Search
Search results
Axis Bank Mobile Banking
Finance
App
Carry the bank in your pocket. Banking with Axis Bank is just a touch away with Axis Mobile – a...
Fantashooting
Games and Entertainment
App
No. 1 iPhone game in Hong Kong, No. 1 iPhone game in Taiwan, No. 1 iPhone game in Singapore, No. 1...
NAVIGON U.S. West
Navigation and Travel
App
With NAVIGON you can turn your iPhone or iPad into a fully functional mobile navigation system....
Hegemony: Lead Your Class to Victory
Tabletop Game
The Nation is in disarray and a war is waging between the classes. The working class faces a...
BankofMarquis (1832 KP) rated Father Stu (2022) in Movies
Sep 25, 2022
One Note Performance In The Lead Sinks Film
When one creates a film that is based on the real life exploits of a person, the Writer/Director of the film will be sorely tempted to include that character in every scene. Which is fine if that character is written in an interesting enough way to keep our attention. When it is NOT written well, then the film is poorer because of it.
Such is the case with Writer/Director Rosalind Ross’ (BARBARIAN) FATHER STU starring Mark Wahlberg in the titular role. Ms. Ross focuses on really one-trait of this character, never really diving deeper into the soul of the scoundrel who would turn his life around to serve others and, unfortunately, that is how Wahlberg plays this character as well - with the one note of “con-man and schemer” trying to have his charm and charisma carry the day. While this one note is not deep or particularly interesting, Wahlberg commits to this choice and plays Stu in that manner throughout the first part of the film.
And…that would be fine if the Stuart Long character has some sort of change of heart in the middle of the film when he decides to head to the Seminary, but Wahlberg plays this character (and Ross’ Directs this film) with the same one note. Consequently, those around him - and the audience - question his sincerity. I just plain didn’t buy or believe the character in the 2nd half of the movie and that sinks the ending of this film.
Fortunately, this film is populated with some wonderful, nuanced, performances from the Supporting Characters. Jacki Weaver (ANIMAL KINGDOM) is, once again, playing an abandoned wife constantly scrambling and scraping to get by. She has played this sort of roles many, many times before and she is always VERY good. This film is no exception. Malcolm McDowell does more than should be expected with the small part of the Head of the Seminary that Stuart attends. It would be very easy for McDowell to “mail it in”, but he doesn’t. He invests in his character - and his scenes with Wahlberg are much more interesting because of that. Teresa Ruiz (NARCOS) is sincere and believable as Stu’s one-time girlfriend while Cody Fern (AMERICAN HORROR STORY) brings plenty of layers as the character that could be/should be the one-note villain of this piece but is something a bit more.
And then there is Mel Gibson as Stu’s estranged father. He brings his star power - and considerable acting chops - to this pivotal role in the film and it is HIS change that I believed and drove the end of the film. I, actually, wanted to see more of his character.
Ultimately, this movie falls short because of the lack of depth of the performance by Wahlberg - and that’s too bad for the rest of the film is quite good.
Letter Grade: B-
6 stars (out of 10) and you can take that to the Bank(ofMarquis)
Such is the case with Writer/Director Rosalind Ross’ (BARBARIAN) FATHER STU starring Mark Wahlberg in the titular role. Ms. Ross focuses on really one-trait of this character, never really diving deeper into the soul of the scoundrel who would turn his life around to serve others and, unfortunately, that is how Wahlberg plays this character as well - with the one note of “con-man and schemer” trying to have his charm and charisma carry the day. While this one note is not deep or particularly interesting, Wahlberg commits to this choice and plays Stu in that manner throughout the first part of the film.
And…that would be fine if the Stuart Long character has some sort of change of heart in the middle of the film when he decides to head to the Seminary, but Wahlberg plays this character (and Ross’ Directs this film) with the same one note. Consequently, those around him - and the audience - question his sincerity. I just plain didn’t buy or believe the character in the 2nd half of the movie and that sinks the ending of this film.
Fortunately, this film is populated with some wonderful, nuanced, performances from the Supporting Characters. Jacki Weaver (ANIMAL KINGDOM) is, once again, playing an abandoned wife constantly scrambling and scraping to get by. She has played this sort of roles many, many times before and she is always VERY good. This film is no exception. Malcolm McDowell does more than should be expected with the small part of the Head of the Seminary that Stuart attends. It would be very easy for McDowell to “mail it in”, but he doesn’t. He invests in his character - and his scenes with Wahlberg are much more interesting because of that. Teresa Ruiz (NARCOS) is sincere and believable as Stu’s one-time girlfriend while Cody Fern (AMERICAN HORROR STORY) brings plenty of layers as the character that could be/should be the one-note villain of this piece but is something a bit more.
And then there is Mel Gibson as Stu’s estranged father. He brings his star power - and considerable acting chops - to this pivotal role in the film and it is HIS change that I believed and drove the end of the film. I, actually, wanted to see more of his character.
Ultimately, this movie falls short because of the lack of depth of the performance by Wahlberg - and that’s too bad for the rest of the film is quite good.
Letter Grade: B-
6 stars (out of 10) and you can take that to the Bank(ofMarquis)
Andy Meakin (5 KP) rated Jumanji: Welcome to the Jungle (2017) in Movies
Jul 11, 2018
Welcome back to Jumanji
How dare they make a sequel/remake/reboot of Jumanji? I mean that film was a classic. Admittedly a very average classic that doesn’t really live up to your childhood memory of it, but still. And, yeah, Zathura was a kind of remake given it was adapted from a book by the same writer and explored the same themes, but nobody watched that, so how dare they do a new Jumanji film? I mean it’s only 22 years since the original came out!
Do you find yourself agreeing with any of that little rant? If you do, then I have a few things to say. First, accept that for thousands of years similar tales have been retold to new generations to keep the spirit of a story alive. Second, why not actually wait to see what the new film has to offer before casting judgement as Jumanji: Welcome to the Jungle actually serves well as a sequel to the first film, whilst doing something new with the idea.
Starting in the mid-90s, and the board game is unearthed on a beach. Given to a teenage kid by his father, the kid isn’t impressed as ‘nobody plays board games these days’, and he gets back to playing on his console. Overnight, reacting to the changes in gaming culture the box works some magic, and the next day the game has morphed to a video game format, to entice a new generation. Jump forward to present day and a group of unlikely teenagers are cast together in detention when they happen upon the abandoned game console. Taking a break from their junk-room sorting, they fire up the game and find themselves pulled into the game -world, each taking on the avatar of the character template they chose on load up. Presented with a quest in true video-game fashion, they set off to find a way to escape, whilst learning something about themselves in the process.
By transitioning to a video-game setting, the story allows for a great deal of fun to be had poking at the contrivances and conventions of the format, especially for games of the era in which the game was inspired. The characters all have strengths and weaknesses, the spawning of lives by dropping from the sky is so reminiscent of many a side-scrolling platform shooter of yesteryear. Even the behaviour of the NPC – I mean support cast – is perfectly drawn upon the mannerisms that game characters act, being there to spout random exposition to move you on your quest. As for the quests – yep, they are pointlessly complicated, filled with traps and red herrings.
But such pokes at video game culture would be wasted if the casting was wrong, but in the four main stars they have cast the perfect personae for each archetype. The heroic, strong and smouldering hero, who is being played by a soft heated geek – The Rock of course. You want a ‘Lara Croft’ style action heroine, albeit played by a socially awkward teen girl – enter Karen Gillan. Weak sidekick who is only there to carry equipment, but being played by a high school jock who thinks he can do anything – Kevin Hart is your man. Round that off with a studious professor type, being played by a female – that kind of comic role works well for Jack Black. Each of the stars cast has a lot of fun playing with there archetypes, and the film does them all justice to allow them to each have their moments to shine. Gillan, in particular, does a great job at looking entirely awkward yet confident at the same time, and her nerdy seduction scene showcases a comic timing ability equal to her action talents showcased in the GotG films.
The action is thrilling, the humour well placed, and the direction solid enough to bring this video game movie to life. In fact, this is one of the best video game movies to date, even though it isn’t even adapted from a real video game. A few nods to the original Jumanji are present, but without awkwardly placed. The end result is a fun family adventure with some great action set pieces and a wry humour, much like the original was. Don’t let nostalgia for the original put you off exploring the world of Jumanji once more.
Do you find yourself agreeing with any of that little rant? If you do, then I have a few things to say. First, accept that for thousands of years similar tales have been retold to new generations to keep the spirit of a story alive. Second, why not actually wait to see what the new film has to offer before casting judgement as Jumanji: Welcome to the Jungle actually serves well as a sequel to the first film, whilst doing something new with the idea.
Starting in the mid-90s, and the board game is unearthed on a beach. Given to a teenage kid by his father, the kid isn’t impressed as ‘nobody plays board games these days’, and he gets back to playing on his console. Overnight, reacting to the changes in gaming culture the box works some magic, and the next day the game has morphed to a video game format, to entice a new generation. Jump forward to present day and a group of unlikely teenagers are cast together in detention when they happen upon the abandoned game console. Taking a break from their junk-room sorting, they fire up the game and find themselves pulled into the game -world, each taking on the avatar of the character template they chose on load up. Presented with a quest in true video-game fashion, they set off to find a way to escape, whilst learning something about themselves in the process.
By transitioning to a video-game setting, the story allows for a great deal of fun to be had poking at the contrivances and conventions of the format, especially for games of the era in which the game was inspired. The characters all have strengths and weaknesses, the spawning of lives by dropping from the sky is so reminiscent of many a side-scrolling platform shooter of yesteryear. Even the behaviour of the NPC – I mean support cast – is perfectly drawn upon the mannerisms that game characters act, being there to spout random exposition to move you on your quest. As for the quests – yep, they are pointlessly complicated, filled with traps and red herrings.
But such pokes at video game culture would be wasted if the casting was wrong, but in the four main stars they have cast the perfect personae for each archetype. The heroic, strong and smouldering hero, who is being played by a soft heated geek – The Rock of course. You want a ‘Lara Croft’ style action heroine, albeit played by a socially awkward teen girl – enter Karen Gillan. Weak sidekick who is only there to carry equipment, but being played by a high school jock who thinks he can do anything – Kevin Hart is your man. Round that off with a studious professor type, being played by a female – that kind of comic role works well for Jack Black. Each of the stars cast has a lot of fun playing with there archetypes, and the film does them all justice to allow them to each have their moments to shine. Gillan, in particular, does a great job at looking entirely awkward yet confident at the same time, and her nerdy seduction scene showcases a comic timing ability equal to her action talents showcased in the GotG films.
The action is thrilling, the humour well placed, and the direction solid enough to bring this video game movie to life. In fact, this is one of the best video game movies to date, even though it isn’t even adapted from a real video game. A few nods to the original Jumanji are present, but without awkwardly placed. The end result is a fun family adventure with some great action set pieces and a wry humour, much like the original was. Don’t let nostalgia for the original put you off exploring the world of Jumanji once more.
Phillip McSween (751 KP) rated Bad Boys II (2003) in Movies
Apr 2, 2020
Decent but Definitely the Worst of the Trilogy
Narcotics detectives Mike Lowrey (Will Smith) and Marcus Burnett (Martin Lawrence) are back getting into a heap of shit as they try and take down an ecstasy ring.
Acting: 9
You have to love the performances of Lawrence and Smith as they know how to carry a movie between the two of them. Their chemistry is amazing and they do a wonderful job of balancing each other out, particularly in this film were Smith is more of a shoot-first type while Lawrence’s role is about finding peace and zen. Joe Pantoliano makes a return as Captain Howard, making me crack up everytime he opens his mouth to yell at Lowrey and Burnett for screwing up yet again.
The one role I just couldn’t let sneak past was Jordi Molla playing Johnny Tapia. Terrible doesn’t even begin to describe his performance. It feels too cliche and way overdone, detracting from important scenes at times. Wasn’t a fan in the slightest.
Beginning: 7
While I did appreciate the action at the beginning of the movie, there was just too much going on for me to really settle in and get into it. It’s hard to really understand up from down in the first ten minutes which carries on as the movie progresses as well. Less can be more sometimes, but it feels like in this instance, director Michael Bay called for more of everything.
Characters: 9
Cinematography/Visuals: 6
Bad Boys II has its moments cinematically. The mortuary scene and the scene in the abandoned house are two that really stand out for me. They were shot in such a way that they are hard to forget. From an overall standpoint, I am not a fan of the overdose of slowmo that Bay loves to do. It becomes tedious to the brain and drags the movie out longer than it needs to be. And this movie already has enough time constraints as it is.
Conflict: 10
Action abounds in this second installment from shootouts to car chases to explosions on top of explosions. If you are an action junky, this movie will not disappoint. As much as I rag on Bay (and, no he’s not my favorite director), he knows how to make a scene pop and make traditional action sets feel extremely original. Even as I’m typing this, I can’t forget the highway scene where the bad guys have hijacked a car-carrying truck and they start to release the cars as they speed down the highway. It’s absolute calamity.
Entertainment Value: 7
Memorability: 8
Pace: 7
Bay does his best to keep things fresh, but it’s hard to hide from the fact that this is all about action then dialogue then right back to action. It gets a bit repetitive at times, but I will also admit that it may have something to do with the fact that I’ve watched a shit ton of movies recently (what else is new?). When Cuba gets mentioned and you realize the movie is only two thirds of the way over when it should be finished, that’s when things really slowed down for me even more. You can absolutely cut thirty minutes from this movie and it would be phenomenal, possibly a classic.
Plot: 6
Decent enough story, but nothing that’s going to win an Oscar. I felt corners were cut in spots as there were times where I was trying to figure out, “Why the hell is this happening now?” I also didn’t appreciate some of the cheats, which is a term I use to refer to spots in the movie that conveniently happen for the sake of it being a good scene. Again, cut a half hour of this movie and I might be feeling differently overall.
Resolution: 4
The end was not only mad corny, but it didn’t feel like a real resolution. Not sure what they were going for here, but it didn’t work. The end didn’t really justify the length of what it took to get there.
Overall: 73
I know I know. You read through this review and it almost sounds like I hated Bad Boys II. Truth is, it wasn’t terrible. Would it be the first action movie I recommend? Absolutely not. On the flipside, I can definitely think of many that were worse. At the risk of losing all credibility (as if I had any to begin with), I actually enjoyed this movie more than I did The French Connection. Fight me.
Acting: 9
You have to love the performances of Lawrence and Smith as they know how to carry a movie between the two of them. Their chemistry is amazing and they do a wonderful job of balancing each other out, particularly in this film were Smith is more of a shoot-first type while Lawrence’s role is about finding peace and zen. Joe Pantoliano makes a return as Captain Howard, making me crack up everytime he opens his mouth to yell at Lowrey and Burnett for screwing up yet again.
The one role I just couldn’t let sneak past was Jordi Molla playing Johnny Tapia. Terrible doesn’t even begin to describe his performance. It feels too cliche and way overdone, detracting from important scenes at times. Wasn’t a fan in the slightest.
Beginning: 7
While I did appreciate the action at the beginning of the movie, there was just too much going on for me to really settle in and get into it. It’s hard to really understand up from down in the first ten minutes which carries on as the movie progresses as well. Less can be more sometimes, but it feels like in this instance, director Michael Bay called for more of everything.
Characters: 9
Cinematography/Visuals: 6
Bad Boys II has its moments cinematically. The mortuary scene and the scene in the abandoned house are two that really stand out for me. They were shot in such a way that they are hard to forget. From an overall standpoint, I am not a fan of the overdose of slowmo that Bay loves to do. It becomes tedious to the brain and drags the movie out longer than it needs to be. And this movie already has enough time constraints as it is.
Conflict: 10
Action abounds in this second installment from shootouts to car chases to explosions on top of explosions. If you are an action junky, this movie will not disappoint. As much as I rag on Bay (and, no he’s not my favorite director), he knows how to make a scene pop and make traditional action sets feel extremely original. Even as I’m typing this, I can’t forget the highway scene where the bad guys have hijacked a car-carrying truck and they start to release the cars as they speed down the highway. It’s absolute calamity.
Entertainment Value: 7
Memorability: 8
Pace: 7
Bay does his best to keep things fresh, but it’s hard to hide from the fact that this is all about action then dialogue then right back to action. It gets a bit repetitive at times, but I will also admit that it may have something to do with the fact that I’ve watched a shit ton of movies recently (what else is new?). When Cuba gets mentioned and you realize the movie is only two thirds of the way over when it should be finished, that’s when things really slowed down for me even more. You can absolutely cut thirty minutes from this movie and it would be phenomenal, possibly a classic.
Plot: 6
Decent enough story, but nothing that’s going to win an Oscar. I felt corners were cut in spots as there were times where I was trying to figure out, “Why the hell is this happening now?” I also didn’t appreciate some of the cheats, which is a term I use to refer to spots in the movie that conveniently happen for the sake of it being a good scene. Again, cut a half hour of this movie and I might be feeling differently overall.
Resolution: 4
The end was not only mad corny, but it didn’t feel like a real resolution. Not sure what they were going for here, but it didn’t work. The end didn’t really justify the length of what it took to get there.
Overall: 73
I know I know. You read through this review and it almost sounds like I hated Bad Boys II. Truth is, it wasn’t terrible. Would it be the first action movie I recommend? Absolutely not. On the flipside, I can definitely think of many that were worse. At the risk of losing all credibility (as if I had any to begin with), I actually enjoyed this movie more than I did The French Connection. Fight me.
Gareth von Kallenbach (980 KP) rated Contagion (2011) in Movies
Aug 7, 2019
A couple of years ago, news and health agencies the world over were concerned about a possible pandemic stemming from bird flu and swine flu. Thankfully like SARS a few years earlier, the outbreaks were rather small thanks to a wealth of precautionary information and measures. In the new film “Contagion” director Steven Soderbergh paints a frighteningly realistic look at a worldwide pandemic that spread without warning, and its devastating aftermath.
When businesswoman Beth Emhoff (Gwyneth Paltrow), returns from a business trip to Hong Kong with what appears to be a simple case of the flu, her husband Mitch (Matt Damon), figures it’s nothing to be overly concerned about. When Beth all of a sudden begins to convulse and later dies unexpectedly, doctors are at a loss to explain what happened.
Over the next few days, more and more people become sick and die including Mitch’s young stepson, which gets the national and international disease control organizations working overtime to try to trace, identify and treat this mysterious ailment that sweeping the globe. Dr. Ellis Cheever (Laurence Fishburne) leads the investigation in the United States and calls in Dr. Erin Mears (Kate Winslet), to track who may have come into contact with Beth upon her return to the Minneapolis. The World Health Organization sends Dr. Leonora Orantes (Marion Cotillard) to Hong Kong trace possible origins.
As the first week passes more and more people become sick worldwide, cities start fighting a losing battle against frenzy and panic. In time the virus is identified but due to its unique nature, finding a vaccine and producing it can take several months with thousands of lives lost with each passing day. With chaos breaking loose and the bodies piling up, the authorities find themselves unable to deal with the threat they are facing and go to extreme measures such as closing the state borders to try to contain the spread of the virus.
Adding to the confusion is a freelance blogger named Alan (Jude Law), who has amassed a large audience with his conspiracy claims that there are indeed cures available for the mysterious virus. He contends the government elite and the pharmaceutical companies are exploiting the situation in order to milk maximum profit from the inevitable release of a vaccine.
The film deftly moves around the world showing the victims, scientists and investigators and how the crisis is affecting them. It also shows how quickly society can break down as scene after shocking scene of chaos and devastation are introduced juxtaposed with the number of days since the outbreak of the virus.
Soderbergh keeps you on the edge of your seat and doesn’t give you a moment’s rest. Characters are introduced and given just enough of a back story so that you understand their place in the film. Most heartbreaking is Matt Damon’s role as a father who’s left watching over his only remaining child, going to great measures to keep her safe while also dealing with the death of his wife and the unfolding secret of the last days of her life.
There is truly an impressive array of stars in the film, some of whom play brief but significant parts in the overall story. However, the movie’s strength is also its weakness in that with so many primary characters,there were some diverging storylines that did not get fully fleshed out.
While “Contagion” is not the first film to deal with viral outbreak, it is perhaps the most realistic as it doesn’t resort to any Hollywood standards such as car chases, explosions, starcrossed lovers and so on to tell its story. Instead it focuses on stark, somber scenarios and the struggles of each character is very easy to relate to.
Kudos has to be given to many of the stars of the film for their understated but pitch perfect work in very unglamorous roles. Their subtle & poignant acting underscore the dire situations that their characters find themselves in. It was refreshing to see leading men and women looking quite ordinary and letting the story carry the picture rather than focusing on one individual to save the day.
All throughout the film I found myself captivated and never once did I lose interest in the scenarios or characters nor did I find anything in the film impossible to believe. The film doesn’t go overboard on pointing fingers instead it gives an honest and unflinching look at a scenario that we can only hope will never happen. But as the film points out, viral outbreaks have occurred all throughout history. Hardly an encouraging message, but thanks to the stellar cast and gripping subject matter “Contagion” is a film you will not want to miss.
When businesswoman Beth Emhoff (Gwyneth Paltrow), returns from a business trip to Hong Kong with what appears to be a simple case of the flu, her husband Mitch (Matt Damon), figures it’s nothing to be overly concerned about. When Beth all of a sudden begins to convulse and later dies unexpectedly, doctors are at a loss to explain what happened.
Over the next few days, more and more people become sick and die including Mitch’s young stepson, which gets the national and international disease control organizations working overtime to try to trace, identify and treat this mysterious ailment that sweeping the globe. Dr. Ellis Cheever (Laurence Fishburne) leads the investigation in the United States and calls in Dr. Erin Mears (Kate Winslet), to track who may have come into contact with Beth upon her return to the Minneapolis. The World Health Organization sends Dr. Leonora Orantes (Marion Cotillard) to Hong Kong trace possible origins.
As the first week passes more and more people become sick worldwide, cities start fighting a losing battle against frenzy and panic. In time the virus is identified but due to its unique nature, finding a vaccine and producing it can take several months with thousands of lives lost with each passing day. With chaos breaking loose and the bodies piling up, the authorities find themselves unable to deal with the threat they are facing and go to extreme measures such as closing the state borders to try to contain the spread of the virus.
Adding to the confusion is a freelance blogger named Alan (Jude Law), who has amassed a large audience with his conspiracy claims that there are indeed cures available for the mysterious virus. He contends the government elite and the pharmaceutical companies are exploiting the situation in order to milk maximum profit from the inevitable release of a vaccine.
The film deftly moves around the world showing the victims, scientists and investigators and how the crisis is affecting them. It also shows how quickly society can break down as scene after shocking scene of chaos and devastation are introduced juxtaposed with the number of days since the outbreak of the virus.
Soderbergh keeps you on the edge of your seat and doesn’t give you a moment’s rest. Characters are introduced and given just enough of a back story so that you understand their place in the film. Most heartbreaking is Matt Damon’s role as a father who’s left watching over his only remaining child, going to great measures to keep her safe while also dealing with the death of his wife and the unfolding secret of the last days of her life.
There is truly an impressive array of stars in the film, some of whom play brief but significant parts in the overall story. However, the movie’s strength is also its weakness in that with so many primary characters,there were some diverging storylines that did not get fully fleshed out.
While “Contagion” is not the first film to deal with viral outbreak, it is perhaps the most realistic as it doesn’t resort to any Hollywood standards such as car chases, explosions, starcrossed lovers and so on to tell its story. Instead it focuses on stark, somber scenarios and the struggles of each character is very easy to relate to.
Kudos has to be given to many of the stars of the film for their understated but pitch perfect work in very unglamorous roles. Their subtle & poignant acting underscore the dire situations that their characters find themselves in. It was refreshing to see leading men and women looking quite ordinary and letting the story carry the picture rather than focusing on one individual to save the day.
All throughout the film I found myself captivated and never once did I lose interest in the scenarios or characters nor did I find anything in the film impossible to believe. The film doesn’t go overboard on pointing fingers instead it gives an honest and unflinching look at a scenario that we can only hope will never happen. But as the film points out, viral outbreaks have occurred all throughout history. Hardly an encouraging message, but thanks to the stellar cast and gripping subject matter “Contagion” is a film you will not want to miss.
Gareth von Kallenbach (980 KP) rated 7500 (2019) in Movies
Jun 22, 2020
Greetings & Salutations Everyone!
On behalf of myself and my fellows at ‘Skewed & Reviewed’ I want to say I hope all of you and those nearest and dearest to you continue to be healthy and safe during these uncertain times.
We’ve made it to another summer and with that comes a multitude of new films for the summer of 2020 only they’ll assemble in the queues on your digital devices rather than the movie theaters. Trust me. That’s a good thing right about now. We’re going to take a turn off the beaten path this time. Instead of a comedy or an action film, we’re going to start things off with a thriller. With all the unpleasantness going about it seems like an odd move perhaps? Not really. A well-made thriller film will create such intensity that you’ll completely forget about everything else at least for the film’s running time anyways. Judging from my own experience, today’s movie for you consideration will accomplish just that.
The aviation transponder code indicating that a hijack is in progress. Essentially the worst case scenario for any flight crew and accompanying passengers. The basis for today’s film. ‘7500’ is a 2019 an Austrian/German/American dramatic thriller from Amazon Studios and the directorial debut of German filmmaker Patrick Vollrath. Written by Vollrath and Senad Halilbasic and stars Joseph Gordon-Levitt (in his first film since 2016), Omid Memar, Aylin Tezel, Carlo Kitzlinger, Aurélie Thépaut, Murathan Muslu, and Paul Wollin.
Evening. Berlin Tegal Airport. Passengers and crew board a passenger plane bound for Paris. A routine flight (from what I’ve personally been told by retired U.S. Air Force personnel and friends in France, an amazing experience for any traveler). While the passengers begin to board he plane, Co-pilot Tobias Ellis (Levitt) and his girlfriend Gökce (Tezel) one of the flight attendants trying to decide on which school they can send their child too. Captain Michael Lutzmann (Kitzlinger) makes his way into the cockpit while making jokes regarding the plane. Everyday life. Flight check complete, the plane proceeds to take off and for the first few moments a routine trip. That quickly changes when a group of men including a young man named Vedat, attempt to break into the plane’s flight deck and take control of plane. After a brief but violent struggle, Tobias and Captain Lutzman despite both being wounded, overpower one of the hijackers and force the cockpit door closed. Over the course of the next few moments, the situation will go from bad to worse as the fate of the passengers, the crew, and even the hijackers will be left in Tobias’s hands as he attempts to get the plane to safety while injured and thwart the plans of Vedat and his associates. One thing is clear. No matter what happens, no matter how much he might want to, he cannot under any circumstances open the door to the flight deck.
Right off the bat. 4 out of 5 stars. The film was brilliant. My eyes were glued to the computer monitor for the 92 minute runtime of the movie. Part of which was due to the fact that the film was based entirely upon the idea of something that could very well possibly happen and unfortunately has happened before. There is a focus on conviction for both sides. How far is an individual prepared to go? What are they willing to do to prevent the other from overpowering them regardless if your intentions are just or malevolent? What is one willing to sacrifice in order to carry out an objective or safeguard the lives of a group? Joseph Gordon-Levitt might have been out of the game for a while but he certainly hasn’t lost his edge and the cast and crew of the film he decided to team-up with for this outing did not disappoint either.
I wouldn’t recommend this one for the kids due to the dark nature of the story and the violence involved at points in the film. It does touch upon certain stereotypes which perhaps should be talked about among those who see the movie. The film takes place almost exclusively on the flight deck of the plane which reminded me of Joel Schumacher’s 2003 film ‘Phone Booth’ starring Colin Farrell or Mukunda Michael Dewil’s 2013 film Vehicle 19 starring the late Paul Walker. The focus of the confined space only adds to the intensity and so very few directors have managed to pull off films like these three. Definitely add this film to your queue and pick a Friday or Saturday late night to view it. I personally believe the ‘Master of Suspense’ Alfred Hitchcock himself would have.
On behalf of myself and my fellows at ‘Skewed & Reviewed’ I want to say I hope all of you and those nearest and dearest to you continue to be healthy and safe during these uncertain times.
We’ve made it to another summer and with that comes a multitude of new films for the summer of 2020 only they’ll assemble in the queues on your digital devices rather than the movie theaters. Trust me. That’s a good thing right about now. We’re going to take a turn off the beaten path this time. Instead of a comedy or an action film, we’re going to start things off with a thriller. With all the unpleasantness going about it seems like an odd move perhaps? Not really. A well-made thriller film will create such intensity that you’ll completely forget about everything else at least for the film’s running time anyways. Judging from my own experience, today’s movie for you consideration will accomplish just that.
The aviation transponder code indicating that a hijack is in progress. Essentially the worst case scenario for any flight crew and accompanying passengers. The basis for today’s film. ‘7500’ is a 2019 an Austrian/German/American dramatic thriller from Amazon Studios and the directorial debut of German filmmaker Patrick Vollrath. Written by Vollrath and Senad Halilbasic and stars Joseph Gordon-Levitt (in his first film since 2016), Omid Memar, Aylin Tezel, Carlo Kitzlinger, Aurélie Thépaut, Murathan Muslu, and Paul Wollin.
Evening. Berlin Tegal Airport. Passengers and crew board a passenger plane bound for Paris. A routine flight (from what I’ve personally been told by retired U.S. Air Force personnel and friends in France, an amazing experience for any traveler). While the passengers begin to board he plane, Co-pilot Tobias Ellis (Levitt) and his girlfriend Gökce (Tezel) one of the flight attendants trying to decide on which school they can send their child too. Captain Michael Lutzmann (Kitzlinger) makes his way into the cockpit while making jokes regarding the plane. Everyday life. Flight check complete, the plane proceeds to take off and for the first few moments a routine trip. That quickly changes when a group of men including a young man named Vedat, attempt to break into the plane’s flight deck and take control of plane. After a brief but violent struggle, Tobias and Captain Lutzman despite both being wounded, overpower one of the hijackers and force the cockpit door closed. Over the course of the next few moments, the situation will go from bad to worse as the fate of the passengers, the crew, and even the hijackers will be left in Tobias’s hands as he attempts to get the plane to safety while injured and thwart the plans of Vedat and his associates. One thing is clear. No matter what happens, no matter how much he might want to, he cannot under any circumstances open the door to the flight deck.
Right off the bat. 4 out of 5 stars. The film was brilliant. My eyes were glued to the computer monitor for the 92 minute runtime of the movie. Part of which was due to the fact that the film was based entirely upon the idea of something that could very well possibly happen and unfortunately has happened before. There is a focus on conviction for both sides. How far is an individual prepared to go? What are they willing to do to prevent the other from overpowering them regardless if your intentions are just or malevolent? What is one willing to sacrifice in order to carry out an objective or safeguard the lives of a group? Joseph Gordon-Levitt might have been out of the game for a while but he certainly hasn’t lost his edge and the cast and crew of the film he decided to team-up with for this outing did not disappoint either.
I wouldn’t recommend this one for the kids due to the dark nature of the story and the violence involved at points in the film. It does touch upon certain stereotypes which perhaps should be talked about among those who see the movie. The film takes place almost exclusively on the flight deck of the plane which reminded me of Joel Schumacher’s 2003 film ‘Phone Booth’ starring Colin Farrell or Mukunda Michael Dewil’s 2013 film Vehicle 19 starring the late Paul Walker. The focus of the confined space only adds to the intensity and so very few directors have managed to pull off films like these three. Definitely add this film to your queue and pick a Friday or Saturday late night to view it. I personally believe the ‘Master of Suspense’ Alfred Hitchcock himself would have.
Emma @ The Movies (1786 KP) rated Ralph Breaks the Internet: Wreck-It Ralph 2 (2018) in Movies
Sep 25, 2019
This is an entertaining film. I definitely came out of it with a smile on my face. At the same time though, as an adult, it surprisingly gave me several pauses for thought. It's about change and friendship, jealousy and insecurity... things as a grown-up that you perhaps push to the back of your mind so that you can carry on. I was in danger of thinking a bit too deep at one point, but luckily something funny happened to distract me (much like real life).
But enough of that deep sigh moment.
Ralph is still the bumbling bad guy and inadvertently causes the mayhem that sets off the main storyline in the film. That coupled with the new whiffy... wifey...? in the arcade means that they get to meet a whole new world on the internet.
It's a fun way to think about going online, everyone milling around like it's a shopping centre. And I'm sure that we've all been in Ralph's position too, shopping on the internet and forgotten to be prepared with our credit card to checkout. Of course I don't think we've ever thought to do what he does to fix the problem.
Vanellope makes a few new friends in the form of Shank and her crew from GTA style game, Slaughter Race. Just like the first movie all the different styles went well together. But my favourite bit about their first outing in Slaughter Race were the player avatars. Those slightly stunted turns and limb movements were perfect and took me back to my days of game play. I've also got to give the shark an honourable mention, his next staring role should be "The Meg: The Musical".
I can't do a review for this and not mention the Princesses. I'm not sure they're as good as I'd hoped they'd be. Pocahontas gets the biggest praise for her constantly fluttering hair but they were all just kind of... there, and there wasn't much else. They do at least teach V that she can channel her inner Princess by staring into some water, but gazing at her reflection doesn't quite have the desired effect.
When the story goes back to Ralph it's a little sad to see that he can't let it go and see how Vanellope has found a new home. They do at least give him some redemption and he realises that she's a girl worth fighting for and goes about fixing all of the drama that he's caused.
As well as the fun there's some truths about the internet in there too. First rule of the internet, don't read the comments, and the troll at the Q&A. Good luck explaining those things to your kids... "When people grow up, some of them become dickhead and upset other people because they have nothing better to do with their spare time."
Watching this I did at least find an answer to the age old question of why I occasionally lose my internet connection! Watching all those poor unfortunate souls losing theirs... well it'll probably make me less stressed to imagine that happening when the whiffy box says no next time.
Honestly, this waffle will end soon...
Ralph Breaks The Internet is like the kids version of Ready Player One. I spent so much of the movie looking around for all the little hidden tidbits. What websites can you spot? Which characters? Dial-up Express amused me, and it's certainly one for the adults to laugh at. I also took a pause at Stan Lee, I nearly had my own Princess moment in a puddle of tears.
Lastly we obviously have to mention the credit scenes. Two of them. I got super annoyed when the credits started to roll, as you may well do, but scene one really turned that around. You have to stay right until the end for the second one, it will reeeeeally annoy you, so enjoy that!
What you should do
You should watch it. The kids will love it because of all the characters and daft antics, and you'll love it because of those two things and all the hidden references.
Movie thing you wish you could take home
So many choices. I wouldn't mind having my own amusement arcade... oooooooh or Princess hair... ooooooooooh or animals that sew clothes... ooooooooh or... I could be here a while, why don't you click on a pop up ad and go heart some videos instead of waiting around.
[I'd like to apologise for more waffle than usual, but when I accidentally put one Disney song title in a sentence I couldn't pass up the chance to try for more!]
But enough of that deep sigh moment.
Ralph is still the bumbling bad guy and inadvertently causes the mayhem that sets off the main storyline in the film. That coupled with the new whiffy... wifey...? in the arcade means that they get to meet a whole new world on the internet.
It's a fun way to think about going online, everyone milling around like it's a shopping centre. And I'm sure that we've all been in Ralph's position too, shopping on the internet and forgotten to be prepared with our credit card to checkout. Of course I don't think we've ever thought to do what he does to fix the problem.
Vanellope makes a few new friends in the form of Shank and her crew from GTA style game, Slaughter Race. Just like the first movie all the different styles went well together. But my favourite bit about their first outing in Slaughter Race were the player avatars. Those slightly stunted turns and limb movements were perfect and took me back to my days of game play. I've also got to give the shark an honourable mention, his next staring role should be "The Meg: The Musical".
I can't do a review for this and not mention the Princesses. I'm not sure they're as good as I'd hoped they'd be. Pocahontas gets the biggest praise for her constantly fluttering hair but they were all just kind of... there, and there wasn't much else. They do at least teach V that she can channel her inner Princess by staring into some water, but gazing at her reflection doesn't quite have the desired effect.
When the story goes back to Ralph it's a little sad to see that he can't let it go and see how Vanellope has found a new home. They do at least give him some redemption and he realises that she's a girl worth fighting for and goes about fixing all of the drama that he's caused.
As well as the fun there's some truths about the internet in there too. First rule of the internet, don't read the comments, and the troll at the Q&A. Good luck explaining those things to your kids... "When people grow up, some of them become dickhead and upset other people because they have nothing better to do with their spare time."
Watching this I did at least find an answer to the age old question of why I occasionally lose my internet connection! Watching all those poor unfortunate souls losing theirs... well it'll probably make me less stressed to imagine that happening when the whiffy box says no next time.
Honestly, this waffle will end soon...
Ralph Breaks The Internet is like the kids version of Ready Player One. I spent so much of the movie looking around for all the little hidden tidbits. What websites can you spot? Which characters? Dial-up Express amused me, and it's certainly one for the adults to laugh at. I also took a pause at Stan Lee, I nearly had my own Princess moment in a puddle of tears.
Lastly we obviously have to mention the credit scenes. Two of them. I got super annoyed when the credits started to roll, as you may well do, but scene one really turned that around. You have to stay right until the end for the second one, it will reeeeeally annoy you, so enjoy that!
What you should do
You should watch it. The kids will love it because of all the characters and daft antics, and you'll love it because of those two things and all the hidden references.
Movie thing you wish you could take home
So many choices. I wouldn't mind having my own amusement arcade... oooooooh or Princess hair... ooooooooooh or animals that sew clothes... ooooooooh or... I could be here a while, why don't you click on a pop up ad and go heart some videos instead of waiting around.
[I'd like to apologise for more waffle than usual, but when I accidentally put one Disney song title in a sentence I couldn't pass up the chance to try for more!]