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The Christian Soldier: The Life of Lt. Col. Bernard William Vann, V.C., M.C. and Bar, Croix De Guerre Avec Palmes
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Lieutenant Colonel the Rev Bernard William Vann, VC, MC & Bar, Croix de Guerre avec palme, was one...
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'The rock cast a sharp, dark shadow over a shape huddled on the ground. Please don't let it be the...
Matthew Krueger (10051 KP) rated Coup in Tabletop Games
Jul 17, 2020 (Updated Jul 18, 2020)
Easy to Learn (3 more)
Lying about who you are
Quick Rounds
High replayablity
Hard to Master (1 more)
Don't know who's who and who's lying
Lie, Deceit and Protray
Coup- is one of the two games i bought at this years Pax East. It is also one of the first board games that i bought. The second being Coup. Now since then I have like 25 board games. I love collecting board games cause i can either play them with my family or go solo. Personality i love going solo in board games.
I learn about this game through the Funhaus Channel. And personality wanted to buy it after watching it. It looked easy, fun and entertaining. So when i saw it at Pax i knew i had to by it. If you dont know what Coup is or never heard of it. Let me explain.
Coup came out in 2012 was published by Indie Boards & Cards for 2-6 players.
In Coup you are head of a family in an Italian city-state, a city run by a weak and corrupt court. You need to manipulate, bluff and bribe your way to power. Your object is to destroy the influence of all the other families, forcing them into exile. Only one family will survive...
Gameplay:
In Coup, you want to be the last player with influence in the game, with influence being represented by face-down character cards in your playing area.
Each player starts the game with two coins and two influence – i.e., two face-down character cards; the fifteen card deck consists of three copies of five different characters, each with a unique set of powers:
Duke: Take three coins from the treasury. Block someone from taking foreign aid.
Assassin: Pay three coins and try to assassinate another player's character.
Contessa: Block an assassination attempt against yourself.
Captain: Take two coins from another player, or block someone from stealing coins from you.
Ambassador: Draw two character cards from the Court (the deck), choose which (if any) to exchange with your face-down characters, then return two. Block someone from stealing coins from you.
On your turn, you can take any of the actions listed above, regardless of which characters you actually have in front of you, or you can take one of three other actions:
Income: Take one coin from the treasury.
Foreign aid: Take two coins from the treasury.
Coup: Pay seven coins and launch a coup against an opponent, forcing that player to lose an influence. (If you have ten coins or more, you must take this action.)
When you take one of the character actions – whether actively on your turn, or defensively in response to someone else's action – that character's action automatically succeeds unless an opponent challenges you. In this case, if you can't (or don't) reveal the appropriate character, you lose an influence, turning one of your characters face-up. Face-up characters cannot be used, and if both of your characters are face-up, you're out of the game.
If you do have the character in question and choose to reveal it, the opponent loses an influence, then you shuffle that character into the deck and draw a new one, perhaps getting the same character again and perhaps not.
The last player to still have influence – that is, a face-down character – wins the game!
Its a fun entertaining deduction party card game and a must play if you havent played it yet.
I learn about this game through the Funhaus Channel. And personality wanted to buy it after watching it. It looked easy, fun and entertaining. So when i saw it at Pax i knew i had to by it. If you dont know what Coup is or never heard of it. Let me explain.
Coup came out in 2012 was published by Indie Boards & Cards for 2-6 players.
In Coup you are head of a family in an Italian city-state, a city run by a weak and corrupt court. You need to manipulate, bluff and bribe your way to power. Your object is to destroy the influence of all the other families, forcing them into exile. Only one family will survive...
Gameplay:
In Coup, you want to be the last player with influence in the game, with influence being represented by face-down character cards in your playing area.
Each player starts the game with two coins and two influence – i.e., two face-down character cards; the fifteen card deck consists of three copies of five different characters, each with a unique set of powers:
Duke: Take three coins from the treasury. Block someone from taking foreign aid.
Assassin: Pay three coins and try to assassinate another player's character.
Contessa: Block an assassination attempt against yourself.
Captain: Take two coins from another player, or block someone from stealing coins from you.
Ambassador: Draw two character cards from the Court (the deck), choose which (if any) to exchange with your face-down characters, then return two. Block someone from stealing coins from you.
On your turn, you can take any of the actions listed above, regardless of which characters you actually have in front of you, or you can take one of three other actions:
Income: Take one coin from the treasury.
Foreign aid: Take two coins from the treasury.
Coup: Pay seven coins and launch a coup against an opponent, forcing that player to lose an influence. (If you have ten coins or more, you must take this action.)
When you take one of the character actions – whether actively on your turn, or defensively in response to someone else's action – that character's action automatically succeeds unless an opponent challenges you. In this case, if you can't (or don't) reveal the appropriate character, you lose an influence, turning one of your characters face-up. Face-up characters cannot be used, and if both of your characters are face-up, you're out of the game.
If you do have the character in question and choose to reveal it, the opponent loses an influence, then you shuffle that character into the deck and draw a new one, perhaps getting the same character again and perhaps not.
The last player to still have influence – that is, a face-down character – wins the game!
Its a fun entertaining deduction party card game and a must play if you havent played it yet.
Sarah (7798 KP) rated Titanic (1997) in Movies
Feb 5, 2021
Shame about the romance
Film #13 on the 100 Movies Bucket List: Titanic
Titanic is a rather divisive film. There are many that absolutely love it, the creators of this list among them I don’t doubt. And then there are those that can’t stand it, despite it’s 11 Oscar wins. When it was first released, Titanic’s popularity was immense and it was all the rage at my high school. At that time I loved it like everyone else, but over the years I’ve grown to notice its flaws as well.
Titanic is another epic from the mind of James Cameron and unsurprisingly tells the real life story behind the sinking of the Titanic in 1912. As the true story wasn’t enough, the sinking is shown from the point of view of a love story between Rose Dewitt Bukater (Kate Winslet) and Jack Dawson (Leonardo DiCaprio). In 1996, treasure hunter Brock Lovett (Bill Paxton) and his team are searching the wreckage of the Titanic for a rare diamond and instead come across a preserved drawing of Rose, who meets with Brock and tells the story of her experiences onboard. These experiences involve a class divide, a fiancé with anger management issues (Billy Zane) and some nice (Kathy Bates) and not very nice (Frances Fisher) female aristocrats.
While I can understand why Cameron has intertwined a romance into this real life tragedy, for me it’s this story that lessens the impact of such a horrific tale and makes this into not quite the masterpiece he wanted it to be. There are the obvious plot holes and irrational actions – the hugely memorable water door scene that could blatantly fit more than one person, and the motives for keeping a invaluable diamond hidden for 80+ years only to throw it away in the ocean – are just two of the laughably bad scenes in this. Paired with a sometimes dodgy script (there’s a scene where Rose says “Jack” over half a dozen times in less than a minute) and some cheesy exposition and narration from the older Rose, do not make for an endearing story.
However if you can ignore the romance and poor fictional story, the rest of Titanic is an impressive bit of filmmaking. From the opening shots featuring real life footage of the actual wreckage of the Titanic to the effects used to bring the ship to life, they are truly stunning. You can really appreciate the love and care that has gone in to making this film, and the cinematography is faultless. Water is not an easy element to film yet James Cameron has mastered it with ease and including shots of the real wreckage only adds to the emotions that this evokes, especially as there are a lot of facts interlaced within the romance – the band continuing to play despite impending death is particularly moving. The cast too are strong despite the sometimes questionable material they have to work with. This is undoubtedly the film that made both Leonardo DiCaprio and Kate Winslet megastars in their own rights, although for me I much preferred the more low key performances from the likes of Kathy Bates, Bernard Hill (as Captain Smith) and Victor Garber (as ship builder Thomas Andrews).
Titanic is not perfect. It is a drawn out and overly long romance set aboard a disaster movie and it can’t justify being longer than 3 hours. However despite it’s flaws, it is still a masterpiece in filmmaking and truly an epic film.
Titanic is a rather divisive film. There are many that absolutely love it, the creators of this list among them I don’t doubt. And then there are those that can’t stand it, despite it’s 11 Oscar wins. When it was first released, Titanic’s popularity was immense and it was all the rage at my high school. At that time I loved it like everyone else, but over the years I’ve grown to notice its flaws as well.
Titanic is another epic from the mind of James Cameron and unsurprisingly tells the real life story behind the sinking of the Titanic in 1912. As the true story wasn’t enough, the sinking is shown from the point of view of a love story between Rose Dewitt Bukater (Kate Winslet) and Jack Dawson (Leonardo DiCaprio). In 1996, treasure hunter Brock Lovett (Bill Paxton) and his team are searching the wreckage of the Titanic for a rare diamond and instead come across a preserved drawing of Rose, who meets with Brock and tells the story of her experiences onboard. These experiences involve a class divide, a fiancé with anger management issues (Billy Zane) and some nice (Kathy Bates) and not very nice (Frances Fisher) female aristocrats.
While I can understand why Cameron has intertwined a romance into this real life tragedy, for me it’s this story that lessens the impact of such a horrific tale and makes this into not quite the masterpiece he wanted it to be. There are the obvious plot holes and irrational actions – the hugely memorable water door scene that could blatantly fit more than one person, and the motives for keeping a invaluable diamond hidden for 80+ years only to throw it away in the ocean – are just two of the laughably bad scenes in this. Paired with a sometimes dodgy script (there’s a scene where Rose says “Jack” over half a dozen times in less than a minute) and some cheesy exposition and narration from the older Rose, do not make for an endearing story.
However if you can ignore the romance and poor fictional story, the rest of Titanic is an impressive bit of filmmaking. From the opening shots featuring real life footage of the actual wreckage of the Titanic to the effects used to bring the ship to life, they are truly stunning. You can really appreciate the love and care that has gone in to making this film, and the cinematography is faultless. Water is not an easy element to film yet James Cameron has mastered it with ease and including shots of the real wreckage only adds to the emotions that this evokes, especially as there are a lot of facts interlaced within the romance – the band continuing to play despite impending death is particularly moving. The cast too are strong despite the sometimes questionable material they have to work with. This is undoubtedly the film that made both Leonardo DiCaprio and Kate Winslet megastars in their own rights, although for me I much preferred the more low key performances from the likes of Kathy Bates, Bernard Hill (as Captain Smith) and Victor Garber (as ship builder Thomas Andrews).
Titanic is not perfect. It is a drawn out and overly long romance set aboard a disaster movie and it can’t justify being longer than 3 hours. However despite it’s flaws, it is still a masterpiece in filmmaking and truly an epic film.
Gareth von Kallenbach (980 KP) rated Black Widow (2021) in Movies
Jun 29, 2021
After a delay lasting 19 months; the Marvel Cinematic Universe (MCU) has returned to the big screen with “Black Widow”. The film takes place between “Captain America: Civil War” and “Avengers: Infinity War”; audiences get more of the backstory of Natasha Romanoff (Scarlett Johansson), as we are introduced to her early life before the Red Room.
This is not to say that the film is an origin story as it uses her backstory through a clever introduction that establishes her “family” as sleeper agents in Ohio before they escape and she and her cover sister are tuned over for conditioning and training.
Since Natasha is on the run from the authorities; she finds a remote location in Norway to bide her time. This does not last as a dangerous adversary known as the Taskmaster arrives and sets a chain of events into motion.
Natasha has been sent a package from her cover sister Yelena (Florence Pugh) who also went through the Red Room and became a top assassin in the years since she and Natasha last saw one another.
Despite her mixed feelings; Natasha ventures to Budapest and confronts Yelena who in turn reveals the package she sent her contains a compound that can free the other Black Widows from the control of the Red Room which despite Natasha’s insistence is still very much alive as is the head of the institute which she is convinced she killed long ago.
With Taskmaster and other Widows hot on their trail, Natasha and Yelena are forced to seek the help of their former “Father” the imprisoned hero Red Guardian (David Harbour), and their cover Mother Melina (Rachel Weisz), to find the location of the new Red Room; free the Widows, and end the program once and for all.
What follows is an engaging story with solid action and effects that remains at its core a character story as Natasha attempts to reconcile her cover family with her new Avengers family and the pain of her upbringing and conditioning.
Marvel resisted calls from some to release the film on Disney+ last year when the Pandemic caused multiple delays to the planned release dates. This decision to me was very wise as this is a film that needs to be seen and heard on the big screen as it is an experience that is best experienced in a cinema with others.
While many attempts were made over the decades to adapt comic heroes to film and television; most of them came up lacking and disappointed fans of the source material. Marvel for over a decade has continued to succeed as they have a clear plan, cast well, and have engaging characters that develop over time.
“Black Widow” fills in a missing gap of time in the MCU well and also sets up future adventures as a scene in the credits clearly links two of the live-action Disney+ series and shows that the long-term plan for the MCU continues and incorporates the film and television series well.
From the moment the Marvel intro and music appeared on the screen until the very end; “Black Widow” was a very enjoyable and engaging blockbuster adventure that shows Marvel at the top of their game; and why they continue to set event-level movies not to miss.
This is not to say that the film is an origin story as it uses her backstory through a clever introduction that establishes her “family” as sleeper agents in Ohio before they escape and she and her cover sister are tuned over for conditioning and training.
Since Natasha is on the run from the authorities; she finds a remote location in Norway to bide her time. This does not last as a dangerous adversary known as the Taskmaster arrives and sets a chain of events into motion.
Natasha has been sent a package from her cover sister Yelena (Florence Pugh) who also went through the Red Room and became a top assassin in the years since she and Natasha last saw one another.
Despite her mixed feelings; Natasha ventures to Budapest and confronts Yelena who in turn reveals the package she sent her contains a compound that can free the other Black Widows from the control of the Red Room which despite Natasha’s insistence is still very much alive as is the head of the institute which she is convinced she killed long ago.
With Taskmaster and other Widows hot on their trail, Natasha and Yelena are forced to seek the help of their former “Father” the imprisoned hero Red Guardian (David Harbour), and their cover Mother Melina (Rachel Weisz), to find the location of the new Red Room; free the Widows, and end the program once and for all.
What follows is an engaging story with solid action and effects that remains at its core a character story as Natasha attempts to reconcile her cover family with her new Avengers family and the pain of her upbringing and conditioning.
Marvel resisted calls from some to release the film on Disney+ last year when the Pandemic caused multiple delays to the planned release dates. This decision to me was very wise as this is a film that needs to be seen and heard on the big screen as it is an experience that is best experienced in a cinema with others.
While many attempts were made over the decades to adapt comic heroes to film and television; most of them came up lacking and disappointed fans of the source material. Marvel for over a decade has continued to succeed as they have a clear plan, cast well, and have engaging characters that develop over time.
“Black Widow” fills in a missing gap of time in the MCU well and also sets up future adventures as a scene in the credits clearly links two of the live-action Disney+ series and shows that the long-term plan for the MCU continues and incorporates the film and television series well.
From the moment the Marvel intro and music appeared on the screen until the very end; “Black Widow” was a very enjoyable and engaging blockbuster adventure that shows Marvel at the top of their game; and why they continue to set event-level movies not to miss.
Gareth von Kallenbach (980 KP) rated Jungle Cruise (2021) in Movies
Jul 28, 2021
Ask anyone who has ever spent time at a Disney park what attractions they enjoy riding and chances are good that the Jungle Cruise will be amongst them. The project was a labor of love for Walt Disney and has thrilled millions of guests with the scenic cruise, animated animals, and the cringe-worthy puns and jokes from the captains who have made it an enduring legend.
Since attractions ranging from “Pirates of the Caribbean”, “The Haunted Mansion” and “The Tower of Terror” have made their way to screens along with others over the years; it was not much of a shock to hear that The Jungle Cruise was next in line to make the leap to the big screen. Despite several release date changes and then a lengthy delay due to Covid; the film has finally arrived backed by a star-studded premiere at Disneyland.
When Doctor Lilly Houghton (Emily Blunt) with the help of her high-maintenance brother MacGregor (Jack Whitehall) desire to find a mythical item and gain entry into a prestigious organization; they are hampered by the sexist views of early 1900 England and forced to steal an artifact and race to the Amazon.
With a dangerous foreigner; Prince Joachim Jesse Plemons and his goons in hot pursuit, Lilly and her brother find themselves in the company of a boat captain named Frank (Dwayne Johnson); who in dire need of money uses all sorts of methods to gain a charter and take Lilly and her brother into a dangerous area.
Along the way, all manner of humor, action, and dangers arise as everything from hostile natives, animals, rapids, and of course, The Prince stands in their way. If this was not bad enough; there is also a matter of a curse that must be factored in which presents an even bigger danger than before.
In a race against time, Frank and Lilly must learn to trust and work with one another and decipher the clues to save the day and keep the forces of evil from winning.
The film takes a bit of time to get going as while there is some action and great scenery and sets; early on it does seem to be unsure of what type of film it wants to be and what type of story it wants to tell.
Is it a madcap adventure with a dash of romance? Is it an FX-laden action spoof? Perhaps it is an over-the-top action film that recalls the fabled cinematic adventures of old?
In reality, the film is a combination of all of the above. I had flashes of “The African Queen”, “Romancing the Stone”, “Raiders of the Lost Ark”, “Pirates of The Caribbean”, and “The Mummy” during the film.
While the MacGuffin element of the film may be a bit confusing for some with more questions than answers; Blunt and Johnson work very well with one another and Whitehall provides a wider element to his character making him more than the comic relief in the film.
The FX are very enjoyable and the film mixes the humor with the action well including some of the best jokes from the attraction.
While it may at first glance be considered just a routine adventure film; the movie blends a strong and enjoyable cast with a fun adventure that recalls the thrilling cinematic tales of old but does so with a fresh and modern twist.
4 stars out of 5
Since attractions ranging from “Pirates of the Caribbean”, “The Haunted Mansion” and “The Tower of Terror” have made their way to screens along with others over the years; it was not much of a shock to hear that The Jungle Cruise was next in line to make the leap to the big screen. Despite several release date changes and then a lengthy delay due to Covid; the film has finally arrived backed by a star-studded premiere at Disneyland.
When Doctor Lilly Houghton (Emily Blunt) with the help of her high-maintenance brother MacGregor (Jack Whitehall) desire to find a mythical item and gain entry into a prestigious organization; they are hampered by the sexist views of early 1900 England and forced to steal an artifact and race to the Amazon.
With a dangerous foreigner; Prince Joachim Jesse Plemons and his goons in hot pursuit, Lilly and her brother find themselves in the company of a boat captain named Frank (Dwayne Johnson); who in dire need of money uses all sorts of methods to gain a charter and take Lilly and her brother into a dangerous area.
Along the way, all manner of humor, action, and dangers arise as everything from hostile natives, animals, rapids, and of course, The Prince stands in their way. If this was not bad enough; there is also a matter of a curse that must be factored in which presents an even bigger danger than before.
In a race against time, Frank and Lilly must learn to trust and work with one another and decipher the clues to save the day and keep the forces of evil from winning.
The film takes a bit of time to get going as while there is some action and great scenery and sets; early on it does seem to be unsure of what type of film it wants to be and what type of story it wants to tell.
Is it a madcap adventure with a dash of romance? Is it an FX-laden action spoof? Perhaps it is an over-the-top action film that recalls the fabled cinematic adventures of old?
In reality, the film is a combination of all of the above. I had flashes of “The African Queen”, “Romancing the Stone”, “Raiders of the Lost Ark”, “Pirates of The Caribbean”, and “The Mummy” during the film.
While the MacGuffin element of the film may be a bit confusing for some with more questions than answers; Blunt and Johnson work very well with one another and Whitehall provides a wider element to his character making him more than the comic relief in the film.
The FX are very enjoyable and the film mixes the humor with the action well including some of the best jokes from the attraction.
While it may at first glance be considered just a routine adventure film; the movie blends a strong and enjoyable cast with a fun adventure that recalls the thrilling cinematic tales of old but does so with a fresh and modern twist.
4 stars out of 5
Joe Goodhart (27 KP) rated Ms. Marvel: Volume 3: Crushed in Books
Nov 30, 2020
This review is really for the first three volumes, including this one.
So, first let me start off by sharing a little honesty.. I read the first volume 4 or 5 months ago. I thought it fun, but not enough to pursue reading further volumes. A lot has gone down in my life since that first outing. For those of you who either a) do not know me offline, or b) have not looked at my GR profile, I was diagnosed with RRMS (relapsing-remitting multiple sclerosis) in September of last year, then two months later, we said goodbye to Lily, our 14-year-old Mini Schnauzer.
Prior to all that, I used to live a relatively structured life, with plans-of-a-sort as well as a job. I have since had to step down from my job (thanks, MS!). I have also taken to trying to lead a "sloth life". I live each day as if it were the last, preferring to not plan days in advance. I also am trying to let a lot more roll off my back, giving an honest effort to having more fun with life.
One of those things which is appearing to be helpful to my mental well-being and general happiness has been G. Willow Wilson's MS. MARVEL.
GWW took a character who was once Carol Danvers (now Captain Marvel), a superhero whose costume did nothing what so ever to aid feminism or help to have less objectifying looks for our female heroes. She gave Ms. Marvel a proper reboot, presenting us with Kamala Khan, a young Pakistani-American living in NJ. Her character is one of many who were exposed to the Terrigen Mist via a Terrigen Bomb released by Black Bolt, the Inhumans' king; her powers gained gave her the ability to be polymorphic, i.e. shape-changing.
The series presents us with an imperfect hero. Kamala struggles to balance her hero life, while hiding it from her parents. She maintains her Muslim faith, offering us glimpses into her life and much of what it entails. The handling of it is both mature yet fun, giving us a palatable, more open approach to their faith, rather than what the Idiot in the WH has tried to portray it!
Like Marvel's UNBEATABLE SQUIRREL GIRL, MM is clearly a book that, at its heart, lies a good sense of fun, as well as some good life lessons along the way. In an era where the focus appears to be "Gloom Is Good" and "The Darker The Story, The Better", it is truly refreshing to read a book like this one.
As amazing as Wilson's writing is, the series' artists - Adrian Alphona, Takeshi Miyazawa and fill-in artist Jacob Wyatt (Issues 6 and 7) - all did one heckuva job providing artwork that was as fun as the writing it was supporting. All three were different, yet they shared similarities in their rendering of Kamala and her supporting cast, helping to maintain continuity rather than breaking it via wholly dissimilar art.
I know that there only few more volumes before Wilson hands the reins to Saladin Ahmed (MILES MORALES: SPIDER-MAN, BLACK BOLT), with the art being handled by with art by Minkyu Jung. I have seen Wilson's own page, where she seemed very confident in Ahmed's future handling of Kamala's adventures. That, alone, is good enough for me!
Seriously, if you have not checked out, please, please check out the adventures of MS. MARVEL. Your heart and mind, not to mention your soul, will be more the better for it! Promise!
So, first let me start off by sharing a little honesty.. I read the first volume 4 or 5 months ago. I thought it fun, but not enough to pursue reading further volumes. A lot has gone down in my life since that first outing. For those of you who either a) do not know me offline, or b) have not looked at my GR profile, I was diagnosed with RRMS (relapsing-remitting multiple sclerosis) in September of last year, then two months later, we said goodbye to Lily, our 14-year-old Mini Schnauzer.
Prior to all that, I used to live a relatively structured life, with plans-of-a-sort as well as a job. I have since had to step down from my job (thanks, MS!). I have also taken to trying to lead a "sloth life". I live each day as if it were the last, preferring to not plan days in advance. I also am trying to let a lot more roll off my back, giving an honest effort to having more fun with life.
One of those things which is appearing to be helpful to my mental well-being and general happiness has been G. Willow Wilson's MS. MARVEL.
GWW took a character who was once Carol Danvers (now Captain Marvel), a superhero whose costume did nothing what so ever to aid feminism or help to have less objectifying looks for our female heroes. She gave Ms. Marvel a proper reboot, presenting us with Kamala Khan, a young Pakistani-American living in NJ. Her character is one of many who were exposed to the Terrigen Mist via a Terrigen Bomb released by Black Bolt, the Inhumans' king; her powers gained gave her the ability to be polymorphic, i.e. shape-changing.
The series presents us with an imperfect hero. Kamala struggles to balance her hero life, while hiding it from her parents. She maintains her Muslim faith, offering us glimpses into her life and much of what it entails. The handling of it is both mature yet fun, giving us a palatable, more open approach to their faith, rather than what the Idiot in the WH has tried to portray it!
Like Marvel's UNBEATABLE SQUIRREL GIRL, MM is clearly a book that, at its heart, lies a good sense of fun, as well as some good life lessons along the way. In an era where the focus appears to be "Gloom Is Good" and "The Darker The Story, The Better", it is truly refreshing to read a book like this one.
As amazing as Wilson's writing is, the series' artists - Adrian Alphona, Takeshi Miyazawa and fill-in artist Jacob Wyatt (Issues 6 and 7) - all did one heckuva job providing artwork that was as fun as the writing it was supporting. All three were different, yet they shared similarities in their rendering of Kamala and her supporting cast, helping to maintain continuity rather than breaking it via wholly dissimilar art.
I know that there only few more volumes before Wilson hands the reins to Saladin Ahmed (MILES MORALES: SPIDER-MAN, BLACK BOLT), with the art being handled by with art by Minkyu Jung. I have seen Wilson's own page, where she seemed very confident in Ahmed's future handling of Kamala's adventures. That, alone, is good enough for me!
Seriously, if you have not checked out, please, please check out the adventures of MS. MARVEL. Your heart and mind, not to mention your soul, will be more the better for it! Promise!
Hadley (567 KP) rated Ghostly Tales: Spine-Chilling Stories of the Victorian Age in Books
Jan 20, 2021
Ghost stories (1 more)
Well-written
This collection of tales will transport you to a time when staircases creaked in old manor houses, and a candle could be blown out by a gust of wind, or by a passing ghost. Penned by some of the greatest Victorian novelists and masters of the ghost story genre, these stories come alive alongside exquisitely eerie art in this special illustrated edition.
Since this is a short story collection, I will list the stories with a short synopsis and what I liked and disliked about them.
"Oh, Whistle, and I'll Come to You, My Lad" by M.R. James
A professor decides to go on vacation to work on his golf game while doing a little side work in the town's archaeology, but when he digs up an old whistle and blows into it, he instantly regrets what the whistle brings.
Liked: the buildup to the climax was done masterfully, and the superstition that was used as the premise of the story
Disliked: that the ending is never explained
"The Old Nurse's Story" by Elizabeth Gaskell
When a governess and her ward are taken to a haunted house, they found out that everyone has to pay for their misdeeds.
Liked: the perfect example of what Victorian ghost stories were
Disliked: Nothing; I really enjoyed this one
"The Signalman" by Charles Dickens
A railroad signalman tells a co-worker that he is seeing a ghost that warns him of future accidents, but his co-worker can't tell if he's telling the truth or losing his mind.
Liked: an excellent ghost story; I wish it were an entire novel
Disliked: nothing
"The Body-Snatcher" by Robert Louis Stevenson
When a medical student realizes that the 'donated' bodies are murder victims, he's not so sure he can live with the consequences.
Liked: the ending wasn't predictable
Disliked: at the start, there's a little confusion among who is who
" The Captain of the Pole-Star" by Sir Arthur Conan Doyle
A group of whalers are stuck in the middle of the ocean because of ice burgs, but the ice is the least of their problems when they begin to hear and see supernatural things out on the ice.
Liked: the plot of the story was really good
Disliked: the run-on sentences, some of the accents were hard to decipher, and the ending wasn't explained
"The Phantom Coach" by Amelia B. Edwards
A young man loses his way while on a hunt, but soon finds help with an old man that is convinced the supernatural is real, and when he senses the young man does not, he puts him up against forces from the other side.
Liked: the story never lulled, and the descriptions of the undead were amazing
Disliked: nothing, I thought the story was really good
"The Screaming Skull" by F. Marion Crawford
When the friend of a family finds a skull in the latter's home, he begins to question whether or not the husband murdered his wife.
Liked: I love that this story is actually based off an urban legend
Disliked: the way the author kept breaking away from the story to talk to the audience; it caused the flow of the story to stop
Overall, the Victorian-era authors knew how to write a ghost story. I absolutely loved this collection of short stories. I highly recommend this book to people who love a good 'ol fashioned ghost story (not the gory ones we have today).
Since this is a short story collection, I will list the stories with a short synopsis and what I liked and disliked about them.
"Oh, Whistle, and I'll Come to You, My Lad" by M.R. James
A professor decides to go on vacation to work on his golf game while doing a little side work in the town's archaeology, but when he digs up an old whistle and blows into it, he instantly regrets what the whistle brings.
Liked: the buildup to the climax was done masterfully, and the superstition that was used as the premise of the story
Disliked: that the ending is never explained
"The Old Nurse's Story" by Elizabeth Gaskell
When a governess and her ward are taken to a haunted house, they found out that everyone has to pay for their misdeeds.
Liked: the perfect example of what Victorian ghost stories were
Disliked: Nothing; I really enjoyed this one
"The Signalman" by Charles Dickens
A railroad signalman tells a co-worker that he is seeing a ghost that warns him of future accidents, but his co-worker can't tell if he's telling the truth or losing his mind.
Liked: an excellent ghost story; I wish it were an entire novel
Disliked: nothing
"The Body-Snatcher" by Robert Louis Stevenson
When a medical student realizes that the 'donated' bodies are murder victims, he's not so sure he can live with the consequences.
Liked: the ending wasn't predictable
Disliked: at the start, there's a little confusion among who is who
" The Captain of the Pole-Star" by Sir Arthur Conan Doyle
A group of whalers are stuck in the middle of the ocean because of ice burgs, but the ice is the least of their problems when they begin to hear and see supernatural things out on the ice.
Liked: the plot of the story was really good
Disliked: the run-on sentences, some of the accents were hard to decipher, and the ending wasn't explained
"The Phantom Coach" by Amelia B. Edwards
A young man loses his way while on a hunt, but soon finds help with an old man that is convinced the supernatural is real, and when he senses the young man does not, he puts him up against forces from the other side.
Liked: the story never lulled, and the descriptions of the undead were amazing
Disliked: nothing, I thought the story was really good
"The Screaming Skull" by F. Marion Crawford
When the friend of a family finds a skull in the latter's home, he begins to question whether or not the husband murdered his wife.
Liked: I love that this story is actually based off an urban legend
Disliked: the way the author kept breaking away from the story to talk to the audience; it caused the flow of the story to stop
Overall, the Victorian-era authors knew how to write a ghost story. I absolutely loved this collection of short stories. I highly recommend this book to people who love a good 'ol fashioned ghost story (not the gory ones we have today).