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Lee (2222 KP) rated Unhinged (2020) in Movies
Sep 2, 2020
The opening credits for Unhinged paint a pretty bleak and horrific snapshot of human life, just to get us in the mood for what’s to come. Footage of actual road rage incidents, supermarket disagreements and brawls, cars crashing into each other, all while recordings of news readers talk about how stressed and angry we all are these days. I think that in the current climate, we can all appreciate just how angry the world seems to have become these last few months, and some of these scenes really hit home.
We’d already seen just how angry Russell Crowe’s character is (billed as ‘The Man’, although he later introduces himself as Tom Cooper), courtesy of a shocking little pre-credits scene. Sitting in his car at night, rain beating down on the car as he breathes heavily and pops some pills into his mouth. Slowly turning a wedding ring on his finger, he removes it, tossing it behind him onto the backseat. Taking a hammer, he gets out of the car and walks to the front door of the house he’d parked outside, before smashing it down and proceeding to use the hammer on the occupants. He’s clearly not the kind of person you want to get on the wrong side of.
The person that does manage to get on his wrong side is Rachel (Caren Pistorius), who’s also having a pretty bad day of her own. Waking up late on the sofa, we learn that she’s currently going through a divorce, with her ex-husband wanting her house. She’s also late in taking her son to school, so when they hit heavy traffic along the way, it’s the last thing she needs.
At some traffic lights, the large SUV she’s sitting behind doesn’t budge when the lights turn green, so Rachel lets out a series of long beeps on the horn, before eventually pulling around the SUV to continue on her way. Unfortunately for her though, when they hit more traffic further down the road, the SUV pulls up alongside her, and when the window rolls down, we see that it’s ‘The Man’ behind the wheel. He’s calm at first, if a little on edge, but after apologising for his mistake, demands the same from Rachel before they go their separate ways. Unfortunately though, Rachel isn’t prepared to offer an apology. “I need you to learn what a bad day is and I need you to learn how to say sorry” he growls, before Rachel pulls away, believing that to be the end of it.
What follows is an intense game of cat and mouse, as ‘The Man’ relentlessly stalks Rachel through the roads and highways. Just to make things worse, ‘The Man’ manages to get hold of Rachel’s phone and starts to threaten and target her close friends and family. We’ve already seen just how Unhinged he can be, and there’s more of that as the movie progresses and he gets a chance to carry out some of those threats. He’s not just out to kill Rachel, but to give her the worst possible day he can before that moment arrives.
Crowe is suitably menacing – overweight and sweaty, taking out anyone who gets in his way and methodical in his determination to catch Rachel. The movie does try to humanise him a little at times though, as we discover that he’s been through a relationship breakdown, and was laid off work just a few weeks short of retiring, as if trying to provide some justification for his behaviour.
Unhinged comes in at just over 90 minutes and proved to be a real intense, gut wrenching roller-coaster ride. I don’t know if I was just a bit giddy at being back in the cinema for the first time since March, but I found it to be a lot of fun.
We’d already seen just how angry Russell Crowe’s character is (billed as ‘The Man’, although he later introduces himself as Tom Cooper), courtesy of a shocking little pre-credits scene. Sitting in his car at night, rain beating down on the car as he breathes heavily and pops some pills into his mouth. Slowly turning a wedding ring on his finger, he removes it, tossing it behind him onto the backseat. Taking a hammer, he gets out of the car and walks to the front door of the house he’d parked outside, before smashing it down and proceeding to use the hammer on the occupants. He’s clearly not the kind of person you want to get on the wrong side of.
The person that does manage to get on his wrong side is Rachel (Caren Pistorius), who’s also having a pretty bad day of her own. Waking up late on the sofa, we learn that she’s currently going through a divorce, with her ex-husband wanting her house. She’s also late in taking her son to school, so when they hit heavy traffic along the way, it’s the last thing she needs.
At some traffic lights, the large SUV she’s sitting behind doesn’t budge when the lights turn green, so Rachel lets out a series of long beeps on the horn, before eventually pulling around the SUV to continue on her way. Unfortunately for her though, when they hit more traffic further down the road, the SUV pulls up alongside her, and when the window rolls down, we see that it’s ‘The Man’ behind the wheel. He’s calm at first, if a little on edge, but after apologising for his mistake, demands the same from Rachel before they go their separate ways. Unfortunately though, Rachel isn’t prepared to offer an apology. “I need you to learn what a bad day is and I need you to learn how to say sorry” he growls, before Rachel pulls away, believing that to be the end of it.
What follows is an intense game of cat and mouse, as ‘The Man’ relentlessly stalks Rachel through the roads and highways. Just to make things worse, ‘The Man’ manages to get hold of Rachel’s phone and starts to threaten and target her close friends and family. We’ve already seen just how Unhinged he can be, and there’s more of that as the movie progresses and he gets a chance to carry out some of those threats. He’s not just out to kill Rachel, but to give her the worst possible day he can before that moment arrives.
Crowe is suitably menacing – overweight and sweaty, taking out anyone who gets in his way and methodical in his determination to catch Rachel. The movie does try to humanise him a little at times though, as we discover that he’s been through a relationship breakdown, and was laid off work just a few weeks short of retiring, as if trying to provide some justification for his behaviour.
Unhinged comes in at just over 90 minutes and proved to be a real intense, gut wrenching roller-coaster ride. I don’t know if I was just a bit giddy at being back in the cinema for the first time since March, but I found it to be a lot of fun.
Lee (2222 KP) rated Pacific Rim: Uprising (2018) in Movies
Mar 27, 2018
More of the same... not that there's anything wrong with that
It's 10 years since the apocalypse was cancelled. The son of the man who uttered those immortal words is Jake Pentecost (John Boyega), currently doing anything but follow in his fathers footsteps. Scavenging fallen Jaegers for parts in order to sell to the highest bidder and living a carefree party lifestyle.
His hunt for a highly expensive Jaeger part leads him to a 15 year old girl called Amara, who is a bit of a mechanical hacking genius and has managed to use old spare parts she has scavenged (including the big one that Jake had his eye on) to build her own, much smaller, Jaeger. Rogue Jaegers are illegal, so after a bit of a tussle with one of the official, bigger Jaegers, Jake and Amara find themselves in trouble with the law. Thanks to Jakes sister stepping in though, they find themselves paying for their crime by being sent to the PPDC (Pan Pacific Defense Corps) where they begin training for a possible return of a Kaiju related world threat. And, coincidentally, one of those just happens to be right around the corner!
John Boyega manages to carry this movie with his lovable roguish charm for quite a while, in what is otherwise a pretty average movie. But, we're here for Jaegers and the Kaiju (well, I was anyway), and once that action kicks in, that's when the movie really steps up a gear. To be fair, if you enjoyed the original Pacific Rim, then you know exactly what you're in for and really should enjoy this second outing. For me, I enjoyed it just as much as the first.
Something that many other reviews have commented on is the fact that the fight scenes in Uprising tend to take place during daylight, whereas the original tended to favour night. I found the daylight scenes to be a huge improvement, allowing for much greater enjoyment of the incredible fight choreography on display, along with the gloriously detailed CGI destruction of Tokyo!
His hunt for a highly expensive Jaeger part leads him to a 15 year old girl called Amara, who is a bit of a mechanical hacking genius and has managed to use old spare parts she has scavenged (including the big one that Jake had his eye on) to build her own, much smaller, Jaeger. Rogue Jaegers are illegal, so after a bit of a tussle with one of the official, bigger Jaegers, Jake and Amara find themselves in trouble with the law. Thanks to Jakes sister stepping in though, they find themselves paying for their crime by being sent to the PPDC (Pan Pacific Defense Corps) where they begin training for a possible return of a Kaiju related world threat. And, coincidentally, one of those just happens to be right around the corner!
John Boyega manages to carry this movie with his lovable roguish charm for quite a while, in what is otherwise a pretty average movie. But, we're here for Jaegers and the Kaiju (well, I was anyway), and once that action kicks in, that's when the movie really steps up a gear. To be fair, if you enjoyed the original Pacific Rim, then you know exactly what you're in for and really should enjoy this second outing. For me, I enjoyed it just as much as the first.
Something that many other reviews have commented on is the fact that the fight scenes in Uprising tend to take place during daylight, whereas the original tended to favour night. I found the daylight scenes to be a huge improvement, allowing for much greater enjoyment of the incredible fight choreography on display, along with the gloriously detailed CGI destruction of Tokyo!
Bong Mines Entertainment (15 KP) rated Just a Phone Call Away - Single by Lui Peng in Music
Jun 17, 2019
Lui Peng is a Chinese-British singer-songwriter based in London. Not too long ago, he released a groovy neo-soul tune, entitled, “Just a Phone Call Away”.
“As soon as Ali showed me the instrumental, I was in love. It was very different from what I was used to but I was up for the challenge. All in all, the song probably took around an hour and a half to write, which if you knew me, is very unusual. Normally I like to take my time. Being the last track, I wanted it to be more introspective and serve as a resolution to the EP. I think my intentions with this song was to carry on the story where ‘Disappointed’ left off and tell the listener how I feel now. I have come to terms with everything and I am over my distractions. But if you were to call me, I would still be at the ‘Same Place’.” – Lui Peng
‘Just a Phone Call Away’ is the first single from Lui Peng’s upcoming summer EP, entitled, “Unavailable”.
The likable tune tells an interesting tale of a young guy who wants to chill, smoke, and have a romantic moment with a female who he desires to be with.
Later, he explains that if she misses him as much as he wants her; he’s not very far, just a phone call away.
‘Just a Phone Call Away’ contains a relatable storyline, pleasing vocals, and groovy instrumentation scented with a neo-soul fragrance.
“‘Unavailable’ is all about the space just on the outskirts of love. When things don’t work out, we often tell ourselves another version of the same story where we didn’t come second place. My aim with this body of work is to create a small collection of happy sad love songs that fall somewhere between being in love and heartbreak. I think with online dating being the main way people meet each other these days, the way we view love and sex has been completely flipped. Suddenly everyone has a plethora of choice at the swipe of their fingertips, and as a result, the value we place on romance has become disposable.” – Lui Peng
https://www.bongminesentertainment.com/lui-peng-just-a-phone-call-away/
“As soon as Ali showed me the instrumental, I was in love. It was very different from what I was used to but I was up for the challenge. All in all, the song probably took around an hour and a half to write, which if you knew me, is very unusual. Normally I like to take my time. Being the last track, I wanted it to be more introspective and serve as a resolution to the EP. I think my intentions with this song was to carry on the story where ‘Disappointed’ left off and tell the listener how I feel now. I have come to terms with everything and I am over my distractions. But if you were to call me, I would still be at the ‘Same Place’.” – Lui Peng
‘Just a Phone Call Away’ is the first single from Lui Peng’s upcoming summer EP, entitled, “Unavailable”.
The likable tune tells an interesting tale of a young guy who wants to chill, smoke, and have a romantic moment with a female who he desires to be with.
Later, he explains that if she misses him as much as he wants her; he’s not very far, just a phone call away.
‘Just a Phone Call Away’ contains a relatable storyline, pleasing vocals, and groovy instrumentation scented with a neo-soul fragrance.
“‘Unavailable’ is all about the space just on the outskirts of love. When things don’t work out, we often tell ourselves another version of the same story where we didn’t come second place. My aim with this body of work is to create a small collection of happy sad love songs that fall somewhere between being in love and heartbreak. I think with online dating being the main way people meet each other these days, the way we view love and sex has been completely flipped. Suddenly everyone has a plethora of choice at the swipe of their fingertips, and as a result, the value we place on romance has become disposable.” – Lui Peng
https://www.bongminesentertainment.com/lui-peng-just-a-phone-call-away/
Merissa (13948 KP) rated Wolf Tamer (Claiming My Pack #1) in Books
Dec 17, 2018
Wolf Tamer (Claiming My Pack #1) by Yumoyori Wilson
Wolf Tamer is the first book in the Claiming My Pack series, and right off, I will say it's NOT Reverse Harem. Not yet. It's leading up to it, but not in this book.
Harper watches her family being murdered and manages to escape, although at a cost. She finds her way into the forest and is found by Wolfie. She is then found by Sam and Dolly, together with Rogan, who put her in the system to see if she can find a forever home away from them. This doesn't work, so she ends up with them, much to little Ian's happiness.
The author tried something very difficult in this book, and that is to have the character change from being a child to an adult IN the story. Not viewing her childhood as an adult, but actually being a child. This is hard because it's a RH book, so you've got to have the innocence of the child, and then steamy, multi-partner scenes later on.
I did enjoy this book, although there were parts that didn't make sense to me. I'm hoping they will in the later books. For example, Ian has the ability to be an Alpha, but can't be bothered even though he and Carter butt heads all the time. He is the one who mated Harper first, and has been her mate for years. So why does he back down so damned quickly to Carter at one point. And who was the strange, disembodied voice?
I also would have liked more character development about Rogan, Sam, and Dolly. All three of these characters are pivotal to the story, but all three sort of fade out until the ending.
On the whole, this was a thoroughly enjoyable book, and I would carry on with the series. Like I said though, for this book, it's NOT a RH.
* I received a copy of this book with no requirement or obligation to review. I voluntarily read this book, and the review here is my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Harper watches her family being murdered and manages to escape, although at a cost. She finds her way into the forest and is found by Wolfie. She is then found by Sam and Dolly, together with Rogan, who put her in the system to see if she can find a forever home away from them. This doesn't work, so she ends up with them, much to little Ian's happiness.
The author tried something very difficult in this book, and that is to have the character change from being a child to an adult IN the story. Not viewing her childhood as an adult, but actually being a child. This is hard because it's a RH book, so you've got to have the innocence of the child, and then steamy, multi-partner scenes later on.
I did enjoy this book, although there were parts that didn't make sense to me. I'm hoping they will in the later books. For example, Ian has the ability to be an Alpha, but can't be bothered even though he and Carter butt heads all the time. He is the one who mated Harper first, and has been her mate for years. So why does he back down so damned quickly to Carter at one point. And who was the strange, disembodied voice?
I also would have liked more character development about Rogan, Sam, and Dolly. All three of these characters are pivotal to the story, but all three sort of fade out until the ending.
On the whole, this was a thoroughly enjoyable book, and I would carry on with the series. Like I said though, for this book, it's NOT a RH.
* I received a copy of this book with no requirement or obligation to review. I voluntarily read this book, and the review here is my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
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