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Becs (244 KP) rated My Favorite Half-Night Stand in Books

Dec 8, 2019  
My Favorite Half-Night Stand
My Favorite Half-Night Stand
Christina Lauren | 2018 | Romance
6
6.5 (2 Ratings)
Book Rating
You can also find this review on my blog: bookingwayreads.wordpress.com

Trigger Warnings: catfishing, loss of a loved one, talk of cancer and diagnosis of Parkinson’s disease, questionable comments on physical appearance

Review:
When I first read this back in July, I rated it 5 out of 5 stars. But after much thinking, I’m dropping my rating down to 3 out of 5 stars. I don’t really remember much of it but after rereading the synopsis, I realized that there were things that I didn’t like. I found the story to be a bit of a bore and extremely unbelievable at most parts.

The whole premise of the book follows a group of close-knit friends that work together, trying to find dates for an event. They all download a dating app and make accounts. But the four men of the group had a bit of trouble making their accounts so Millie, the main character, rewrites them.

First off, the event that this group of friends were trying to find dates for never even happened. So that was a bit of a let down! The internet lingo use was also really weird. It was like these characters didn’t know how to use the lingo even though they are only supposed to be 30 something, which isn’t much older than I am currently.

Millie also makes an account and the men think it’s a bore. So Millie makes a fake account that is a bit more realistic to who she is. But, she doesn’t put her real name on the account. When she ends up getting matched with Reid, she decides to send him a message that basically was catfishing herself. This goes on through the entirety of the novel.

Reading Millie’s actions seem apologetically at first due to her troublesome past, which she doesn’t ever talk about to her friends. But on her fake account, she thinks it’s okay to talk about it with Reid. “Because it’s not like it’s her.” This was really disgusting to read through the entire book. She’s basically lying to one of her best friends even though everything she says is the truth, it’s just under a different name. Overall, Reid was the only redeeming character of the entire book and the rest was just meh.
  
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Lee (2222 KP) rated Saint Maud (2020) in Movies

Oct 6, 2020  
Saint Maud (2020)
Saint Maud (2020)
2020 | Drama, Horror
4
7.4 (7 Ratings)
Movie Rating
Saint Maud is a psychological horror about a young nurse (Morfydd Clark) who, following ‘an incident’ while working for the NHS, something horrific that is alluded to in the opening scene, now finds herself working in palliative care.

Maud is a lonely, isolated, and very religious young woman, and as she sits in her sparse little bedsit, she prays to God in the hopes that he will guide her as she begins her new role. That new role sees her taking over as carer for Amanda (Jennifer Ehle), an ex-dancer whose body is now succumbing to terminal cancer. As Maud feeds, bathes and generally does everything for Amanda, her obsession with her faith and religion begins to send her into a downward spiral, becoming increasingly convinced that her personal mission from God is to save Amanda's soul. Amanda’s lifestyle choices and love-life are often at odds with Maud’s beliefs, eventually resulting in tensions between them.

'In my head, she's very much this person who has felt really alienated her entire life and has always found it really difficult to connect with other people,' explains British director Rose Glass about the lead character of her feature-length debut. Morfydd Clark fills that role brilliantly, with her calm and innocent voice narrating much of the film through her prayers, and we experience her failed attempts at connecting with others while on a rather heavy and eventful night out on the town. An ominous score also helps to set the tone, along with a rather gloomy colour palette, and there is a general feeling of dread throughout.

Aside from that, it’s fair to say that Saint Maud really didn’t work for me at all. I was fully invested in the character of Maud, how faith was shaping her, and how her relationship with Amanda was affected. But two thirds into this slow-burn character study of a young woman essentially going through a breakdown, I was bored and desperate for something to happen. Considering the runtime is only 84 minutes long, that’s not good.

A last-minute burst of chaos and horror provided a glimmer of hope but was very short-lived. And an attempt to deliver powerfully, memorable imagery only resulted in laughs from my cinema audience the likes of which I haven’t experienced since the ending of Hereditary.