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Emma Watson recommended Women Who Run with the Wolves: Contacting the Power of the Wild Woman in Books (curated)

 
Women Who Run with the Wolves: Contacting the Power of the Wild Woman
Women Who Run with the Wolves: Contacting the Power of the Wild Woman
Clarissa Pinkola Estés | 2008 | Gender Studies
9.3 (4 Ratings)
Book Favorite

"As a young girl growing up in northern Michigan, Estes felt most at home in the woods where she often heard wolves howling. Instead of scaring her, the animals’ cries comforted her in a way she was later able to express in this book. Wolves and women share many qualities: playfulness, strength, curiosity, bravery, they are adaptive, and each care deeply for their young. But both wolves and women have suffered a similar fate of being hounded, harassed, exhausted, marginalized, accused of being devious and of little value. How does one reconnect with our deepest, most true selves when today’s world demands us to conform to ridiculous expectations? Estes retells ancient myths and fairy tales from around the world and in doing so shines a light on a path which leads us back to our natural state — and help us restore the power we carry within us."

Source
  
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Awix (3310 KP) rated Ooh... You Are Awful (1972) in Movies

Sep 7, 2020  
Ooh... You Are Awful (1972)
Ooh... You Are Awful (1972)
1972 | Comedy
4
4.0 (1 Ratings)
Movie Rating
More lowest-common-denominator farce from the British film industry of yore. A con man who specialises in disguises, trying to locate the big score he and his dead partner made, must track down a group of women each of whom has vital clues to its whereabouts tattooed on her backside, while being pursued by the Mafia and London gangsters.

Nearly as horrendous as it sounds: some of these films make late-period Carry Ons look quite sophisticated. The plot takes a long time to get going and doesn't end up reaching anywhere worth the trip, despite the presence of various familiar faces from film and TV of the period. Has a weird sort of innocence to it despite all the smut, and Emery is a good enough comic to raise a few laughs even from material as thin and questionable as this. But, in general, oh dear.
  
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Awix (3310 KP) rated Misbehaviour (2020) in Movies

Aug 12, 2020  
Misbehaviour (2020)
Misbehaviour (2020)
2020 | Drama, History
6
6.0 (6 Ratings)
Movie Rating
More factually-oriented reimagining of Carry On Girls. As preparations for Miss World 1970 gather pace in London, the contestants get to know each other and consider their different backgrounds, while a group of feminist activists prepare to make a protest and sabotage the show.

The behind-the-scenes at the actual show is fascinating, occasionally thoughtful, and does a good job of showing just what an absurd and unpleasant anachronism Miss World was, even fifty years ago, all without labouring the issue. Unfortunately, all the scenes with the protestors are clompingly nuance-free and simplistic (NB I am not of the target demographic for this movie, probably; your mileage may vary). Nevertheless, a very fine performance from Gugu Mbatha-Raw, an enjoyable comic turn from Rhys Ifans, and at least the glimmerings of recognition that things aren't quite as one-sided as they sometimes seem keep it watchable.
  
    My City

    My City

    7.0 (1 Ratings) Rate It

    Tabletop Game

    My City is a competitive legacy game in which you develop a city on your own playing board through...

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Gareth von Kallenbach (980 KP) rated Lights Out (2016) in Movies

Aug 6, 2019  
Lights Out (2016)
Lights Out (2016)
2016 | Horror
7
6.8 (19 Ratings)
Movie Rating Watch
Growing up, we all had a fear of the dark. Years later, many of us still carry this phobia. It prevents us from going into certain parts of our homes or places we are familiar with unless we have the assistance of light in some form. The darkness symbolizes and encapsulates the unknown. What is it that is hiding in the darkness? Why is it that we cannot trust it? Is there really something lurking in the shadows or is it all in our minds?

In Lights Out audiences bear witness to this fear and are confronted with how this fear becomes a reality for one family. Rebecca (Teresa Palmer) is trying to make a life of her own after becoming estranged from her family. When her brother begins to experience the same problems at home that had plagued her as a child, she is brought back into the center of chaos. All of the fears return and she must save her family from a dark spirit that has attached itself to her mother before it consumes them all.

The film itself offers the ability for audiences to explore some of their earliest fears which had them leaving a light on or plugging in a night light in their rooms in order to feel safe. The film is inventive in its approach and storytelling, but I felt as though there was more to be offered with respect to the villain and relationships between the characters. Greater depth about their backstories would have allowed audiences to feel more invested in the characters and even more interested in the outcome.

For those that are looking forward to a movie that will have them jumping out of their seats, this film delivers. Many of those moments are not as predictable in many other films of the horror genre, nor does it rely on gore in order to shock audiences. Through the direction of David Sandberg, the tension is allowed to build and help carry the story to its culmination. I am looking forward to more adaptations of universal fears and phobias on screen. Lights Out does not disappoint in being a fright-filled popcorn movie.