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Midge (525 KP) rated SEAL's Homecoming in Books
Jan 31, 2019 (Updated Jan 31, 2019)
Hot romance (2 more)
Great lead characters
Action and suspense
A Delightful, Sexy Must Read!
I absolutely adored this wonderful, hot, little romance from the very beginning.
Chance McCallister is a Navy SEAL with dark brown eyes a perfectly honed body and likes sprucing up classic cars. He and his brothers have returned to their home town of Springwell, Georgia for their father’s funeral. Chance buys the car parts from the garage that his ex-girlfriend owns, who he is trying to avoid and hasn’t seen for twelve years. No problem, unless things start to get complicated....
Enter Mandy Loomis, a stunning, petite, curvy, russet-haired beauty, to whom he lost his virginity and who he thought he’d marry until she ripped out his heart just before he left for the Navy. Mandy’s gambler father died two years ago, leaving her the garage family business and a whole load of related debt, owed to a loan shark.
To Mandy, Chance was her childhood sweetheart who abandoned her 12 years ago. Then he was 18 years old, now she is drowning in lust for him and he is bigger, stronger and even sexier, with an aura of danger and a reputation of fighter and predator. Just as the two are beginning to realize they could have a future together, the loan shark starts to make some serious trouble for them, putting both their love and their lives in danger.
Although Chance has a bad-boy image, I loved the sexy chemistry between him and Mandy whenever they were together and they were both very likeable characters. Mandy is bright, ambitious, fiercely independent and very much knows her own mind. Chance is gorgeous and his actions are always carried out with good intentions.
"SEAL’s Homecoming" is a short fast-paced read with lots of action, some suspense and plenty of lust and love. Leslie North has written another brilliant story that was sweet and captivating to the end and loads of fun to read.
I would wholeheartedly recommend this book to anyone.
Thank you to Hidden Gems and the author, Leslie North, for a free ARC of this book in exchange for a voluntary, honest review.
Chance McCallister is a Navy SEAL with dark brown eyes a perfectly honed body and likes sprucing up classic cars. He and his brothers have returned to their home town of Springwell, Georgia for their father’s funeral. Chance buys the car parts from the garage that his ex-girlfriend owns, who he is trying to avoid and hasn’t seen for twelve years. No problem, unless things start to get complicated....
Enter Mandy Loomis, a stunning, petite, curvy, russet-haired beauty, to whom he lost his virginity and who he thought he’d marry until she ripped out his heart just before he left for the Navy. Mandy’s gambler father died two years ago, leaving her the garage family business and a whole load of related debt, owed to a loan shark.
To Mandy, Chance was her childhood sweetheart who abandoned her 12 years ago. Then he was 18 years old, now she is drowning in lust for him and he is bigger, stronger and even sexier, with an aura of danger and a reputation of fighter and predator. Just as the two are beginning to realize they could have a future together, the loan shark starts to make some serious trouble for them, putting both their love and their lives in danger.
Although Chance has a bad-boy image, I loved the sexy chemistry between him and Mandy whenever they were together and they were both very likeable characters. Mandy is bright, ambitious, fiercely independent and very much knows her own mind. Chance is gorgeous and his actions are always carried out with good intentions.
"SEAL’s Homecoming" is a short fast-paced read with lots of action, some suspense and plenty of lust and love. Leslie North has written another brilliant story that was sweet and captivating to the end and loads of fun to read.
I would wholeheartedly recommend this book to anyone.
Thank you to Hidden Gems and the author, Leslie North, for a free ARC of this book in exchange for a voluntary, honest review.
Emma @ The Movies (1786 KP) rated The Upside (2019) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
After a bit of a bleak start to January I was looking forward to something with a little humour and The Upside did not disappoint.
Kevin Hart is always one of those actors that strikes me as an acquired taste. I enjoy lots of his roles but they do have a tendency to grate a little. Dell made a wonderful change though, it really suited him. This is probably the most serious role I've seen him in and I'm hoping that this is going to lead to more things along this line.
The other actors make good work of their parts. Kidman's role is rather small and a little predictable but entertaining nevertheless. I'd be hard pushed to tell you what I've ever seen Cranston in apart from Malcolm In The Middle, I can't say I was as impressed with him as I was Hart but he made for a good partner in crime.
There's one thing that confused me though was the very opening of the film. The first scene shows you events from further down the timeline but there doesn't seem to be any reason for it. I've been contemplating possibilities, potentially to show that the main character of the film isn't just Dell, but that becomes evident on it's own. I'm really shrugging my shoulders about its inclusion, it's quickly forgotten and doesn't really have any impact there and probably detracted from its inclusion later on.
The Upside is a remake of the French film Untouchable (original title Intouchables) which in turn was inspired by the real life story of Philippe Pozzo di Borgo and Abdel Sellou. It's a charming story, delightfully amusing, and quite incredible to discover is inspired by true events. It certainly gives you something to stop and think about, and the fact that there are stories out there like this does give you back a little faith in humanity.
What you should do
It's well worth a watch, I think I'm even going to say that the money on a cinema ticket would not feel like a waste.
Movie thing you wish you could take home
A collection of sports cars would be quite nice, and the money to keep myself insured on them!
Kevin Hart is always one of those actors that strikes me as an acquired taste. I enjoy lots of his roles but they do have a tendency to grate a little. Dell made a wonderful change though, it really suited him. This is probably the most serious role I've seen him in and I'm hoping that this is going to lead to more things along this line.
The other actors make good work of their parts. Kidman's role is rather small and a little predictable but entertaining nevertheless. I'd be hard pushed to tell you what I've ever seen Cranston in apart from Malcolm In The Middle, I can't say I was as impressed with him as I was Hart but he made for a good partner in crime.
There's one thing that confused me though was the very opening of the film. The first scene shows you events from further down the timeline but there doesn't seem to be any reason for it. I've been contemplating possibilities, potentially to show that the main character of the film isn't just Dell, but that becomes evident on it's own. I'm really shrugging my shoulders about its inclusion, it's quickly forgotten and doesn't really have any impact there and probably detracted from its inclusion later on.
The Upside is a remake of the French film Untouchable (original title Intouchables) which in turn was inspired by the real life story of Philippe Pozzo di Borgo and Abdel Sellou. It's a charming story, delightfully amusing, and quite incredible to discover is inspired by true events. It certainly gives you something to stop and think about, and the fact that there are stories out there like this does give you back a little faith in humanity.
What you should do
It's well worth a watch, I think I'm even going to say that the money on a cinema ticket would not feel like a waste.
Movie thing you wish you could take home
A collection of sports cars would be quite nice, and the money to keep myself insured on them!
Gareth von Kallenbach (971 KP) rated The Twilight Saga: New Moon (2009) in Movies
Aug 8, 2019
If you hear the sound of a million screaming girls coming from your local theater, then you already know that the newest film in the Twilight Saga, “New Moon” is here. Picking up where “Twilight” left off is the love triangle between emo babe, Bella (Kristen Stewert), her star-crossed boyfriend/vampire, Edward (Robert Pattinson), and the heartfelt affectionate werewolf, Jacob (Taylor Lautner). But this film isn’t just about this century’s most discussed love triangle. “New Moon” takes Twilighters deeper into the history and mythos of these loveable monsters. Further expanding the Twilightverse is the introduction of the Volturi, the vampire royalty, who keep their kind a global secret, with serious consequences for those who break their code.
If you were bored during the slow buildup of “Twilight” then “New Moon” should be an exciting change, filled with fast cars and strong CGI. And the visuals don’t stop there, with backdrops ranging from the rainy forests of Washington to the sunny streets of Tuscany, this film goes far beyond the scope of the last.
Most impressively the acting has improved, especially on the part of Jacob Black who is charming in “New Moon”, a significant improvement from his irritating portrayal in the first film. Did I mention that he has gained a six pack? No, not just the abs, but also in the form of his wolf tribe (yes, I know there are only five wolves, but who can resist a good six pack turn of phrase?).
I only wish there had been more interaction with the Volturi. Surely there was a way to skip an unnecessary emotional Bella scene for a better understanding of the cruel nature of these creatures. Still the chemistry between Bella and the two men of her dreams is undeniably heart wrenching in this cinematic chapter.
Lovers of Twilight will also rejoice over the clever dialogue, which immediately took me back to key moments in the books. Moreover, the action-filled storytelling might just be the final straw for the remaining people out there on the fence about tackling the hefty novels.
If you were bored during the slow buildup of “Twilight” then “New Moon” should be an exciting change, filled with fast cars and strong CGI. And the visuals don’t stop there, with backdrops ranging from the rainy forests of Washington to the sunny streets of Tuscany, this film goes far beyond the scope of the last.
Most impressively the acting has improved, especially on the part of Jacob Black who is charming in “New Moon”, a significant improvement from his irritating portrayal in the first film. Did I mention that he has gained a six pack? No, not just the abs, but also in the form of his wolf tribe (yes, I know there are only five wolves, but who can resist a good six pack turn of phrase?).
I only wish there had been more interaction with the Volturi. Surely there was a way to skip an unnecessary emotional Bella scene for a better understanding of the cruel nature of these creatures. Still the chemistry between Bella and the two men of her dreams is undeniably heart wrenching in this cinematic chapter.
Lovers of Twilight will also rejoice over the clever dialogue, which immediately took me back to key moments in the books. Moreover, the action-filled storytelling might just be the final straw for the remaining people out there on the fence about tackling the hefty novels.
Gareth von Kallenbach (971 KP) rated Insidious: Chapter 3 (2015) in Movies
Aug 6, 2019
Some of us at one time or another have considered contacting a loved one who has passed away or making contact with the “other side” through séances, Ouija boards, or even the recent trend “Charlie, Charlie.” We don’t consider the ramifications of our decisions and what the outcome could be. With the third installment of the Insidious franchise we bear witness to this possibility for one young lady. Quinn Brenner is suffering from the recent loss of her mother and desperately wants to contact her. In her attempts to contact the departed, she reaches out to Elise Rainier, a medium who reluctantly assists her, yet warns her of the dangers in pursuing this endeavor. Unfortunately for Quinn, the warning comes too late as her attempts to reach out to her mother have opened up the opportunity to be contacted by other spirits. As a result, Quinn finds herself being pursued by a dark entity whose only purpose is obtaining her soul. With the help of Elise and Quinn’s father, it becomes a fight to rescue her soul from the clutches of this dark and mysterious figure.
The film’s story and plot are very simple to follow and with it being a prequel has a few connections to the other movies within the Insidious franchise. Viewers of the other two films will catch on to some of the references and allusions to the previous movies. With this being said, it makes for a good stand-alone film and does not require its audience to watch the other films in order to understand the issues and follow along with the story. There are more than enough suspenseful moments in the film and it will keep audiences at the edge of their seats waiting to see what awaits them in each scene. Despite its PG-13 rating, it does a great job in finding a balance with the suspense and gore. There are a multitude of misdirections applied and creative moves to frighten the viewers which will have audiences looking over their shoulders as they walk back to their cars from the theater, questioning every sound that they hear, and keeping all of the lights on in their homes for safe measure.
4/5
The film’s story and plot are very simple to follow and with it being a prequel has a few connections to the other movies within the Insidious franchise. Viewers of the other two films will catch on to some of the references and allusions to the previous movies. With this being said, it makes for a good stand-alone film and does not require its audience to watch the other films in order to understand the issues and follow along with the story. There are more than enough suspenseful moments in the film and it will keep audiences at the edge of their seats waiting to see what awaits them in each scene. Despite its PG-13 rating, it does a great job in finding a balance with the suspense and gore. There are a multitude of misdirections applied and creative moves to frighten the viewers which will have audiences looking over their shoulders as they walk back to their cars from the theater, questioning every sound that they hear, and keeping all of the lights on in their homes for safe measure.
4/5
Leanne Crabtree (480 KP) rated Emerald Blaze in Books
Jan 7, 2021
4.5 stars.
I do really enjoy this series.
This one starts with Catalina and her team trying to coax a "helper" monkey down off a lamppost while fellow PI firm, MII, do the same - both working for separate clients who claim to own the monkey. After sorting that little issue out they sense an unusual force coming from the water and are attacked by a horde of strange creatures. Afterwards she is summoned to her boss' house where she learns of a new job. A man has been found dead in what's known as the Pit and his father wants his murderer found and killed. Catalina has to figure out who did it and Alessandro - her teenage crush and the man who broke her heart when he left six months ago - is there to do the killing.
A lot more than just the above happened but it would be a spoiler to share that with others so I'll let you figure out the fun that is this book.
I really love House Baylor. They are all really protective of each other and have some of the handiest powers going for a PI firm: precision shooting, ability to sniff out lies, the ability to build armoured cars. I feel they've grown a lot over the last four books and in this one, they really are top of their game.
The romance between Catalina and Alessandro was definitely on a slow burn in this. We knew they cared about each other after the previous book but when he left, he really hurt her. It was like the pink elephant in the room. They didn't really acknowledge it but it was there, floating around, knocking into them occasionally to make them remember. It took a while but they did - eventually - talk to each other about it and finally resolved the issues they'd put between them
'm assuming that this isn't the last we'll see of these two since one arc of the storyline did not get resolved fully and the next book they'll be fighting the threat side by side to the death. I can't wait!
I do really enjoy this series.
This one starts with Catalina and her team trying to coax a "helper" monkey down off a lamppost while fellow PI firm, MII, do the same - both working for separate clients who claim to own the monkey. After sorting that little issue out they sense an unusual force coming from the water and are attacked by a horde of strange creatures. Afterwards she is summoned to her boss' house where she learns of a new job. A man has been found dead in what's known as the Pit and his father wants his murderer found and killed. Catalina has to figure out who did it and Alessandro - her teenage crush and the man who broke her heart when he left six months ago - is there to do the killing.
A lot more than just the above happened but it would be a spoiler to share that with others so I'll let you figure out the fun that is this book.
I really love House Baylor. They are all really protective of each other and have some of the handiest powers going for a PI firm: precision shooting, ability to sniff out lies, the ability to build armoured cars. I feel they've grown a lot over the last four books and in this one, they really are top of their game.
The romance between Catalina and Alessandro was definitely on a slow burn in this. We knew they cared about each other after the previous book but when he left, he really hurt her. It was like the pink elephant in the room. They didn't really acknowledge it but it was there, floating around, knocking into them occasionally to make them remember. It took a while but they did - eventually - talk to each other about it and finally resolved the issues they'd put between them
'm assuming that this isn't the last we'll see of these two since one arc of the storyline did not get resolved fully and the next book they'll be fighting the threat side by side to the death. I can't wait!
BookInspector (124 KP) rated Sleeper in Books
Sep 24, 2020
The protagonist in this book is Will, he is a sixteen-year-old spy, and the whole book is set in 1941, during the Second World War. I loved that this book is telling an action-filled story but during WWII! I loved how the author described everything, from guns, cars to buildings and streets.
This story was told from single, Will’s, perspective but it was fully sufficient for me, as this story was trying to keep the secrets and give out all the findings slowly. I really liked how J. D. Fennell chose the characters for this novel. The character’s personalities fitted them really well, and all the characters were very interesting to read about. I really liked Will, I think he is very suitable to be a protagonist, he has these super cool qualities, but at the same time, he is very human-like, where he gets injured and suffers from tiredness.
I read this book after a slow one, so all the pace and action was very needed for me. The story keeps moving in every chapter, Will is always on the run, so the setting is constantly changing, but I absolutely loved how the author described wartime London. J.D Fennell transferred the view and the spirit of that time perfectly to me. I felt like I was next to Will during his adventures. 😀 I liked that this story carries a lot of feelings, friendships, loss, and it is very interesting to see how Will is dealing with all of this.
I found the writing style easy and pleasant to read, the chapters are pretty short and it made the whole reading experience quite fast. The ending was very well deserved and left me fully satisfied. So, to conclude, if you like stories like Bourne or Maze Runner, I think you will enjoy this one as well. The characters are very well developed, and the plot is constantly moving. I think this book would be an amazing action/adventure film, and I hope it will come to screens someday. I strongly recommend this book, and I hope you will enjoy it as much as I did…
This story was told from single, Will’s, perspective but it was fully sufficient for me, as this story was trying to keep the secrets and give out all the findings slowly. I really liked how J. D. Fennell chose the characters for this novel. The character’s personalities fitted them really well, and all the characters were very interesting to read about. I really liked Will, I think he is very suitable to be a protagonist, he has these super cool qualities, but at the same time, he is very human-like, where he gets injured and suffers from tiredness.
I read this book after a slow one, so all the pace and action was very needed for me. The story keeps moving in every chapter, Will is always on the run, so the setting is constantly changing, but I absolutely loved how the author described wartime London. J.D Fennell transferred the view and the spirit of that time perfectly to me. I felt like I was next to Will during his adventures. 😀 I liked that this story carries a lot of feelings, friendships, loss, and it is very interesting to see how Will is dealing with all of this.
I found the writing style easy and pleasant to read, the chapters are pretty short and it made the whole reading experience quite fast. The ending was very well deserved and left me fully satisfied. So, to conclude, if you like stories like Bourne or Maze Runner, I think you will enjoy this one as well. The characters are very well developed, and the plot is constantly moving. I think this book would be an amazing action/adventure film, and I hope it will come to screens someday. I strongly recommend this book, and I hope you will enjoy it as much as I did…
Lenard (726 KP) rated Blinded by the Light (2019) in Movies
Sep 2, 2019
It's a Sin
1987 Luton, UK: New wave rules the radio, Margaret Thatcher controls the country which is leading to closed factories and people losing their jobs, and Pakistanis are moving into neighbors which the "white" majority resents (when people are losing their jobs, it is easier to blame the "others" moving in instead of the government whose policies have led to these losses). But I digress. Ravi is trapped between two cultures, his Pakistani family and the culture he grows up in in Luton. One day at his school, he meets a Sikh student who gives him two cassettes by Bruce Springsteen and he meets a writing teacher who encourages him to write what he knows. Like the culture clash in his soul, his heart is consumed by these Springsteen songs and expressing his feelings through writing. As is wont in these films, his parents and town learn to accept him and his obvious talent.
Two things struck me about the film. The first is the costume for the father. With the exception of the wedding party which I will discuss in my second, the father is dressed in a dress shirt, tie, and slacks, sometimes a sportcoat. This is the traditional outfit of a 1st generation immigrant. Even though he works in a factory manufacturing cars, he still goes to work or out in public dressed like a successful businessman/financial advisor. There is a belief that in order to achieve success, you must dress as though you have already attained that success. The second is the connection to Bend It Like Beckham, Chadha's previous film, which had a lot more success in the US. There is the best friend's parent who accepts the protagonist quicker than their own. But I am talking about the wedding party scene. In both films, the family is having a wedding party and the protagonist has to leave because there is something urgent that they need to do (play in a soccer game, buy tickets to a Springsteen concert). Family members assist the protagonist to get away without the parents noticing and in each case conflict ensues that brings a feeling of abandonment from the immediate family.
Two things struck me about the film. The first is the costume for the father. With the exception of the wedding party which I will discuss in my second, the father is dressed in a dress shirt, tie, and slacks, sometimes a sportcoat. This is the traditional outfit of a 1st generation immigrant. Even though he works in a factory manufacturing cars, he still goes to work or out in public dressed like a successful businessman/financial advisor. There is a belief that in order to achieve success, you must dress as though you have already attained that success. The second is the connection to Bend It Like Beckham, Chadha's previous film, which had a lot more success in the US. There is the best friend's parent who accepts the protagonist quicker than their own. But I am talking about the wedding party scene. In both films, the family is having a wedding party and the protagonist has to leave because there is something urgent that they need to do (play in a soccer game, buy tickets to a Springsteen concert). Family members assist the protagonist to get away without the parents noticing and in each case conflict ensues that brings a feeling of abandonment from the immediate family.
Gareth von Kallenbach (971 KP) rated Fast Five (2011) in Movies
Aug 7, 2019
The 2011 summer movie season kicks off in high gear with the release of Fast Five the latest installment in the phenomenally popular Fast and Furious series. The movie picks up exactly where the previous film ended with Brian O’ Conner (Paul Walker), orchestrating a daring escape for Dominic Toretto (Vin Diesel).
The film quickly moves forward in time where Brian and Dominic’s sister Mia (Jordana Brewster), overall fugitives from the law, have taken refuge in Rio. Unsure of exactly where Dominic is, an old family friend offers Brian and Mia roles in a job which will surely score them some very easy and much-needed money. Although reluctant, Brian agrees to the job which involves the theft of three high-value cars from a train. Things go horribly wrong when they’re doublecrossed, the aftermath of which leads to the death of three federal agents. Only Dominic’s arrival, quick thinking, and a daring escape allows Brian and Mia to survive.
Although it is not their fault, the deaths of the agents is blamed solely on the trio, and an elite fugitive hunter named Hobbs (Dwayne Johnson) arrives with his team with the sole mission of stopping Brian, Mia and Dominic, no matter the cost.
As if this wasn’t enough trouble for the fugities, it is learned that they have also fallen on the radar of the local drug kingpin named Reyes (Joaquim de Almeida), who will stop at nothing to retrieve an item now in the trio’s possession. Caught in the crossfire between Hobbs and Reyes, Dominic plots an epic caper that will allow them not only the money to flee Hobbs and disappear into a life of luxury, but allow them to settle the score with Reyes.
What follows is a nonstop action thrill ride that sprinkles in a nice mix of comedy and romance to keep things interesting. The film downplays the racing aspect of the series and instead saves the spectacular driving for key action sequences. While street racing scenes are alluded to they are not shown as director Justin Chin focuses squarely on his cast and allows them ample time to develop their characters. In doing so it strengthens the bond between them and allows the climactic sequence to have an even greater impact than your standard over-the-top summer film action scenes.
.
There are some really funny moments in the film as Dominic assembles his team to pull off the ultimate job. The new characters work very well with the established cast from the previous films and introduce characters which I hope will be a part of any future films in the series. Johnson was a very pleasant surprise, as his character could easily have been one-dimensional. He was given a few wrinkles which allowed him to walk the fine line between good guy and bad guy, which is an essential quality to many of the film’s characters. Johnson’s action sequences were solid and highly effective and once again underscores that he needs to be focusing more on action films and less on the family-friendly genre that
has dominated the bulk of his recent work.
Walker and Diesel complement each other perfectly and appear to be having a great time working with one another again. They have a very easy-going and natural chemistry with one another that works even when they’re not behind the wheel of a car or caught up in a frantic action scene.
While the plot of the film is fairly straightforward it provides ample framework for the characters to grow and propel the story forward. While the audience is asked to take some great leaps in logic it doesn’t derail from the finished product. The stuntwork in the film was absolutely amazing and the spectacular finale of the movie alone must be seen to be believed.
Many times during my press screening the audience was completely silent for a brief second following an action sequence before erupting into thunderous applause and cheers after they’ve fully processed what just unfolded on the screen. Larger-than-life characters combined with larger-than-life action, plus some very sexy cars and very sexy people make an extremely winning formula. If the rumors are true, Chin may be handed the reins to the Terminator franchise as well as the next film in the Fast and Furious series, then audiences are in for one hell of a ride.
I think my wife summed it up best when she said that movie was “Ridiculous…ridiculously good.” Reality is thrown out the window for pure adrenaline and testosterone fueled action.
The film quickly moves forward in time where Brian and Dominic’s sister Mia (Jordana Brewster), overall fugitives from the law, have taken refuge in Rio. Unsure of exactly where Dominic is, an old family friend offers Brian and Mia roles in a job which will surely score them some very easy and much-needed money. Although reluctant, Brian agrees to the job which involves the theft of three high-value cars from a train. Things go horribly wrong when they’re doublecrossed, the aftermath of which leads to the death of three federal agents. Only Dominic’s arrival, quick thinking, and a daring escape allows Brian and Mia to survive.
Although it is not their fault, the deaths of the agents is blamed solely on the trio, and an elite fugitive hunter named Hobbs (Dwayne Johnson) arrives with his team with the sole mission of stopping Brian, Mia and Dominic, no matter the cost.
As if this wasn’t enough trouble for the fugities, it is learned that they have also fallen on the radar of the local drug kingpin named Reyes (Joaquim de Almeida), who will stop at nothing to retrieve an item now in the trio’s possession. Caught in the crossfire between Hobbs and Reyes, Dominic plots an epic caper that will allow them not only the money to flee Hobbs and disappear into a life of luxury, but allow them to settle the score with Reyes.
What follows is a nonstop action thrill ride that sprinkles in a nice mix of comedy and romance to keep things interesting. The film downplays the racing aspect of the series and instead saves the spectacular driving for key action sequences. While street racing scenes are alluded to they are not shown as director Justin Chin focuses squarely on his cast and allows them ample time to develop their characters. In doing so it strengthens the bond between them and allows the climactic sequence to have an even greater impact than your standard over-the-top summer film action scenes.
.
There are some really funny moments in the film as Dominic assembles his team to pull off the ultimate job. The new characters work very well with the established cast from the previous films and introduce characters which I hope will be a part of any future films in the series. Johnson was a very pleasant surprise, as his character could easily have been one-dimensional. He was given a few wrinkles which allowed him to walk the fine line between good guy and bad guy, which is an essential quality to many of the film’s characters. Johnson’s action sequences were solid and highly effective and once again underscores that he needs to be focusing more on action films and less on the family-friendly genre that
has dominated the bulk of his recent work.
Walker and Diesel complement each other perfectly and appear to be having a great time working with one another again. They have a very easy-going and natural chemistry with one another that works even when they’re not behind the wheel of a car or caught up in a frantic action scene.
While the plot of the film is fairly straightforward it provides ample framework for the characters to grow and propel the story forward. While the audience is asked to take some great leaps in logic it doesn’t derail from the finished product. The stuntwork in the film was absolutely amazing and the spectacular finale of the movie alone must be seen to be believed.
Many times during my press screening the audience was completely silent for a brief second following an action sequence before erupting into thunderous applause and cheers after they’ve fully processed what just unfolded on the screen. Larger-than-life characters combined with larger-than-life action, plus some very sexy cars and very sexy people make an extremely winning formula. If the rumors are true, Chin may be handed the reins to the Terminator franchise as well as the next film in the Fast and Furious series, then audiences are in for one hell of a ride.
I think my wife summed it up best when she said that movie was “Ridiculous…ridiculously good.” Reality is thrown out the window for pure adrenaline and testosterone fueled action.
Chris Sawin (602 KP) rated Moonfall (2022) in Movies
Feb 5, 2022
Terribly written. (2 more)
Overacted.
Halle Berry.
Moonfall Review: It’s Raining Moon
Moonfall is a $146 million sci-fi disaster film directed by Roland Emmerich (Independence Day, Godzilla) and written by Emmerich, Harald Kloser (2012, 10000 BC), and Spenser Cohen (Extinction, The Expendables 4).
On January 12, 2011, during what is referred to as routine outer space maintenance (it’s a thing), an unidentified technological swarm caused significant damage to the astronaut’s shuttle; killing one of them and incapacitating the surviving two crew members. Brian Harper (Patrick Wilson) maneuvers the shuttle back to earth with no power while his navigator Jocinda Fowl (Halle Berry) is unconscious. Brian takes the fall as he’s labeled incompetent despite previously being an acclaimed hero and he loses his job with NASA.
Ten years later, the moon suddenly begins changing course as a hole 26-kilometers deep is discovered in the center of it. People on earth have three weeks before the moon begins falling to earth in city-sized pieces. While NASA scrambles to discover a solution, an orbital megastructure aficionado and conspiracy blogger named K.C. Houseman (John Bradley) knew about the moon’s shift in course before NASA and may end up being the savior of mankind.
The opening scene of Moonfall lets its audience know that they’re in for an excruciating two hours. Patrick Wilson and Halle Berry argue over the lyrics to Toto’s “Africa” as Wilson musically screeches the 80s rock ballad to annoying results. The film does a few things right like earth’s gravity being a complete dumpster fire and the ocean literally being at foot of everyone’s door like Bo Burnham talked about in Inside. But then introduces the aspect of orbital megastructure in an attempt to not adhere to believable physics while lethargically committing to it.
Flooding, earthquakes, and birds falling to the ground due to gravity alterations are the culmination of the insanity in Moonfall. The moon coming closer to earth also apparently means humans can lift trees above their head and jump over gaps left by fallen bridges with little effort. There’s an awkward car chase between some redneck looters and the main characters of the film.
It’s awkward due to the fact that it’s really funky visual effects (literally everything taking place on the road and in the background) with green screen (the actors driving the cars), but it’s difficult to distinguish what’s what in a bad way. The CGI and special effects in the film are that peculiar blend of not necessarily being bad, but are just off-putting enough to look weird in some capacity. It’s a high speed chase involving a gravity wave, which is mostly just cars and debris floating in the air as the sky turns red. Coincidentally enough, the disaster effects are the best part of the film because they do what they’re supposed to do without overstaying their welcome.
The dialogue in the film is atrocious and Halle Berry is a filter for most of the bad lines. Some of her gems include, “I don’t work for you, I work for the American people and I don’t like keeping them in the dark,” “I am…(the longest pause ever between one word and another)…thinking about our son,” and something overwhelmingly corny about earth’s hourglass and our time running out. Donald Sutherland can barely stomach a brief cameo appearance shared with Berry’s character before excusing himself to the loaded gun he left back in his room (yes, this actually happens).
The evacuation route in Moonfall seems to involve fleeing to Colorado. What is in Colorado and why that’s important is never really explained other than because everyone else is there. Jocinda Fowl becomes the lead director of NASA during the film and her ex-husband (played by Eme Ikwuakor) works for the military. Ikwuakor does nothing but squint like French Stewart the entire time. NASA wants to survey the activity of what’s transpiring on the moon, fly inside of its new fancy made hole, and come up with a plan to save earth in the process. The military just wants to blow up the moon with nukes; screw the consequences, this is America!
With Moonfall, Roland Emmerich has essentially made an even dumber version of Michael Bay’s Armageddon. There’s not a lot to enjoy here apart from KC Houseman’s house cat being named Fuzz Aldrin. With its idiotic premise, hammy dialogue involving some of the most exaggerated emotional speeches ever, stiff acting, unfunny humor, and purposely distorted CGI, Moonfall features an overwhelming amount of frenetic nonsense and has no excuse to be as boring as it is.
On January 12, 2011, during what is referred to as routine outer space maintenance (it’s a thing), an unidentified technological swarm caused significant damage to the astronaut’s shuttle; killing one of them and incapacitating the surviving two crew members. Brian Harper (Patrick Wilson) maneuvers the shuttle back to earth with no power while his navigator Jocinda Fowl (Halle Berry) is unconscious. Brian takes the fall as he’s labeled incompetent despite previously being an acclaimed hero and he loses his job with NASA.
Ten years later, the moon suddenly begins changing course as a hole 26-kilometers deep is discovered in the center of it. People on earth have three weeks before the moon begins falling to earth in city-sized pieces. While NASA scrambles to discover a solution, an orbital megastructure aficionado and conspiracy blogger named K.C. Houseman (John Bradley) knew about the moon’s shift in course before NASA and may end up being the savior of mankind.
The opening scene of Moonfall lets its audience know that they’re in for an excruciating two hours. Patrick Wilson and Halle Berry argue over the lyrics to Toto’s “Africa” as Wilson musically screeches the 80s rock ballad to annoying results. The film does a few things right like earth’s gravity being a complete dumpster fire and the ocean literally being at foot of everyone’s door like Bo Burnham talked about in Inside. But then introduces the aspect of orbital megastructure in an attempt to not adhere to believable physics while lethargically committing to it.
Flooding, earthquakes, and birds falling to the ground due to gravity alterations are the culmination of the insanity in Moonfall. The moon coming closer to earth also apparently means humans can lift trees above their head and jump over gaps left by fallen bridges with little effort. There’s an awkward car chase between some redneck looters and the main characters of the film.
It’s awkward due to the fact that it’s really funky visual effects (literally everything taking place on the road and in the background) with green screen (the actors driving the cars), but it’s difficult to distinguish what’s what in a bad way. The CGI and special effects in the film are that peculiar blend of not necessarily being bad, but are just off-putting enough to look weird in some capacity. It’s a high speed chase involving a gravity wave, which is mostly just cars and debris floating in the air as the sky turns red. Coincidentally enough, the disaster effects are the best part of the film because they do what they’re supposed to do without overstaying their welcome.
The dialogue in the film is atrocious and Halle Berry is a filter for most of the bad lines. Some of her gems include, “I don’t work for you, I work for the American people and I don’t like keeping them in the dark,” “I am…(the longest pause ever between one word and another)…thinking about our son,” and something overwhelmingly corny about earth’s hourglass and our time running out. Donald Sutherland can barely stomach a brief cameo appearance shared with Berry’s character before excusing himself to the loaded gun he left back in his room (yes, this actually happens).
The evacuation route in Moonfall seems to involve fleeing to Colorado. What is in Colorado and why that’s important is never really explained other than because everyone else is there. Jocinda Fowl becomes the lead director of NASA during the film and her ex-husband (played by Eme Ikwuakor) works for the military. Ikwuakor does nothing but squint like French Stewart the entire time. NASA wants to survey the activity of what’s transpiring on the moon, fly inside of its new fancy made hole, and come up with a plan to save earth in the process. The military just wants to blow up the moon with nukes; screw the consequences, this is America!
With Moonfall, Roland Emmerich has essentially made an even dumber version of Michael Bay’s Armageddon. There’s not a lot to enjoy here apart from KC Houseman’s house cat being named Fuzz Aldrin. With its idiotic premise, hammy dialogue involving some of the most exaggerated emotional speeches ever, stiff acting, unfunny humor, and purposely distorted CGI, Moonfall features an overwhelming amount of frenetic nonsense and has no excuse to be as boring as it is.
Andy K (10821 KP) rated Back to the Future (1985) in Movies
Apr 10, 2019
My entire childhood
So funny how seeing a "decked out" DeLorean in a Target parking lot the other day made me want to rewatch Back to the Future again soon. It had been on my rewatch list ever since I purchased the trilogy on Blu Ray on Black Friday, but just hadn't gotten around to it yet.
To say this movie (and the original Star Wars trilogy) defined my childhood is an understatement. The year 1985 meant I was 14 years old and lived within biking distance of the theatre where it was showing. Only Back to the Future and The Empire Strikes Back have the distinction of being movies I saw at least fifteen times during their initial run; at one point every day for a week straight.
The story of how the film got made is an interesting as the perfect screenplay itself. Basically Bob Zemeckis and Bob Gale shopped the movie around after they had made a few films, including Used Cars (good movie), but studios weren't interested. Except Spielberg. Unfortunately, the duo had just worked with Spielberg on 1941 and it was a dud.
Luckily, Zemeckis directed Romancing the Stone in 1984, so they finally went back to Spielberg with that clout and got the deal done. BTTF was actually the first film released under Spielberg's Amblin Entertainment (with the E.T. logo) that Spielberg himself did not direct.
Then, casting. Filmmakers really wanted Michael J. Fox, but he was not available due to his TV schedule filming sitcom Family Ties. They had to move on, so they cast Eric Stoltz and filmed for 5 weeks.
Zemeckis felt like something wasn't right and asked Spielberg to take a look at the dailies. They agreed Stoltz was a good actor, but not right for the part of Marty McFly. They begged the Family Ties people to let Michael do both and they finally agreed. I can't believe how Michael did two full time jobs during production, but he did and managed to create an unforgettable character that will live forever in movie history.
If anyone ever decides it is a good idea to remake, reboot and/or get a sequel going I will personally go to their house and punch them in the face! ?
To say this movie (and the original Star Wars trilogy) defined my childhood is an understatement. The year 1985 meant I was 14 years old and lived within biking distance of the theatre where it was showing. Only Back to the Future and The Empire Strikes Back have the distinction of being movies I saw at least fifteen times during their initial run; at one point every day for a week straight.
The story of how the film got made is an interesting as the perfect screenplay itself. Basically Bob Zemeckis and Bob Gale shopped the movie around after they had made a few films, including Used Cars (good movie), but studios weren't interested. Except Spielberg. Unfortunately, the duo had just worked with Spielberg on 1941 and it was a dud.
Luckily, Zemeckis directed Romancing the Stone in 1984, so they finally went back to Spielberg with that clout and got the deal done. BTTF was actually the first film released under Spielberg's Amblin Entertainment (with the E.T. logo) that Spielberg himself did not direct.
Then, casting. Filmmakers really wanted Michael J. Fox, but he was not available due to his TV schedule filming sitcom Family Ties. They had to move on, so they cast Eric Stoltz and filmed for 5 weeks.
Zemeckis felt like something wasn't right and asked Spielberg to take a look at the dailies. They agreed Stoltz was a good actor, but not right for the part of Marty McFly. They begged the Family Ties people to let Michael do both and they finally agreed. I can't believe how Michael did two full time jobs during production, but he did and managed to create an unforgettable character that will live forever in movie history.
If anyone ever decides it is a good idea to remake, reboot and/or get a sequel going I will personally go to their house and punch them in the face! ?
