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The Spotlight Kid/Clear Spot by Captain Beefheart
The Spotlight Kid/Clear Spot by Captain Beefheart
1990 | Blues, Psychedelic, Rock
7.0 (1 Ratings)
Album Favorite

"Beefheart was a bit of a dangerous guy. I did know Don Van Vliet quite well during 1972/73 and he was not a very nice man. He was pretty cruel to his musicians, which was pretty hard for them to take because they didn’t have a great opinion of him as a human being, nor as a musician. Don had no musical talent whatsoever, he simply employed other people to translate his maniacal ravings, musically speaking, into something that had a bit of order and discipline. Lyrically, however, Don did have a great talent and was a vivid painter – literally of course as a pictorial artist in that kind of abstract expressionist style. But he also employed that abstract expressionism in his lyric writing, and that makes him special and very worthwhile in spite of the fact he didn’t leave behind him a group of happy or respectful musicians. It’s rather sad that he was a bully. So he and Frank Zappa are my two big American, not influences, but revered examples of musical greatness. In Beefheart’s case it was a musically naïve greatness. Spotlight Kid and Clear Spot were the two albums around 1972, when Captain Beefheart and his band supported Jethro Tull when we were doing Thick As A Brick in America. Don called me himself, as Warner Brothers had told him what hotel I was staying in, and he kind of invited himself on tour. I tried to talk him out of it saying, “Don, this is not the passport to success you might think it is,” as audiences can be very cruel to support bands. But he was very insistent and Warner Brothers were desperate for some kind of outlet for Beefheart’s work and pushed for him to come on tour with us, so somewhat reluctantly I agreed. The audience did hate him and he got a rough ride every night. It was not successful for him in any way whatsoever. It was a misguided but interesting liaison."

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Merissa (12066 KP) created a post

Mar 16, 2021  
Just in ONE WEEK, you'll be able to meet Cat McKenzie - a sass-mouthed rookie cop sent to work at PIG - the Paranormal Investigative Group – in BAD VAMPIRE by Lauren Dawes (@authorlaurendawes)

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“You’ve been on compassionate leave for seven days.”

I held back my snarky reply.

Captain Wolfe was a scary motherf*cker who didn’t appreciate being interrupted.

I figured that one out for myself on day one.

‘Compassionate leave’ was a nice way to put it though. I’d watched my partner die a horrible, horrible death. And just stood there. Then they told me not to come into work for a week while they decided my fate.

“Are you still struggling with the Reveal?” Wolfe asked softly. “It’s okay if you are. It’s only been six months, but for many, adjusting to the new reality is hard.”

The Reveal was the day the world found out humans weren’t the only ones living on this planet.

It had all started with multi-billionaire John Davis and his shitheel son, Marcus. Marcus was convinced that dear old dad was running his auto-manufacturing company into the ground, and as a result, running all of his inheritance into the ground. The solution, in Marcus’s mind, was to hire a hitman to get rid of his father. The hitman, as it turned out, was fae, and when Marcus was eventually arrested for conspiracy to commit murder, he sold the hitman out in order to save his own skin.

In a much-publicized trial, the hitman—a fae named Kailon Perry—took the slight to heart…and out on Marcus’s ass. In front of the cameras, he let everyone see what he hid beneath his glamor while he tore Marcus Davis limb from limb.

Literally.

After that, all the supernaturals had come out to play—and all of them were monsters as far as I was concerned.

---

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Pan's Labyrinth (2006)
Pan's Labyrinth (2006)
2006 | Fantasy
I honestly can't think of a single thing I don't like about Pan's Labyrinth. From start to finish, it's arguably one of the most captivating pieces of cinema ever put to screen.

Guillermo del Toro once again proves his visionary status, with some superbly well realised creature designs. The dark fantasy element of Pan's Labyrinth is vividly otherworldly, and visually unique. Doug Jones portrays both Fauno and The Pale Man, two creatures that immediately earned a place in iconic movie monsters standing. The Pale Man in particular is utterly terrifying.
Ofelia is the young girl who embarks on this fantasy adventure, and actor Ivana Baquero is a delightful presence throughout the movie.

Of course, a bigger chunk of the runtime is taken up by what's happening in the real world. Set in Spain, in the early years of the Francoist period, it's a gritty narrative that touches upon war and dictatorship.
The dictator in this case is Captain Vidal, Ofelia's new stepfather and soon to be biological father of her unborn brother. His contempt towards Ofelia is unpleasant, and he has little regard for anyone's life but his own and his unborn son (nothing like a case of family lineage and mantle carrying to get the misogynistic juices flowing eh?).
He's played with despicabe glee by Sergi López, an actor who I believe was more known in Spain for his comedic work prior to this, so hats off to him. Vidal is one of the most easy-to-hate characters I've ever seen!
The collision of these two opposing world's and cinema styles is fantastic, and is paced perfectly, the fantasy sequences being a brilliant burst of magic, within a compelling and tense war story, all complimented by a beautiful music score.

Pan's Labyrinth is full of wonder and emotion, both fantastical and harrowing. It's a straight up masterpiece that easily makes my top 20 films of all time, maybe even top 10!
  
Captain America: The Winter Soldier (2014)
Captain America: The Winter Soldier (2014)
2014 | Action, Sci-Fi
This first sequel to Captain America: The First Avenger is everything a sequel should be. It has bigger and better set pieces, it has a bigger emotional centre, it brings in already established MCU characters and introduces new ones, and is arguably one of the best entries into the MCU to date.

Chris Evans does nothing more than tighten his grip around his most famous role. He joins Robert Downey Jr. in the category of irreplaceable actors for these characters.
Scarlett Johansson is once again great as Black Widow, and newcomer Anthony Mackie as Sam Wilson/Falcon provides Cap with a likeable new ally. The three of them as a sort of mini Avengers in this movie are fantastic.
Sebastian Stan plays The Winter Soldier with aplomb, and gives us a truly dangerous antagonist. The dude is fucking terrifying, yet his relationship with Steve Rogers gives us the heart of this movie. It's a tragic story which of course will be further explored in Civil War further down the line.
The cast is rounded off with Samuel L. Jackson returning as Nick Fury, Robert Redford as Alexander Pierce, Emily VanCamp as Agent 13, Frank Grillo as Brock Rumlow, and some smaller roles for Cobie Smulders and Hayley Atwell.
It's a really solid cast all in all, an area that Marvel Studios rarely missteps.

The set pieces are hugely high octane and thrilling. The opening scene on the barge is a highlight, as well as the teams fight with the Winter Soldier midway through. Even Nick Fury gets a banger of an action sequence. Also, this film boasts probably the biggest plot twist gut punch in the whole MCU with the SHIELD/Hydra reveal. It's an extremely well crafted, ballsy narrative that impacts the shape of the MCU going forward.

There's honestly nothing bad to say about this one. It's top tier comic book cinema.
  
Spider-Man: Far From Home (2019)
Spider-Man: Far From Home (2019)
2019 | Action, Sci-Fi
The MCU delivers again!
Tom Holland reprises his role as the friendly neighbourhood Spiderman in this enjoyable final entry in the MCU's third phase.

Picking up where Avengers: Endgame left off, the world is slowly getting back on its feet after Thanos' handiwork was reversed. Peter Parker is on a school trip across Europe when huge Elemental enemies attack. He's unprepared, but the day is saved by Mysterio - a superhero from an alternate universe.

So far, so Marvel.

Twists and turns follow, with plenty of action throughout. The storyline reminded me of Iron Man 3 in some ways, in terms of it's structure and style. The visuals were impressive as always. The acting was spot-on, with Happy returning in a comic relief/mentor role that worked really well alongside the hero.

The great thing about all the Marvel movies is how they distinguish themselves from each other. Aside from being just comic book movies, each individual series has its own themes and genre. Guardians of the Galaxy is sci-fi/action/comedy, Captain America is more political/action, Thor is fantasy, etc... Spiderman fills the gap for a teen drama, appealing to the younger audience by giving them the angst and romance they crave and relate to. The relationship between Peter and MJ is explored in greater detail here, and their on-screen awkward is fun to watch, but also believable - largely, I suspect, due to the pair's off-screen friendship. Their chemistry is brilliant and really adds to the movie.

As with all Marvel movies, it ain't over 'til it's over. The mid-credits scene does a truly fantastic job of setting up the third movie in the series, while the post-credits scene teases at the future of the wider MCU.

Marvel has had numerous hits with only a small handful of near-misses. Spiderman: Far From Home is a resounding hit and not to be missed!