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Molly J (Cover To Cover Cafe) (106 KP) rated The Lost Castle in Books
Feb 25, 2019
I'm a historical Christian fiction lover, but sometimes I find the multiple time lines hard to follow. However, reading this beautifully moving novel by the very talented Kristy Cambron was so easy to follow and was absolutely captivating. This book has what I call "all the feels". It's incredibly detailed, with characters that are chiseled magnificently. Each time line brings the reader to a character that will make way into your heart and stay their long after the book is finished.
The beautiful ruins of the castle that Ms. Cambron describes come to life for me. I could feel myself transported to the heart of France, finding the castle and living the life of these three women, Avaline, Vi and Ellie. I loved that feeling! It's not often that a multi timeline can do that and I was so pleased that it did.
Watching Ellie deal with her grandmother, brought back memories of my own dealings with Alzheimer's with my grandfather. It was a bittersweet time for me!
This incredible story is filled with longing, hope, faith, and finding love. I turned page after page of this 4 star novel until I reached the final one. I shut the novel, sat back and reflected on all I felt through this book, from smiles, to sadness, to butterflies in my stomach. Ms. Cambron has created another keeper in my opinion. This book will be one that I recommend to all, and have already asked my local libraries to carry it for others to read! Well done, Ms. Cambron! Well done!
*I received a complimentary copy of this book from Book Look Bloggers/Publisher and was under no obligation to post a review, positive or negative.*
The beautiful ruins of the castle that Ms. Cambron describes come to life for me. I could feel myself transported to the heart of France, finding the castle and living the life of these three women, Avaline, Vi and Ellie. I loved that feeling! It's not often that a multi timeline can do that and I was so pleased that it did.
Watching Ellie deal with her grandmother, brought back memories of my own dealings with Alzheimer's with my grandfather. It was a bittersweet time for me!
This incredible story is filled with longing, hope, faith, and finding love. I turned page after page of this 4 star novel until I reached the final one. I shut the novel, sat back and reflected on all I felt through this book, from smiles, to sadness, to butterflies in my stomach. Ms. Cambron has created another keeper in my opinion. This book will be one that I recommend to all, and have already asked my local libraries to carry it for others to read! Well done, Ms. Cambron! Well done!
*I received a complimentary copy of this book from Book Look Bloggers/Publisher and was under no obligation to post a review, positive or negative.*
Gareth von Kallenbach (980 KP) rated 500 Days of Summer (2009) in Movies
Aug 9, 2019
The ever-quirky Zooey Deschanel stars alongside Joseph Gordon-Levitt reemerging from “10 Things I Hate About You” in the odd tale “(500) Days of Summer”.
This is the story of Tom an unhappy greeting card writer (Joseph Gordon-Levitt) who falls for his boss’s personal assistant, Summer (Zooey Deschanel). As the two become friends Summer reveals to the infatuated Tom that she does not believe in love. Dispute her disbelief the two begin spending time together and eventually friendship blossoms into an intimate relationship. This must be love, right?
Summer and Tom begin an on again off again romance, that centers around Tom’s constant optimism that she is indeed the one for him. But Summer’s inconsistent reactions and lack of desire for commitment leave the audience wondering how the scenario is going to work out.
The film uses a five hundred day counter to expose the story in a non-linear fashion, which would have been interesting if it had anything to do with the plot. There was no mystery unearthed or even character traits exposed through the wacky timeline, it simply kept viewers constantly aware of Tom’s unfortunate situation.
Among the film’s highlights are a choreographed dance sequence, interesting split screen photography, and sensational employment of color. Additionally simple yet strong costume choices, artistic use of architecture, fun music and witty interpersonal banter carry this otherwise depressing film.
Creating an overall disenchantment with relationships and a seething dislike for Summer make this film is far from jovial, but it does offer a darker perspective into the realistic nature of relationships.
Both leads deliver strong performances but the film was unexpectedly melancholy. “(500) Days of Summer” is simply trying too hard and making viewers feel bad in the process.
This is the story of Tom an unhappy greeting card writer (Joseph Gordon-Levitt) who falls for his boss’s personal assistant, Summer (Zooey Deschanel). As the two become friends Summer reveals to the infatuated Tom that she does not believe in love. Dispute her disbelief the two begin spending time together and eventually friendship blossoms into an intimate relationship. This must be love, right?
Summer and Tom begin an on again off again romance, that centers around Tom’s constant optimism that she is indeed the one for him. But Summer’s inconsistent reactions and lack of desire for commitment leave the audience wondering how the scenario is going to work out.
The film uses a five hundred day counter to expose the story in a non-linear fashion, which would have been interesting if it had anything to do with the plot. There was no mystery unearthed or even character traits exposed through the wacky timeline, it simply kept viewers constantly aware of Tom’s unfortunate situation.
Among the film’s highlights are a choreographed dance sequence, interesting split screen photography, and sensational employment of color. Additionally simple yet strong costume choices, artistic use of architecture, fun music and witty interpersonal banter carry this otherwise depressing film.
Creating an overall disenchantment with relationships and a seething dislike for Summer make this film is far from jovial, but it does offer a darker perspective into the realistic nature of relationships.
Both leads deliver strong performances but the film was unexpectedly melancholy. “(500) Days of Summer” is simply trying too hard and making viewers feel bad in the process.
Merissa (13048 KP) rated The Princess of Baker Street in Books
Jan 21, 2019
The Princess of Baker Street by Mia Kerick
The Princess of Baker Street is an emotional story about a young girl who was born a boy. She doesn't fit in, gets bullied, and yet she tries to remain true to herself, even when faced with opposition. The whole story is told from the viewpoint of Eric. He was once her best friend - when she could wear dresses and not be judged for it; when she could be a princess without condemnation. However, life has changed for both of them now they are in middle school, and Eric can't be with her now as he would like to be.
This story is simply amazing. You will feel for Joey as he faces the bullies and tries to hang onto his friendship with Eric, no matter the cost. You will also feel for Eric as he copes with things no young child should have to. Something has to break, and it does. Both of these characters reach rock bottom, and yet they both pick themselves up and carry on, head held high.
This is a gritty story, dealing with hard issues for anyone to deal with, let alone 13-year-olds. It isn't a dark book though, the silver lining shines through. There were no editing or grammatical errors in this book, and the pacing was smooth. The story flowed exceedingly well, and lessons are there to be learnt by everyone. I loved this story, and would love to read more - both about these characters, and also anything else by Mia Kerick. Absolutely recommended by me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
This story is simply amazing. You will feel for Joey as he faces the bullies and tries to hang onto his friendship with Eric, no matter the cost. You will also feel for Eric as he copes with things no young child should have to. Something has to break, and it does. Both of these characters reach rock bottom, and yet they both pick themselves up and carry on, head held high.
This is a gritty story, dealing with hard issues for anyone to deal with, let alone 13-year-olds. It isn't a dark book though, the silver lining shines through. There were no editing or grammatical errors in this book, and the pacing was smooth. The story flowed exceedingly well, and lessons are there to be learnt by everyone. I loved this story, and would love to read more - both about these characters, and also anything else by Mia Kerick. Absolutely recommended by me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
JT (287 KP) rated Godzilla: King of the Monsters (2019) in Movies
Mar 5, 2020 (Updated Mar 10, 2020)
Godzilla rises from the deep once again, this time to stand side by side with part of the human race to fend off monsters summoned by the crypto-zoological agency Monarch. Monarch has been able to devise a way to control the giant creatures using a sonar device called the Orca, in the hope that they will be able to live together in perfect harmony.
“Sometimes… the only way to heal our wounds is to make peace with the demons who created them,” says Ken Watanabe‘s Dr Ishiro Serizawa. That theory is short-lived when eco-terrorist Alan Jonah (Charles Dance) threatens to unleash hell, all for the greater good.
It’s one big mess. I don’t know how else to describe it other than that. I lost interest halfway through and only raised an eyebrow when Godzilla arrived on-screen to pummel the shit out of the three-headed Ghidorah and Rodan. In 2014 Godzilla was rarely seen, albeit for the odd glimpse of a whipping tail. Here that is rectified and he’s placed front and centre as he smashes everything to smithereens.
The human element is just as bad. With a cast that boasted the likes of Vera Farmiga, Kyle Chandler, Charles Dance and Strangers Things starlet Millie Bobby Brown I would have expected more from the experienced group. I blame the script which falls by the wayside. Loud, thundering action set pieces do offer a little bit of satisfaction but it’s not enough to carry the film home. Plenty of scenes could have been cut which might have made it bearable.
There are suggestions that we could be getting a Kong Vs Godzilla film at some point which would loosely tie into a Kaiju styled universe but after this load of tripe, they will have their work cut out.
“Sometimes… the only way to heal our wounds is to make peace with the demons who created them,” says Ken Watanabe‘s Dr Ishiro Serizawa. That theory is short-lived when eco-terrorist Alan Jonah (Charles Dance) threatens to unleash hell, all for the greater good.
It’s one big mess. I don’t know how else to describe it other than that. I lost interest halfway through and only raised an eyebrow when Godzilla arrived on-screen to pummel the shit out of the three-headed Ghidorah and Rodan. In 2014 Godzilla was rarely seen, albeit for the odd glimpse of a whipping tail. Here that is rectified and he’s placed front and centre as he smashes everything to smithereens.
The human element is just as bad. With a cast that boasted the likes of Vera Farmiga, Kyle Chandler, Charles Dance and Strangers Things starlet Millie Bobby Brown I would have expected more from the experienced group. I blame the script which falls by the wayside. Loud, thundering action set pieces do offer a little bit of satisfaction but it’s not enough to carry the film home. Plenty of scenes could have been cut which might have made it bearable.
There are suggestions that we could be getting a Kong Vs Godzilla film at some point which would loosely tie into a Kaiju styled universe but after this load of tripe, they will have their work cut out.
LeftSideCut (3776 KP) rated Crawl (2019) in Movies
Feb 16, 2020
Crawl is silly. Like a lot of these types of horrors, it's really silly.
In short, hurricane season hits Florida, and when Haley sets of to find her father, they both end up stuck in the crawlspace under his house, trapped in by large alligators, and rapidly rising flood water.
It's straightforward, no messing around, and gets right to the characters being in peril. For the most part, it's a neat little thriller, that actually has the odd moment in tension, paired with decent performances from Kaya Scodelario and Barry Pepper.
The relationship between their two characters carry the film pretty well, and the actors resolve to stay muddy and soaked throughout is admirable.
The CGI effects are pretty terrible. Nowhere near Sharknado levels of embarrassing, but the small budget of Crawl really shows it's ugly head when it comes to the alligators. When they're in water, it doesn't look so awful, but out of water, they look ripped from a PlayStation 3 cutscenes. This includes the first time we see one, which significantly reduces the impact it could have had, especially after it comes immediately after a pretty good jump scare.
In terms of horror, Crawl isn't scary. As mentioned above, it's more a jump scare type of deal, but they're actually quite effective, and just about reigned in enough to not overdo it. The scariest thing about the movie is mother nature, with all too real stormy conditions on display.
Crawl is mostly enjoyable, buts it's not as fun as The Meg for example (5/10) and not quite as good as The Shallows (6/10) so it sits nicely somewhere in between. Worth a watch if you enjoy a silly monster horror now and again.
In short, hurricane season hits Florida, and when Haley sets of to find her father, they both end up stuck in the crawlspace under his house, trapped in by large alligators, and rapidly rising flood water.
It's straightforward, no messing around, and gets right to the characters being in peril. For the most part, it's a neat little thriller, that actually has the odd moment in tension, paired with decent performances from Kaya Scodelario and Barry Pepper.
The relationship between their two characters carry the film pretty well, and the actors resolve to stay muddy and soaked throughout is admirable.
The CGI effects are pretty terrible. Nowhere near Sharknado levels of embarrassing, but the small budget of Crawl really shows it's ugly head when it comes to the alligators. When they're in water, it doesn't look so awful, but out of water, they look ripped from a PlayStation 3 cutscenes. This includes the first time we see one, which significantly reduces the impact it could have had, especially after it comes immediately after a pretty good jump scare.
In terms of horror, Crawl isn't scary. As mentioned above, it's more a jump scare type of deal, but they're actually quite effective, and just about reigned in enough to not overdo it. The scariest thing about the movie is mother nature, with all too real stormy conditions on display.
Crawl is mostly enjoyable, buts it's not as fun as The Meg for example (5/10) and not quite as good as The Shallows (6/10) so it sits nicely somewhere in between. Worth a watch if you enjoy a silly monster horror now and again.
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