while they are doing what they want to do - solve mysteries. And they are very good at it!
<b><i>“In life, you have to count the good days. You have to tuck them in your pocket and carry them around with you.”</i></b>
As a foreigner, I thought I wouldn’t understand the British humor.
But I suppose living with a British partner and working in the UK does help a lot. Damn, I’ve been here too long :D Although, there was one part that I did not get, and my partner had to assist me with.
I didn’t understand the meaning of “What forty-six kilos was in real money". And when explained, let me tell you, I was not impressed. :D
<b><i>“People without a sense of humour will never forgive you for being funny.”</i></b>
On the subject of mystery, because in the end, this is a mystery novel, it does deliver. There are multiple mysteries, shall I say multi-layered, and some of the mysteries did keep me wondering until the end. Some of them, I did guess quite early in the book. I kept thinking that all the mysteries would somehow end up connected, and they do, but not in the way I expect - that’s all I will say, without revealing too much.
<b><i>I loved the The Thursday Murder Club.</i></b>
It made me giggle, it made me wonder and try to solve the multi-layer mystery, it made me sad and surprised. It got all the emotions out of me, and I loved it! I would definitely recommend this book!
<b><i>“Tony is not a believer in luck, he’s a believer in hard work. If you fail to prepare, you prepare to fail.”</i></b>
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<a href="https://ko-fi.com/diaryofdifference">Ko-fi</a>;
<img src="https://diaryofdifference.com/wp-content/uploads/2020/09/Book-Review-Banner-82.png"/>;
I am so happy I am able to be part of the instagram tour for The Thursday Murder Club by Richard Osman. Thank you to the amazing team at Penguin Random House and Viking, for sending me an ARC copy of this book.
<b><i>Synopsis:</i></b>
We follow Elizabeth, Joyce, Ron and Ibrahim, who all meet up on Thursdays and solve mysteries. But when a murder happens in their environment, they cannot stay idle. Having their own tricks up their sleeves, they uncover evidence and keep getting closer to solving the mystery. But one mystery leads to another, and another, and before they know it, they are tangled in a mystery where everyone is a suspect and no one can be trusted.
<b><i>My Thoughts:</i></b>
Their personalities, especially the ability to be brutally honest and not care what they say or do is what kept me giggling throughout. Their resilience and perseverance, and the ability to trick people as well as be a nuisance was so refreshing to read, because it was so real, and I have seen it before.
I used to work in a care home with people that were suffering from dementia, and I am glad that there is a book like this one, that realistically describes how the elderly spend their free time and how mischievous they can be.
Sometimes they help the police, and sometimes they hide things and manipulate so much that I just couldn’t believe the audacity (which was funny on its own). But I think what I loved the most was how much fun they have while they are doing what they want to do - solve mysteries. And they are very good at it!
<b><i>“In life, you have to count the good days. You have to tuck them in your pocket and carry them around with you.”</i></b>
As a foreigner, I thought I wouldn’t understand the British humor.
But I suppose living with a British partner and working in the UK does help a lot. Damn, I’ve been here too long :D Although, there was one part that I did not get, and my partner had to assist me with.
I didn’t understand the meaning of “What forty-six kilos was in real money". And when explained, let me tell you, I was not impressed. :D
<b><i>“People without a sense of humour will never forgive you for being funny.”</i></b>
On the subject of mystery, because in the end, this is a mystery novel, it does deliver. There are multiple mysteries, shall I say multi-layered, and some of the mysteries did keep me wondering until the end. Some of them, I did guess quite early in the book. I kept thinking that all the mysteries would somehow end up connected, and they do, but not in the way I expect - that’s all I will say, without revealing too much.
<b><i>I loved the The Thursday Murder Club.</i></b>
It made me giggle, it made me wonder and try to solve the multi-layer mystery, it made me sad and surprised. It got all the emotions out of me, and I loved it! I would definitely recommend this book!
<b><i>“Tony is not a believer in luck, he’s a believer in hard work. If you fail to prepare, you prepare to fail.”</i></b>
Bob Mann (459 KP) rated Endless (2020) in Movies
Oct 19, 2020
Alexandra Shipp's acting is OK (1 more)
The British Columbian scenary
A Ghost "Ditto" - but without the star quality
Riley (Alexandra Shipp) and Chris (Nicholas Hamilton) are teenage lovers about to be torn apart... but not in the way you think. Riley is about to turn her back on her talent for comic book art to follow her parent's wishes: to study law on the other side of the country in Georgetown. Chris is from the other side of the tracks - aren't they always in these films? - living in a one-parent family with his mother Lee (Bond-girl Famke Janssen).
But fate is about to push them even further apart as - with an advert as to why drinking, texting and driving don't mix - Chris is killed in a car crash. Tragedy - when the feeling's gone and you can't go on! Can their love for each other reach beyond death itself, and if so, at what cost?
We've been here before of course with the Demi Moore / Patrick Swayze hit "Ghost" from 1990. That was an Oscar winner (Best Supporting Actress for Whoopi Goldberg and screenplay by Bruce Joel Rubin). Will "Endless" - a teen-love version - match this potential? Unfortunately, without a potter's wheel in sight, it doesn't stand a ghost of a chance.
It feels like it's not for the want of trying from the five youngsters* at the heart of the action, with Eddie Ramos and Zoë Belkin playing the lover's best friends and DeRon Horton being the limbo-trapped ghost-guide equivalent to the subway dropout from "Ghost". (* I say "youngsters", but most seem to be in their late twenties!) )
All seem to invest their energy into the project. Unfortunately, with the exception of Alexandra Shipp, the energy is not matched with great acting talent. Poor Nicholas Hamilton (the bully from "It") seems to have a particularly limited range, with his resting expression being "gormless".
None of the adult actors fair much better, with Famke Janssen being particularly unconvincing.
As I said, the exception here is Alexandra Shipp, who had a supporting role in "Love, Simon" and a more centre-stage role as "Storm" in the otherwise disappointing "X-Men: Dark Phoenix". Here she remains eminently watchable, but is hog-bound by a seriously dodgy script.
If you read my bob-the-movie-man blog regularly, you will know I reach for my flame-thrower at the appearance of voiceovers. And the start of this movie made me shudder with fear as a "tell, not show" approach was followed. It's a mild blessing that the script - by Andre Case and O'Neil Sharma - used this device purely as a slightly lazy way to set the scene and the voiceover didn't rear its ugly head again.
However, on a broader basis, the screenplay doesn't excite - predictability is its middle name - and it contains lines of dialogue that are absolute stinkers. There are whole sections of the movie that defy belief, with a police investigation in particular appearing completely incompetent. The result is that it adds neither drama or tension.
Through my career in IT I've had the great fortune to travel to a number of small cities in Canada, and all have appealed with their consistently picturesque qualities and consistently quirky individuals! Here we have the cities of Kelowna and Vernon in British Columbia playing California, and the drone cinematography (by Frank Borin and Mark Dobrescu) displays the dramatic lake-filled scenery to the full.
With so many cookie-cutter movies out there, it feels like the non-horror "Ghost" recipe (or "Heaven Can Wait" / "It's a Wonderful Life" / "A Matter of Life and Death" / delete per your preference) is well overdue for a makeover. Unfortunately, director Scott Speer's attempt just isn't good enough to fill the void. And that's a shame.
(For the full graphical review, please check out the bob-the-movie-man review here - https://rb.gy/mzq6jx . Thanks.)
But fate is about to push them even further apart as - with an advert as to why drinking, texting and driving don't mix - Chris is killed in a car crash. Tragedy - when the feeling's gone and you can't go on! Can their love for each other reach beyond death itself, and if so, at what cost?
We've been here before of course with the Demi Moore / Patrick Swayze hit "Ghost" from 1990. That was an Oscar winner (Best Supporting Actress for Whoopi Goldberg and screenplay by Bruce Joel Rubin). Will "Endless" - a teen-love version - match this potential? Unfortunately, without a potter's wheel in sight, it doesn't stand a ghost of a chance.
It feels like it's not for the want of trying from the five youngsters* at the heart of the action, with Eddie Ramos and Zoë Belkin playing the lover's best friends and DeRon Horton being the limbo-trapped ghost-guide equivalent to the subway dropout from "Ghost". (* I say "youngsters", but most seem to be in their late twenties!) )
All seem to invest their energy into the project. Unfortunately, with the exception of Alexandra Shipp, the energy is not matched with great acting talent. Poor Nicholas Hamilton (the bully from "It") seems to have a particularly limited range, with his resting expression being "gormless".
None of the adult actors fair much better, with Famke Janssen being particularly unconvincing.
As I said, the exception here is Alexandra Shipp, who had a supporting role in "Love, Simon" and a more centre-stage role as "Storm" in the otherwise disappointing "X-Men: Dark Phoenix". Here she remains eminently watchable, but is hog-bound by a seriously dodgy script.
If you read my bob-the-movie-man blog regularly, you will know I reach for my flame-thrower at the appearance of voiceovers. And the start of this movie made me shudder with fear as a "tell, not show" approach was followed. It's a mild blessing that the script - by Andre Case and O'Neil Sharma - used this device purely as a slightly lazy way to set the scene and the voiceover didn't rear its ugly head again.
However, on a broader basis, the screenplay doesn't excite - predictability is its middle name - and it contains lines of dialogue that are absolute stinkers. There are whole sections of the movie that defy belief, with a police investigation in particular appearing completely incompetent. The result is that it adds neither drama or tension.
Through my career in IT I've had the great fortune to travel to a number of small cities in Canada, and all have appealed with their consistently picturesque qualities and consistently quirky individuals! Here we have the cities of Kelowna and Vernon in British Columbia playing California, and the drone cinematography (by Frank Borin and Mark Dobrescu) displays the dramatic lake-filled scenery to the full.
With so many cookie-cutter movies out there, it feels like the non-horror "Ghost" recipe (or "Heaven Can Wait" / "It's a Wonderful Life" / "A Matter of Life and Death" / delete per your preference) is well overdue for a makeover. Unfortunately, director Scott Speer's attempt just isn't good enough to fill the void. And that's a shame.
(For the full graphical review, please check out the bob-the-movie-man review here - https://rb.gy/mzq6jx . Thanks.)
Gareth von Kallenbach (980 KP) rated Dunkirk (2017) in Movies
Jul 11, 2019
In May 1940, as Germany advanced into France, Allied troops found themselves surrounded at the town of Dunkirk with little time to escape. In the distance, the Germans sought to capture or kill each of the nearly 400,000 men. French and British soldiers began the slow process to evacuate using every naval or civilian ship available. Dunkirk examines the heroism involved by everyone on the land, sea, and air in their attempt to get their countrymen home.
When we discuss, reflect, or are taught about World War II, we often think the turning points of the war as the Battle of the Bulge, Leningrad, Midway, or D-Day. In doing this, we overlook moments like Dunkirk. Christopher Nolan exposes how vital this moment was in determining the fate, not only of the war, but the world in Dunkirk.
It is hard to describe what the film is like just from the visuals. It captures you and surrounds you by making the audience feel as though they are witnessing these events from a third-person perspective, as well as, through the eyes of those involved. The film itself is not limited to just the war or a discussion of the circumstances that led up to the war itself. There are no major battles shown, however, the film demonstrates quite vividly the horrors of war, the confusion, the chaos, the brutality, and the fear that each moment might be your last.
Dunkirk, masterfully tells the story of those involved in the evacuation of those troops that found themselves being pursued by Nazi Germany. Each frame will have audiences fearing for the safety of the men on the screen and hoping that they will somehow make it home despite all indications that their fate is sealed. Nolan gives audiences the opportunity to see the events in a multilayered way so that we can understand all of the moving parts involved in this massive undertaking. It renews the appreciation that many of us have for those who fought in World War II and offers a new sense of appreciation for younger generations who are far removed from those events. Most impressive about the film is its ability to be more historically accurate in displaying the different people who actually were fighting. It is not, like Saving Private Ryan, a film that exaggerates American participation in the war to make it look as though the only people fighting were Americans and Nazis. Dunkirk shows how the French, British, and Belgians, of various colors and backgrounds were fighting well before summer of 1944.
The film also pulls of quite an ambitious task by removing the Nazis from the film. This is not to say that there is no German presence in the film, rather, they minimize the focus on the Nazis in order to keep the focus on those evacuating and those involved in assisting with the efforts. In my viewing, I felt that this strengthened the film in adding to the fear by having a faceless enemy, one that could be lurking around the corner or coming around the corner at any moment. This added to the tension to make audiences feel the fear that so many of these young men must have had as they waited to board their ships to get home.
Dunkirk is impressive, emotional, and full of tension. It raises the bar with respect to how historically-based films should be in the representation of events. It does not rely on one linear story to capture the audience. It is an intelligent and overdue homage to the men and women who did all they could to ensure that these men made it home.
When we discuss, reflect, or are taught about World War II, we often think the turning points of the war as the Battle of the Bulge, Leningrad, Midway, or D-Day. In doing this, we overlook moments like Dunkirk. Christopher Nolan exposes how vital this moment was in determining the fate, not only of the war, but the world in Dunkirk.
It is hard to describe what the film is like just from the visuals. It captures you and surrounds you by making the audience feel as though they are witnessing these events from a third-person perspective, as well as, through the eyes of those involved. The film itself is not limited to just the war or a discussion of the circumstances that led up to the war itself. There are no major battles shown, however, the film demonstrates quite vividly the horrors of war, the confusion, the chaos, the brutality, and the fear that each moment might be your last.
Dunkirk, masterfully tells the story of those involved in the evacuation of those troops that found themselves being pursued by Nazi Germany. Each frame will have audiences fearing for the safety of the men on the screen and hoping that they will somehow make it home despite all indications that their fate is sealed. Nolan gives audiences the opportunity to see the events in a multilayered way so that we can understand all of the moving parts involved in this massive undertaking. It renews the appreciation that many of us have for those who fought in World War II and offers a new sense of appreciation for younger generations who are far removed from those events. Most impressive about the film is its ability to be more historically accurate in displaying the different people who actually were fighting. It is not, like Saving Private Ryan, a film that exaggerates American participation in the war to make it look as though the only people fighting were Americans and Nazis. Dunkirk shows how the French, British, and Belgians, of various colors and backgrounds were fighting well before summer of 1944.
The film also pulls of quite an ambitious task by removing the Nazis from the film. This is not to say that there is no German presence in the film, rather, they minimize the focus on the Nazis in order to keep the focus on those evacuating and those involved in assisting with the efforts. In my viewing, I felt that this strengthened the film in adding to the fear by having a faceless enemy, one that could be lurking around the corner or coming around the corner at any moment. This added to the tension to make audiences feel the fear that so many of these young men must have had as they waited to board their ships to get home.
Dunkirk is impressive, emotional, and full of tension. It raises the bar with respect to how historically-based films should be in the representation of events. It does not rely on one linear story to capture the audience. It is an intelligent and overdue homage to the men and women who did all they could to ensure that these men made it home.
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