Miracle at the Forks: The Museum That Dares Make a Difference
Peter C. Newman and Allan Levine
Book
On July 18, 2000, Israel "Izzy" Asper, the renowned Canadian businessman and philanthropist, first...
Joel Sternfeld: Walking the High Line
Joel Sternfeld, Adam Gopnik and John Stilgoe
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In March 2000, Joel Sternfeld began photographing the High Line, an abandoned elevated railway which...
On the Table
Blair Fornwald and Jennifer Matotek
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"On the Table" considers the cultural dichotomies surrounding food, presenting work by 15 Canadian...
Ritual
Vincenzo Pietropaolo, Don Snyder and Maia-Mari Sutnik
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Italian-born, Canadian-based documentary photographer Vincenzo Pietropaolo has made it his life s...
The Economic Theory of Community Forestry
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Community forestry is an expanding model of forest management around the world. Over a quarter of...
A Place Called Winter
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Read our exclusive interview with Patrick Gale here Picked for the BBC Radio 2 Simon Mayo Book...
The Burnings
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With discovery comes certain death...When Australian Jillian Parker's scorched remains are...
Beautiful Province
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The 2012 winner of the Yale Drama Series A fifteen-year-old boy decides to accompany his severely...
Bonnie Sherr Klein's 'Not a Love Story'
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Bonnie Sherr Klein's "Not a Love Story" provocatively examines the first Canadian film to explore...
CHILLFILTR (46 KP) rated Morning Hour by Ed Carlsen in Music
Sep 2, 2019
Morning Hour is his third album, set for a September 27th release date on Canadian ambient/instrumental imprint Moderna Records. Words is a fine example of minimal electronic music, and showcases an understated and ambient production style with a core of 16th note repeats that shimmer like stars on a lake. The soul of this work is rooted in life-experience: the exploration and the anxiety that comes from losing some one close to you, as well as the difficult decision to leave the darkness behind for a new light. The music video for Words, the latest from Ed Carlsen, is a behind-the-scenes look at the machinery of personal redemption. As we examine the way that an aesthetic of downtempo can be applied to the visual dimension, we are left with a lasting sense of ordered chaos.