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Emma @ The Movies (1786 KP) rated Promising Young Woman (2020) in Movies
Apr 18, 2021
The wait for this film was agonising, and I honestly don't know how I managed to avoid spoilers when some people on the internet were incapable of using hashtags.
Cassie can't forget the past, and the event that she's living with leaves her holding onto a taste for revenge. She doles out life lessons to those who deserve it as she looks for the way to get the ultimate revenge.
Promising Young Woman is a film I would have loved to have gone into blind. The opening sets up the rest of the film so well, but all I've been able to think is what my reaction would have been without having seen a trailer and knowing what was going to happen... it would have been horrific with a side of evil satisfaction.
Though Carey Mulligan has been in a lot of things, the only thing I can actually say I've seen her in is the Doctor Who episode, Blink... which freaks me out for obvious reasons. Her back catalogue is looking a lot more enticing after seeing her performance here. Cassandra is a thinker and a planner, and while others think she's not achieving her potential, but where she is in life gives her exactly what she needs. Mulligan snaps instantly between the two sides of Cassie's persona with such finesse that when you combine it with the production's editing and cinematography and those moments hold you in suspense for the next.
If you asked me my thoughts on Bo Burnham then I probably would have said I wasn't a fan. But actually, I only remember seeing his stand up, and I was surprised I'd seen films he's been in. Ryan was a great character, he's got that natural charm to him that made a great contrast to the other men we see throughout the film. The development in their relationship is great and follows that sort of "wholesome" and goof expectation of a "successful" dating life... admittedly, not for everyone though.
There was a large recognisable cast, but of the other actors, my main call out would be Alfred Molina. His scene with Carey Mulligan was easily one of my favourites, not just for his performance but the way his character impacts Cassie. In the rest of the cast there were some solid performances, Jennifer Coolidge definitely surprised me as I A) didn't know she was in this and B) have never seen her in a role like this before. But beyond them there were some actor/role combinations that didn't feel right to me.
Something that continually jumped out at me was the score. Great selection of songs, perfectly aligned, nice mix of styles... and that version of Toxic? Masterpiece. I adored every moment of it and I'm listening to the album right now on Spotify.
The feel of the film was a very interesting experience. The divide in Cassie's life is so clear, and I loved Madison's reaction to seeing it. The whole look shows you the drama and thriller side incredibly well and somehow managed to blend them together seamlessly. (Though as an inserted afterthought, I would have liked to have seen this in a murdery version.)
I would really like to talk about the end of the film, but won't for obvious reasons. There's a behind the scenes feature that goes into a specific point, and that attention to detail makes that scene. But in that same instance I knew what was going to happen, and I curse my brain for making it pop into my thoughts.
Promising Young Woman is a very good film, and yet again Emerald Fennell has created something darkly delightful. It embodies something that a lot of people can identify with, not just women, and I have to hope it might enlighten some people as well as entertain.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/04/promising-young-woman-movie-review.html
Cassie can't forget the past, and the event that she's living with leaves her holding onto a taste for revenge. She doles out life lessons to those who deserve it as she looks for the way to get the ultimate revenge.
Promising Young Woman is a film I would have loved to have gone into blind. The opening sets up the rest of the film so well, but all I've been able to think is what my reaction would have been without having seen a trailer and knowing what was going to happen... it would have been horrific with a side of evil satisfaction.
Though Carey Mulligan has been in a lot of things, the only thing I can actually say I've seen her in is the Doctor Who episode, Blink... which freaks me out for obvious reasons. Her back catalogue is looking a lot more enticing after seeing her performance here. Cassandra is a thinker and a planner, and while others think she's not achieving her potential, but where she is in life gives her exactly what she needs. Mulligan snaps instantly between the two sides of Cassie's persona with such finesse that when you combine it with the production's editing and cinematography and those moments hold you in suspense for the next.
If you asked me my thoughts on Bo Burnham then I probably would have said I wasn't a fan. But actually, I only remember seeing his stand up, and I was surprised I'd seen films he's been in. Ryan was a great character, he's got that natural charm to him that made a great contrast to the other men we see throughout the film. The development in their relationship is great and follows that sort of "wholesome" and goof expectation of a "successful" dating life... admittedly, not for everyone though.
There was a large recognisable cast, but of the other actors, my main call out would be Alfred Molina. His scene with Carey Mulligan was easily one of my favourites, not just for his performance but the way his character impacts Cassie. In the rest of the cast there were some solid performances, Jennifer Coolidge definitely surprised me as I A) didn't know she was in this and B) have never seen her in a role like this before. But beyond them there were some actor/role combinations that didn't feel right to me.
Something that continually jumped out at me was the score. Great selection of songs, perfectly aligned, nice mix of styles... and that version of Toxic? Masterpiece. I adored every moment of it and I'm listening to the album right now on Spotify.
The feel of the film was a very interesting experience. The divide in Cassie's life is so clear, and I loved Madison's reaction to seeing it. The whole look shows you the drama and thriller side incredibly well and somehow managed to blend them together seamlessly. (Though as an inserted afterthought, I would have liked to have seen this in a murdery version.)
I would really like to talk about the end of the film, but won't for obvious reasons. There's a behind the scenes feature that goes into a specific point, and that attention to detail makes that scene. But in that same instance I knew what was going to happen, and I curse my brain for making it pop into my thoughts.
Promising Young Woman is a very good film, and yet again Emerald Fennell has created something darkly delightful. It embodies something that a lot of people can identify with, not just women, and I have to hope it might enlighten some people as well as entertain.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/04/promising-young-woman-movie-review.html
Hazel (1853 KP) rated A Notable Woman: The Romantic Journals of Jean Lucey Pratt in Books
May 25, 2017
Looooong
I received this book for free through Goodreads First Reads.
Whilst researching a previous book, Simon Garfield came across the diaries of Jean Lucey Pratt amongst journals collected during the Second World War for Mass Observation. Intrigued by her observations and character, Garfield became determined to learn more about her. After eventually receiving permission from Jean’s niece, he was able to read all forty-five of her diaries, edit them, and produce this huge manuscript for publication: A Notable Woman.
Jean began writing her journals in the April of 1925 at the young age of fifteen. Although she did not write everyday, she continued putting down her thoughts and experiences up until her death in 1986. Jean Lucey Pratt was not a celebrity, although she did write an, unfortunately, unsuccessful book; nor did she achieve anything spectacular during her lifetime. What makes her diaries worth publishing is the fact that she was “ordinary,” a woman who wrote not to impress other people, but to honestly express her emotions and opinions.
For the majority of her life Jean lived on her own in Burnham Beeches, Buckinghamshire, where she yearned for a husband. Her dreams of finding the perfect man yet only attracting a handful of lovers is both amusing and saddening. The most interesting part of her written records, however, has got to be the experiences of war. Unlike other diarist such as Anne Frank, who feared for their lives, or those that experienced the fighting up front, Jean provides the perspective of the average British citizen. She comments on the rationing, the blackout curtains as well as the political propaganda, providing her own opinions, which often changed as the war progressed. Jean amuses the reader by revealing she often slept through an air raid, only waking up at the sound of the All Clear.
The war ends midway through the book, thus delivering accounts of the latter half of her life, from career to ill health, incorporating in family events and, of course, her enormous horde of cats. Although a rather introverted, lonely individual, Jean’s relationship and love for her brother is often heartwarming. Separated by oceans and only seeing him every so many years, it is clear that the siblings are strongly supportive of each other. Jean often refers to her brother as Pooh (as in Winnie the Pooh), to which he responds by calling her Piglet.
Initially Jean did not intend to let anyone read her diaries but later began to imagine how other people would react to what she had written. She toyed with the idea of posthumous publication, but presumed only family and friends would read them – how wrong she was! Regardless of whether her diaries were to be viewed by outsiders or not, Jean usually referred to people by their initials. Whether she did this for a particular reason or merely to save time when writing remains debatable, however it does cause a bit of confusion when reading. Helpfully the editor, Garfield, has provided a character list that can be referred back to as needed.
Simon Garfield has done a magnificent job of compiling the diary entries together to produce an interesting, moving and occasionally amusing story about life during the 1900s. He has painstakingly sorted through handwritten entries, deciding what bits to omit and conducting further research in order to explain in footnotes the sections or references that would not make sense if left alone. Garfield has made the majority of Jean’s journals flow like a novel, only becoming erratic towards the end of her life when she would only write once every few months.
A Notable Woman gives a fantastic insight into the lives of ordinary people during an era of hardship and change. Readers are more likely to read an accurate description of the war and subsequent years in this book than in any emotionally detached textbook or biased account. Without a doubt this book is worth a read, although do not expect to be able to rush through it as some may do with a work of fiction. Garfield if highly praised for his efforts, and one hopes that Jean would be proud to finally have a writing success.
Whilst researching a previous book, Simon Garfield came across the diaries of Jean Lucey Pratt amongst journals collected during the Second World War for Mass Observation. Intrigued by her observations and character, Garfield became determined to learn more about her. After eventually receiving permission from Jean’s niece, he was able to read all forty-five of her diaries, edit them, and produce this huge manuscript for publication: A Notable Woman.
Jean began writing her journals in the April of 1925 at the young age of fifteen. Although she did not write everyday, she continued putting down her thoughts and experiences up until her death in 1986. Jean Lucey Pratt was not a celebrity, although she did write an, unfortunately, unsuccessful book; nor did she achieve anything spectacular during her lifetime. What makes her diaries worth publishing is the fact that she was “ordinary,” a woman who wrote not to impress other people, but to honestly express her emotions and opinions.
For the majority of her life Jean lived on her own in Burnham Beeches, Buckinghamshire, where she yearned for a husband. Her dreams of finding the perfect man yet only attracting a handful of lovers is both amusing and saddening. The most interesting part of her written records, however, has got to be the experiences of war. Unlike other diarist such as Anne Frank, who feared for their lives, or those that experienced the fighting up front, Jean provides the perspective of the average British citizen. She comments on the rationing, the blackout curtains as well as the political propaganda, providing her own opinions, which often changed as the war progressed. Jean amuses the reader by revealing she often slept through an air raid, only waking up at the sound of the All Clear.
The war ends midway through the book, thus delivering accounts of the latter half of her life, from career to ill health, incorporating in family events and, of course, her enormous horde of cats. Although a rather introverted, lonely individual, Jean’s relationship and love for her brother is often heartwarming. Separated by oceans and only seeing him every so many years, it is clear that the siblings are strongly supportive of each other. Jean often refers to her brother as Pooh (as in Winnie the Pooh), to which he responds by calling her Piglet.
Initially Jean did not intend to let anyone read her diaries but later began to imagine how other people would react to what she had written. She toyed with the idea of posthumous publication, but presumed only family and friends would read them – how wrong she was! Regardless of whether her diaries were to be viewed by outsiders or not, Jean usually referred to people by their initials. Whether she did this for a particular reason or merely to save time when writing remains debatable, however it does cause a bit of confusion when reading. Helpfully the editor, Garfield, has provided a character list that can be referred back to as needed.
Simon Garfield has done a magnificent job of compiling the diary entries together to produce an interesting, moving and occasionally amusing story about life during the 1900s. He has painstakingly sorted through handwritten entries, deciding what bits to omit and conducting further research in order to explain in footnotes the sections or references that would not make sense if left alone. Garfield has made the majority of Jean’s journals flow like a novel, only becoming erratic towards the end of her life when she would only write once every few months.
A Notable Woman gives a fantastic insight into the lives of ordinary people during an era of hardship and change. Readers are more likely to read an accurate description of the war and subsequent years in this book than in any emotionally detached textbook or biased account. Without a doubt this book is worth a read, although do not expect to be able to rush through it as some may do with a work of fiction. Garfield if highly praised for his efforts, and one hopes that Jean would be proud to finally have a writing success.
Hazel (1853 KP) rated A Notable Woman: The Romantic Journals of Jean Lucey Pratt in Books
Dec 7, 2018
<i>I received this book for free through Goodreads First Reads.</i>
Whilst researching a previous book, Simon Garfield came across the diaries of Jean Lucey Pratt amongst journals collected during the Second World War for Mass Observation. Intrigued by her observations and character, Garfield became determined to learn more about her. After eventually receiving permission from Jean’s niece, he was able to read all forty-five of her diaries, edit them, and produce this huge manuscript for publication: <i>A Notable Woman</i>.
Jean began writing her journals in the April of 1925 at the young age of fifteen. Although she did not write everyday, she continued putting down her thoughts and experiences up until her death in 1986. Jean Lucey Pratt was not a celebrity, although she did write an, unfortunately, unsuccessful book; nor did she achieve anything spectacular during her lifetime. What makes her diaries worth publishing is the fact that she was “ordinary,” a woman who wrote not to impress other people, but to honestly express her emotions and opinions.
For the majority of her life Jean lived on her own in Burnham Beeches, Buckinghamshire, where she yearned for a husband. Her dreams of finding the perfect man yet only attracting a handful of lovers is both amusing and saddening. The most interesting part of her written records, however, has got to be the experiences of war. Unlike other diarist such as Anne Frank, who feared for their lives, or those that experienced the fighting up front, Jean provides the perspective of the average British citizen. She comments on the rationing, the blackout curtains as well as the political propaganda, providing her own opinions, which often changed as the war progressed. Jean amuses the reader by revealing she often slept through an air raid, only waking up at the sound of the All Clear.
The war ends midway through the book, thus delivering accounts of the latter half of her life, from career to ill health, incorporating in family events and, of course, her enormous horde of cats. Although a rather introverted, lonely individual, Jean’s relationship and love for her brother is often heartwarming. Separated by oceans and only seeing him every so many years, it is clear that the siblings are strongly supportive of each other. Jean often refers to her brother as Pooh (as in <i>Winnie the Pooh</i>), to which he responds by calling her Piglet.
Initially Jean did not intend to let anyone read her diaries but later began to imagine how other people would react to what she had written. She toyed with the idea of posthumous publication, but presumed only family and friends would read them – how wrong she was! Regardless of whether her diaries were to be viewed by outsiders or not, Jean usually referred to people by their initials. Whether she did this for a particular reason or merely to save time when writing remains debatable, however it does cause a bit of confusion when reading. Helpfully the editor, Garfield, has provided a character list that can be referred back to as needed.
Simon Garfield has done a magnificent job of compiling the diary entries together to produce an interesting, moving and occasionally amusing story about life during the 1900s. He has painstakingly sorted through handwritten entries, deciding what bits to omit and conducting further research in order to explain in footnotes the sections or references that would not make sense if left alone. Garfield has made the majority of Jean’s journals flow like a novel, only becoming erratic towards the end of her life when she would only write once every few months.
<i>A Notable Woman</i> gives a fantastic insight into the lives of ordinary people during an era of hardship and change. Readers are more likely to read an accurate description of the war and subsequent years in this book than in any emotionally detached textbook or biased account. Without a doubt this book is worth a read, although do not expect to be able to rush through it as some may do with a work of fiction. Garfield if highly praised for his efforts, and one hopes that Jean would be proud to finally have a writing success.
Whilst researching a previous book, Simon Garfield came across the diaries of Jean Lucey Pratt amongst journals collected during the Second World War for Mass Observation. Intrigued by her observations and character, Garfield became determined to learn more about her. After eventually receiving permission from Jean’s niece, he was able to read all forty-five of her diaries, edit them, and produce this huge manuscript for publication: <i>A Notable Woman</i>.
Jean began writing her journals in the April of 1925 at the young age of fifteen. Although she did not write everyday, she continued putting down her thoughts and experiences up until her death in 1986. Jean Lucey Pratt was not a celebrity, although she did write an, unfortunately, unsuccessful book; nor did she achieve anything spectacular during her lifetime. What makes her diaries worth publishing is the fact that she was “ordinary,” a woman who wrote not to impress other people, but to honestly express her emotions and opinions.
For the majority of her life Jean lived on her own in Burnham Beeches, Buckinghamshire, where she yearned for a husband. Her dreams of finding the perfect man yet only attracting a handful of lovers is both amusing and saddening. The most interesting part of her written records, however, has got to be the experiences of war. Unlike other diarist such as Anne Frank, who feared for their lives, or those that experienced the fighting up front, Jean provides the perspective of the average British citizen. She comments on the rationing, the blackout curtains as well as the political propaganda, providing her own opinions, which often changed as the war progressed. Jean amuses the reader by revealing she often slept through an air raid, only waking up at the sound of the All Clear.
The war ends midway through the book, thus delivering accounts of the latter half of her life, from career to ill health, incorporating in family events and, of course, her enormous horde of cats. Although a rather introverted, lonely individual, Jean’s relationship and love for her brother is often heartwarming. Separated by oceans and only seeing him every so many years, it is clear that the siblings are strongly supportive of each other. Jean often refers to her brother as Pooh (as in <i>Winnie the Pooh</i>), to which he responds by calling her Piglet.
Initially Jean did not intend to let anyone read her diaries but later began to imagine how other people would react to what she had written. She toyed with the idea of posthumous publication, but presumed only family and friends would read them – how wrong she was! Regardless of whether her diaries were to be viewed by outsiders or not, Jean usually referred to people by their initials. Whether she did this for a particular reason or merely to save time when writing remains debatable, however it does cause a bit of confusion when reading. Helpfully the editor, Garfield, has provided a character list that can be referred back to as needed.
Simon Garfield has done a magnificent job of compiling the diary entries together to produce an interesting, moving and occasionally amusing story about life during the 1900s. He has painstakingly sorted through handwritten entries, deciding what bits to omit and conducting further research in order to explain in footnotes the sections or references that would not make sense if left alone. Garfield has made the majority of Jean’s journals flow like a novel, only becoming erratic towards the end of her life when she would only write once every few months.
<i>A Notable Woman</i> gives a fantastic insight into the lives of ordinary people during an era of hardship and change. Readers are more likely to read an accurate description of the war and subsequent years in this book than in any emotionally detached textbook or biased account. Without a doubt this book is worth a read, although do not expect to be able to rush through it as some may do with a work of fiction. Garfield if highly praised for his efforts, and one hopes that Jean would be proud to finally have a writing success.
Chris Sawin (602 KP) rated Moonfall (2022) in Movies
Feb 5, 2022
Terribly written. (2 more)
Overacted.
Halle Berry.
Moonfall Review: It’s Raining Moon
Moonfall is a $146 million sci-fi disaster film directed by Roland Emmerich (Independence Day, Godzilla) and written by Emmerich, Harald Kloser (2012, 10000 BC), and Spenser Cohen (Extinction, The Expendables 4).
On January 12, 2011, during what is referred to as routine outer space maintenance (it’s a thing), an unidentified technological swarm caused significant damage to the astronaut’s shuttle; killing one of them and incapacitating the surviving two crew members. Brian Harper (Patrick Wilson) maneuvers the shuttle back to earth with no power while his navigator Jocinda Fowl (Halle Berry) is unconscious. Brian takes the fall as he’s labeled incompetent despite previously being an acclaimed hero and he loses his job with NASA.
Ten years later, the moon suddenly begins changing course as a hole 26-kilometers deep is discovered in the center of it. People on earth have three weeks before the moon begins falling to earth in city-sized pieces. While NASA scrambles to discover a solution, an orbital megastructure aficionado and conspiracy blogger named K.C. Houseman (John Bradley) knew about the moon’s shift in course before NASA and may end up being the savior of mankind.
The opening scene of Moonfall lets its audience know that they’re in for an excruciating two hours. Patrick Wilson and Halle Berry argue over the lyrics to Toto’s “Africa” as Wilson musically screeches the 80s rock ballad to annoying results. The film does a few things right like earth’s gravity being a complete dumpster fire and the ocean literally being at foot of everyone’s door like Bo Burnham talked about in Inside. But then introduces the aspect of orbital megastructure in an attempt to not adhere to believable physics while lethargically committing to it.
Flooding, earthquakes, and birds falling to the ground due to gravity alterations are the culmination of the insanity in Moonfall. The moon coming closer to earth also apparently means humans can lift trees above their head and jump over gaps left by fallen bridges with little effort. There’s an awkward car chase between some redneck looters and the main characters of the film.
It’s awkward due to the fact that it’s really funky visual effects (literally everything taking place on the road and in the background) with green screen (the actors driving the cars), but it’s difficult to distinguish what’s what in a bad way. The CGI and special effects in the film are that peculiar blend of not necessarily being bad, but are just off-putting enough to look weird in some capacity. It’s a high speed chase involving a gravity wave, which is mostly just cars and debris floating in the air as the sky turns red. Coincidentally enough, the disaster effects are the best part of the film because they do what they’re supposed to do without overstaying their welcome.
The dialogue in the film is atrocious and Halle Berry is a filter for most of the bad lines. Some of her gems include, “I don’t work for you, I work for the American people and I don’t like keeping them in the dark,” “I am…(the longest pause ever between one word and another)…thinking about our son,” and something overwhelmingly corny about earth’s hourglass and our time running out. Donald Sutherland can barely stomach a brief cameo appearance shared with Berry’s character before excusing himself to the loaded gun he left back in his room (yes, this actually happens).
The evacuation route in Moonfall seems to involve fleeing to Colorado. What is in Colorado and why that’s important is never really explained other than because everyone else is there. Jocinda Fowl becomes the lead director of NASA during the film and her ex-husband (played by Eme Ikwuakor) works for the military. Ikwuakor does nothing but squint like French Stewart the entire time. NASA wants to survey the activity of what’s transpiring on the moon, fly inside of its new fancy made hole, and come up with a plan to save earth in the process. The military just wants to blow up the moon with nukes; screw the consequences, this is America!
With Moonfall, Roland Emmerich has essentially made an even dumber version of Michael Bay’s Armageddon. There’s not a lot to enjoy here apart from KC Houseman’s house cat being named Fuzz Aldrin. With its idiotic premise, hammy dialogue involving some of the most exaggerated emotional speeches ever, stiff acting, unfunny humor, and purposely distorted CGI, Moonfall features an overwhelming amount of frenetic nonsense and has no excuse to be as boring as it is.
On January 12, 2011, during what is referred to as routine outer space maintenance (it’s a thing), an unidentified technological swarm caused significant damage to the astronaut’s shuttle; killing one of them and incapacitating the surviving two crew members. Brian Harper (Patrick Wilson) maneuvers the shuttle back to earth with no power while his navigator Jocinda Fowl (Halle Berry) is unconscious. Brian takes the fall as he’s labeled incompetent despite previously being an acclaimed hero and he loses his job with NASA.
Ten years later, the moon suddenly begins changing course as a hole 26-kilometers deep is discovered in the center of it. People on earth have three weeks before the moon begins falling to earth in city-sized pieces. While NASA scrambles to discover a solution, an orbital megastructure aficionado and conspiracy blogger named K.C. Houseman (John Bradley) knew about the moon’s shift in course before NASA and may end up being the savior of mankind.
The opening scene of Moonfall lets its audience know that they’re in for an excruciating two hours. Patrick Wilson and Halle Berry argue over the lyrics to Toto’s “Africa” as Wilson musically screeches the 80s rock ballad to annoying results. The film does a few things right like earth’s gravity being a complete dumpster fire and the ocean literally being at foot of everyone’s door like Bo Burnham talked about in Inside. But then introduces the aspect of orbital megastructure in an attempt to not adhere to believable physics while lethargically committing to it.
Flooding, earthquakes, and birds falling to the ground due to gravity alterations are the culmination of the insanity in Moonfall. The moon coming closer to earth also apparently means humans can lift trees above their head and jump over gaps left by fallen bridges with little effort. There’s an awkward car chase between some redneck looters and the main characters of the film.
It’s awkward due to the fact that it’s really funky visual effects (literally everything taking place on the road and in the background) with green screen (the actors driving the cars), but it’s difficult to distinguish what’s what in a bad way. The CGI and special effects in the film are that peculiar blend of not necessarily being bad, but are just off-putting enough to look weird in some capacity. It’s a high speed chase involving a gravity wave, which is mostly just cars and debris floating in the air as the sky turns red. Coincidentally enough, the disaster effects are the best part of the film because they do what they’re supposed to do without overstaying their welcome.
The dialogue in the film is atrocious and Halle Berry is a filter for most of the bad lines. Some of her gems include, “I don’t work for you, I work for the American people and I don’t like keeping them in the dark,” “I am…(the longest pause ever between one word and another)…thinking about our son,” and something overwhelmingly corny about earth’s hourglass and our time running out. Donald Sutherland can barely stomach a brief cameo appearance shared with Berry’s character before excusing himself to the loaded gun he left back in his room (yes, this actually happens).
The evacuation route in Moonfall seems to involve fleeing to Colorado. What is in Colorado and why that’s important is never really explained other than because everyone else is there. Jocinda Fowl becomes the lead director of NASA during the film and her ex-husband (played by Eme Ikwuakor) works for the military. Ikwuakor does nothing but squint like French Stewart the entire time. NASA wants to survey the activity of what’s transpiring on the moon, fly inside of its new fancy made hole, and come up with a plan to save earth in the process. The military just wants to blow up the moon with nukes; screw the consequences, this is America!
With Moonfall, Roland Emmerich has essentially made an even dumber version of Michael Bay’s Armageddon. There’s not a lot to enjoy here apart from KC Houseman’s house cat being named Fuzz Aldrin. With its idiotic premise, hammy dialogue involving some of the most exaggerated emotional speeches ever, stiff acting, unfunny humor, and purposely distorted CGI, Moonfall features an overwhelming amount of frenetic nonsense and has no excuse to be as boring as it is.