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Emma @ The Movies (1786 KP) rated I Am Lisa (2020) in Movies
Oct 4, 2020
This caught my eye on the Fright Fest line-up for its intriguing idea, who doesn't love werewolves?
Lisa returns to her small town home where she's terrorised by local tough girl Jess and her friends. When Lisa tries to report the incident to the sheriff, Jess' mother, her report is dismissed, standing strong she persists and they decide on a different course of action. After brutally beating her they leave her body in the woods for the wolves, little fo they know that Lisa was rescued from the attack and has come away with a supernatural gift and a desire for retribution.
There's a female heavy cast in I Am Lisa and it works really well, the dynamics for the most part are really impressive. From friendship to family, love and hatred, you get to see some real talent on display. The outstanding performance for me was Carmen Anello as Jessica, every change of emotion was clear and expressive, very early on it was obvious just how talented she was.
I Am Lisa manages to convey a small town gone wrong vibe and shows the consequences of a family run dynamic, if that family happens to be corrupt. The town rundown, the dismissive manner, the muted colours, all create just the right atmosphere for the film.
The story itself was a great concept, it introduced the main theme with subtlety and leaves some intrigue to keep you going. The only real problem with it is that the link between the man in the woods and the Huckins family is a little on the vague side and could have done with being a little clearer.
It's always interesting to see how films handle transformations, and I Am Lisa is quite subtle about it. The main transformations blend well when used, it's definitely a good take on the werewolf principle until... the end... all I could think of was Buffy, and that undid some of the good thoughts.
My last comment would probably have to be about some of the violence, on more than one occasion characters slap each other and you can tell they hold back. If you're not going to go 100% then you need to cut the footage so that you can't tell.
Apart from the few little blips, this is a solid film and an enjoyable watch, I'm really glad I had the opportunity to see it.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/10/i-am-lisa-movie-review.html
Lisa returns to her small town home where she's terrorised by local tough girl Jess and her friends. When Lisa tries to report the incident to the sheriff, Jess' mother, her report is dismissed, standing strong she persists and they decide on a different course of action. After brutally beating her they leave her body in the woods for the wolves, little fo they know that Lisa was rescued from the attack and has come away with a supernatural gift and a desire for retribution.
There's a female heavy cast in I Am Lisa and it works really well, the dynamics for the most part are really impressive. From friendship to family, love and hatred, you get to see some real talent on display. The outstanding performance for me was Carmen Anello as Jessica, every change of emotion was clear and expressive, very early on it was obvious just how talented she was.
I Am Lisa manages to convey a small town gone wrong vibe and shows the consequences of a family run dynamic, if that family happens to be corrupt. The town rundown, the dismissive manner, the muted colours, all create just the right atmosphere for the film.
The story itself was a great concept, it introduced the main theme with subtlety and leaves some intrigue to keep you going. The only real problem with it is that the link between the man in the woods and the Huckins family is a little on the vague side and could have done with being a little clearer.
It's always interesting to see how films handle transformations, and I Am Lisa is quite subtle about it. The main transformations blend well when used, it's definitely a good take on the werewolf principle until... the end... all I could think of was Buffy, and that undid some of the good thoughts.
My last comment would probably have to be about some of the violence, on more than one occasion characters slap each other and you can tell they hold back. If you're not going to go 100% then you need to cut the footage so that you can't tell.
Apart from the few little blips, this is a solid film and an enjoyable watch, I'm really glad I had the opportunity to see it.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/10/i-am-lisa-movie-review.html
Emma @ The Movies (1786 KP) rated 2-Headed Shark Attack (2012) in Movies
Aug 5, 2020
You know full well I'll be watching all the movies in the -Headed Shark Attack series!
When a boatful of students is attacked at sea they must get to the safety of a nearby atoll while crew remain on board to make repairs. As they explore their new surroundings the danger becomes even more real when the shark starts to pick them off one by one.
In my shark appreciation post (on my website) I listed off a lot of plus points to amusingly entertaining shark films and this has a lot of them. Science, geography, everything you learnt at school is wrong... if you use this film as a reference.
We start with the inexplicable "semester at sea" storyline...
"We could have them doing a day trip out to study marine life, a science field trip."
"That's not long enough, make it a whole semester at sea."
"Okay, but we don't have the budget for technically accurate sets with equipment for people studying the ocean to that level."
"They just need a boat."
"I mean, I've never studied the ocean but I imagine they'd have sonar and lots of diving gear..."
"Just give them a boat!
"Okay, I'll get the writers to give the boat an experienced crew and..."
"No, no, no! Why would they need that?"
"Because they're going to sea on an expedition..."
"Give them minimal crew, no common sense and make the most useful members of the crew not speak the same language as the majority of the others."
*blank stare*
See what I mean? Shark film gold! There are so many ridiculous things that I lost count.
From the completely logical inclusion of a scene where Carmen Electra sunbathes in a bikini in the middle of a crisis to some obligatory boobs, the human section of the cast are all playing their stereotypes well. The acting is fairly good for this sort of film, it's surprisingly convincing... occasionally.
The shark contingent has mystical control over the world around it. You know when you're driving and you inhale to get through tight gaps? I believe the shark harnesses that same magic to get into the shallow water.
2-Headed Shark Attack does everything I love in a shark film and it has that star quality that's needed (someone you know and someone who looks familiar and you have to IMDb them), I would happily watch it again, probably in a marathon with 3-, 5- and 6-Headed Shark Attack... but every time I write that down I worry about where 4- went.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/08/2-headed-shark-attack-movie-review.html
When a boatful of students is attacked at sea they must get to the safety of a nearby atoll while crew remain on board to make repairs. As they explore their new surroundings the danger becomes even more real when the shark starts to pick them off one by one.
In my shark appreciation post (on my website) I listed off a lot of plus points to amusingly entertaining shark films and this has a lot of them. Science, geography, everything you learnt at school is wrong... if you use this film as a reference.
We start with the inexplicable "semester at sea" storyline...
"We could have them doing a day trip out to study marine life, a science field trip."
"That's not long enough, make it a whole semester at sea."
"Okay, but we don't have the budget for technically accurate sets with equipment for people studying the ocean to that level."
"They just need a boat."
"I mean, I've never studied the ocean but I imagine they'd have sonar and lots of diving gear..."
"Just give them a boat!
"Okay, I'll get the writers to give the boat an experienced crew and..."
"No, no, no! Why would they need that?"
"Because they're going to sea on an expedition..."
"Give them minimal crew, no common sense and make the most useful members of the crew not speak the same language as the majority of the others."
*blank stare*
See what I mean? Shark film gold! There are so many ridiculous things that I lost count.
From the completely logical inclusion of a scene where Carmen Electra sunbathes in a bikini in the middle of a crisis to some obligatory boobs, the human section of the cast are all playing their stereotypes well. The acting is fairly good for this sort of film, it's surprisingly convincing... occasionally.
The shark contingent has mystical control over the world around it. You know when you're driving and you inhale to get through tight gaps? I believe the shark harnesses that same magic to get into the shallow water.
2-Headed Shark Attack does everything I love in a shark film and it has that star quality that's needed (someone you know and someone who looks familiar and you have to IMDb them), I would happily watch it again, probably in a marathon with 3-, 5- and 6-Headed Shark Attack... but every time I write that down I worry about where 4- went.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/08/2-headed-shark-attack-movie-review.html
Sensitivemuse (246 KP) rated All Systems Down in Books
Feb 28, 2018
Great fast paced reading
So let’s start with the actual review first. This book was a quick read and an enjoyable one. It was action packed and although it’s a thin book to start with, it makes the reading even quicker.
Those who love plot hooks where the world runs amok and hell breaks loose will love this book. It immediately starts in the first few chapters and sets the ball rolling. The background story as to how the world (or to be exact the USA) goes downhill is explained by having North Korean hackers finding a way to plant viruses into the web which pretty much breaks down society. It’s a good “what if” scenario and further chapters show how fast society just crumbles when things we rely on daily vanish before our eyes.
There’s a variety of characters in the book that are easy to follow. Each have their own share their own spot in the plot and eventually converge and meet together (albeit a bit coincidentally but well, they’d have to meet somewhere right?)
My favourites would have to be Brandon, Vailea , and Carmen. Although the survivors of the crisis have their own strengths, these three stood out for me the most. They’re likeable, and as mentioned before showed their strengths to survive to protect their loved ones (or avenge them in some cases)
Orion and Xandra would be my two least favorite ones. Orion because he was just so whiny, Xandra because although I know she’s supposed to be analytical and a computer whiz, her personality was blah and just downright unlikable. She has her uses but she’s not really someone I would ideally have tea with if I had a choice.
So overall, a really good plot, filled with action and fun to read. The ending does result in a cliffhanger but it was a really good one. I’d love to know what’s going to happen next. It does play out almost like a movie and it’s well done.
Now for the next part of my review. Why did I like this so much? Well considering I just moved to Portland, it got me recognizing street names, bridges (still haven’t memorized all of them yet) and asking my husband (who’s lived in Portland all his life) all sorts of questions (ie: “Where is <enter name of street here>” in which he replies with a sigh and says: “Oh god you’re reading a book that’s set in Portland aren’t you?!?!?”) so because I’m familiar with the setting, it even made the reading experience twice as special.
I greatly enjoyed this one. I can’t wait for the second.
Those who love plot hooks where the world runs amok and hell breaks loose will love this book. It immediately starts in the first few chapters and sets the ball rolling. The background story as to how the world (or to be exact the USA) goes downhill is explained by having North Korean hackers finding a way to plant viruses into the web which pretty much breaks down society. It’s a good “what if” scenario and further chapters show how fast society just crumbles when things we rely on daily vanish before our eyes.
There’s a variety of characters in the book that are easy to follow. Each have their own share their own spot in the plot and eventually converge and meet together (albeit a bit coincidentally but well, they’d have to meet somewhere right?)
My favourites would have to be Brandon, Vailea , and Carmen. Although the survivors of the crisis have their own strengths, these three stood out for me the most. They’re likeable, and as mentioned before showed their strengths to survive to protect their loved ones (or avenge them in some cases)
Orion and Xandra would be my two least favorite ones. Orion because he was just so whiny, Xandra because although I know she’s supposed to be analytical and a computer whiz, her personality was blah and just downright unlikable. She has her uses but she’s not really someone I would ideally have tea with if I had a choice.
So overall, a really good plot, filled with action and fun to read. The ending does result in a cliffhanger but it was a really good one. I’d love to know what’s going to happen next. It does play out almost like a movie and it’s well done.
Now for the next part of my review. Why did I like this so much? Well considering I just moved to Portland, it got me recognizing street names, bridges (still haven’t memorized all of them yet) and asking my husband (who’s lived in Portland all his life) all sorts of questions (ie: “Where is <enter name of street here>” in which he replies with a sigh and says: “Oh god you’re reading a book that’s set in Portland aren’t you?!?!?”) so because I’m familiar with the setting, it even made the reading experience twice as special.
I greatly enjoyed this one. I can’t wait for the second.
Gareth von Kallenbach (980 KP) rated Happy Feet Two (2011) in Movies
Aug 7, 2019
Mumble is back and dancing his way back into our hearts. Happy Feet Two is a follow up to the 2006 Academy Award winning movie, Happy Feet directed by George Miller. Mumble (Elijah Wood) is now married to Gloria (Alecia “PiNK” Moore, who replaced the late Brittany Murphy) and they have a son, Erik (Ava Acres).
Mumble struggles to help Erik with his insecurities and inability to find his own heart song and dance steps. Erik ends up running away from Emperorland with a couple of friends, following the love struck Ramon (Robin Williams). Unsuccessful in love within Mumble’s penguin community, Ramon decides to head back to Adelieland and falls for Carmen (Sophia Vergara) who, of course, plays hard to get. So begins Ramon’s hilarious attempts at trying to win Carmen’s affection. While on their adventure, Erik and company stumble across Sven (Hank Azaria), a puffin that is mistaken for a penguin who can fly. Erik becomes enamored with Sven’s ability to fly and attempts to follow in Sven’s footsteps.
Once Mumble has found the runaway chicks, he forces them to return to Emperorland. Upon their return to home, they find a landslide has caused an iceberg to shift and ends up trapping their colony with no way out. Mumble must find help before it’s too late. In flies the self-help guru and fraud Sven to come and teach the penguins how to fly. Meanwhile, other animals in peril are an elephant seal (Anthony Lapaglia) and a couple of codependent krill named Will (Brad Pitt) and Bill (Matt Damon) who realized that their only place in life is to provide sustenance for the whales. Unwilling to succumb to their fate, the delusional Will forces the terrified Bill to swim away from their swarm and become omnivores in an attempt to move up the food chain.
In the end all these stories tie together to show a strong sense of community among different species. I do believe George Miller seems to have taken more of a commercialized approach when creating this movie. Miller once again attempts to send an eco-message regarding global warming with Happy Feet Two. Unfortunately the sequel’s message does not create the same emotional and heartfelt impact as its predecessor. Miller focused more on entertaining and visuals and less on the actual storyline which was very choppy and quite odd at times.
The animators definitely give Pixar a run for their money with their amazing Antarctica scenery details, their incredible animal close-up shots, the undersea moments with the krill and spectacular action sequences. The movie may not have had the substance of the first movie; however it was definitely enjoyable to watch. There was lots of dancing, singing and great laugh-out-loud moments; an absolute visual delight.
Mumble struggles to help Erik with his insecurities and inability to find his own heart song and dance steps. Erik ends up running away from Emperorland with a couple of friends, following the love struck Ramon (Robin Williams). Unsuccessful in love within Mumble’s penguin community, Ramon decides to head back to Adelieland and falls for Carmen (Sophia Vergara) who, of course, plays hard to get. So begins Ramon’s hilarious attempts at trying to win Carmen’s affection. While on their adventure, Erik and company stumble across Sven (Hank Azaria), a puffin that is mistaken for a penguin who can fly. Erik becomes enamored with Sven’s ability to fly and attempts to follow in Sven’s footsteps.
Once Mumble has found the runaway chicks, he forces them to return to Emperorland. Upon their return to home, they find a landslide has caused an iceberg to shift and ends up trapping their colony with no way out. Mumble must find help before it’s too late. In flies the self-help guru and fraud Sven to come and teach the penguins how to fly. Meanwhile, other animals in peril are an elephant seal (Anthony Lapaglia) and a couple of codependent krill named Will (Brad Pitt) and Bill (Matt Damon) who realized that their only place in life is to provide sustenance for the whales. Unwilling to succumb to their fate, the delusional Will forces the terrified Bill to swim away from their swarm and become omnivores in an attempt to move up the food chain.
In the end all these stories tie together to show a strong sense of community among different species. I do believe George Miller seems to have taken more of a commercialized approach when creating this movie. Miller once again attempts to send an eco-message regarding global warming with Happy Feet Two. Unfortunately the sequel’s message does not create the same emotional and heartfelt impact as its predecessor. Miller focused more on entertaining and visuals and less on the actual storyline which was very choppy and quite odd at times.
The animators definitely give Pixar a run for their money with their amazing Antarctica scenery details, their incredible animal close-up shots, the undersea moments with the krill and spectacular action sequences. The movie may not have had the substance of the first movie; however it was definitely enjoyable to watch. There was lots of dancing, singing and great laugh-out-loud moments; an absolute visual delight.
WA
Wanderlust: Actions, Traces, Journeys 1967-2017
Book
Wanderlust highlights artists as voyagers who leave their studios to make art. This book (and the...
Together We Rise: Behind the Scenes at the Protest Heard Around the World
Women’s March Organizers and Conde Nast
8.0
Rate It
Book
WITH ESSAYS BY: ROWAN BLANCHARD - SENATOR TAMMY DUCKWORTH - AMERICA FERRERA - ROXANE GAY - ILANA...
politics social issues
Kristy H (1252 KP) rated Force of Nature (Aaron Falk #2) in Books
Mar 2, 2018
Suspenseful (2 more)
Tense and fascinating
Intricate characters
Sucks you in immediately
Aaron Falk doesn't receive the voicemail until the morning. It's mostly garbled anyway, but he feels like he hears the strains of "hurt her" at the end. He doesn't think much of it until the woman who left the message, Alice Russell, doesn't return from a corporate retreat. Alice and four of her female colleagues went into the woods together. But when the women come out--bruised and battered--Alice isn't with them. Their stories don't quite match up about what happened, either. Aaron joins the investigation about Alice's disappearance as she's related to a case he's working with his partner, Carmen. He quickly realizes that nothing is as it seems deep inside the bushland. But is Alice simply missing, or worse?
I absolutely adored Jane Harper's first Aaron Falk novel, The Dry, and was really excited to see Aaron back again. He's a wonderful, complex character. Indeed, all the characters in THE DRY were so intricate and deep. Here, I was definitely sucked into the world Harper created again. I won't lie, beyond Aaron, most of the characters in FORCE OF NATURE are not easy to like. The five women who head off on this retreat are often despicable, whiny, and just plain mean. But, as the novel continues, we learn more about their motives and what drives them to act as they do. They may still be, well, despicable and mean, but there's a reason for it. There is no unformed character in a Jane Harper novel. Each comes with a backstory and a reason for every action.
It's nearly impossible not to get sucked into this book. The chapters alternate between the present, from Aaron's point of view as he tries to unravel things, and then flip to the near-past, slowly ticking down the events of the women at the retreat. The result is a nearly unbearable suspense at times, where I found myself wanting to scream, "What happened to Alice?!!" It's a slow, tense, fascinating build as we watch things fall apart for the group--getting lost in the deep woods--and seeing events unfold from there. We also see Aaron figuring out his own chain of events. The format works quite persuasively. Even better is that we get Aaron and Carmen's financial investigation thrown in as well. It adds a nuanced layer to the plot and the overall apprehension.
Overall, I really enjoyed this one. The characters are complex, and I really liked how their intricate personal lives intertwined. I'm not sure I loved this one quite as much as THE DRY, but part of that is because you can never quite replicate the joy and surprise of discovering a new, talented author again. Nonetheless, this is a great thriller that keeps you guessing with its nuanced characters. I certainly hope Aaron will be back for a third book.
I absolutely adored Jane Harper's first Aaron Falk novel, The Dry, and was really excited to see Aaron back again. He's a wonderful, complex character. Indeed, all the characters in THE DRY were so intricate and deep. Here, I was definitely sucked into the world Harper created again. I won't lie, beyond Aaron, most of the characters in FORCE OF NATURE are not easy to like. The five women who head off on this retreat are often despicable, whiny, and just plain mean. But, as the novel continues, we learn more about their motives and what drives them to act as they do. They may still be, well, despicable and mean, but there's a reason for it. There is no unformed character in a Jane Harper novel. Each comes with a backstory and a reason for every action.
It's nearly impossible not to get sucked into this book. The chapters alternate between the present, from Aaron's point of view as he tries to unravel things, and then flip to the near-past, slowly ticking down the events of the women at the retreat. The result is a nearly unbearable suspense at times, where I found myself wanting to scream, "What happened to Alice?!!" It's a slow, tense, fascinating build as we watch things fall apart for the group--getting lost in the deep woods--and seeing events unfold from there. We also see Aaron figuring out his own chain of events. The format works quite persuasively. Even better is that we get Aaron and Carmen's financial investigation thrown in as well. It adds a nuanced layer to the plot and the overall apprehension.
Overall, I really enjoyed this one. The characters are complex, and I really liked how their intricate personal lives intertwined. I'm not sure I loved this one quite as much as THE DRY, but part of that is because you can never quite replicate the joy and surprise of discovering a new, talented author again. Nonetheless, this is a great thriller that keeps you guessing with its nuanced characters. I certainly hope Aaron will be back for a third book.
BankofMarquis (1832 KP) rated Roman J. Israel, Esq. (2018) in Movies
Feb 23, 2018
Come for Denzel, stay for...well...there isn't much else to stay for
Denzel Washington is one of the finest actors of his generation. A charismatic screen presence, he commands the viewer's attention whether he is performing a comedy, drama or action film. He has won 2 Oscars as a performer and has been nominated for his acting 6 other times - including (rightfully so) for his performance as the titular character in ROMAN J ISRAEL, ESQ.
And thank goodness he is in this film for I found precious little else to recommend in this movie.
ROMAN J. ISRAEL, ESQ. tells the story of...ahem...Roman J. Israel, Esq, a "savant" legal attorney (some would call him autistic) who has spent the past many, many years as the behind the scenes lawyer in a rundown 2 person law firm that specializes in defending "the little guy". When his partner unexpectedly dies, Roman is thrust into the world of big time, big business and big MONEY law and when Roman is sucked into this world he suffers a crisis of conscience and must decide between the luxuries that this new, rich life affords and the idealism that has driven him for all these many years.
In lesser hands, this character could have been maudlin or cloying - but in Washington's seasoned hands, this character jumps off the page as a quirky and different sort of person - a genius to be sure - but a troubled genius. One that is more comfortable alone, in his library with his books and legal briefs than with people. Washington threads the needle very well in his portrayal making Roman J. Israel seem like a real person and not just a character.
Also strong is Colin Farrell as the head of the Big Business Law Firm that Roman ends up working for. Farrell has grown as an actor in my eyes - and his portrayal of George Pierce shows a another real person behind the suit and not just a 2 dimensional caricature. Also along for the ride is Carmen Ejogo in an underwritten part as a young idealistic lawyer - and potential love interest for Roman - who reminds Roman of his younger self.
But, despite these performances, the film falls flat because - besides Roman's crisis of conscience - nothing else really happens.
The blame for this has to lie at the hands of screenwriter and director Dan Gilroy (the wonderful, underrated - and underseen - NIGHTCRAWLER). He is fascinated by the intricacies of Roman's world but fails to flesh it out. It's almost as if he was so interested in creating the trees, he never created a forest interesting enough for these trees to live in - or for us to visit.
So come for Denzel, but be warned, if you stay there's not much else to stay for.
Letter Grade B- (because of Denzel's performance)
6 (out of 10) stars and you can take that to the Bank(ofMarquis)
And thank goodness he is in this film for I found precious little else to recommend in this movie.
ROMAN J. ISRAEL, ESQ. tells the story of...ahem...Roman J. Israel, Esq, a "savant" legal attorney (some would call him autistic) who has spent the past many, many years as the behind the scenes lawyer in a rundown 2 person law firm that specializes in defending "the little guy". When his partner unexpectedly dies, Roman is thrust into the world of big time, big business and big MONEY law and when Roman is sucked into this world he suffers a crisis of conscience and must decide between the luxuries that this new, rich life affords and the idealism that has driven him for all these many years.
In lesser hands, this character could have been maudlin or cloying - but in Washington's seasoned hands, this character jumps off the page as a quirky and different sort of person - a genius to be sure - but a troubled genius. One that is more comfortable alone, in his library with his books and legal briefs than with people. Washington threads the needle very well in his portrayal making Roman J. Israel seem like a real person and not just a character.
Also strong is Colin Farrell as the head of the Big Business Law Firm that Roman ends up working for. Farrell has grown as an actor in my eyes - and his portrayal of George Pierce shows a another real person behind the suit and not just a 2 dimensional caricature. Also along for the ride is Carmen Ejogo in an underwritten part as a young idealistic lawyer - and potential love interest for Roman - who reminds Roman of his younger self.
But, despite these performances, the film falls flat because - besides Roman's crisis of conscience - nothing else really happens.
The blame for this has to lie at the hands of screenwriter and director Dan Gilroy (the wonderful, underrated - and underseen - NIGHTCRAWLER). He is fascinated by the intricacies of Roman's world but fails to flesh it out. It's almost as if he was so interested in creating the trees, he never created a forest interesting enough for these trees to live in - or for us to visit.
So come for Denzel, but be warned, if you stay there's not much else to stay for.
Letter Grade B- (because of Denzel's performance)
6 (out of 10) stars and you can take that to the Bank(ofMarquis)
Emma @ The Movies (1786 KP) rated Rambo: Last Blood (2019) in Movies
Nov 5, 2019
The film is an incredibly short 90 minutes long, not just for the fact it's 90 minutes but it ramps up the action so fast that you get to the end in what seems like record speed. Don't expect to be here for the storyline, while it has the makings of an excellent base it's clear that they really wanted a blood spurting mess of action... and in that respect this was a massive success.
Had I not see any of the other films before this I think I would still get a sense of the character but I wouldn't have been able to appreciate the trauma behind it all. You can tell he's got some kind of combat background and from the fact he's built himself a warren of tunnels and makes his own weapons you know there's something major in the backstory.
It could be a stand alone movie as it is but it probably would have been a better one with some more character work.
Everyone plays to their character well and the sheer volume of violence they all manage to bring to the screen with mostly fitting reactions is incredible. The amount of extra characters is something to behold and I particularly liked the way the gang comes together when Rambo goes hunting for them.
We're introduced to Carmen who is on her own hunt like Rambo, sadly she is a little underused and is mainly a way to get Rambo out of trouble so he can get to the next part of the film. Her story is summed up pretty quickly and this could easily have been developed into a bigger part.
Stallone... What do you want me to say? He's here to kick ass in the only way Stallone can. He does the crazed thing really well and I liked the way his parental instincts kicked, but there isn't a whole lot of acting to deal with in this really.
I want to avoid spoilers but there are a couple of emotional scenes that are done quite well and make a nice contrast with the "all hell breaks loose" action.
Let's just get to that action, shall we? Rambo basically Home Alones the shit out of his property. I'm honestly surprised that there wasn't the inclusion of some Wile E. Coyote traps to get a bit of everything in there. I enjoyed the montage of him kitting the place out, it really worked and built the anticipation of what was to come.
If there's one thing I knew before seeing this film it's that nothing was going to be subtle and the way he gets the gangs attention for the finale really threw subtle out the window. Sometimes you just need ridiculous violence, this was pretty ridiculous.
Full review originally posted on: https://emmaatthemovies.blogspot.com/2019/11/rambo-last-blood-movie-review.html
Had I not see any of the other films before this I think I would still get a sense of the character but I wouldn't have been able to appreciate the trauma behind it all. You can tell he's got some kind of combat background and from the fact he's built himself a warren of tunnels and makes his own weapons you know there's something major in the backstory.
It could be a stand alone movie as it is but it probably would have been a better one with some more character work.
Everyone plays to their character well and the sheer volume of violence they all manage to bring to the screen with mostly fitting reactions is incredible. The amount of extra characters is something to behold and I particularly liked the way the gang comes together when Rambo goes hunting for them.
We're introduced to Carmen who is on her own hunt like Rambo, sadly she is a little underused and is mainly a way to get Rambo out of trouble so he can get to the next part of the film. Her story is summed up pretty quickly and this could easily have been developed into a bigger part.
Stallone... What do you want me to say? He's here to kick ass in the only way Stallone can. He does the crazed thing really well and I liked the way his parental instincts kicked, but there isn't a whole lot of acting to deal with in this really.
I want to avoid spoilers but there are a couple of emotional scenes that are done quite well and make a nice contrast with the "all hell breaks loose" action.
Let's just get to that action, shall we? Rambo basically Home Alones the shit out of his property. I'm honestly surprised that there wasn't the inclusion of some Wile E. Coyote traps to get a bit of everything in there. I enjoyed the montage of him kitting the place out, it really worked and built the anticipation of what was to come.
If there's one thing I knew before seeing this film it's that nothing was going to be subtle and the way he gets the gangs attention for the finale really threw subtle out the window. Sometimes you just need ridiculous violence, this was pretty ridiculous.
Full review originally posted on: https://emmaatthemovies.blogspot.com/2019/11/rambo-last-blood-movie-review.html