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Movie Metropolis (309 KP) rated The Lady In The Van (2015) in Movies
Jun 11, 2019 (Updated Jun 11, 2019)
Like a particularly lethargic sloth
Cinema has a long lasting love of people having their homes invaded by unwanted intruders, and not just because that’s how most directors view anyone who tries to tell them their opinion on filmmaking. It’s because there’s a lot of different directions one can take with the drama and excitement of home invasion. The horror of Wait Until Dark, the brutality of Straw Dogs, the silliness of Home Alone, the potential is quite large. And now throwing in its own interpretation of this theme is The Lady in the Van, based on the somewhat true story of Alan Bennett’s relationship with a transient woman who parked her van on his driveway. So, how does he and the audience respond?
With a dull, mild curiosity.
Despite being from the viewpoint of two Alan Bennetts, described as one being the writer and the other living the life, the main character is Miss Sheppard, the lady in the van. The film insists that we should be interested in her mysterious life, her past as a pianist and a nun, and why she chooses to live in the van, but throughout most of the film I was only thinking “Oh, let’s just go back and hear Alan Bennett be cynical some more.” The words are witty and sharp, but it’s mostly said about things we don’t care about. Miss Sheppard is a flat, mostly dull character, and the audience is unwillingly handcuffed to her.
The highlight of the film is its acting, with the cast being a veritable who’s who of Britain’s finest talent, and James Corden. What dimension Miss Sheppard has is provided almost entirely by the volatile yet vulnerable performance by Maggie Smith, and Alex Jennings is as real an Alan Bennett as the actual Alan Bennett. Even in the small roles, everyone from Roger Allam to Gwen Taylor manage to force themselves to shine. The only bad performance is from, of all people, Jim Broadbent, who pops up to antagonise Miss Sheppard but appears less like a real human being and more like a cartoon supervillain. For a second, I thought the character’s name was Baron von Drakkhen.
But great players cannot save a bad game, and the story of the film is flat, predictable and boring. If you don’t immediately care about Miss Sheppard, then the film becomes more tedious and lifeless by the second. I guessed long before the end the mystery behind Miss Sheppard, but even if I hadn’t I would still have been bored due to the lack of any interest. The film believes that the existence of a mystery to be motivation enough to solve it, which just isn’t the case; I don’t know what John McCririck had for breakfast, but I’m not going to stare at his stools to find out.
Not helping matters is a very by the numbers direction by Nicholas Hytner. While not incompetent, there’s very little in the way of style or flair without being casual. The only parts that show any sort of imagination are the fourth wall breaks, but the best only happen towards the end. It’s a shame that the potential of having two Alan Bennetts and seeing the film from the perspective of the writer only starts to be explored as the film is drawing to a close. Otherwise, a robot could’ve directed this film.
Alan Bennett is a highly praised writer, and rightfully so, but The Lady in the Van just isn’t his best. The above-average but by no means stellar script is tied to a plot as lifeless and sluggish as a particularly lethargic sloth. If you’re really hurting to see Bennett at his best, it’d be a lot cheaper and a lot more entertaining to rent The Madness of King George or The History Boys or even one of The Secret Policeman’s Ball’s, plus you can order some pizza from your sofa. Otherwise, The Lady in the Van, unlike the real Miss Sheppard, can very safely be ignored.
https://moviemetropolis.net/2015/11/19/like-a-particularly-lethargic-sloth-the-lady-in-the-van-review/
With a dull, mild curiosity.
Despite being from the viewpoint of two Alan Bennetts, described as one being the writer and the other living the life, the main character is Miss Sheppard, the lady in the van. The film insists that we should be interested in her mysterious life, her past as a pianist and a nun, and why she chooses to live in the van, but throughout most of the film I was only thinking “Oh, let’s just go back and hear Alan Bennett be cynical some more.” The words are witty and sharp, but it’s mostly said about things we don’t care about. Miss Sheppard is a flat, mostly dull character, and the audience is unwillingly handcuffed to her.
The highlight of the film is its acting, with the cast being a veritable who’s who of Britain’s finest talent, and James Corden. What dimension Miss Sheppard has is provided almost entirely by the volatile yet vulnerable performance by Maggie Smith, and Alex Jennings is as real an Alan Bennett as the actual Alan Bennett. Even in the small roles, everyone from Roger Allam to Gwen Taylor manage to force themselves to shine. The only bad performance is from, of all people, Jim Broadbent, who pops up to antagonise Miss Sheppard but appears less like a real human being and more like a cartoon supervillain. For a second, I thought the character’s name was Baron von Drakkhen.
But great players cannot save a bad game, and the story of the film is flat, predictable and boring. If you don’t immediately care about Miss Sheppard, then the film becomes more tedious and lifeless by the second. I guessed long before the end the mystery behind Miss Sheppard, but even if I hadn’t I would still have been bored due to the lack of any interest. The film believes that the existence of a mystery to be motivation enough to solve it, which just isn’t the case; I don’t know what John McCririck had for breakfast, but I’m not going to stare at his stools to find out.
Not helping matters is a very by the numbers direction by Nicholas Hytner. While not incompetent, there’s very little in the way of style or flair without being casual. The only parts that show any sort of imagination are the fourth wall breaks, but the best only happen towards the end. It’s a shame that the potential of having two Alan Bennetts and seeing the film from the perspective of the writer only starts to be explored as the film is drawing to a close. Otherwise, a robot could’ve directed this film.
Alan Bennett is a highly praised writer, and rightfully so, but The Lady in the Van just isn’t his best. The above-average but by no means stellar script is tied to a plot as lifeless and sluggish as a particularly lethargic sloth. If you’re really hurting to see Bennett at his best, it’d be a lot cheaper and a lot more entertaining to rent The Madness of King George or The History Boys or even one of The Secret Policeman’s Ball’s, plus you can order some pizza from your sofa. Otherwise, The Lady in the Van, unlike the real Miss Sheppard, can very safely be ignored.
https://moviemetropolis.net/2015/11/19/like-a-particularly-lethargic-sloth-the-lady-in-the-van-review/
Darren (1599 KP) rated 12 Rounds 3: Lockdown (2015) in Movies
Jun 20, 2019
Contains spoilers, click to show
Story: 12 Rounds 3: Lockdown starts as Burke (Cross) and his fellow officers learning of an incriminating set of photos of his men’s corruption. We move on to meet Burke’s former partner John Shaw (Ambrose) who is returning to work after being shot in the line of duty. It isn’t too long before we see the clash between Burke and Shaw which leads to Shaw investigating the bust.
When Shaw uncovers the truth he finds himself being hunted in the precinct by Burke and his men Gideon (Cudmore), Darrow (Munro) Harris (Olsson), Meeks (Levins) and Saul (Morrow). Shaw finds himself locked in the station with only the rookie Jenny Taylor (Smyth) not hunting him down like Burke’s men.
12 Rounds 3: Lockdown is an action film that does everything you need it to without making anything over complicated. We have the one man taking on the villains in a building with no escape to expose the truth. What more do you need in an action film. Saying that we have one final twist that comes off very cheap and forced. This is something that is easy to watch which will work for casual viewing.
Actor Review
Dean Ambrose: John Shaw is the honest cop that has just returned to work after being injured in the line of duty. He uncovers that his former partner has been Burke and his men have become corrupt. He has to survive a lockdown being hunted down by all of the men and being framed for everything to get the truth out. Dean is very good in this role with a potentially new action star.
Roger Cross: Tyler Burke is the former partner of Shaw but they have gone their separate ways with Burke entering into the world of corruption but when he is about to get busted he will kill anyone that gets in his way including Shaw who is the only man stopping his team from being exposed. Roger makes for a good leading villain role.
Daniel Cudmore: Gideon is one of the men working with Burke, he is the psychical presence that Shaw must overcome in the traditional big guy little guy fight in an action movie. Daniel is good for what he needs to be in this film without standing out any more than the rest of the bad guys.
Lochlyn Munro: Darrow is the tech guy on Burke’s team he does everything to make sure that Shaw can’t communicate or escape with the outside world. Lochlyn does well in this role which again is just like the rest of the bad guys.
Support Cast: 12 Rounds 3: Lockdown has a very simple used of supporting cast with most of them being the people trying to kill Shaw with the rest outside working out what to do.
Director Review: Stephen Reynolds – Stephen gives us an action film that is an easy watch as well as being non-stop.
Action: 12 Rounds 3: Lockdown has plenty of action going on from start to finish with the nothing being too over the top but never seems to stop.
Crime: 12 Rounds 3: Lockdown has all the criminals being police which is a nice take on the crime side of the story.
Thriller: 12 Rounds 3: Lockdown doesn’t stop which is always a good thing in an action film.
Settings: 12 Rounds 3: Lockdown keeps nearly all of the film inside the police station which helps keep the action in a small space.
Special Effects: 12 Rounds 3: Lockdown uses the special effects well without having to use them too often.
Suggestion: 12 Rounds 3: Lockdown is one for the action fans out there to enjoy, it is an easy watch. (Action Fans Watch)
Best Part: Ambrose is great with no previous experience.
Worst Part: Final Twist.
Believability: No
Chances of Tears: No
Chances of Sequel: Maybe
Post Credits Scene: No
Oscar Chances: No
Runtime: 1 Hour 30 Minutes
Trivia: Due to being in WWE where they perform in front of a live audience on live television, Dean Ambrose was used to reading his lines in one try and got aggravated when other actors forgot their lines.
Overall: Enjoyable action film that is easy to watch.
https://moviesreview101.com/2016/04/04/12-rounds-3-lockdown-2015/
When Shaw uncovers the truth he finds himself being hunted in the precinct by Burke and his men Gideon (Cudmore), Darrow (Munro) Harris (Olsson), Meeks (Levins) and Saul (Morrow). Shaw finds himself locked in the station with only the rookie Jenny Taylor (Smyth) not hunting him down like Burke’s men.
12 Rounds 3: Lockdown is an action film that does everything you need it to without making anything over complicated. We have the one man taking on the villains in a building with no escape to expose the truth. What more do you need in an action film. Saying that we have one final twist that comes off very cheap and forced. This is something that is easy to watch which will work for casual viewing.
Actor Review
Dean Ambrose: John Shaw is the honest cop that has just returned to work after being injured in the line of duty. He uncovers that his former partner has been Burke and his men have become corrupt. He has to survive a lockdown being hunted down by all of the men and being framed for everything to get the truth out. Dean is very good in this role with a potentially new action star.
Roger Cross: Tyler Burke is the former partner of Shaw but they have gone their separate ways with Burke entering into the world of corruption but when he is about to get busted he will kill anyone that gets in his way including Shaw who is the only man stopping his team from being exposed. Roger makes for a good leading villain role.
Daniel Cudmore: Gideon is one of the men working with Burke, he is the psychical presence that Shaw must overcome in the traditional big guy little guy fight in an action movie. Daniel is good for what he needs to be in this film without standing out any more than the rest of the bad guys.
Lochlyn Munro: Darrow is the tech guy on Burke’s team he does everything to make sure that Shaw can’t communicate or escape with the outside world. Lochlyn does well in this role which again is just like the rest of the bad guys.
Support Cast: 12 Rounds 3: Lockdown has a very simple used of supporting cast with most of them being the people trying to kill Shaw with the rest outside working out what to do.
Director Review: Stephen Reynolds – Stephen gives us an action film that is an easy watch as well as being non-stop.
Action: 12 Rounds 3: Lockdown has plenty of action going on from start to finish with the nothing being too over the top but never seems to stop.
Crime: 12 Rounds 3: Lockdown has all the criminals being police which is a nice take on the crime side of the story.
Thriller: 12 Rounds 3: Lockdown doesn’t stop which is always a good thing in an action film.
Settings: 12 Rounds 3: Lockdown keeps nearly all of the film inside the police station which helps keep the action in a small space.
Special Effects: 12 Rounds 3: Lockdown uses the special effects well without having to use them too often.
Suggestion: 12 Rounds 3: Lockdown is one for the action fans out there to enjoy, it is an easy watch. (Action Fans Watch)
Best Part: Ambrose is great with no previous experience.
Worst Part: Final Twist.
Believability: No
Chances of Tears: No
Chances of Sequel: Maybe
Post Credits Scene: No
Oscar Chances: No
Runtime: 1 Hour 30 Minutes
Trivia: Due to being in WWE where they perform in front of a live audience on live television, Dean Ambrose was used to reading his lines in one try and got aggravated when other actors forgot their lines.
Overall: Enjoyable action film that is easy to watch.
https://moviesreview101.com/2016/04/04/12-rounds-3-lockdown-2015/
Darren (1599 KP) rated 12 Years a Slave (2013) in Movies
Jun 20, 2019
Story: Watching how Solomon struggles to just survive let alone becoming free again. We see how different men who have slaves treat them, some well some badly. The story shows the tragic truth about how slaves were treated and even though this story get a happy ending of freedom, most never got that chance, with this still happening in the modern world it should make everyone be thankful for the fact they are free now. The story is an inspiration story of survival and not giving up hope. (10/10)
Actor Reviews
Chiwetel Ejiofor: Solomon kidnapped and sold into slavery, not resting on the fact he will never escape he tries over the 12 years to find a way to get his own freedom before finally finding someone to trust enough. Chiwetel is brilliant in the role and fully deserved his BAFTA for best actor. (10/10)
solomon
Michael Fassbender: Edwin Epps the drunken plantation owner who abuses his slaves for his own pleasure, enforced strict rules and taking all the hope out of his slaves. Great performance from Fassbender playing a character that is driven to be hated. (9/10)
fassbender
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Lupita Nyong’o: Patsey one of the slaves on Epps’s plantation who is his favourite as she is the best picker and also he favourite for his sexual pleasures. Great performance, showing that the hope had been taken from some of the slaves. (10/10)
lupita
Brad Pitt: Bass a free roaming labourer who doesn’t turn up to late in the film, becomes the last chance for Solomon. Only a small role but does a good job.(8/10)
pitt
Paul Dano: Tibeats, Ford’s evil slaver runner who pushes all of them to limits they shouldn’t have to go, he thinks he is better than all of the slaves, but Solomon teaches him a thing or too. Good performance from Dano showing he can fit into any role with ease. (8/10)
dano
Paul Giamatti: Freeman the slave sales man who put them all up for show so that the highest bidder will purchase them. Only a small role but affectively showing how the slavery sales were made to be glamorous for what they are doing. (7/10)
paul
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Benedict Cumberbatch: Ford a good man who looks after his slaves, Ford purchases Solomon and is willing to listen to Solomon’s ideas to improve his work. Forced to sell on Solomon, but always looked after them all fair. Good supporting performance and his character reflexes how evil Epps is.(8/10)
benedict
Sarah Paulson: Mistress Epps the wife of Edwin, who has a dislike for Patsey but an almost sympatric side to the rest of the slaves. Good performance and the one scene with Patsey is really stand out. (9/10)
mistress epps
Director Review: Steve McQueen – Brilliant direction to tell such an amazing story of one man’s journey. (10/10)
Biography: Amazing look at how Solomon survived his ordeal. (10/10)
Drama: Stunning look at something that could have been all guns, blood and gore, but focuses on the emotions involved with the people. (10/10)
History: Good look at how people were treated during the slave times. (10/10)
Settings: Beautiful settings used to create the story. (10/10)
Suggestion: This really should be watched by all, but I do feel the more casual film fan may find it hard to watch. (Watch)
Best Part: Chiwetel Performance.
Worst Part: Some of the punishment scenes are hard to watch.
Favourite Quote: Solomon ‘I will not fall into despair! I will keep myself hardy until freedom is opportune!’
Believability: Based on Solomon’s true story. (10/10)
Chances of Tears: No (0/10)
Chances of Sequel: No
Post Credits Scene: No
REPORT THIS AD
Oscar Chances: Won 3 Oscars.
Box Office: $178,413,838
Budget: $20 Million
Runtime: 2 Hours 13 Minutes
Tagline: The extraordinary true story of Solomon Northup.
Overall: Stunning Story
https://moviesreview101.com/2014/05/12/12-years-a-slave-2013/
Actor Reviews
Chiwetel Ejiofor: Solomon kidnapped and sold into slavery, not resting on the fact he will never escape he tries over the 12 years to find a way to get his own freedom before finally finding someone to trust enough. Chiwetel is brilliant in the role and fully deserved his BAFTA for best actor. (10/10)
solomon
Michael Fassbender: Edwin Epps the drunken plantation owner who abuses his slaves for his own pleasure, enforced strict rules and taking all the hope out of his slaves. Great performance from Fassbender playing a character that is driven to be hated. (9/10)
fassbender
REPORT THIS AD
Lupita Nyong’o: Patsey one of the slaves on Epps’s plantation who is his favourite as she is the best picker and also he favourite for his sexual pleasures. Great performance, showing that the hope had been taken from some of the slaves. (10/10)
lupita
Brad Pitt: Bass a free roaming labourer who doesn’t turn up to late in the film, becomes the last chance for Solomon. Only a small role but does a good job.(8/10)
pitt
Paul Dano: Tibeats, Ford’s evil slaver runner who pushes all of them to limits they shouldn’t have to go, he thinks he is better than all of the slaves, but Solomon teaches him a thing or too. Good performance from Dano showing he can fit into any role with ease. (8/10)
dano
Paul Giamatti: Freeman the slave sales man who put them all up for show so that the highest bidder will purchase them. Only a small role but affectively showing how the slavery sales were made to be glamorous for what they are doing. (7/10)
paul
REPORT THIS AD
Benedict Cumberbatch: Ford a good man who looks after his slaves, Ford purchases Solomon and is willing to listen to Solomon’s ideas to improve his work. Forced to sell on Solomon, but always looked after them all fair. Good supporting performance and his character reflexes how evil Epps is.(8/10)
benedict
Sarah Paulson: Mistress Epps the wife of Edwin, who has a dislike for Patsey but an almost sympatric side to the rest of the slaves. Good performance and the one scene with Patsey is really stand out. (9/10)
mistress epps
Director Review: Steve McQueen – Brilliant direction to tell such an amazing story of one man’s journey. (10/10)
Biography: Amazing look at how Solomon survived his ordeal. (10/10)
Drama: Stunning look at something that could have been all guns, blood and gore, but focuses on the emotions involved with the people. (10/10)
History: Good look at how people were treated during the slave times. (10/10)
Settings: Beautiful settings used to create the story. (10/10)
Suggestion: This really should be watched by all, but I do feel the more casual film fan may find it hard to watch. (Watch)
Best Part: Chiwetel Performance.
Worst Part: Some of the punishment scenes are hard to watch.
Favourite Quote: Solomon ‘I will not fall into despair! I will keep myself hardy until freedom is opportune!’
Believability: Based on Solomon’s true story. (10/10)
Chances of Tears: No (0/10)
Chances of Sequel: No
Post Credits Scene: No
REPORT THIS AD
Oscar Chances: Won 3 Oscars.
Box Office: $178,413,838
Budget: $20 Million
Runtime: 2 Hours 13 Minutes
Tagline: The extraordinary true story of Solomon Northup.
Overall: Stunning Story
https://moviesreview101.com/2014/05/12/12-years-a-slave-2013/
Gareth von Kallenbach (968 KP) rated Bewitched (2005) in Movies
Aug 14, 2019
Turning a classic television series into a feature film can be a risky proposition. While the built in audience of Baby Boomers and new fans of a show gained through reruns make remakes a potentially lucrative venture, the task of recasting classic characters and modernizing the story to today’s audiences is rife with hazards.
For example, for every remake that succeeds, such as The Adams Family, Starsky and Hutch, and The Brady Bunch, there are countless others that fail, like The Wild Wild West, Car 54 Where Are You and I-Spy.
Sadly the new film version of Bewitched falls into the latter category. It is so bad it begs the question as to why such talents like Nicole Kidman, Michael Caine, and Will Ferrell signed on.
The story centers on Isabel Bigelow (Nicole Kidman), a young woman who is anxious to set off on her own and leave the family structure behind her. While this is not so uncommon for most people, Isabel is a witch and her decision to live as a mortal without her powers is of great consternation to her father (Michael Caine).
Isabel is convinced she can find a man, and can live in happiness and love with a mortal. She wants no part of the shallow and wandering eye that makes up their lifestyle. Convinced his daughter will never be able to live without her powers, her father chides her for her frequent and casual use of powers to do everything from find and furnish her home to paying for everyday needs.
At roughly the same time, fading actor Jack Wyatt is about to sign up to play the male lead in a new television version of the classic Bewitched television series. With the gigantic failure of his recent film, Jack is in need of a hit. Not wanting to take any attention away from his star turn, Jack insists that the producers cast a complete unknown in the role of Samantha. He does not want anyone infringing upon his spotlight.
A chance encounter with Isabel leads to her being cast by Jack in the new series. Isabel is taken by Jack and when she learns the role is that of a witch, she signs aboard despite some reservations.
Naturally Jack and Isabel will hit it off, and yes there will be issues, particularly when Jack’s shallow nature becomes clear to Isabel, and this is to say nothing of Isabel’s true identity which in and of itself is an issue.
What starts as a good premise with a solid cast quickly dissolves into a disjointed mess thanks to a paper thin plot that is rife with plot holes, non-sequitors, and unresolved moments. One such example is the character of Iris Smythson (Shirley Mac Laine), who plays Endora on the show. It is at first hinted at that she too is a witch and then made obvious. However there is no conclusion to this revelation. We see that she has a power and uses it, but we never really get the why she is there, how she chose to live as she does, and how her relationship with Isabel’s father is going to be altered by this.
Another problem the show has is that Ferell is reduced to running around, over-acting to get laughs. The situations go on way to long, and things that are at first amusing, become tedious after a while. One such scene has Ferell’s character appearing nude on a live television appearance. It is something that is used to generate laughs but there is no setup to the scene and it plays out as a desperate attempt to get laughs.
The only thing that works is the charm of Kidman who, as the quirky Isabel, is delightful, as is the supporting work of Caine and Steve Carell as Uncle Arthur. Sadly they are the only good things in a film that became so bad that many in the audience at my press screener were voicing their disdain when we left the film. Perhaps Samantha can twitch her nose and make this one vanish, as there is precious little to redeem it.
For example, for every remake that succeeds, such as The Adams Family, Starsky and Hutch, and The Brady Bunch, there are countless others that fail, like The Wild Wild West, Car 54 Where Are You and I-Spy.
Sadly the new film version of Bewitched falls into the latter category. It is so bad it begs the question as to why such talents like Nicole Kidman, Michael Caine, and Will Ferrell signed on.
The story centers on Isabel Bigelow (Nicole Kidman), a young woman who is anxious to set off on her own and leave the family structure behind her. While this is not so uncommon for most people, Isabel is a witch and her decision to live as a mortal without her powers is of great consternation to her father (Michael Caine).
Isabel is convinced she can find a man, and can live in happiness and love with a mortal. She wants no part of the shallow and wandering eye that makes up their lifestyle. Convinced his daughter will never be able to live without her powers, her father chides her for her frequent and casual use of powers to do everything from find and furnish her home to paying for everyday needs.
At roughly the same time, fading actor Jack Wyatt is about to sign up to play the male lead in a new television version of the classic Bewitched television series. With the gigantic failure of his recent film, Jack is in need of a hit. Not wanting to take any attention away from his star turn, Jack insists that the producers cast a complete unknown in the role of Samantha. He does not want anyone infringing upon his spotlight.
A chance encounter with Isabel leads to her being cast by Jack in the new series. Isabel is taken by Jack and when she learns the role is that of a witch, she signs aboard despite some reservations.
Naturally Jack and Isabel will hit it off, and yes there will be issues, particularly when Jack’s shallow nature becomes clear to Isabel, and this is to say nothing of Isabel’s true identity which in and of itself is an issue.
What starts as a good premise with a solid cast quickly dissolves into a disjointed mess thanks to a paper thin plot that is rife with plot holes, non-sequitors, and unresolved moments. One such example is the character of Iris Smythson (Shirley Mac Laine), who plays Endora on the show. It is at first hinted at that she too is a witch and then made obvious. However there is no conclusion to this revelation. We see that she has a power and uses it, but we never really get the why she is there, how she chose to live as she does, and how her relationship with Isabel’s father is going to be altered by this.
Another problem the show has is that Ferell is reduced to running around, over-acting to get laughs. The situations go on way to long, and things that are at first amusing, become tedious after a while. One such scene has Ferell’s character appearing nude on a live television appearance. It is something that is used to generate laughs but there is no setup to the scene and it plays out as a desperate attempt to get laughs.
The only thing that works is the charm of Kidman who, as the quirky Isabel, is delightful, as is the supporting work of Caine and Steve Carell as Uncle Arthur. Sadly they are the only good things in a film that became so bad that many in the audience at my press screener were voicing their disdain when we left the film. Perhaps Samantha can twitch her nose and make this one vanish, as there is precious little to redeem it.
Hadley (567 KP) rated The Silver Eyes (Five Nights at Freddy's, #1) in Books
Jul 5, 2019
It was in 2014 when the video game Five Nights at Freddy's debuted, and now it's one of the most well known horror games in the world. Homicidal animatronics, a nighttime security guard, and a children's pizza restaurant make up Scott Cawthon's world in FNAF. Fast forward to 2016: Cawthon makes the game's story into a book series. The lore surrounding the video game franchise seems to be more sought after than the game play itself. ' The Silver Eyes' is the first of three books telling the dark story from Cawthon, but from the eyes of the animatronics creator's daughter, Charlie, instead of the night guard at Freddy Fazbear's Pizzeria.
We start with seventeen-year-old Charlie, who is returning to her hometown of Hurricane, Utah for a scholarship/memorial ceremony dedicated to her deceased childhood friend, Michael. She has a reunion with other childhood friends: Carlton, Jessica, John, Lamar and Marla; all of who share the same tragedy of Michael's disappearance from when they were children at Freddy Fazbear's. This disappearance seems to be the only thing the group can discuss, but more so from Charlie because her father was blamed for Michael's disappearance. This, the shared experience of being present at the time of Michael's kidnapping, and having been part of the same circle of friends, dominates this story. Charlie is our main point of view, but we are given a few glimpses from other characters which end up irrelevant.
Charlie's father, years before, had the pizzeria Freddy Fazbear's built in Hurricane, but after Michael was kidnapped while being there, it was shut down and, now, a mall is being built around it. But, with the stigma coming from Fazbear's kidnapping, no businesses will agree to have their store put inside the new building, leaving it abandoned. Right away, the reader is taken with the group of friends on a trip to the building, where they break into Fazbear's with only a lone guard on duty, but with the amount of noise the group makes and even, somehow, turning the electricity back on, it's unreasonable to the reader that the guard isn't aware of their presence. (Even the characters don't seem worried about the guard coming in and kicking them out).
Without trying to give any spoilers away to those who may not know the story- the night guard finally shows up later on in the book, but only to join the group on their third adventure through the abandoned Fazbear's. And it is as this point, the book is at it's best. Even the writing seems to change - - - as if a different person took over for the second part of the book (which is a good thing).
Cawthon and Breed-Wrisley tried their best to convey the story of Five Nights at Freddy's, but although the story is a good one, the writing is lacking in many aspects. There's not just a few inconsistencies that I found, but rather a lot, and one of these is an important one: Charlie,earlier on in the story, tells us about her twin brother, Sammy, being kidnapped from the first Pizzeria her father had built, but later on, she states that Sammy was present at the newer Fazbear's when clearly he had been kidnapped before the newer restaurant was even built.
This story isn't so much about animatronics and a child murderer, but rather a group of children that shared a trauma that permeates into their adulthood. Sadly, the symptoms of this trauma aren't clearly stated from a reality stand point, but the teen drama is held in-check, making it a much more pleasant read than most young adult books. Character development is also lacking enough that--- even the main character--- seems like a stranger to the reader, where interactions between most of the group seems forced and unreasonable.
I can only recommend this book to fans of Five Nights at Freddy's, but as just a casual reader of the horror genre, the writing is a huge disappointment. I can't and won't read this again.
We start with seventeen-year-old Charlie, who is returning to her hometown of Hurricane, Utah for a scholarship/memorial ceremony dedicated to her deceased childhood friend, Michael. She has a reunion with other childhood friends: Carlton, Jessica, John, Lamar and Marla; all of who share the same tragedy of Michael's disappearance from when they were children at Freddy Fazbear's. This disappearance seems to be the only thing the group can discuss, but more so from Charlie because her father was blamed for Michael's disappearance. This, the shared experience of being present at the time of Michael's kidnapping, and having been part of the same circle of friends, dominates this story. Charlie is our main point of view, but we are given a few glimpses from other characters which end up irrelevant.
Charlie's father, years before, had the pizzeria Freddy Fazbear's built in Hurricane, but after Michael was kidnapped while being there, it was shut down and, now, a mall is being built around it. But, with the stigma coming from Fazbear's kidnapping, no businesses will agree to have their store put inside the new building, leaving it abandoned. Right away, the reader is taken with the group of friends on a trip to the building, where they break into Fazbear's with only a lone guard on duty, but with the amount of noise the group makes and even, somehow, turning the electricity back on, it's unreasonable to the reader that the guard isn't aware of their presence. (Even the characters don't seem worried about the guard coming in and kicking them out).
Without trying to give any spoilers away to those who may not know the story- the night guard finally shows up later on in the book, but only to join the group on their third adventure through the abandoned Fazbear's. And it is as this point, the book is at it's best. Even the writing seems to change - - - as if a different person took over for the second part of the book (which is a good thing).
Cawthon and Breed-Wrisley tried their best to convey the story of Five Nights at Freddy's, but although the story is a good one, the writing is lacking in many aspects. There's not just a few inconsistencies that I found, but rather a lot, and one of these is an important one: Charlie,earlier on in the story, tells us about her twin brother, Sammy, being kidnapped from the first Pizzeria her father had built, but later on, she states that Sammy was present at the newer Fazbear's when clearly he had been kidnapped before the newer restaurant was even built.
This story isn't so much about animatronics and a child murderer, but rather a group of children that shared a trauma that permeates into their adulthood. Sadly, the symptoms of this trauma aren't clearly stated from a reality stand point, but the teen drama is held in-check, making it a much more pleasant read than most young adult books. Character development is also lacking enough that--- even the main character--- seems like a stranger to the reader, where interactions between most of the group seems forced and unreasonable.
I can only recommend this book to fans of Five Nights at Freddy's, but as just a casual reader of the horror genre, the writing is a huge disappointment. I can't and won't read this again.
Night Reader Reviews (683 KP) rated The Devil's Workshop in Books
Jan 10, 2020
Honest Review for Free Copy of Book
The Devil’s Workshop by Donnally Miller is one of the few books that I felt like I had to read twice, and did. Even after that I still feel like I am missing quite a bit of what this book has to offer. If there were ever a book that deserves to be torn apart (and I mean that in the best possible sense) and be studied in depth to have all the hidden meanings exposed this is it. However, I am not the one to do it.
Tom and Katie love each other to the point that when Tom leaves to work on a ship for a while, Katie gives him an extremely special engraved pocket watch to take with him. Little does Tom know, he helped bury the Son of Light shortly before leaving and this has thrown the world into chaos. Katie loses her job at the mansion where she lives and finds herself traveling with a dog and a lovesick man whom she has no affection for on a journey to find Tom. Meanwhile, Tom has lost Katie’s pocket watch, was thrown overboard, and is trying to make his way back to her. Thanks to Deirdre, The Queen of the Witches, the journey these two lovers are on is excruciatingly long and dangerous.
The Indians who live peacefully in the Forest have started to band together in preparation for driving “the white man” back into the sea where they came from. Slaves have also started rebelling all along the Coast and are being hunted by a military who wants them destroyed. Making things even worse Pirates are causing the roads to be unsafe for travelers and Tom finds himself mixed up with them. All the while Deirdre is playing her games with each of the separate groups. The only way to set everything right once more is to create a new Child of Light.
I enjoyed how all the characters seem to cross paths at one point or another in ways that are more natural than forced by the author. All the trials that Tom and Katie are willing to endure in an attempt to see each other again restore a person’s faith in humanity and love. At the same time, the book forces the reader to question just what is love and why will we go to the ends of the Earth for it. What I did not like was that there were a few different times where I would lose track of who was talking or what was going on. I am not sure if this was in any way due to how the book was written or because I was not devoting the amount of attention to the book as it deserves. Even so philosophical books are expected to confuse readers at times and force them to re-evaluate passages, so it in no way changes my opinion of this book.
I would only recommend this book to adult readers. While there is nothing inappropriate for readers in high school, the philosophy would probably be a bit much for them. The casual reader should also be prepared for a long and at times difficult read. Nonetheless, I rate this book to be a perfect 4 out of 4. People who do not realize what kind of book this is would probably put it down during the first few chapters and give it a low rating for being hard to read. Those that realize what they are reading will find that the seemingly random ramblings do make sense if you slow down. There is a wonderful plotline and a beautiful love story (thankfully not a mushy one) that takes place throughout the book if readers are willing to take their time and look.
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Tom and Katie love each other to the point that when Tom leaves to work on a ship for a while, Katie gives him an extremely special engraved pocket watch to take with him. Little does Tom know, he helped bury the Son of Light shortly before leaving and this has thrown the world into chaos. Katie loses her job at the mansion where she lives and finds herself traveling with a dog and a lovesick man whom she has no affection for on a journey to find Tom. Meanwhile, Tom has lost Katie’s pocket watch, was thrown overboard, and is trying to make his way back to her. Thanks to Deirdre, The Queen of the Witches, the journey these two lovers are on is excruciatingly long and dangerous.
The Indians who live peacefully in the Forest have started to band together in preparation for driving “the white man” back into the sea where they came from. Slaves have also started rebelling all along the Coast and are being hunted by a military who wants them destroyed. Making things even worse Pirates are causing the roads to be unsafe for travelers and Tom finds himself mixed up with them. All the while Deirdre is playing her games with each of the separate groups. The only way to set everything right once more is to create a new Child of Light.
I enjoyed how all the characters seem to cross paths at one point or another in ways that are more natural than forced by the author. All the trials that Tom and Katie are willing to endure in an attempt to see each other again restore a person’s faith in humanity and love. At the same time, the book forces the reader to question just what is love and why will we go to the ends of the Earth for it. What I did not like was that there were a few different times where I would lose track of who was talking or what was going on. I am not sure if this was in any way due to how the book was written or because I was not devoting the amount of attention to the book as it deserves. Even so philosophical books are expected to confuse readers at times and force them to re-evaluate passages, so it in no way changes my opinion of this book.
I would only recommend this book to adult readers. While there is nothing inappropriate for readers in high school, the philosophy would probably be a bit much for them. The casual reader should also be prepared for a long and at times difficult read. Nonetheless, I rate this book to be a perfect 4 out of 4. People who do not realize what kind of book this is would probably put it down during the first few chapters and give it a low rating for being hard to read. Those that realize what they are reading will find that the seemingly random ramblings do make sense if you slow down. There is a wonderful plotline and a beautiful love story (thankfully not a mushy one) that takes place throughout the book if readers are willing to take their time and look.
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Gareth von Kallenbach (968 KP) rated Fifty Shades of Grey (2015) in Movies
Aug 6, 2019
remember thinking, after reading the first couple of chapters of Fifty Shades of Grey two years ago, “Is this guy a vampire?” E.L. James’ description of Christian Grey brought to mind Edward of the Twilight series and the heroine, Anastasia Steele’s clumsy entrance into Grey’s office reminded me of Bella. I was so certain I would find out Grey was a vampire in the following chapters.
So it wasn’t too much of a surprise for me when I learned the book started out as Twilight fan fiction. The hero and heroine were clearly patterned after Bella and Edward. So whenever someone asked me what the book was about, I would tell them, “It’s an awfully written Twilight with a lot of sex and some bondage and spanking. “ That being said, I’m hardly a book snob. I’ll read just about anything, and while I may complain the whole time, I’ll finish the series if one exists. But even casual readers should be able to recognize badly written fiction when it smacks them in the face like Fifty Shades of Grey.
When I heard they were making a movie, I figured it would be a Rated R or NC-17 version Twilight. I played the game along with other millions of women on who should be the leads. I picked Anna Kendrick and Ian Somerhalder. I wasn’t too disappointed with the actual picks (I think that required actually caring), but the trailers did not endear Dakota Johnson to me at all. On the way to the screener, I joked with my husband, Gareth, that I expected to see Dakota Johnson and Jamie Dornan doing a lot of gasping or scowling with mouth agape since that seemed to be their go-to reactions in the book. (James is fond of writing about jaw-drops and sharp intakes of breath in her books).
I had to make him promise to refrain from making Mystery Science Theater 3000 commentary during the movie, but within the first 5 minutes he recognized some landmarks and leaned over to ask “Wait. She went to WSU?” When I nodded, Gareth, a proud UW Husky, leaned back, shook his head and muttered, “Already disappointed.” We both actually enjoyed seeing the Seattle backdrop, all shiny and urbane, at least in Grey’s world. I thought Gareth was talking about the ridiculousness of Christian Grey’s wealth when he whispered, “This movie is so full of it.” I raised my eyebrows at him and he said, “You know you can’t find parking that easily in Seattle.”
Being familiar with the books, I knew what to expect and for the most part, director Sam Taylor-Johnson, greatly improved on weak source material. Dakota Johnson was a pleasant surprise, making Anastasia smart, witty and much more relatable than the book Ana. Jamie Dornan was very easy to look at. Listening to? Not so much. It’s been reported that E. L. James’ insisted the dialogue from her books remain unchanged. One wonders if she also insisted Dornan deliver his parts as if he were reading her book. Reluctantly and under great duress.
Fans of the books will notice a few changes, and of course it won’t be as graphic as the book, but there are at least 25 minutes of steamy scenes. All in all, this may be one of those rare times the movie is better than the book. Like the books, now that I’m invested, I will watch the next two in the trilogy. Mainly thanks to Dakota Johnson. If nothing else, I have to give Fifty Shades of Grey credit for inspiring passion – in debates about abusive relationships, true BDSM and the age-old bad boy vs. good men attraction. I don’t think I’ve engaged in this many debates with friends and coworkers about a non-sci-fi movie before. It could very well inspire all kinds of other passion for those who give in and escort their significant other to this movie this weekend. But hopefully, unlike the leads in the movie, those inspired will reach a satisfying finish rather than a stylized fade-out to the morning after.
So it wasn’t too much of a surprise for me when I learned the book started out as Twilight fan fiction. The hero and heroine were clearly patterned after Bella and Edward. So whenever someone asked me what the book was about, I would tell them, “It’s an awfully written Twilight with a lot of sex and some bondage and spanking. “ That being said, I’m hardly a book snob. I’ll read just about anything, and while I may complain the whole time, I’ll finish the series if one exists. But even casual readers should be able to recognize badly written fiction when it smacks them in the face like Fifty Shades of Grey.
When I heard they were making a movie, I figured it would be a Rated R or NC-17 version Twilight. I played the game along with other millions of women on who should be the leads. I picked Anna Kendrick and Ian Somerhalder. I wasn’t too disappointed with the actual picks (I think that required actually caring), but the trailers did not endear Dakota Johnson to me at all. On the way to the screener, I joked with my husband, Gareth, that I expected to see Dakota Johnson and Jamie Dornan doing a lot of gasping or scowling with mouth agape since that seemed to be their go-to reactions in the book. (James is fond of writing about jaw-drops and sharp intakes of breath in her books).
I had to make him promise to refrain from making Mystery Science Theater 3000 commentary during the movie, but within the first 5 minutes he recognized some landmarks and leaned over to ask “Wait. She went to WSU?” When I nodded, Gareth, a proud UW Husky, leaned back, shook his head and muttered, “Already disappointed.” We both actually enjoyed seeing the Seattle backdrop, all shiny and urbane, at least in Grey’s world. I thought Gareth was talking about the ridiculousness of Christian Grey’s wealth when he whispered, “This movie is so full of it.” I raised my eyebrows at him and he said, “You know you can’t find parking that easily in Seattle.”
Being familiar with the books, I knew what to expect and for the most part, director Sam Taylor-Johnson, greatly improved on weak source material. Dakota Johnson was a pleasant surprise, making Anastasia smart, witty and much more relatable than the book Ana. Jamie Dornan was very easy to look at. Listening to? Not so much. It’s been reported that E. L. James’ insisted the dialogue from her books remain unchanged. One wonders if she also insisted Dornan deliver his parts as if he were reading her book. Reluctantly and under great duress.
Fans of the books will notice a few changes, and of course it won’t be as graphic as the book, but there are at least 25 minutes of steamy scenes. All in all, this may be one of those rare times the movie is better than the book. Like the books, now that I’m invested, I will watch the next two in the trilogy. Mainly thanks to Dakota Johnson. If nothing else, I have to give Fifty Shades of Grey credit for inspiring passion – in debates about abusive relationships, true BDSM and the age-old bad boy vs. good men attraction. I don’t think I’ve engaged in this many debates with friends and coworkers about a non-sci-fi movie before. It could very well inspire all kinds of other passion for those who give in and escort their significant other to this movie this weekend. But hopefully, unlike the leads in the movie, those inspired will reach a satisfying finish rather than a stylized fade-out to the morning after.
Gareth von Kallenbach (968 KP) rated Men in Black III (2012) in Movies
Aug 7, 2019
Fifteen years after bursting onto the scene, award winning actors Will Smith and Tommy Lee Jones are back in black in Men In Black 3! Alien-busting agents J (Will Smith) and K (Tommy Lee Jones) are here once again to protect the galaxy, and the people of Earth, in this action-packed, hilarious and attention-grabbing adventure that is sure to redeem itself from its previous sequel flop.
Men In Black 3 features a time travel plot, with a comedic twist, that focuses on the relationship between Agent J, and surly old character, Agent K. Will Smith and Tommy Lee Jones have fantastic and seamless chemistry that makes it easy to dispel disbelief and emerse yourself into this secret world of aliens among us.
The film starts off with what seams like a casual conversation, between wise cracking charismatic Agent J and always grumpy Agent K, but soon leads to Agent K stonewalling J’s questions about K’s past by stating, “Don’t ask questions you don’t want to know the answers to.” As Will Smith’s character persists, our curiosity grows, and a conspiracy of a cover up and clues to Agent K’s dark past unfolds.
Meanwhile, one of the most feared criminals in the galaxy, Boris the Animal (Jemaine Clement), has just escaped from a maximum security prison that was built on the moon to detain him. Boris wants nothing more than to seek revenge on the person responsible for his 40 year incarceration and kill the man responsible for the loss of his arm, Agent K. Through a murderous rage Boris secures a time travel device and jumps back in time to 1969, where he rewrites history by killing K in hopes that his Boglodite alien kind will fulfill their mission to use and destroy present day Earth. The only person aware that time has been altered is, of course, Agent J who ends up traveling back in time to stop Boris the Animal. In doing so, Agent J unites with the younger Agent K (Josh Brolin) and has to work together to ultimately save mankind. Josh Brolin’s performance was spot on. He gave an uncanny impression of Jones, right down to the mannerisms and facial expressions. He was very entertaining to watch.
When I first heard about a third Men in Black movie, I didn’t expect much out of this 10 year dormant franchise. Mainly because the second movie left so little to be desired, due to its horrible storyline and less than stellar performances by the lead characters. I honestly cannot remember a single enjoyable moment from Men in Black 2, someone must have neuralized me!
Barry Sonnenfeld is back in the director’s seat, hoping to redeem himself from the disaster that was Men in Black 2. He attempts to return to the original formula that made the first Men in Black movie fun, original and entertaining. Proving to have succeeded in creating a more worthwhile storyline, there are however moments within the movie that seem a bit thrown together, times in the plot that could have been expanded upon but may have ended up on the editing room floor.
Kudos to the special effects and art direction team for once again creating amusingly and outlandish aliens that were the real stars of the show. The special effects, such as Boris’ dart spitting spider-like creature that lives inside his hand, were particularly gruesome.
Both Sonnenfeld and Smith, who serve as producers, were aiming at providing more substance to the third installment. They wanted to delve into the relationship between J and K and why K has such a bitter and distant persona, especially after having been partners for 15 years. The real reasons will shock you. I won’t spoil the surprising end, but it was a touching twist that I did not see coming. It made me appreciate both characters and had me walking out of the theater feeling pumped up from all of the action, giddy from all of the laughs and moved from the heartfelt ending. They pulled it off without being sappy, a well rounded action comedy, suitable for the whole family.
Men In Black 3 features a time travel plot, with a comedic twist, that focuses on the relationship between Agent J, and surly old character, Agent K. Will Smith and Tommy Lee Jones have fantastic and seamless chemistry that makes it easy to dispel disbelief and emerse yourself into this secret world of aliens among us.
The film starts off with what seams like a casual conversation, between wise cracking charismatic Agent J and always grumpy Agent K, but soon leads to Agent K stonewalling J’s questions about K’s past by stating, “Don’t ask questions you don’t want to know the answers to.” As Will Smith’s character persists, our curiosity grows, and a conspiracy of a cover up and clues to Agent K’s dark past unfolds.
Meanwhile, one of the most feared criminals in the galaxy, Boris the Animal (Jemaine Clement), has just escaped from a maximum security prison that was built on the moon to detain him. Boris wants nothing more than to seek revenge on the person responsible for his 40 year incarceration and kill the man responsible for the loss of his arm, Agent K. Through a murderous rage Boris secures a time travel device and jumps back in time to 1969, where he rewrites history by killing K in hopes that his Boglodite alien kind will fulfill their mission to use and destroy present day Earth. The only person aware that time has been altered is, of course, Agent J who ends up traveling back in time to stop Boris the Animal. In doing so, Agent J unites with the younger Agent K (Josh Brolin) and has to work together to ultimately save mankind. Josh Brolin’s performance was spot on. He gave an uncanny impression of Jones, right down to the mannerisms and facial expressions. He was very entertaining to watch.
When I first heard about a third Men in Black movie, I didn’t expect much out of this 10 year dormant franchise. Mainly because the second movie left so little to be desired, due to its horrible storyline and less than stellar performances by the lead characters. I honestly cannot remember a single enjoyable moment from Men in Black 2, someone must have neuralized me!
Barry Sonnenfeld is back in the director’s seat, hoping to redeem himself from the disaster that was Men in Black 2. He attempts to return to the original formula that made the first Men in Black movie fun, original and entertaining. Proving to have succeeded in creating a more worthwhile storyline, there are however moments within the movie that seem a bit thrown together, times in the plot that could have been expanded upon but may have ended up on the editing room floor.
Kudos to the special effects and art direction team for once again creating amusingly and outlandish aliens that were the real stars of the show. The special effects, such as Boris’ dart spitting spider-like creature that lives inside his hand, were particularly gruesome.
Both Sonnenfeld and Smith, who serve as producers, were aiming at providing more substance to the third installment. They wanted to delve into the relationship between J and K and why K has such a bitter and distant persona, especially after having been partners for 15 years. The real reasons will shock you. I won’t spoil the surprising end, but it was a touching twist that I did not see coming. It made me appreciate both characters and had me walking out of the theater feeling pumped up from all of the action, giddy from all of the laughs and moved from the heartfelt ending. They pulled it off without being sappy, a well rounded action comedy, suitable for the whole family.
Night Reader Reviews (683 KP) rated Full Dark No Stars in Books
Apr 14, 2020
Casual Review
Full Dark, No Stars is a collection of four short stories by Stephen King. These stories include 1922, Big Driver, Fair Extension, and A Good Marriage. As Stephen King admits in the Afterword at the back of the book these four stories are disturbing and hard to read at times but they are well worth it. In these four books Stephen King explores the possibility of each person having at least one more person inside them, the person that comes out when we experience something too traumatic for our typical self to handle. What happens when this person we keep hidden deep inside of us gets let out? Can we put this person back and go on to live a normal life or does it change us forever?
1922
This story reminded me largely of Poe's Tell-Tale Heart and I am sure many other bookworms will see the resemblance between these two stories. Wilfred Leland James is a farmer living on 80 acres of land with his wife and his son. When his wife is given 100 acres of adjacent land when her father dies, Wilfred is thrilled until he learns that she plans on selling all of it off to a big company and that there is nothing he can do to stop her. She is determined to sell the land and move to the city, taking their son with her either Wilfred wants to go or not. Their respective stubbornness starts a chain of events that can only end in pain and misery for all involved.
Big Driver
Tess is a mystery writer of the sort that writes simple little mysteries often read by older ladies and their book clubs and who occasionally makes guest appearances to talk about her books. When she takes a shortcut home suggested to her after one such event she finds herself in a world that she doesn't even dare to write about. A stranger stopping to help her ends up having other plans for her and leaves her for dead after raping her multiple times. Tess manages to survive and makes her way home but the damage has been done in more than one way and she sets out to get revenge on all she believes to be involved in what happened. Is it possible though that she doesn't know the full story?
Fair Extension
Dave Streeter has cancer and doesn't have much time left to live, under a year for sure. He is extremely jealous of an old friend of his from school who seems to have it all while Dave and his family are not struggling but they also are not doing as well as what his old friend is. Then one day while heading home and contemplating his life. he sees a man along the extension by the airport with a little stand set up. This man offers Dave an extension on his life but Dave has to offer someone that he hates up to this man in exchange, not to kill him but someone must pay the price.
A Good Marriage
One day while Darcy's husband is away on business and she is looking for batteries she stubbles on a box that her husband has hidden under a table in the garage. When she tries to push the box under the table the rest of the way she pushes the box up against something that she ends up wishing she never investigated. When she looks at what the box hit she ends up discovering that her husband has been harboring a horrible secret from even before they were married but this puts her in a very bad spot. She fears no one would believe that she did not know about what he was doing until now and she also fears the stigma that the discovery will leave on their children. At the same time though she must do something about what she found out.
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1922
This story reminded me largely of Poe's Tell-Tale Heart and I am sure many other bookworms will see the resemblance between these two stories. Wilfred Leland James is a farmer living on 80 acres of land with his wife and his son. When his wife is given 100 acres of adjacent land when her father dies, Wilfred is thrilled until he learns that she plans on selling all of it off to a big company and that there is nothing he can do to stop her. She is determined to sell the land and move to the city, taking their son with her either Wilfred wants to go or not. Their respective stubbornness starts a chain of events that can only end in pain and misery for all involved.
Big Driver
Tess is a mystery writer of the sort that writes simple little mysteries often read by older ladies and their book clubs and who occasionally makes guest appearances to talk about her books. When she takes a shortcut home suggested to her after one such event she finds herself in a world that she doesn't even dare to write about. A stranger stopping to help her ends up having other plans for her and leaves her for dead after raping her multiple times. Tess manages to survive and makes her way home but the damage has been done in more than one way and she sets out to get revenge on all she believes to be involved in what happened. Is it possible though that she doesn't know the full story?
Fair Extension
Dave Streeter has cancer and doesn't have much time left to live, under a year for sure. He is extremely jealous of an old friend of his from school who seems to have it all while Dave and his family are not struggling but they also are not doing as well as what his old friend is. Then one day while heading home and contemplating his life. he sees a man along the extension by the airport with a little stand set up. This man offers Dave an extension on his life but Dave has to offer someone that he hates up to this man in exchange, not to kill him but someone must pay the price.
A Good Marriage
One day while Darcy's husband is away on business and she is looking for batteries she stubbles on a box that her husband has hidden under a table in the garage. When she tries to push the box under the table the rest of the way she pushes the box up against something that she ends up wishing she never investigated. When she looks at what the box hit she ends up discovering that her husband has been harboring a horrible secret from even before they were married but this puts her in a very bad spot. She fears no one would believe that she did not know about what he was doing until now and she also fears the stigma that the discovery will leave on their children. At the same time though she must do something about what she found out.
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Bob Mann (459 KP) rated Long Shot (2019) in Movies
Sep 28, 2021
#Punching.
#Punching refers to an in-family joke….. my WhatsApp reply to my son when he sent me a picture of his new “Brazilian supermodel girlfriend” (she’s not). Bronwyn is now my daughter-in-law!
Similarly, the ‘out-there’ journalist Fred Flarsky (Seth Rogan) has been holding a candle for the glacial ice-queen Charlotte Field (Charlize Theron) for nearly twenty years. At the age of 16 she was his babysitter. Always with an interest in school issues, she has now risen to the dizzy heights of secretary (“of State”) to the President of the United States (Bob Odenkirk). With Charlotte getting the opportunity to run for President, fate arranges for Fred to get hired as a speechwriter on the team to help inject some necessary humour into Charlotte’s icy public persona. But in terms of romantic options, the shell-suited Fred is surely #punching isn’t he?
A rare thing.
Getting the balance right for a “romantic comedy” is a tricky job, but “Long Shot” just about gets it spot on. The comedy is sharp with a whole heap of great lines, some of which will need a second watch to catch. It’s also pleasingly politically incorrect, with US news anchors in particular being lampooned for their appallingly sexist language.
Just occasionally, the humour flips into Farrelly-levels of dubious taste (one “Mary-style” incident in particular was, for me, very funny but might test some viewer’s “ugh” button). The film also earns its UK15 certificate from the extensive array of “F” words utilized, and for some casual drug use.
Romantically, the film harks back to a classic blockbuster of 1990, but is well done and touching.
Writing and Directing
The sharp and tight screenplay was written by Dan Sterling, who wrote the internationally controversial Seth Rogen/James Franco comedy “The Interview” from 2014, and Liz Hannah, whose movie screenplay debut was the Spielberg drama “The Post“.
Behind the camera is Jonathan Levine, who previously directed the pretty awful “Snatched” from 2017 (a film I have started watching on a plane but never finished) but on the flip side he has on his bio the interesting rom-com-zombie film “Warm Bodies” and the moving cancer comedy “50:50”, also with Rogan, from 2011.
Also worthy of note in the technical department is the cinematography by Yves Bélanger (“The Mule“, “Brooklyn“, “Dallas Buyers Club“) with some lovely angles and tracking shots (a kitchen dance scene has an impressively leisurely track-away).
The Cast
Seth Rogen is a bit of an acquired taste: he’s like the US version of Johnny Vegas. Here he is suitably geeky when he needs to be, but has the range to make some of the pathos work in the inevitable “downer” scenes. Theron is absolutely gorgeous on-screen (although unlike the US anchors I OBVIOUSLY also appreciate her style and acting ability!). She really is the Grace Kelly of the modern age. She’s no stranger to comedy, having been in the other Seth (Macfarlane)’s “A Million Ways to Die in the West“. But she seems to be more comfortable with this material, and again gets the mix of comedy, romance and drama spot-on.
The strong supporting cast includes the unknown (to me) June Diane Raphael who is very effective at the cock-blocking Maggie, Charlotte’s aide; O’Shea Jackson Jr. as Fred’s buddy Lance; and Ravi Patel as the staffer Tom.
But winning the prize for the most unrecognizable cast member was Andy Serkis as the wizened old Rupert Murdoch-style media tycoon Parker Wembley: I genuinely got a shock as the titles rolled that this was him.
Final thoughts.
Although possibly causing offence to some, this is a fine example of a US comedy that delivers consistent laughs. Most of the audience chatter coming out of the screening was positive. At just over 2 hours, it breaks my “90 minute comedy” rule, but just about gets away with it. It’s not quite for me at the bar of “Game Night“, but it’s pretty close. Recommended.
#Punching refers to an in-family joke….. my WhatsApp reply to my son when he sent me a picture of his new “Brazilian supermodel girlfriend” (she’s not). Bronwyn is now my daughter-in-law!
Similarly, the ‘out-there’ journalist Fred Flarsky (Seth Rogan) has been holding a candle for the glacial ice-queen Charlotte Field (Charlize Theron) for nearly twenty years. At the age of 16 she was his babysitter. Always with an interest in school issues, she has now risen to the dizzy heights of secretary (“of State”) to the President of the United States (Bob Odenkirk). With Charlotte getting the opportunity to run for President, fate arranges for Fred to get hired as a speechwriter on the team to help inject some necessary humour into Charlotte’s icy public persona. But in terms of romantic options, the shell-suited Fred is surely #punching isn’t he?
A rare thing.
Getting the balance right for a “romantic comedy” is a tricky job, but “Long Shot” just about gets it spot on. The comedy is sharp with a whole heap of great lines, some of which will need a second watch to catch. It’s also pleasingly politically incorrect, with US news anchors in particular being lampooned for their appallingly sexist language.
Just occasionally, the humour flips into Farrelly-levels of dubious taste (one “Mary-style” incident in particular was, for me, very funny but might test some viewer’s “ugh” button). The film also earns its UK15 certificate from the extensive array of “F” words utilized, and for some casual drug use.
Romantically, the film harks back to a classic blockbuster of 1990, but is well done and touching.
Writing and Directing
The sharp and tight screenplay was written by Dan Sterling, who wrote the internationally controversial Seth Rogen/James Franco comedy “The Interview” from 2014, and Liz Hannah, whose movie screenplay debut was the Spielberg drama “The Post“.
Behind the camera is Jonathan Levine, who previously directed the pretty awful “Snatched” from 2017 (a film I have started watching on a plane but never finished) but on the flip side he has on his bio the interesting rom-com-zombie film “Warm Bodies” and the moving cancer comedy “50:50”, also with Rogan, from 2011.
Also worthy of note in the technical department is the cinematography by Yves Bélanger (“The Mule“, “Brooklyn“, “Dallas Buyers Club“) with some lovely angles and tracking shots (a kitchen dance scene has an impressively leisurely track-away).
The Cast
Seth Rogen is a bit of an acquired taste: he’s like the US version of Johnny Vegas. Here he is suitably geeky when he needs to be, but has the range to make some of the pathos work in the inevitable “downer” scenes. Theron is absolutely gorgeous on-screen (although unlike the US anchors I OBVIOUSLY also appreciate her style and acting ability!). She really is the Grace Kelly of the modern age. She’s no stranger to comedy, having been in the other Seth (Macfarlane)’s “A Million Ways to Die in the West“. But she seems to be more comfortable with this material, and again gets the mix of comedy, romance and drama spot-on.
The strong supporting cast includes the unknown (to me) June Diane Raphael who is very effective at the cock-blocking Maggie, Charlotte’s aide; O’Shea Jackson Jr. as Fred’s buddy Lance; and Ravi Patel as the staffer Tom.
But winning the prize for the most unrecognizable cast member was Andy Serkis as the wizened old Rupert Murdoch-style media tycoon Parker Wembley: I genuinely got a shock as the titles rolled that this was him.
Final thoughts.
Although possibly causing offence to some, this is a fine example of a US comedy that delivers consistent laughs. Most of the audience chatter coming out of the screening was positive. At just over 2 hours, it breaks my “90 minute comedy” rule, but just about gets away with it. It’s not quite for me at the bar of “Game Night“, but it’s pretty close. Recommended.