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Daniel Boyd (1066 KP) rated Captain Marvel (2019) in Movies
Apr 2, 2019 (Updated Apr 2, 2019)
Blockbuster Fun (1 more)
SFX
Marvellous
I am usually there to see a Marvel movie on day 1, unfortunately though with this film there was a load of bias and negative mentality surrounding it's release. To be honest discussing this movie seemed like a volatile minefield immediately after it's release and it put me off going to see it for a while. Instead I decided to wait a couple of weeks for the dust to settle before going into it. The main reason for this was that I didn't want my experience of the movie to be tarnished by some bitter neckbeard's opinion on the other side of the planet. It is unfortunate that I felt repelled from the movie because of a loud angry minority, but in hindsight I am glad that I waited to see Captain Marvel, because I got to see it in with an untainted mind-set as the filmmakers most likely intended.
I had a lot of fun with this movie, far more than I expected to based on the trailers. Captain Marvel is a great space hopping romp that will put a smile on your face in spite of a few minor shortcomings. The action is great throughout and every fight sequence is exciting and impressive to watch unfold. The CGI is also incredible too, from the vast space shots to the impeccable de-aging on Sam Jackson throughout the movie, to allow him to portray a younger Nick Fury.
The characters are all great as well, I loved that Sam Jackson put a different more playful tone behind his younger, fresher Nick Fury performance as opposed to his stern colder portrayal as the older more battle hardened Fury in the Avengers movies. In the trailers it seemed out of place, but in the context of the movie, it worked really well. I also enjoyed seeing a younger, rookie Coulson and Ben Mendelsohn was great as the movies villain (?)
I was looking forward to seeing what Jude Law would bring to the MCU, but unfortunately he just played Jude Law, as in the same character type that we have already seen him play in a ton of other movies. His performance was perfectly serviceable, but nothing to write home about. Then there is arguably the most important performance of all, Brie Larson as the lead character, Captain Marvel. I thought for the most part she did a pretty great job. I will admit that there were a few lines, (mostly from flashback scenes before she left Earth for the first time,) that felt a bit forced and took me out of the movie slightly. As much as I wanted to buy everything in her performance, there was maybe 10% of the lines that she delivered that were just a bit too cheesy and somewhat wooden. However the other 90% was great and I am very much looking forward to her joining the larger Marvel universe.
The plot was given to us in drips and drabs due to the flashback filled nature of the way that the filmmakers chose to tell this story, but overall I enjoyed the ride. There were a few twists and turns along the way, - some painfully obvious and some not so much, - but most of them were enjoyable and some even felt refreshing, which isn't often said about the 21st movie in a franchise.
The last major thing to address is the female empowerment element that lies under the film's plot and is the thing that a bunch of bigots on Reddit seemed to assume would become the focus of the movie and take away from their beloved superhero fantasy. I am glad to report that no, although it is present, it in no way takes away from the scale or plot of the film. Some moments, (again moments predominately from the flashbacks before Carol leaves Earth for the first time,) were a bit on the nose and felt somewhat forced, such as the 'cockpit,' comment. However, later on in the movie there is an incredibly powerful, more subtle scene that shows different stages of Carol's life where she has been pushed to the ground and has had to get back on her own two feet and carry on. This sequence which showed a bunch of different young girls, ending with Brie Larson herself, standing up to face adversity with bravery and it was it moving and empowering and very well done.
Overall, I had way more fun with this film than I expected to. Try and ignore the negative comments coming from a loud minority of angry people when you see this one and enjoy what is actually happening onscreen.
I had a lot of fun with this movie, far more than I expected to based on the trailers. Captain Marvel is a great space hopping romp that will put a smile on your face in spite of a few minor shortcomings. The action is great throughout and every fight sequence is exciting and impressive to watch unfold. The CGI is also incredible too, from the vast space shots to the impeccable de-aging on Sam Jackson throughout the movie, to allow him to portray a younger Nick Fury.
The characters are all great as well, I loved that Sam Jackson put a different more playful tone behind his younger, fresher Nick Fury performance as opposed to his stern colder portrayal as the older more battle hardened Fury in the Avengers movies. In the trailers it seemed out of place, but in the context of the movie, it worked really well. I also enjoyed seeing a younger, rookie Coulson and Ben Mendelsohn was great as the movies villain (?)
I was looking forward to seeing what Jude Law would bring to the MCU, but unfortunately he just played Jude Law, as in the same character type that we have already seen him play in a ton of other movies. His performance was perfectly serviceable, but nothing to write home about. Then there is arguably the most important performance of all, Brie Larson as the lead character, Captain Marvel. I thought for the most part she did a pretty great job. I will admit that there were a few lines, (mostly from flashback scenes before she left Earth for the first time,) that felt a bit forced and took me out of the movie slightly. As much as I wanted to buy everything in her performance, there was maybe 10% of the lines that she delivered that were just a bit too cheesy and somewhat wooden. However the other 90% was great and I am very much looking forward to her joining the larger Marvel universe.
The plot was given to us in drips and drabs due to the flashback filled nature of the way that the filmmakers chose to tell this story, but overall I enjoyed the ride. There were a few twists and turns along the way, - some painfully obvious and some not so much, - but most of them were enjoyable and some even felt refreshing, which isn't often said about the 21st movie in a franchise.
The last major thing to address is the female empowerment element that lies under the film's plot and is the thing that a bunch of bigots on Reddit seemed to assume would become the focus of the movie and take away from their beloved superhero fantasy. I am glad to report that no, although it is present, it in no way takes away from the scale or plot of the film. Some moments, (again moments predominately from the flashbacks before Carol leaves Earth for the first time,) were a bit on the nose and felt somewhat forced, such as the 'cockpit,' comment. However, later on in the movie there is an incredibly powerful, more subtle scene that shows different stages of Carol's life where she has been pushed to the ground and has had to get back on her own two feet and carry on. This sequence which showed a bunch of different young girls, ending with Brie Larson herself, standing up to face adversity with bravery and it was it moving and empowering and very well done.
Overall, I had way more fun with this film than I expected to. Try and ignore the negative comments coming from a loud minority of angry people when you see this one and enjoy what is actually happening onscreen.
Alien Slave Masters: Part One
3.5
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The Captain's Pet When a distant planet’s ownership is in dispute, conquering aliens turn...
Science Fiction Erotica MM Dark
TheDefunctDiva (304 KP) rated Lone Wolf McQuade (1983) in Movies
Oct 6, 2017
L is for Lethal
Contains spoilers, click to show
Lone Wolf McQuade (P. 2/9/08)
As my ex-husband and his co-workers once discussed, this 1983 Chuck Norris classic contains an inexhaustible list of “man movie” elements. I shall enumerate just a few of the highlights here (spoiler warning):
Turbo-charged truck that hasn’t been washed in 20 years…check.
Multiple cut-away scenes containing only foul language…check.
Good guy silhouetted on cliff…check.
Too-tight pants…check.
Too-hairy chest…check.
Good guy lives in filthy, ramshackle bachelor pad…check.
Good guy assigned a partner that he doesn’t want…check.
Feds interfering with good guy’s investigation…check.
Evil, maniacally laughing, midget villain in a wheelchair…check.
Bad guys attempting to kill good guy’s daughter…check.
Same daughter later gets abducted by bad guys…check.
Good guy has disproportionately hot girlfriend…check.
Same girlfriend wears nothing but good-guy’s shirt, post coital…check.
Good guy hanging off hood of moving vehicle…check.
Good guys outnumbered by bad guys in every fight scene…check.
Single, long-range gunshot or arrow from crossbow causing car explosion…check.
Bad guy using a contrived mechanism to kill good guy, instead of simply shooting him in the head…check.
Beer, beer, and more beer, which magically revitalizes the good guy…check.
Strategically placed blood…check.
Flaming barrels…check.
Women totally incapable of defending themselves…check.
Good guy and bad guy putting down their weapons and facing off in physical fight…check.
Hot girlfriend dying in good guy’s arms, while professing her guilt and undying love…check.
More flaming barrels…check.
I could go on and on.
Among many other cheesy elements in this movie, I especially enjoyed the moments of obvious symbolism. The opening shot contains a psychedelic-looking, lone wolf accompanied by nothing but whistling. Later, when the bad guys attempt to kill Lone Wolf McQuade, they first assassinate his pet wolf. Foreshadowing, anyone? Another blatant symbol appears when Captain Tyler lectures McQuade about the public image of a ranger. The Captain holds a ruler in his hand, presumably because McQuade doesn’t “measure up” to his expectations. Ha!
In the most entertaining scene of the movie, Lone Wolf has been buried alive in his truck by the bad guy. Beaten and broken, he opens a can of beer found on the front seat, pours it over his effusively sweaty self, takes a sip, and then finds the strength to go on. With his eyes closed, and his head thrown back, he alternately opens and clenches his jaw while emitting a prolonged man-grunt. He then steps dramatically on the accelerator of his super-charged vehicle and is able to drive out of his own grave.
With the ridiculous costuming, cliché dialogue, subpar acting, and utterly horrible score, this film would have worked far better as a comedy. If you plan to watch it, expect to be incredulous, and try to avoid staring directly at Chuck’s hairy chest.
As my ex-husband and his co-workers once discussed, this 1983 Chuck Norris classic contains an inexhaustible list of “man movie” elements. I shall enumerate just a few of the highlights here (spoiler warning):
Turbo-charged truck that hasn’t been washed in 20 years…check.
Multiple cut-away scenes containing only foul language…check.
Good guy silhouetted on cliff…check.
Too-tight pants…check.
Too-hairy chest…check.
Good guy lives in filthy, ramshackle bachelor pad…check.
Good guy assigned a partner that he doesn’t want…check.
Feds interfering with good guy’s investigation…check.
Evil, maniacally laughing, midget villain in a wheelchair…check.
Bad guys attempting to kill good guy’s daughter…check.
Same daughter later gets abducted by bad guys…check.
Good guy has disproportionately hot girlfriend…check.
Same girlfriend wears nothing but good-guy’s shirt, post coital…check.
Good guy hanging off hood of moving vehicle…check.
Good guys outnumbered by bad guys in every fight scene…check.
Single, long-range gunshot or arrow from crossbow causing car explosion…check.
Bad guy using a contrived mechanism to kill good guy, instead of simply shooting him in the head…check.
Beer, beer, and more beer, which magically revitalizes the good guy…check.
Strategically placed blood…check.
Flaming barrels…check.
Women totally incapable of defending themselves…check.
Good guy and bad guy putting down their weapons and facing off in physical fight…check.
Hot girlfriend dying in good guy’s arms, while professing her guilt and undying love…check.
More flaming barrels…check.
I could go on and on.
Among many other cheesy elements in this movie, I especially enjoyed the moments of obvious symbolism. The opening shot contains a psychedelic-looking, lone wolf accompanied by nothing but whistling. Later, when the bad guys attempt to kill Lone Wolf McQuade, they first assassinate his pet wolf. Foreshadowing, anyone? Another blatant symbol appears when Captain Tyler lectures McQuade about the public image of a ranger. The Captain holds a ruler in his hand, presumably because McQuade doesn’t “measure up” to his expectations. Ha!
In the most entertaining scene of the movie, Lone Wolf has been buried alive in his truck by the bad guy. Beaten and broken, he opens a can of beer found on the front seat, pours it over his effusively sweaty self, takes a sip, and then finds the strength to go on. With his eyes closed, and his head thrown back, he alternately opens and clenches his jaw while emitting a prolonged man-grunt. He then steps dramatically on the accelerator of his super-charged vehicle and is able to drive out of his own grave.
With the ridiculous costuming, cliché dialogue, subpar acting, and utterly horrible score, this film would have worked far better as a comedy. If you plan to watch it, expect to be incredulous, and try to avoid staring directly at Chuck’s hairy chest.
Movie Metropolis (309 KP) rated Pirates of the Caribbean: Dead Men Tell No Tales (2017) in Movies
Jun 10, 2019 (Updated Jun 10, 2019)
Here we go again
I can’t be the only one surprised that the Pirates of the Caribbean franchise has managed to withstand five films. Created on a whim by Disney in 2003, the first film propelled Johnny Depp into the lives of movie fans like never before.
However, come 2017 and Depp’s star is sinking faster than the Black Pearl. After three pretty dreadful sequels, the cast reunites for Salazar’s Revenge. But does a change in directors herald a new and exciting path for the plucky pirates?
Thrust into an all-new adventure, a down-on-his-luck Captain Jack Sparrow (Depp) feels the winds of ill-fortune blowing strongly when ghost sailors led by his nemesis, evil Captain Salazar (Javier Bardem), escape from the Devil’s Triangle. Jack’s only hope lies in seeking out the legendary Trident of Poseidon, but to find it, he must forge an uneasy alliance with a brilliant and beautiful astronomer (Kaya Scodelario and a headstrong young man in the British navy (Brenton Thwaites).
Newcomer directors Joachim Rønning and Espen Sandberg craft a film that is magnificent to look at and stunning to listen to, but features all of the same problems as its predecessors. The time really is up on this franchise.
Of the cast, only Javier Bardem’s snarling Salazar makes any sort of lasting impact. In fact, he’s probably the best antagonist the series has ever had and makes for a menacing presence throughout. Depp looks like he’s on autopilot, almost as bored of Jack Sparrow’s drunken antics as we are, and the normally excellent Kaya Scodelario (Skins, Maze Runner) plays a particularly bland female lead during the films running time.
Speaking of which, at 142 minutes, this is one migraine inducing slog. All four previous films have suffered from being overstuffed, and with the extra abundance of characters this time around, it’s even more painful. There simply is no need to create a film that’s nearly two and a half hours long, especially considering the plot is as paint-by-numbers as you can get.
Nevertheless, to look at, Salazar’s Revenge really is breath-taking. The action is filmed confidently and the sets are fantastically detailed using some exceptional practical effects. There are ghost sharks, glistening islands and the motion capture used on Javier Bardem and his crew is seamless. Only the CGI-heavy finale lets the film down. The music is also sublime. Geoff Zanelli’s thunderous melody features the trademark theme-tune mixed with some really lovely orchestral music.
Overall, Pirates of the Caribbean: Salazar’s Revenge kicks off a summer season filled to the brim with sequels and after the previous film’s poor reception, expectation was almost as low as it is for Transformers: the Last Knight.
What we’ve ended up with is a bit of a double-edged sword then. It’s certainly better than the previous three sequels and almost up to the standard of the 2003 original; the problem is, that film wasn’t particularly good in the first place.
https://moviemetropolis.net/2017/05/26/here-we-go-again-pirates-of-the-caribbean-salazars-revenge-review/
However, come 2017 and Depp’s star is sinking faster than the Black Pearl. After three pretty dreadful sequels, the cast reunites for Salazar’s Revenge. But does a change in directors herald a new and exciting path for the plucky pirates?
Thrust into an all-new adventure, a down-on-his-luck Captain Jack Sparrow (Depp) feels the winds of ill-fortune blowing strongly when ghost sailors led by his nemesis, evil Captain Salazar (Javier Bardem), escape from the Devil’s Triangle. Jack’s only hope lies in seeking out the legendary Trident of Poseidon, but to find it, he must forge an uneasy alliance with a brilliant and beautiful astronomer (Kaya Scodelario and a headstrong young man in the British navy (Brenton Thwaites).
Newcomer directors Joachim Rønning and Espen Sandberg craft a film that is magnificent to look at and stunning to listen to, but features all of the same problems as its predecessors. The time really is up on this franchise.
Of the cast, only Javier Bardem’s snarling Salazar makes any sort of lasting impact. In fact, he’s probably the best antagonist the series has ever had and makes for a menacing presence throughout. Depp looks like he’s on autopilot, almost as bored of Jack Sparrow’s drunken antics as we are, and the normally excellent Kaya Scodelario (Skins, Maze Runner) plays a particularly bland female lead during the films running time.
Speaking of which, at 142 minutes, this is one migraine inducing slog. All four previous films have suffered from being overstuffed, and with the extra abundance of characters this time around, it’s even more painful. There simply is no need to create a film that’s nearly two and a half hours long, especially considering the plot is as paint-by-numbers as you can get.
Nevertheless, to look at, Salazar’s Revenge really is breath-taking. The action is filmed confidently and the sets are fantastically detailed using some exceptional practical effects. There are ghost sharks, glistening islands and the motion capture used on Javier Bardem and his crew is seamless. Only the CGI-heavy finale lets the film down. The music is also sublime. Geoff Zanelli’s thunderous melody features the trademark theme-tune mixed with some really lovely orchestral music.
Overall, Pirates of the Caribbean: Salazar’s Revenge kicks off a summer season filled to the brim with sequels and after the previous film’s poor reception, expectation was almost as low as it is for Transformers: the Last Knight.
What we’ve ended up with is a bit of a double-edged sword then. It’s certainly better than the previous three sequels and almost up to the standard of the 2003 original; the problem is, that film wasn’t particularly good in the first place.
https://moviemetropolis.net/2017/05/26/here-we-go-again-pirates-of-the-caribbean-salazars-revenge-review/
Gareth von Kallenbach (980 KP) rated Avengers: Age of Ultron (2015) in Movies
Jun 19, 2019
Marvel continues its cinematic dominance with their latest release, “The Avengers: Age of Ultron”. The film once again teams Iron Man (Robert Downey JR.), Captain America (Chris Evans), Thor (Chris Hemsworth), The Hulk (Mark Ruffalo), Black Window , (Scarlett Johannson), and Hawkeye (Jeremy Renner), as the deal with the fall of S.H.I.E.L.D. after the events of “Captain America: The Winter Soldier”.
The film opens with a visually amazing action sequence where the heroes raid a Hydra base as they attempt to retrieve Loki’s spear from the evil organization that is bent on world domination.
While researching the spoils of their raid, a pair of enhanced siblings, (Aaron Taylor-Johnson and Elizabeth Olson), have managed to exert their influence on one of the team which in turn leads to a bold experiment to create an ultimate guardian of humanity named Ultron who will protect the Earth from all manner of enemies from beyond.
Things do not go as planned s unbeknownst to the Avengers, the artificial A.I. they recovered from Hydra soon builds an army and declares an all-out war on the Avengers and eventually all of humanity.
Tasked with stopping a clever enemy who can switch his conscious to any number of bodies the world over, Ultron (James Spader) leads the team on a deadly game of cat and mouse with the fate of the human race hanging in the balance.
The film is darker and bolder than many of the previous Marvel films but still maintains plenty of humor to lighten the tension. The supporting cast is very good, especially Samuel L. Jackson who steals the scenes whenever he appears.
There were a few sub plots and romantic themes that seemed a bit muddled and some aspects of the story were not fully developed and came to conclusions fairly abruptly, but the film is a shining triumph despite the issues.
The leads work very well with one another though some characters such as Thor were given storylines that really never developed and the same goes for some of the questions left unanswered since the fall of S.H.I.E.L.D.
The visual FX were amazing as seeing it in IMAX 3D really made the action leap off the screen. Director Josh Wheedon paces the film well despite a few instances where things drag along.
The action sequences are the bread and butter of the film and they are frequent and truly spectacular to behold.
Spader does a great job bringing a depth to Ultron which helps him avoid being the stock super villain. He mixes the soul of a poet and scholar with the tantrums of a child which makes him a compelling, captivating, and downright deadly opponent.
The newer characters do well and hopefully we will see them developed more in “Avengers: Infinity War” which is currently in the early stages of development.
For now, Wheedon, Marvel, and the talented cast have created an epic summer action film which is everything you would expect from a super hero movie and more.
http://sknr.net/2015/04/30/avengers-age-of-ultron/
The film opens with a visually amazing action sequence where the heroes raid a Hydra base as they attempt to retrieve Loki’s spear from the evil organization that is bent on world domination.
While researching the spoils of their raid, a pair of enhanced siblings, (Aaron Taylor-Johnson and Elizabeth Olson), have managed to exert their influence on one of the team which in turn leads to a bold experiment to create an ultimate guardian of humanity named Ultron who will protect the Earth from all manner of enemies from beyond.
Things do not go as planned s unbeknownst to the Avengers, the artificial A.I. they recovered from Hydra soon builds an army and declares an all-out war on the Avengers and eventually all of humanity.
Tasked with stopping a clever enemy who can switch his conscious to any number of bodies the world over, Ultron (James Spader) leads the team on a deadly game of cat and mouse with the fate of the human race hanging in the balance.
The film is darker and bolder than many of the previous Marvel films but still maintains plenty of humor to lighten the tension. The supporting cast is very good, especially Samuel L. Jackson who steals the scenes whenever he appears.
There were a few sub plots and romantic themes that seemed a bit muddled and some aspects of the story were not fully developed and came to conclusions fairly abruptly, but the film is a shining triumph despite the issues.
The leads work very well with one another though some characters such as Thor were given storylines that really never developed and the same goes for some of the questions left unanswered since the fall of S.H.I.E.L.D.
The visual FX were amazing as seeing it in IMAX 3D really made the action leap off the screen. Director Josh Wheedon paces the film well despite a few instances where things drag along.
The action sequences are the bread and butter of the film and they are frequent and truly spectacular to behold.
Spader does a great job bringing a depth to Ultron which helps him avoid being the stock super villain. He mixes the soul of a poet and scholar with the tantrums of a child which makes him a compelling, captivating, and downright deadly opponent.
The newer characters do well and hopefully we will see them developed more in “Avengers: Infinity War” which is currently in the early stages of development.
For now, Wheedon, Marvel, and the talented cast have created an epic summer action film which is everything you would expect from a super hero movie and more.
http://sknr.net/2015/04/30/avengers-age-of-ultron/
Connor Sheffield (293 KP) rated Pirates of the Caribbean: The Curse of the Black Pearl (2003) in Movies
May 28, 2017
Johnny Depp as Captain Jack Sparrow (4 more)
Great Cast
Great effects for the time
Great action
Hilarious
Why is the Rum gone?
Fun fact: This film was born from an idea that was inspired by a theme park ride at Disney Land. The Pirates of the Caribbean ride was thought of by Walt Disney himself as well.
The first film in this action, adventure, fantasy comedy franchise, is an unforgettable installment to the franchise as it still remains to be probably the best film of the franchise. With brilliantly written comedy executed on screen by Johnny Depp and a handful of other cast members such as Pintel (Lee Arenberg) and Ragetti (McKenzie Crook) as the two foolish members of Barbossa's crew who always end up in their own mischief throughout the franchise.
The film, which was released back in 2003 (I know...makes me feel old as well and I'm only in my early 20's) had incredible special effects for the time with the Aztec curse that turned Barbossa's and his crew into the undead skeletal pirates that are able to walk along the bottom of the ocean.
Perfectly timed comedy, brilliant visuals and a fun plot to lose yourself in, this film is a great film for the whole family and one of the best Pirate films out there, which takes you on an adventure from Port Royal, to Tortuga, and Isla de Muertos. This film is a great watch, which leaves you with one question;
Why is the rum gone?
The first film in this action, adventure, fantasy comedy franchise, is an unforgettable installment to the franchise as it still remains to be probably the best film of the franchise. With brilliantly written comedy executed on screen by Johnny Depp and a handful of other cast members such as Pintel (Lee Arenberg) and Ragetti (McKenzie Crook) as the two foolish members of Barbossa's crew who always end up in their own mischief throughout the franchise.
The film, which was released back in 2003 (I know...makes me feel old as well and I'm only in my early 20's) had incredible special effects for the time with the Aztec curse that turned Barbossa's and his crew into the undead skeletal pirates that are able to walk along the bottom of the ocean.
Perfectly timed comedy, brilliant visuals and a fun plot to lose yourself in, this film is a great film for the whole family and one of the best Pirate films out there, which takes you on an adventure from Port Royal, to Tortuga, and Isla de Muertos. This film is a great watch, which leaves you with one question;
Why is the rum gone?
Rodney Barnes (472 KP) rated Captain America: Civil War (2016) in Movies
Apr 13, 2019
In my top 5 Marvel movies
Contains spoilers, click to show
This is one of my favorite movies of all time. The only reason I didn't give it a 10 is because I did not care for the Baron Zemo angle. His reason for revenge was related to his family getting killed due to the actions of the Avengers. In the comics Zemo was a power and despot that was on the same level as Captain America when it comes to battle. This story was similar to the story arc in the Civil War comics. The government wants to control heroes because innocent people get killed in their battles trying to save mankind. The last battle they had with Ultron was the catalyst for the Sokovia accords. Oversight by the allied nations. We finally see Cap and Bucky reunited as friends but it is a little tricky at first. Bucky gets blamed for a terrorist action that he is innocent of. Zemo gets a hold of a old Hydra book that was used to brainwash Bucky and he uses it again on Bucky to carry out his plan. The "Civil War" begins when Tony agrees with oversight from the UN and Cap disagrees. The highligjt for me is seeing Spider-Man finally in the MCU. The action was great, the story was great and it had a profound impact on the MCU. It ended with Tony and Steve not being the best of friends and you see that affect in Infinity War. This movie is highly recommended by me
Phillip McSween (751 KP) rated Friends With Benefits (2011) in Movies
Mar 22, 2018
Sleeper Hit
Friends With Benefits succeeds largely because of the chemistry between Justin Timberlake and Mila Kunis. This movie could have had the most honest of intentions, but would have easily fallen flat without a couple you can get behind. That's not to say that their relationship didn't annoy me at times. Realistically had they just come clean with each other sooner, you could cut the run time of the film by about thirty minutes. It's a movie, however, and alas this is what movies are known to do at times.
Mila's character Jamie continued to win me over as the film progressed. She's spunky, witty, and has a vulnerability that you can appreciate. I appreciate Mila's ability to switch emotion on a dime when she needed to (going from happy to hurt, etc.).
I was surprised by the number of funny moments throughout. The comedy carries from beginning to end successfully which makes it all the more easier to sit back and enjoy. The ongoing Captain Sully joke was a nice touch along with the clever way the film kicked off having the opening Screen Gems intro being a part of a computer screen.
Friends With Benefits is a sleeper hit. It's the story of two friends who start a just-sex relationship that blossoms into something else. Cameos from Andy Samberg and Emma Stone ("We missed 'Your Body is a Wonderland'!") in the first few minutes sets a hilarious tone that never lets up. Highly recommended from me, I give the film a 92.
Mila's character Jamie continued to win me over as the film progressed. She's spunky, witty, and has a vulnerability that you can appreciate. I appreciate Mila's ability to switch emotion on a dime when she needed to (going from happy to hurt, etc.).
I was surprised by the number of funny moments throughout. The comedy carries from beginning to end successfully which makes it all the more easier to sit back and enjoy. The ongoing Captain Sully joke was a nice touch along with the clever way the film kicked off having the opening Screen Gems intro being a part of a computer screen.
Friends With Benefits is a sleeper hit. It's the story of two friends who start a just-sex relationship that blossoms into something else. Cameos from Andy Samberg and Emma Stone ("We missed 'Your Body is a Wonderland'!") in the first few minutes sets a hilarious tone that never lets up. Highly recommended from me, I give the film a 92.
Ross (3284 KP) rated Black Panther (2018) in Movies
Feb 20, 2018
Black Panther exploded into the MCU during the Captain America: Civil War and was a breath of fresh air for the franchise. Finally someone to rival Wolverine for fighting skill and claws. This film follows on from there where Prince T'Challa looks to be crowned as the new king of Wakanda. Wakanda has long hidden its true riches and technological worth from the world and is thought of as a nation of poor farmers. King T'Challa must choose whether to continue the selfish tradition or help the world by sharing their natural resources and technology.
The Black Panther is backed up by an excellent cast of sidekicks and helpers as he looks to crack down on illegal trade of Wakanda's vibranium and retain the throne from a worthy challenger.
My main gripe was some of the CGI. Like with Spiderman, I feel at times there is too much detail, eg when flipping over a car his legs sway around like he's in space. To my mind, he would be more focused and all his limbs would be exactly where they need to be. Also in these instances the feeling of which way up is the right way up got a little lost, which shouldn't happen.
I also felt that Andy Serkis was a little under-used in his role as Claue, similar to CrossBones in Civil War.
I am seriously looking forward to Infinity Wars now!
PS - I don't think the post-credits scene is worth the long wait.
The Black Panther is backed up by an excellent cast of sidekicks and helpers as he looks to crack down on illegal trade of Wakanda's vibranium and retain the throne from a worthy challenger.
My main gripe was some of the CGI. Like with Spiderman, I feel at times there is too much detail, eg when flipping over a car his legs sway around like he's in space. To my mind, he would be more focused and all his limbs would be exactly where they need to be. Also in these instances the feeling of which way up is the right way up got a little lost, which shouldn't happen.
I also felt that Andy Serkis was a little under-used in his role as Claue, similar to CrossBones in Civil War.
I am seriously looking forward to Infinity Wars now!
PS - I don't think the post-credits scene is worth the long wait.
I think it's a common understanding that, of all the characters in 2015's 'The Force Awakens', Gwendoline Christie's enigmatic Captain Phasma was the biggest missed opportunity.
Much like Darth Maul before her (who became a cult favourite in the 'old' Extended Universe), this novel seeks to set that right.
How?
By, effectively, having a story-within-a-story: in this case, by having a captured Resistance spy telling her First Order captor what she has discovered about Phasma, with that interrogation carried out in secret as Phasma is still viewed as a hero of the Order (but with deep mistrust by said captor).
This story-within-a-story, then, tells of the mysterious Phasma's originss, of her early life on her abandoned and decaying home planet, of a trip across said planet to the site of a crashed First Order spaceship in the company of a rescued officer and of the many and varied incidents and people/driods met along that journey.
The result is not a bad novel, but not the best of the recent Star Wars novels I've read: it passes a few days easy reading, sure, but (for me, at least) has no real oomph to it; nothing that really makes it stick in my mind or that would cause me to look for other novels by this author. That's not to say I wouldn't read any such if I came across them; just not going out of my way to look for them.
Much like Darth Maul before her (who became a cult favourite in the 'old' Extended Universe), this novel seeks to set that right.
How?
By, effectively, having a story-within-a-story: in this case, by having a captured Resistance spy telling her First Order captor what she has discovered about Phasma, with that interrogation carried out in secret as Phasma is still viewed as a hero of the Order (but with deep mistrust by said captor).
This story-within-a-story, then, tells of the mysterious Phasma's originss, of her early life on her abandoned and decaying home planet, of a trip across said planet to the site of a crashed First Order spaceship in the company of a rescued officer and of the many and varied incidents and people/driods met along that journey.
The result is not a bad novel, but not the best of the recent Star Wars novels I've read: it passes a few days easy reading, sure, but (for me, at least) has no real oomph to it; nothing that really makes it stick in my mind or that would cause me to look for other novels by this author. That's not to say I wouldn't read any such if I came across them; just not going out of my way to look for them.