One thing I really like about this version is the quotes. In many Bibles it's hard to tell when someone is saying something, or quoting something from somewhere else. In this version, it's very clear, because it sets it in a block quote, with proper quotation marks.
Again, this version is excerpts. It's not the full version. It's not something that can be referenced, because the books and chapters and verse numbers aren't shown. It's separated into chapters with titles rather than the traditional books and chapters.
This is good and bad. Good because I think it would be easier for some people to read, and maybe more friendly to teens who are just trying to get an overall grasp of the Bible. It's not so great because then if you say "Wait, where is that in the Bible, and what chapter/verse is it?" it's not going to be easy to find.
I think The Story is a nice way to read the Bible in a casual setting, or for a small group or Bible study for people who want to get the big picture of the Bible and want to see how it ties together on a larger scale, but it's not really suitable for intensive study (which is fine; you need both).

Jim LeBaron (69 KP) rated Terraforming Mars in Tabletop Games
Mar 12, 2019 (Updated Mar 12, 2019)
The games I have played have been 2-3 hours which is fine for me but tends to be a little long for more casual gamers. Each game has been different since you get a random corporation and you don't know which cards you are going to end up with. I'm looking forward to getting the expansions which have additional maps and more cards.
The player boards end up with a lot of cubes on them and if the table gets bumped it can be disastrous so I would recommend the overlay trays that keep the cubes in place. These can be 3d printed or purchased from several locations. It would be great if they fixed this by doing a raised board in a future printing.

Madbatdan82 (341 KP) rated Gotham in TV
May 3, 2019

Gareth von Kallenbach (980 KP) rated Kevin Hart: What Now? (2016) in Movies
Jul 15, 2019
Kevin Hart does more than answer the question as to “What Now?” He brings forth new material about his family, pop culture, relationships, and the quirky interaction that we all engage in during our daily lives. His routine offers fans and comedy lovers the opportunity to sit back and let the laughs take over.
Hart demonstrates with the turnout, material, and ability to keep a full house entertained that he is stand-up comedy’s rock star.
No one else is even close right now in being able to bring audiences of different cultures, races, lifestyles, professions, and backgrounds together in order to laugh at all of the things that make us uncomfortable or what we probably shouldn’t laugh at under normal circumstances. For Hart, nothing is out of bounds or considered safe.
Fans and newcomers will not be disappointed with Hart’s newest performance. The presentation of the act incorporates an interactive stage and special effects that allow the jokes to come to life.
At times, I found myself more interested in the technological aspects than the jokes. They were able to build off of each other and enhance the performance, even for the few jokes that miss the mark.
This film however, does not. There are more than enough quotes and lines that audiences will find themselves repeating or using in casual conversation. The performance is fresh and ensures that we will continue to see Kevin Hart for years to come.

LeftSideCut (3776 KP) rated Get Out (2017) in Movies
Feb 18, 2020
He manages to craft a film that has an underlying sense of unease throughout, an aspect of the film that hardly lets up at any point.
The plot revolves around Rose (Allison Williams) taking her African-American boyfriend Chris (Daniel Kaluuya) away for the weekend to meet her very white family. Chris has reservations, understandably, due to the fact that casual racism is a thing that unfortunately exists. As the weekend draws on, Chris begins to realise that his worries perhaps aren't that unfounded. The only other black people around are house servants, and are acting strange, and it's doesn't take too long before a truly disturbing truth is discovered. To say any more would spoil the narrative, but it's a great plot, with a ridiculous twist.
Layered underneath the madness of the horror is a strong social commentary about race divides, and how a lot of white people perceive others. It's executed brilliantly, and is absorbing as much as it is uncomfortable.
The cast are terrific, especially Daniel Kaluuya, Allison Williams, Betty Gabriel, and LaKeith Stanfield.
Catherine Keener is another highlight - I'm so used to seeing her play good people, that the sinister nature of her character in Get Out is so unnerving, and adds even more the experience.
With both Get Out, and last year's Us, Jordan Peele has started his career in horror on a hot streak, and I can't wait to see what he brings to the table next.

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