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Touch of Magic (Charmed Matchmaker #1)
Touch of Magic (Charmed Matchmaker #1)
Jules Featherstone | 2012 | Erotica, Paranormal, Romance
8
8.0 (1 Ratings)
Book Rating
TOUCH OF MAGIC is the debut novel by Jules Featherstone and features an established Reverse Harem set up with hedgewitch Nya as the main female character. She is trying to reestablish her career after something went horribly wrong but it is harder than she realises.

When I started this book, I ended up looking to see if there was a book (or two) prior to this one that I had missed. Although this is the first book in the series, it doesn't read that way. I do like how they are all set up and happy but I did find myself missing the original romances. I mean, you do find out how each of them met and in what order, etc., but it did make me wonder why?

The world-building is good, with just enough details given so you know that paranormals are now openly living among 'normal' humans but some have a hard time with it. There is some character development for each of the characters but mainly for Logan as he is the main male in this story. The pacing of this story is smooth, with plenty of action taking place in and out of the sheets. Sometimes this helps to move the story along, sometimes it's just for fun.

This is the start of the series and it leaves me intrigued enough to want to carry on with this series. Definitely recommended by me. Sweet, sensual, and steamy - all in one.

* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *

Merissa
Archaeolibrarian - I Dig Good Books!
  
Dial M for Murder (1954)
Dial M for Murder (1954)
1954 | Crime, Mystery
A mid-tier episode of "Law & Order" from the 50s that's as mildly rousing as it is boring in a nearly 1:1 ratio. Yes the writing is impressively airtight, and always leaves you looking for some sort of holes to no avail - one of those films where you play a fun little guessing game in your head every time a character says or does something. Could they have slipped up? Do the other characters know that? But here's my main problem with this: it's so DRY holy shit. Yes the story is rigorously optimized for this sort of deal, but that's all there is to chew on here - nothing else. The characters in this movie exist only to explain and inform each other about the story as it happens - outside of the first couple scenes there are no little moments of interpersonal interaction between characters that involves anything else besides telling people what just happened, no moments of humor outside of a bad gay joke and a couple telegraphed duds, no personality building beyond how they react in relation to - again - the singular crime narrative. That's virtually every single scene, so it quickly feels like you're just watching the same thing over and over again. This goes straight past staunchly formal and almost into rudimentary, but Grace Kelly and Ray Milland are wonderful enough to carry this very talky one-trick pony along with the sheer attention to detail of the plot. Still definitely fair but way too straightforward, I can't act like dozens of better ones have been done even if this did potentially pave the way for a lot of them.
  
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