The Hours (2002)
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The Hours chronicles a day in the life of three very different individuals, all of whom share the...
Finding Forrester (2000)
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amal Wallace (Robert Brown) is an inner-city kid from the Bronx who has an aptness at basketball and...
Love O2O
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Bei Weiwei is the computer department goddess, who excels in her studies. She aspires to be an...
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Radiate: Lightless Trilogy
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In the follow-up to Lightless and Supernova, C. A. Higgins fuses science fiction, suspense, and...
Science fiction
Simon vs. the Homo Sapiens Agenda
Book
William C. Morris Award Winner: Best Young Adult Debut of the Year * National Book Award Longlist ...
Fiction LGBTQ Gender studies
As Far as I Remember: Coming of Age in Post-War England
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Michael Bawtree owes his cultured start in life to the rambling country house hotel his parents...
Sovereign
Book
Following on from Dissolution and Dark Fire, Sovereign is the third title in C. J. Sansom's...
Ross (3284 KP) rated After Life in TV
Apr 11, 2019
Gervais plays Tony, a journalist on a local free paper who has recently lost his wife to cancer. Tony has simply given up on life and, while he cannot bring himself to end it, he seems to have decided to just do whatever he wants, no matter the consequences. He is rude to people in the street, makes his colleagues' working days miserable, and while he visits his dad in a care home regularly he clearly hates it and is just doing it out of duty.
Most of the comedy comes through in Gervais doing what he does best - being rude and nasty and way over the top in insulting people. The humour here is more for the shock value (calling a 6 year old a tubby little c**t for example) rather than a more considered layer of humour. As Tony has decided he can just do whatever he wants and hang the consequences, he takes a stand against stupid rules (the scene where he takes his nephew for tea in a café was brilliant).
I preferred the drama side of the series - him trying drugs, meeting new people and gradually softening over the series were some very touching moments and very well written. However when weighed against the comedy it just seems incongruous. I think Gervais needs to think about whether he wants to write a drama (and tone down the comedy a little more) or a comedy (and try less to push the boundaries).
Tony's epiphany was a little rushed/hard to spot. It seems that after 5 episodes of not caring about anything, the 6th starts off with him suddenly being a changed man out of nowhere. There were small moments where he seemed to soften but there was no sudden realisation big enough to justify the change of heart in the last episode.
This was a pretty hard hitting, emotional series, but I think it lost a little of the impact by having Gervais in it and trying to shoe-horn his sense of humour into it.
The Complete Tragedies, Volume 1: Medea, the Phoenician Women, Phaedra, the Trojan Women, Octavia: Volume 1
Lucius Annaeus Seneca, Shad Bartsch, Susanna Braund and Alex Dressler
Book
Edited by world-renowned classicists Elizabeth Asmis, Shadi Bartsch, and Martha C. Nussbaum, the...