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Ross (3284 KP) rated Awaken Online: Retribution (Side Quest) in Books
Mar 1, 2019
A nice little side-story but a different feel to the main books
Retribution is a side-story from the LitRPG Awaken Online series, where Riley, one of the main characters, takes some time out to carry out a quest of her own.
The brilliance of Awaken Online, aside from the storytelling and the novelty of having a main character with an "evil" alignment, is the sheer scale of it. Jason, the main character, summons zombies and skeletons to engage in large scale battles and assaults, and the focus of the books quickly became quite large-scale. The action is very much strategic where Jason orchestrates the attacks and defences from a distance, using all the weapons at his disposal to great, at time devastating, effect.
It is refreshing here to take a bit of a breather from all of that and focus more on a smaller scale. At the end of the second AO book, Riley was rewarded with an intriguing bow as a prize for completing an epic dungeon task. That reward came with a quest to complete to maximise the weapon's abilities. This book tells the story of Riley on that quest alone. Due to that reason, and her not being the same class as Jason, the book has a very different feel to it. The action is not large-scale and strategic, it is small-scale and pretty frantic at times.
The first half rattles along really well, with us getting more appreciation for Riley's personal life outside the game of Awaken Online, and the troubles she is facing at school. On her quest she quickly falls in with a gang of other players heading the same way, and she helps them to improve their skills. Once in the magic city of Vaerwald, the book takes on a different feel again, as the city feels more like early industrial than medieval. Here Riley sets out investigating an apparent "magic plague" that seems to have struck down some children and is spreading.
There are some thrilling set piece action sequences in the later stages of the book, and some great character development for Riley.
I hope the story here has more of a bearing on the final book in the main series as I can see some scope for this.
Overall, an engaging distraction from the somewhat heavier main books, with a different feel. While the book itself is quite short, it felt like a dragged a little in places, but has continued the overall world's story.
The brilliance of Awaken Online, aside from the storytelling and the novelty of having a main character with an "evil" alignment, is the sheer scale of it. Jason, the main character, summons zombies and skeletons to engage in large scale battles and assaults, and the focus of the books quickly became quite large-scale. The action is very much strategic where Jason orchestrates the attacks and defences from a distance, using all the weapons at his disposal to great, at time devastating, effect.
It is refreshing here to take a bit of a breather from all of that and focus more on a smaller scale. At the end of the second AO book, Riley was rewarded with an intriguing bow as a prize for completing an epic dungeon task. That reward came with a quest to complete to maximise the weapon's abilities. This book tells the story of Riley on that quest alone. Due to that reason, and her not being the same class as Jason, the book has a very different feel to it. The action is not large-scale and strategic, it is small-scale and pretty frantic at times.
The first half rattles along really well, with us getting more appreciation for Riley's personal life outside the game of Awaken Online, and the troubles she is facing at school. On her quest she quickly falls in with a gang of other players heading the same way, and she helps them to improve their skills. Once in the magic city of Vaerwald, the book takes on a different feel again, as the city feels more like early industrial than medieval. Here Riley sets out investigating an apparent "magic plague" that seems to have struck down some children and is spreading.
There are some thrilling set piece action sequences in the later stages of the book, and some great character development for Riley.
I hope the story here has more of a bearing on the final book in the main series as I can see some scope for this.
Overall, an engaging distraction from the somewhat heavier main books, with a different feel. While the book itself is quite short, it felt like a dragged a little in places, but has continued the overall world's story.
Lilyn G - Sci-Fi & Scary (91 KP) rated The Meg (2018) in Movies
Aug 13, 2018
"Watched #TheMeg. Suggest renaming it #TheMeh." This is what I posted on Twitter after coming out of the movie theater. How do you bland-ify a movie about a gigantic prehistoric shark? Well, you hire Jon Turteltaub as the director, and cast Jason Statham as the lead for starters. Then you methodically go through and remove everything that made the book work so well except for the giant shark. Because, really, who needs the human drama at all? Gigantic shark should carry it through, right? RIGHT?!
I mean just for starters, Jonas from the book, as just a regular old submersible pilot obviously wasn't cool enough. He needs to be a rescue diver. As soon as I realized that was one of the changes they made, I pretty much knew the movie was screwed. Jonas wasn't the only problem with the characters either. The little girl grated on my nerves because hey, every summer movie needs a cheeky kid with unrealistic dialogue in it, right? I could go on, but you get my point.
Anyways, I had paid for all three of us to see it, and we were watching it in 3D, so I figured I would still get some entertainment from it. I was definitely gonna have at least a few shots of the shark coming straight at me, right? They had to have planned to shoot this in 3D, knowing the amount of people like me that would want to see it. Nope. We get a ball flying at our face in one case, and one or two other instances where the 3D actually worked. That was it.
Being honest, there were some fun scenes. They were entirely predictable, but still fun. (The best scenes in the movie are shown in the trailer, by the way.) I jumped a few times, but I'm the type of person who would jump if I saw Elmo walk on unexpectedly on Sesame Street, so take that with a grain of salt.
Overall? The dialogue was cut-and-paste, the characters were almost completely lacking in any traits that made them not cliche characters. The shark was okay. The price I paid for 3D was completely not worth it. Rent the original Jaws. It's better. If you are craving some silliness, rent the original Deep Blue Sea. Its better too.
The Meg wasn't awful. I would have actually preferred to hate it, I think. It was just completely forgettable, and for a movie about a gigantic prehistoric shark, I think that's the worst possible feeling to be left with.
I mean just for starters, Jonas from the book, as just a regular old submersible pilot obviously wasn't cool enough. He needs to be a rescue diver. As soon as I realized that was one of the changes they made, I pretty much knew the movie was screwed. Jonas wasn't the only problem with the characters either. The little girl grated on my nerves because hey, every summer movie needs a cheeky kid with unrealistic dialogue in it, right? I could go on, but you get my point.
Anyways, I had paid for all three of us to see it, and we were watching it in 3D, so I figured I would still get some entertainment from it. I was definitely gonna have at least a few shots of the shark coming straight at me, right? They had to have planned to shoot this in 3D, knowing the amount of people like me that would want to see it. Nope. We get a ball flying at our face in one case, and one or two other instances where the 3D actually worked. That was it.
Being honest, there were some fun scenes. They were entirely predictable, but still fun. (The best scenes in the movie are shown in the trailer, by the way.) I jumped a few times, but I'm the type of person who would jump if I saw Elmo walk on unexpectedly on Sesame Street, so take that with a grain of salt.
Overall? The dialogue was cut-and-paste, the characters were almost completely lacking in any traits that made them not cliche characters. The shark was okay. The price I paid for 3D was completely not worth it. Rent the original Jaws. It's better. If you are craving some silliness, rent the original Deep Blue Sea. Its better too.
The Meg wasn't awful. I would have actually preferred to hate it, I think. It was just completely forgettable, and for a movie about a gigantic prehistoric shark, I think that's the worst possible feeling to be left with.
LilyLovesIndie (123 KP) rated The Two Towers (The Lord of the Rings, #2) in Books
Nov 5, 2018
See the latest and more detailed review over on Ramble Media http://www.ramblemedia.com/?p=19824
I'll keep this brief, as with the other review, because quite frankly, I'm a busy bee and there are hundreds of more detailed and in depth reviews out there for you all to peruse at will!
So, the company is sundered, we finally get our first tantalising glimpse of Mordor and come across some wonderful creations, both good and evil, of what must have been a very active imagination. Yet for some reason, this book is a lot harder to read than its prequel.
If I'm totally honest, I'm being over generous with my fourth star. At times, this book really dragged, it felt like a chore to read, was hard to keep events straight and in chronological order, and quite honestly could have been a whole lot shorter. Regardless of that, there are some redeeming features that have me literally dying to get started on the final instalment.
If nothing else, Tolkien is a master of cliff hangers! He has written a fantastic collection of books that always, without fail, leave you hanging on to the last word of the book, trying to glean as much information as you can from it, to make the short wait to finding the next part more bearable. I honestly cannot imagine how this must have been for those reading when the book was first released, I'm struggling to wait a few hours to find out what happened to Frodo, back then they probably waited a few months at least!
The mystery over what the other half of the company are up to whilst you're reading about the others is a great motivator to carry on. I have to say, I find Frodo and Sam very dull at times, it required Gollum to perk up their half of the book, but I find Aragorn and his side of the company much more compelling to read. Maybe it's simply because I'm a closet hobbit and I don't enjoy reading about them because of that, or maybe it's because an Elf, a Wizard and a descendent of a mighty lineage are just much more interesting and impressive. I don't know, but Frodo is boring me.
And on that note, I suppose I should really call it a day before I go and rant for thousands of words about what I don't like about Frodo. It's a good book, slow at times and hard going, rather like their journey, but it redeemed itself towards the end (even if Shelbob will be giving me nightmares for the foreseeable future).
I'll keep this brief, as with the other review, because quite frankly, I'm a busy bee and there are hundreds of more detailed and in depth reviews out there for you all to peruse at will!
So, the company is sundered, we finally get our first tantalising glimpse of Mordor and come across some wonderful creations, both good and evil, of what must have been a very active imagination. Yet for some reason, this book is a lot harder to read than its prequel.
If I'm totally honest, I'm being over generous with my fourth star. At times, this book really dragged, it felt like a chore to read, was hard to keep events straight and in chronological order, and quite honestly could have been a whole lot shorter. Regardless of that, there are some redeeming features that have me literally dying to get started on the final instalment.
If nothing else, Tolkien is a master of cliff hangers! He has written a fantastic collection of books that always, without fail, leave you hanging on to the last word of the book, trying to glean as much information as you can from it, to make the short wait to finding the next part more bearable. I honestly cannot imagine how this must have been for those reading when the book was first released, I'm struggling to wait a few hours to find out what happened to Frodo, back then they probably waited a few months at least!
The mystery over what the other half of the company are up to whilst you're reading about the others is a great motivator to carry on. I have to say, I find Frodo and Sam very dull at times, it required Gollum to perk up their half of the book, but I find Aragorn and his side of the company much more compelling to read. Maybe it's simply because I'm a closet hobbit and I don't enjoy reading about them because of that, or maybe it's because an Elf, a Wizard and a descendent of a mighty lineage are just much more interesting and impressive. I don't know, but Frodo is boring me.
And on that note, I suppose I should really call it a day before I go and rant for thousands of words about what I don't like about Frodo. It's a good book, slow at times and hard going, rather like their journey, but it redeemed itself towards the end (even if Shelbob will be giving me nightmares for the foreseeable future).
Eleanor (1463 KP) rated Indelible (Grant County, #4) in Books
Jul 23, 2019
Better then the last but still not in the same league as the first couple of books in this series....
This is the fourth in the Grant County series and for a series that started so strong (I loved the first two books) I was really disappointed with this. I would recommend approaching this series in order as they do carry a lot of emotional baggage through the series.
This was the first one I listened to as an audiobook and the Southern American accents used were a bit grating for me, so I'll try to stick to the books in the future for this series (obviously a personal preference.)
With a shootout occuring in the town in the present day, we get flashbacks to an “origin” type story 12 years earlier, which sets out to give the reasoning behind the attack. It’s a pretty shocking attack and the present day part was tense.
This book is very focused on two of the main characters from the series, Medical examiner Sara Linton and her now ex husband / current boyfriend (it’s a complicated relationship) Police Chief Jeffrey. In the flashback parts of this book we see Sara and Jeffrey taking a trip to Jefferies hometown where his best friend ends up shooting someone and a body is found from Jefferies distant past. I didn’t find the investigation part here as engaging as in the previous books, with too much focus on what Jeffrey was like as a lad.
I think my main issue with this particular book is I just don’t like Jeffery and having so much dedicated to back story for him didn’t endear him any more to me. I came out of that part of the story still not liking him or really understanding why Sara is so in love with him (I suppose love is blind.)
Although I enjoyed the action packed present day shootout it still had a character issue in the form of the ever complicated Lena Adams. She is back to being a cop and this is her first day back (talk about bad timing!) I really have no idea why they are letting her back on the force she just seems to be a terrible cop (and not a particularly nice person) who is suffering from PTSD.
I feel I may be being too harsh on this book and I can fully understand people who love the characters in this series (or love to hate main characters) enjoying this book. I just prefer this series when it’s slightly more focused on a case rather than their personal lives.
This was the first one I listened to as an audiobook and the Southern American accents used were a bit grating for me, so I'll try to stick to the books in the future for this series (obviously a personal preference.)
With a shootout occuring in the town in the present day, we get flashbacks to an “origin” type story 12 years earlier, which sets out to give the reasoning behind the attack. It’s a pretty shocking attack and the present day part was tense.
This book is very focused on two of the main characters from the series, Medical examiner Sara Linton and her now ex husband / current boyfriend (it’s a complicated relationship) Police Chief Jeffrey. In the flashback parts of this book we see Sara and Jeffrey taking a trip to Jefferies hometown where his best friend ends up shooting someone and a body is found from Jefferies distant past. I didn’t find the investigation part here as engaging as in the previous books, with too much focus on what Jeffrey was like as a lad.
I think my main issue with this particular book is I just don’t like Jeffery and having so much dedicated to back story for him didn’t endear him any more to me. I came out of that part of the story still not liking him or really understanding why Sara is so in love with him (I suppose love is blind.)
Although I enjoyed the action packed present day shootout it still had a character issue in the form of the ever complicated Lena Adams. She is back to being a cop and this is her first day back (talk about bad timing!) I really have no idea why they are letting her back on the force she just seems to be a terrible cop (and not a particularly nice person) who is suffering from PTSD.
I feel I may be being too harsh on this book and I can fully understand people who love the characters in this series (or love to hate main characters) enjoying this book. I just prefer this series when it’s slightly more focused on a case rather than their personal lives.
Phil Leader (619 KP) rated Half a War (Shattered Sea, Book 3) in Books
Nov 14, 2019
This is the third book of the Shattered Sea trilogy and takes place a couple of years after the previous book, Half the World. The long forecast war between Gettland and the High King commences with the High King's champion, Bright Yilling, invading Throvenland. Princess Skara manages to escape to Gettland where she joins the allies so that she can take her homeland back from the invaders.
Father Yarvi is also determined to strike back, to carry out the oath of vengeance he swore against his father's killers. To do this he must defeat Bright Yilling and his army and then take on the High King himself. But just how far is he prepared to go in order to secure victory?
I actually can't say too much in detail about this book without giving anything away. Much like the previous book, this one seems like a fairly conventional epic fantasy style story for a good half. But then Abercrombie starts to twist the knife as the reader's expectations based on the usual fantasy tropes are knocked down one by one.
Certainly there is much here that is unconventional in many ways and I confess to having a rather mad smile on my face at one point due to the utter craziness of what is going on - but Abercrombie handles it well having laid the groundwork well in advance. It is never clear who is going live and who is going to die, and who is going to win and who is going to lose.
After the first two books, which have quite a lot of conversations and philosophy, this is essentailly one long drawn out battle against various parties in various locations. Some battles are fought with swords and others with words, but both are just as deadly for the loser. The fight scenes are very violent and as expected it's pretty grim and dark at times.
There is plenty of scope left at the end for more stories set in the world of the Shattered Sea and these would be welcome but it also clear that the story of Yarvi and his revenge has been completed.
Not the best of the series, the first half is probably too conventional but the second half turns so much on its head it redeems the book completely.
Rating: Lots of violent battles and deaths, some scatalogical phrases and some non-explict sexual scenes. Young Adult but more at the Adult than Young end of that spectrum
Father Yarvi is also determined to strike back, to carry out the oath of vengeance he swore against his father's killers. To do this he must defeat Bright Yilling and his army and then take on the High King himself. But just how far is he prepared to go in order to secure victory?
I actually can't say too much in detail about this book without giving anything away. Much like the previous book, this one seems like a fairly conventional epic fantasy style story for a good half. But then Abercrombie starts to twist the knife as the reader's expectations based on the usual fantasy tropes are knocked down one by one.
Certainly there is much here that is unconventional in many ways and I confess to having a rather mad smile on my face at one point due to the utter craziness of what is going on - but Abercrombie handles it well having laid the groundwork well in advance. It is never clear who is going live and who is going to die, and who is going to win and who is going to lose.
After the first two books, which have quite a lot of conversations and philosophy, this is essentailly one long drawn out battle against various parties in various locations. Some battles are fought with swords and others with words, but both are just as deadly for the loser. The fight scenes are very violent and as expected it's pretty grim and dark at times.
There is plenty of scope left at the end for more stories set in the world of the Shattered Sea and these would be welcome but it also clear that the story of Yarvi and his revenge has been completed.
Not the best of the series, the first half is probably too conventional but the second half turns so much on its head it redeems the book completely.
Rating: Lots of violent battles and deaths, some scatalogical phrases and some non-explict sexual scenes. Young Adult but more at the Adult than Young end of that spectrum
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Gareth von Kallenbach (980 KP) rated On the Basis of Sex (2018) in Movies
Jul 2, 2019
In the year 2018, it’s easy to forget how much the times have changed over the last century. We now carry computers around in our pockets, have the internet to conduct worldwide business in a matter of seconds and cars that run on electricity. Considering all of these amazing technological advancements you would think something as simple and no-brainer as equal rights must have been around for hundreds and hundreds of years, right? Well, the new movie On the Basis of Sex humbly reminded me that the equal rights movement was not too much longer ago than the invention of the internet and it was just the type of reminder I needed to once again appreciate just how far we have come.
On the Basis of Sex is a biopic detailing Ruth Bader Ginsburg’s (Felicity Jones) rise from one of the first women “invited” to attend Harvard Law School to becoming the 2nd woman nominated to the U.S. Supreme Court. The first part of the movie aptly chronicles Mrs. Ginsburg’s experience as a woman at Harvard Law School and then getting her first job as a professor at Rutgers Law School in 1963. Considering she graduated at the top of her class being a professor was not her dream job, but law firms were not looking to hire female lawyers, so she made the best of it. This all leads up to the main focus of the film which is Mrs. Ginsburg representing a Colorado man who has been denied caretaker tax benefits because the tax code specifically applied to women. The movie shows both her struggles and triumphs with the case and why equal rights were so important to her. Although the movie focused on this one case, it was crystal clear that Ruth Bader Ginsburg was a force to be reckoned with and this was just one of many cases she would take on to ensure greater equality for woman.
Felicity Jones does an incredible job portraying Mrs. Ginsburg. She brings a swagger to the character and used an authentic sounding Brooklyn accent to boot. Armie Hammer also does a great job playing the ever supportive and unshakable husband Marty Ginsburg. They had great chemistry on screen and did an excellent job showing just how supportive they were to one another. Even though their relationship was not the focus of the film, it was very touching and added a little extra heart to the story. Speaking of the story, it was both engaging and thought provoking, so much so that its effects are still there even after leaving the theater. I enjoyed how the story unfolded and the fact that it never got to preachy or political. As biopics go, there were a few spots that seemed to drag on a bit, but generally the pace never lingered in one spot for too long and it kept my interest the whole time.
On the Basis of Sex was a very good movie and a welcome addition to this year’s holiday movie offerings. If you are looking for something different after a couple of hours with web slinging spider-folk and yellow cars that turn into giant robots then this would be a great movie to check out. With excellent acting, a great inspirational story and even a little bit of heart, I really couldn’t ask for anything more.
On the Basis of Sex is a biopic detailing Ruth Bader Ginsburg’s (Felicity Jones) rise from one of the first women “invited” to attend Harvard Law School to becoming the 2nd woman nominated to the U.S. Supreme Court. The first part of the movie aptly chronicles Mrs. Ginsburg’s experience as a woman at Harvard Law School and then getting her first job as a professor at Rutgers Law School in 1963. Considering she graduated at the top of her class being a professor was not her dream job, but law firms were not looking to hire female lawyers, so she made the best of it. This all leads up to the main focus of the film which is Mrs. Ginsburg representing a Colorado man who has been denied caretaker tax benefits because the tax code specifically applied to women. The movie shows both her struggles and triumphs with the case and why equal rights were so important to her. Although the movie focused on this one case, it was crystal clear that Ruth Bader Ginsburg was a force to be reckoned with and this was just one of many cases she would take on to ensure greater equality for woman.
Felicity Jones does an incredible job portraying Mrs. Ginsburg. She brings a swagger to the character and used an authentic sounding Brooklyn accent to boot. Armie Hammer also does a great job playing the ever supportive and unshakable husband Marty Ginsburg. They had great chemistry on screen and did an excellent job showing just how supportive they were to one another. Even though their relationship was not the focus of the film, it was very touching and added a little extra heart to the story. Speaking of the story, it was both engaging and thought provoking, so much so that its effects are still there even after leaving the theater. I enjoyed how the story unfolded and the fact that it never got to preachy or political. As biopics go, there were a few spots that seemed to drag on a bit, but generally the pace never lingered in one spot for too long and it kept my interest the whole time.
On the Basis of Sex was a very good movie and a welcome addition to this year’s holiday movie offerings. If you are looking for something different after a couple of hours with web slinging spider-folk and yellow cars that turn into giant robots then this would be a great movie to check out. With excellent acting, a great inspirational story and even a little bit of heart, I really couldn’t ask for anything more.
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