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Lee (2222 KP) rated Greyhound (2020) in Movies
Sep 2, 2020
Snore...
Based on a C.S. Forester novel The Good Shepherd, and a screenplay by Mr Tom Hanks himself, Greyhound is the latest movie to feature Hanks in the role of brave Captain, returning once more to World War II territory. Any hopes that this might be a return to the grand heights of Saving Private Ryan though are soon laid to rest.
Set in 1942, Hanks plays Captain Ernest Krause, responsible for one of only a handful of warships as they escort and protect an even larger number of merchant vessels making the journey across the Atlantic Ocean with vital supplies for England. They will be entering what’s known as ‘the black pit’ – a stretch of Ocean too far out at sea for any aerial cover to be provided by the countries on either side. For a few days, they will be on their own, and at the mercy of any German U-boats they may encounter.
Greyhound wastes no time in landing us right in the thick of it all, joining the crew as they enter the black pit, and sticking with them while they attempt to make it to relative safety on the other side. Obviously, it’s not long before a number of U-boats target the fleet of vessels and begin trying to pick them off in a tense game of cat and mouse at sea.
There is a LOT of nautical jargon in Greyhound and twenty minutes in, I was already feeling exhausted just trying to follow it all and gain any kind of enjoyment out of the movie. Despite throwing the occasion title up on screen to tell us which vessel we’re looking at out on the gloomy CGI seas, it’s also not always clear which ship is which, or who’s firing at who either. That attention to detailed dialogue really doesn’t let up one bit either, making what is only a 91 minute movie feel so much longer.
By throwing us straight into the action, we’re also given no time to learn or even care about any of the characters. Krause is only given a couple of brief flashback scenes, showing us with his partner two months earlier, played by Elizabeth Shue. Other than knowing this is his first Atlantic crossing, and that he is fully committed to the job in hand, refusing to eat any of the hot meals regularly brought to him by the ship’s cook, we’re provided very little information about our Captain.
The crew are also there just to fire off updates to their Captain and respond to his commands, providing no character development whatsoever for them either and giving us nothing to feel invested in, other than a desire for them all to make it safely to England.
With the focus of the movie entirely on the crew and setting of the Greyhound, we only hear from other characters via radio – calls for support from the other vessels, or psychological jaunts from the Germans on the U-boat. Again, by not giving us the viewpoint of any other side or vessel, it all makes for a very one dimensional and dull ride. Definitely not one of Tom Hanks finest.
Set in 1942, Hanks plays Captain Ernest Krause, responsible for one of only a handful of warships as they escort and protect an even larger number of merchant vessels making the journey across the Atlantic Ocean with vital supplies for England. They will be entering what’s known as ‘the black pit’ – a stretch of Ocean too far out at sea for any aerial cover to be provided by the countries on either side. For a few days, they will be on their own, and at the mercy of any German U-boats they may encounter.
Greyhound wastes no time in landing us right in the thick of it all, joining the crew as they enter the black pit, and sticking with them while they attempt to make it to relative safety on the other side. Obviously, it’s not long before a number of U-boats target the fleet of vessels and begin trying to pick them off in a tense game of cat and mouse at sea.
There is a LOT of nautical jargon in Greyhound and twenty minutes in, I was already feeling exhausted just trying to follow it all and gain any kind of enjoyment out of the movie. Despite throwing the occasion title up on screen to tell us which vessel we’re looking at out on the gloomy CGI seas, it’s also not always clear which ship is which, or who’s firing at who either. That attention to detailed dialogue really doesn’t let up one bit either, making what is only a 91 minute movie feel so much longer.
By throwing us straight into the action, we’re also given no time to learn or even care about any of the characters. Krause is only given a couple of brief flashback scenes, showing us with his partner two months earlier, played by Elizabeth Shue. Other than knowing this is his first Atlantic crossing, and that he is fully committed to the job in hand, refusing to eat any of the hot meals regularly brought to him by the ship’s cook, we’re provided very little information about our Captain.
The crew are also there just to fire off updates to their Captain and respond to his commands, providing no character development whatsoever for them either and giving us nothing to feel invested in, other than a desire for them all to make it safely to England.
With the focus of the movie entirely on the crew and setting of the Greyhound, we only hear from other characters via radio – calls for support from the other vessels, or psychological jaunts from the Germans on the U-boat. Again, by not giving us the viewpoint of any other side or vessel, it all makes for a very one dimensional and dull ride. Definitely not one of Tom Hanks finest.
Gareth von Kallenbach (980 KP) rated In the Heart of the Sea (2015) in Movies
Aug 6, 2019
Based on a novel by Nathaniel Philbrick, “In the Heart of the Sea,” is the tale that inspired “Moby Dick.” Set in 1820, the whaling ship Essex is taken out by a gigantic bull sperm whale and the crew finds themselves at the mercy of the sea.
Director Ron Howard strikes a fine balance between drama and action. The film doesn’t linger too long on building up the background story before plunging into an enthralling adventure. The character development is rapid, yet still manages to create depth and give the audience a chance to connect to the personalities.
Early in the film an entertaining power struggle takes place between Captain George Pollard, Jr. (Benjamin Walker) and First Officer Owen Chase (Chris Hemsworth). Captain Pollard was born into a prestigious whaling family and though not the most experienced, is placed in the position of Captain. Chase on the other hand was an orphan who grew up putting in hard work on whaling ships. The conflict between the two men dooms the crew and the ship from the outset.
The first scenes of whaling are hard to watch, bringing to light the aspect of humans as beasts themselves hunting peaceful creatures for oil.
After the ship has had a bit of success, they move on to take more. Greed and anger backfire and nature fights back. When the ship is taken out by the enraged bull sperm whale, a sheer battle for survival, requiring brute strength and quick thinking ensues.
The ominous seas show no mercy to the men, bringing them to the brink of death. When the men begin to starve they resort to cannibalism. The emotional battle of moral struggle is heart wrenching.
The film has a spiritual quality, incorporating themes of the human experience of survival, ignorance, transcendence. It also has some political undertones dealing with the subject of big oil that, despite being a very old story, are still relevant today.
The graphics are absolutely stunning and the acting is good. But the story and execution is what makes it a truly great film. It is the sum that’s greater than the individual parts in this case, which makes the film an awe inspiring experience.
I give “In the Heart of the Sea” 5 out of 5 stars.
Director Ron Howard strikes a fine balance between drama and action. The film doesn’t linger too long on building up the background story before plunging into an enthralling adventure. The character development is rapid, yet still manages to create depth and give the audience a chance to connect to the personalities.
Early in the film an entertaining power struggle takes place between Captain George Pollard, Jr. (Benjamin Walker) and First Officer Owen Chase (Chris Hemsworth). Captain Pollard was born into a prestigious whaling family and though not the most experienced, is placed in the position of Captain. Chase on the other hand was an orphan who grew up putting in hard work on whaling ships. The conflict between the two men dooms the crew and the ship from the outset.
The first scenes of whaling are hard to watch, bringing to light the aspect of humans as beasts themselves hunting peaceful creatures for oil.
After the ship has had a bit of success, they move on to take more. Greed and anger backfire and nature fights back. When the ship is taken out by the enraged bull sperm whale, a sheer battle for survival, requiring brute strength and quick thinking ensues.
The ominous seas show no mercy to the men, bringing them to the brink of death. When the men begin to starve they resort to cannibalism. The emotional battle of moral struggle is heart wrenching.
The film has a spiritual quality, incorporating themes of the human experience of survival, ignorance, transcendence. It also has some political undertones dealing with the subject of big oil that, despite being a very old story, are still relevant today.
The graphics are absolutely stunning and the acting is good. But the story and execution is what makes it a truly great film. It is the sum that’s greater than the individual parts in this case, which makes the film an awe inspiring experience.
I give “In the Heart of the Sea” 5 out of 5 stars.
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MelanieTheresa (997 KP) rated The Shape of Night in Books
Oct 11, 2019
This was a quick, fun read, and completely different from the author's previous titles - both her Rizzoli & Isles series and her stand-alone novels. I wouldn't call it romantic suspense, as it's being billed. There really isn't anything at all romantic about what happens to Ava. I'd call it paranormal mystery/suspense leaning toward gothic - and well done!
"After an unspeakable tragedy in Boston, Ava Collette flees to a remote village in Maine, where she rents an old house named Brodie’s Watch, hoping to work on a cookbook inspired by New England cuisine that she’s been trying to finish for months. In that isolated seaside mansion, Ava finally feels at peace . . . until she glimpses the long-dead sea captain who still resides there.
Rumor has it that Captain Jeremiah Brodie has haunted the house for more than a century. One night, Ava confronts the apparition, who feels all too real, and who welcomes her into his world—and into his arms. Even as Ava questions her own sanity, she eagerly looks forward to the captain’s ghostly visits. But she soon learns that the house she loves comes with a terrible secret, a secret that those in the village don’t want to reveal: Every woman who has ever lived in Brodie’s Watch has also died there. Is the ghost of Captain Brodie responsible, or is a flesh-and-blood killer at work?"
The descriptive passages are terrific, bringing a long-dead ghost to life in vivid detail. I had no trouble at all picturing the house as it was in the Captain's time, or believing the scenarios in which Ava found herself. I could absolutely see Hannibal the cat as he helped to rid the old house of its mouse population. I could almost taste the wonderful flavors in the meals Ava was testing for her cookbook. And I could very nearly smell the sea.
As with many of the author's previous works, she kept me guessing right up until the big reveal - which I did not see coming. The Shape of Night is a well-written, fast-paced read with a satisfying conclusion, and I'd love to see more like this from this author. (But of course, keep writing those Rizzoli & Isles stories, too, please.) 😊
"After an unspeakable tragedy in Boston, Ava Collette flees to a remote village in Maine, where she rents an old house named Brodie’s Watch, hoping to work on a cookbook inspired by New England cuisine that she’s been trying to finish for months. In that isolated seaside mansion, Ava finally feels at peace . . . until she glimpses the long-dead sea captain who still resides there.
Rumor has it that Captain Jeremiah Brodie has haunted the house for more than a century. One night, Ava confronts the apparition, who feels all too real, and who welcomes her into his world—and into his arms. Even as Ava questions her own sanity, she eagerly looks forward to the captain’s ghostly visits. But she soon learns that the house she loves comes with a terrible secret, a secret that those in the village don’t want to reveal: Every woman who has ever lived in Brodie’s Watch has also died there. Is the ghost of Captain Brodie responsible, or is a flesh-and-blood killer at work?"
The descriptive passages are terrific, bringing a long-dead ghost to life in vivid detail. I had no trouble at all picturing the house as it was in the Captain's time, or believing the scenarios in which Ava found herself. I could absolutely see Hannibal the cat as he helped to rid the old house of its mouse population. I could almost taste the wonderful flavors in the meals Ava was testing for her cookbook. And I could very nearly smell the sea.
As with many of the author's previous works, she kept me guessing right up until the big reveal - which I did not see coming. The Shape of Night is a well-written, fast-paced read with a satisfying conclusion, and I'd love to see more like this from this author. (But of course, keep writing those Rizzoli & Isles stories, too, please.) 😊
Merissa (12841 KP) rated Averlon (Trident Cove #1) in Books
Sep 11, 2023
AVERLON is the first book in the Trident Cove series and it is a wonderful beginning to the series!
We start off with Faolan in the slave pits. This was a heavy start but really well-written. Faolan gets sold to a pirate captain who is paradoxical in many ways. He has bought a 'pleasure slave' and gets insanely jealous if anyone else touches him, BUT he doesn't want to touch him himself unless he is free of bruises and/or injuries. Being as most of the crew don't like the fact the Captain has a pleasure slave at all - when they have to wait for shore leave - this means Faolan has injuries most of the time, which is good for him!
Averlon is the Mer prince, together with his bodyguard and best friend, Revyn. When he feels the mate bond, he goes in search of his mate. His plan is to be captured by the pirates so he meets the Mer onboard. Of course, it isn't a Mer but Faolan instead.
There were a few examples of behaviour not making much sense - for example when they escaped from the boat. I couldn't understand why Averlon would jump off first, leaving his mate in possible peril, as the biggest danger was behind them (the pirates/captain etc.) not in front of them. I would also have liked Faolan to have had more of a voice at times. I felt he needed more time to understand becoming a Mer, but didn't say anything. I also understand he was in the honeymoon period, but I wish he had spoken up when Averlon went against what Faolan wanted. If there is a good reason it had to be done a certain way - great! Tell Faolan about it so the reader can find out too.
All in all though, this was a great book that made me realise I haven't read a good Mer story in far too long. I look forward to finding out what happened to Karn once they hit the water. Definitely recommended by me.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Sep 10, 2023
We start off with Faolan in the slave pits. This was a heavy start but really well-written. Faolan gets sold to a pirate captain who is paradoxical in many ways. He has bought a 'pleasure slave' and gets insanely jealous if anyone else touches him, BUT he doesn't want to touch him himself unless he is free of bruises and/or injuries. Being as most of the crew don't like the fact the Captain has a pleasure slave at all - when they have to wait for shore leave - this means Faolan has injuries most of the time, which is good for him!
Averlon is the Mer prince, together with his bodyguard and best friend, Revyn. When he feels the mate bond, he goes in search of his mate. His plan is to be captured by the pirates so he meets the Mer onboard. Of course, it isn't a Mer but Faolan instead.
There were a few examples of behaviour not making much sense - for example when they escaped from the boat. I couldn't understand why Averlon would jump off first, leaving his mate in possible peril, as the biggest danger was behind them (the pirates/captain etc.) not in front of them. I would also have liked Faolan to have had more of a voice at times. I felt he needed more time to understand becoming a Mer, but didn't say anything. I also understand he was in the honeymoon period, but I wish he had spoken up when Averlon went against what Faolan wanted. If there is a good reason it had to be done a certain way - great! Tell Faolan about it so the reader can find out too.
All in all though, this was a great book that made me realise I haven't read a good Mer story in far too long. I look forward to finding out what happened to Karn once they hit the water. Definitely recommended by me.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Sep 10, 2023
Sam (74 KP) rated The Penultimate Peril (ASOUE #12) in Books
Mar 27, 2019
The Baudelaires are now aboard the Queequeg, a VFD submarine, looking for the sugar dish that Count Olaf is so desperate to find. On the Queequeg they meet Captain Widdershins and his step-daughter Fiona, as well as a return of everybody’s favourite – Phil from the lumber mill!
I loved this one! There’s Lewis Carroll references which is one way to get me really interested in a book, and it also got me thinking as one of his poems was used as a code and I was trying to work out what the message was! For some of the references used in these books, you definitely have to be an adult to fully get them, but when you do they are so clever!
The characters were brilliant in this one. Captain Widdershins was definitely strange but it gave me a laugh how he said ‘aye’ between every sentence. I also loved how Fiona started doing this too.
Even more was revealed about VFD in this one! There wasn’t as much as in the previous book, but I would still love to find out who J.S. is and why they are contacting the Queequeg.
There was yet another big plot twist towards the end of this one and I really want to see where it goes, as I can see it popping up again in the final books.
The books have really reached their best now! I’m reading them so fast because I just NEED to know everything!! I’m really obsessed now and won’t settle until I’ve finished the whole series.
I loved this one! There’s Lewis Carroll references which is one way to get me really interested in a book, and it also got me thinking as one of his poems was used as a code and I was trying to work out what the message was! For some of the references used in these books, you definitely have to be an adult to fully get them, but when you do they are so clever!
The characters were brilliant in this one. Captain Widdershins was definitely strange but it gave me a laugh how he said ‘aye’ between every sentence. I also loved how Fiona started doing this too.
Even more was revealed about VFD in this one! There wasn’t as much as in the previous book, but I would still love to find out who J.S. is and why they are contacting the Queequeg.
There was yet another big plot twist towards the end of this one and I really want to see where it goes, as I can see it popping up again in the final books.
The books have really reached their best now! I’m reading them so fast because I just NEED to know everything!! I’m really obsessed now and won’t settle until I’ve finished the whole series.
Gareth von Kallenbach (980 KP) rated Suicide Squad: Hell to Pay (2018) in Movies
Jun 19, 2019
The deadly, demented, and dangerous, and dysfunctional Task Force X has returned in “Suicide Squad: Hell to Pay”. The new animated film from Warner Bros Home Entertainment features the voice talents of Christian Slater, Vanessa Williams, Greg Grunberg, Tara Strong, and many others in an adult themed story which should delight fans of the series who thought the PG-13 approach of the live action film did not do the series the proper treatment they believed was due.
The worst of the worst have been recruited to recover a mysterious artifact and thanks to the explosives implanted in their heads; their control and compliance is expected.
Deadshoot, Harley Quinn, Copperhead, Captain Boomerang, Killer Frost, and others set out to complete their mission despite their usual issues with authority, the world, and each other. Naturally they are not unopposed as Captain Zoom, Banshee, and others stand in their way.
As the team fights others and amongst themselves, the body count piles up as this is not a kid’s movie and the blood and bullets fly frequently.
The animation and voice acting is first rate as you would expect from Warner Bros and the large cast works very well bringing their characters to life and infusing them with a complexity which is deeply engaging.
In another triumph for the studio, the movie delivers all that fans expect and more and let us hopes we will be seeing Task Force X again in the very near future.
http://sknr.net/2018/04/10/suicide-squad-hell-to-pay/
The worst of the worst have been recruited to recover a mysterious artifact and thanks to the explosives implanted in their heads; their control and compliance is expected.
Deadshoot, Harley Quinn, Copperhead, Captain Boomerang, Killer Frost, and others set out to complete their mission despite their usual issues with authority, the world, and each other. Naturally they are not unopposed as Captain Zoom, Banshee, and others stand in their way.
As the team fights others and amongst themselves, the body count piles up as this is not a kid’s movie and the blood and bullets fly frequently.
The animation and voice acting is first rate as you would expect from Warner Bros and the large cast works very well bringing their characters to life and infusing them with a complexity which is deeply engaging.
In another triumph for the studio, the movie delivers all that fans expect and more and let us hopes we will be seeing Task Force X again in the very near future.
http://sknr.net/2018/04/10/suicide-squad-hell-to-pay/
Tim McGuire (301 KP) rated Snowpiercer (2013) in Movies
Nov 2, 2019
All Aboard!!
Old Movie Revisited: Snowpiercer. One of those awesome apocalyptic films that makes you wanna ride a train. It reminded me of a bunch of other stuff thrown in there... Battlestar Galactica directed by Terry Gilliam on a train heading Beyond Thunderdome, there was even a scene where I felt Resident Evilish as well. (Our heroes go into a train car and encounter all these dudes with black masks on and giant axes, I instantly thought that Alice was about to come in and wipe them out.) So whats its about you ask, instead of looking it up your damn self? Its about a self-sustaining train that loops the world after global warming has sent us into another ice age. The train in seperated by class, workers way in the back, rich folk up front. And its all about a revolution to take over the train led by Captain America, Billy Elliot, and Kane from the Nostromo, to bust to the head of the train, and take over, I guess. Tilda Swinton gets to be called by her real name, because she's awesome, once again, and even Ed Harris pops up in there! "Nice." The best line is delivered by Captain America:"You know what I hate about myself? I know what people taste like. I know babies taste the best." However I can't really picture Chris Evans doing that, he looks to nice, The Capt America image has gone too far. Anyways, its a cool movie and definitely needs to be watched!! Filmbufftim on FB
Blindsided
Michael Lynagh and Mark Eglinton
Book
Former Australian rugby union legend and World Cup winner, now acclaimed television sports pundit,...