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See No Evil (2006)
See No Evil (2006)
2006 | Horror, Mystery
4
5.0 (8 Ratings)
Movie Rating
See No Evil is a whole big mixed bag of average. The first 20-25 minutes are abhorrently terrible. It manages to tick every mid-00s horror clichรฉ in its opening scene. It introduces all of its eye rollingly awful characters with edgy freeze frames and name cards.
Beyond the opening third, the whole film is riddled with seizure inducing quick zoom edits, and music video quality effects, and the whole runtime is draped in a durgy shit-shaded sepia tone. The characters never become remotely likable and suffer through the cringey dialogue without any sort of reprieve, and the worst one of the bunch even survives to the end credits, which is deeply upsetting.

Despite all of this however, I don't completely hate it. The gore for one is pretty solid, and looks mostly practical which is a huge bonus considering the era (and if you completely ignore the gratuitous spaffing of atrocious CGI during the final sequence). Glenn Jacobs, better known as WWE's Kane, cuts an imposing figure as the brutal as fuck villain, and I enjoyed the plots obvious homage to Friday the 13th. It's also mercifully clocks in just shy of 90 minutes, which makes it ideal for a quick dose of bloody horror if that's what you're after.

There are a huge amount of piss poor elements to See No Evil but it's certainly not the worst slasher out there. It's very typical of it's time, so it delivers exactly what you would expect and is definitely the best WWE produced film I've seen - the other being Leprechaun Origins, so not exactly a huge feat, but hey, let's take the wins where we can...
  
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LoganCrews (2861 KP) rated Identity (2003) in Movies

Sep 22, 2020 (Updated Nov 26, 2020)  
Identity (2003)
Identity (2003)
2003 | Horror, Mystery, Thriller
"๐˜ˆ ๐˜‰๐˜ข๐˜ฏ๐˜ฒ๐˜ถ๐˜ฆ๐˜ต ๐˜ฑ๐˜ฐ๐˜ต ๐˜ฑ๐˜ช๐˜ฆ?! ๐˜ˆ ๐˜‰๐˜ข๐˜ฏ๐˜ฒ๐˜ถ๐˜ฆ๐˜ต ๐˜ฑ๐˜ฐ๐˜ต ๐˜ฑ๐˜ช๐˜ฆ!"
*or*
"๐˜“๐˜ช๐˜ด๐˜ต๐˜ฆ๐˜ฏ ๐˜ต๐˜ฐ ๐˜ฎ๐˜ฆ, ๐˜ฅ๐˜ถ๐˜ฅ๐˜ฆ, ๐˜'๐˜ฎ ๐˜ฉ๐˜ข๐˜ท๐˜ช๐˜ฏ๐˜จ ๐˜ข ๐˜ณ๐˜ฆ๐˜ข๐˜ญ๐˜ญ๐˜บ ๐˜ง๐˜ถ๐˜ค๐˜ฌ๐˜ฆ๐˜ฅ-๐˜ถ๐˜ฑ, ๐˜ธ๐˜ฆ๐˜ต, ๐˜ฃ๐˜ข๐˜ฅ ๐˜ง๐˜ถ๐˜ค๐˜ฌ๐˜ช๐˜ฏ๐˜จ ๐˜ฅ๐˜ข๐˜บ."

True "What the fuck is going on? Huh? What..? Who?? ... wait what the fuck is that I- um, did they just? What the hell, but...where? Why? Uh, how?" cinema. This sort of exasperatingly looney, balls-planted-firmly-to-the-wall thriller with like 60 twists is sort of played these days - but I'd imagine that in its day it was quite revelatory. This was honestly a hoot and a holler but sadly its greatness is sunk by James Mangold - for the most part - being a hack who has no clue how to dramatize, have any definable mark as a director, or make inherently compelling things at all very compelling unless the studio has a firm grip on the project. His films mostly look like flat TV movies and play like no one behind the camera has much of a clue on what they're doing beyond maybe an introductory film guide on the back of a cereal box. This one isn't all that different either, but material with *this* low of a regard for any sense of subtlety or earthly realism and with a gleeful eagerness to throw all of its cards violently onto the table any chance it gets has a pass from me - especially when it's acted by a banging troupe of crackerjack character actors and reliable leads like this one. Really, really fun and sincerely manic - Agatha Christie meets a line of coke at a gas station bathroom. Plus the uninterrupted, heaping downpour is a helluva gimmick and it works where Mangold doesn't.
  
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