"It’s my all time favorite, hands down. It’s just me. I really love the dark side and one of my girlfriends is one of the world’s experts on serial killers and she has John Wayne Gacy’s brain in her basement. I’ve SEEN it! Next to her sons hockey sticks. I didn’t know anything about it. We were on tour. We were in Corpus Cristi, Texas and had a night off and I always took the band and crew out for dinner and we go to this mall. I guess it was the last movie of the night and we’re the only ones in this theater and when we got out of the movie theater the whole mall was empty and we were locked in it. So, the whole night was creepy because we weren’t staying in an expensive hotel and there was just that little button on the door knob that locked our door. So I put all the heavy furniture in the room against the door. I can literally repeat the lines now and when I met Tony Hopkins — and nobody gets me; I’m just not impressed by celebrities unless they do something life saving or they’re a hero type — but anyway I don’t ever approach celebrities, but I couldn’t stand not to, and he did the lines for me. And then I was sitting next to Hannibal in a make up chair — the movie was called Heat and you know when you hang out with somebody for a long time… Ashley was doing that movie with him, so I had him do it. But absolutely my favorite."

"""When it comes to documentaries, I am not a fan of current trends of reenactments and celebrities reading the words of unavailable subjects. Skip the elaborately constructed interstitial animations and give me old-school talking heads and archival footage with scripted, voice-of-God narration to help move me where you want me to go. The Times of Harvey Milk is what I’m talking about. Winner of the 1985 Oscar for Best Documentary, Rob Epstein and Richard Schmiechen’s powerful account of the assassination of San Francisco’s first openly gay elected official remains one of the most riveting documentaries ever made. It tells the story of San Francisco’s gay community and the fight for gay rights in the late 1970s through dynamic talking-head interviews, gripping archival footage, and devastating narration by Harvey Fierstein. It is also one of the very few gay-themed films to be selected for the Library of Congress’s National Film Registry."

"Vince Vaughn made me laugh like all the way through this film. There’s plenty of dialogue, but the part where he’s sitting at the dinner table and he’s getting the rub-and-tug under table is just… He’s doing everything with his face, like, he’s not really saying anything. What’s coming out of him is awesome, pardon the pun. Will Ferrell is great too, but just watch Vince Vaughn in that entire movie where he gets strapped down to the bed and they want to play tummy sticks and stuff. “No, no tummy sticks.” The scene where he goes into the kitchen and he’s angry, and he’s like “We’re not talking,” but he’s loading up on carbs and stuff and announces he’s going to “sit over here,” dumping syrup on top of everything. It’s slapsticky and over the top, but there’s room on everyone’s queue for something big that has celebrities in it but a great score, and it looked great, they’re taking the boat out, there’s big weddings. It’s a big movie, but it didn’t feel big and overpowering; it felt intimate. There was a direction, there was a sense, and they went. And they didn’t deviate, and it also has such a sweetness and lessons learned and all that kind of stuff."