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Cowboy Watch (The Watchers #1)
Cowboy Watch (The Watchers #1)
Petie McCarty | 2025 | Romance
6
6.0 (1 Ratings)
Book Rating
I found it kinda sweet, with very little spice.
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.

Kellan inherits her mother's house. She doesn't want it, it holds too many bad memories. But things start to change when she goes home to close up the house and land for sale. She meets Luke for a start. He doesn't want her to sell, for his own reasons. Then someone starts shooting at Kellan, and there is someone watching Kellan.

I liked this. I found it kinda sweet, with very little spice. Not a bad thing, but it needs mentioning. It does carry some violence, on page, to both Kellan and Luke, I do, however, think it was necessary for the pinnacle of the plot.

I think what . . bothered. . . me the most was this book is billed as the Watchers stories. Taken straight from the blurb: Offered parole in exchange for penance, these Watchers are given the toughest bodyguard missions with little leeway for success.
One last chance.
These are their stories . . .

And we get very little, only a teeny tiny bit in the last chapter! I wanted more from The Watchers, how they were feeling about how things were going, and what they were going to do next. How they felt about being given this last chance, and there is nothing from them, other than when they reveal who they are to Kellan and Luke right at the end.

So, a Nice book, with a little drama, that filled a gap between two very heavy reads, but doesn't quite deliver what it promised.

3 good stars

*same worded review will appear elsewhere
  
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Natasha Khan recommended Covers Record by Cat Power in Music (curated)

 
Covers Record by Cat Power
Covers Record by Cat Power
2000 | Rock, Singer-Songwriter
5.0 (1 Ratings)
Album Favorite

"I chose that because it made its biggest impact on me, because it was the first one I heard [of all of Cat Power's albums]. I remember hearing 'I Found A Reason', which was her Velvet Underground cover, on John Peel late at night when I was driving around and having a cigarette when I shouldn't have been. And I heard John Peel saying ""listen to this amazing release by Cat Power, 'I Found A Reason'"". I just remember hearing it and being like this is a woman I can love forever. I went to see her promote The Covers Record at this tiny gig at Bush Hall. She went on stage in front of maybe 100 people and then totally freaked out, then she was fine and she played some amazing songs and me and my boyfriend sat right at the front. We got to meet her and she just cuddled us: ""You sent such good vibes throughout the whole show, I was looking at you the whole time because was everybody else was so scary"", and I was just like ""I love you!"" So it was just interesting; the other reason I chose The Covers Record is because her interpretations of 'Wild Is The Wind' or 'Satisfaction', 'Sea Of Love', it's like picking out classic songs, like The Langley Schools Music Project, and turning them on their head. For me, in 'Wild Is The Wind', that song could be David Bowie's version, it's sad, it's quite mellow, but she's just distilled it down to one particular aspect, which is really heartbreaking, dark chords, really so minimal. I love doing covers myself. I love changing your whole take on them and exploring a completely different side and changing the arrangements, and the chords even, and changing the lyrics sometimes, it almost becomes a poem that you're putting to something different. I think she's a connoisseur at that and probably because she doesn't play amazing piano and guitar, she does really simple backing, but it becomes almost like this spoken word poem. When she performs, she pushes herself to the edge. The fact that she finds it so hard, you're living with her on the edge when you go to see her and sometimes it's frustrating and you get fed up with her, sometimes you're just willing her the whole way through and in love. I think it's really interesting, the emotions it brings up in the audience, how they deal with that - some people get really fucking angry and some people cry. I think it's like a really interesting psychological public experiment at some of her shows I've been to - I've been to maybe twenty of her shows, and sometimes it's a very uncomfortable, strange process, but it's like Andy Kaufman and stand-up comedians or public artists that just stage these really bizarre events and people's reactions to those. With most people, you go along, and they're there to put on a show and be competent and be amazing, and that's what people think they're paying for these days. We've said about the Langley Schools thing, she never grew out of that childlike weirdness; there's something about all of it that's unapologetic and being you, and if that presses people's buttons because they want you to be something else, they want you to carry them through, then I find that really interesting as well, what it does to the listener. What do you want from an album or a musician? What I want is to be taken to their rawest place. If that's uncomfortable sometimes, then that's cool. You just have to be with people and accept them."

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    Yoga International

    Yoga International

    Health & Fitness and Magazines & Newspapers

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