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Gareth von Kallenbach (980 KP) rated Electric Slide (2015) in Movies
Aug 6, 2019
Today’s choice for your consideration is the 2014 film ‘Electric Slide’. A biographical crime film based on the life of antique/furniture salesman turned bank robber Eddie Dodson.
Starring Jim Sturgess, Isabel Lucas, Chloe Sevigny, Patricia Arquette, and Christopher Lambert, ‘Electric Slide’ opens in 1983 Los Angeles. Disco is nearly dead and Rock-n-Roll is putting the final nails in its coffin. By day, Eddie Dodson (Jim Sturgess) is a hip antique furniture salesman (there’s a contradiction in terms) catering to the rich and famous while in engaging in some petty thievering from his customers on the side. By night, he moves with the drug-fueled parties from one mansion to the next. A chance encounter at one of these parties introduces him to the beautiful and aloof Pauline (Isabel Lucas). Eddie and Pauline are immediately smitten with one another as though destined by fate. At about the same time, Eddie’s carefree lifestyle is coming back to haunt him as loan sharks finally catch up to him and his former benefactor Roy Fortune (Christopher Lambert) comes calling demanding the return of his money. With no other way to repay his debt, Eddie resorts to robbing banks. With Pauline in tow, Eddie uses his charm to talk the tellers at over 60 banks in the L.A. Area into handing over their cash. However, instead of paying off his debts Eddie and Pauline simply continue their life of excess with the police and the loan sharks in hot pursuit.
This film did an excellent job of depicting the ‘L.A. Lifestyle’ of the early 1980s that didn’t involve celebrities, but the folks who you would imagine would be latching on to those said celebrities.
The groupies if you will. The main character Eddie Dodson seems like he was a born con artist … a greasy slime ball who will take you for every thing you have if you let him. He is a bizarrely likable character though and his devotion to Pauline makes the viewer all the more want him to get away with just about any scheme he tries to pull. This is the first time I’ve seen Isabel Lucas in film since ‘Transformers:Revenge Of The Fallen’ or the ‘Red Dawn’ remake and I must say her performance as Pauline was brilliant. To quote another reviewer who screened this film I found myself asking ‘Who is that girl?’ From her first appearance on screen, it’s like you’re immediately drawn to her quiet/mysterious presence. It was also awesome to see Christopher Lambert in a movie once again. Although he’s portrayed a villain previously, I had personally never seen anything where he was the villain. His appearance in this film although brief had me convinced. In my opinion he should pursue more roles as the villain if they present themselves.
One of the movie’s aspects that bugged me though was the soundtrack. The only way I could describe it would be ‘hipsters trying to sound retro’ and they didn’t succeed. The music didn’t sound like it belonged in the timeframe which the movie took place in. There were also far too many clips and scenes where they kicked in the slow motion or decided to have the camera pan or zoom out in some attempt to capture more of the surroundings. They could’ve used this wasted time to include more dialogue and interaction between the main characters in my opinion. Besides the A-List actors they managed to enlist for this film the only thing that saved it in the end was the knowledge that the film was based on a true story. It kinda of fizzled about halfway though and then kicked back in 3/4s of the way through. The film is worth watching visually but the thing that killed it was that it could’ve used more dialogue. I’d give it 2.5 out of 5 stars. It’s worth watching once or twice. Nothing to write home about though.
Starring Jim Sturgess, Isabel Lucas, Chloe Sevigny, Patricia Arquette, and Christopher Lambert, ‘Electric Slide’ opens in 1983 Los Angeles. Disco is nearly dead and Rock-n-Roll is putting the final nails in its coffin. By day, Eddie Dodson (Jim Sturgess) is a hip antique furniture salesman (there’s a contradiction in terms) catering to the rich and famous while in engaging in some petty thievering from his customers on the side. By night, he moves with the drug-fueled parties from one mansion to the next. A chance encounter at one of these parties introduces him to the beautiful and aloof Pauline (Isabel Lucas). Eddie and Pauline are immediately smitten with one another as though destined by fate. At about the same time, Eddie’s carefree lifestyle is coming back to haunt him as loan sharks finally catch up to him and his former benefactor Roy Fortune (Christopher Lambert) comes calling demanding the return of his money. With no other way to repay his debt, Eddie resorts to robbing banks. With Pauline in tow, Eddie uses his charm to talk the tellers at over 60 banks in the L.A. Area into handing over their cash. However, instead of paying off his debts Eddie and Pauline simply continue their life of excess with the police and the loan sharks in hot pursuit.
This film did an excellent job of depicting the ‘L.A. Lifestyle’ of the early 1980s that didn’t involve celebrities, but the folks who you would imagine would be latching on to those said celebrities.
The groupies if you will. The main character Eddie Dodson seems like he was a born con artist … a greasy slime ball who will take you for every thing you have if you let him. He is a bizarrely likable character though and his devotion to Pauline makes the viewer all the more want him to get away with just about any scheme he tries to pull. This is the first time I’ve seen Isabel Lucas in film since ‘Transformers:Revenge Of The Fallen’ or the ‘Red Dawn’ remake and I must say her performance as Pauline was brilliant. To quote another reviewer who screened this film I found myself asking ‘Who is that girl?’ From her first appearance on screen, it’s like you’re immediately drawn to her quiet/mysterious presence. It was also awesome to see Christopher Lambert in a movie once again. Although he’s portrayed a villain previously, I had personally never seen anything where he was the villain. His appearance in this film although brief had me convinced. In my opinion he should pursue more roles as the villain if they present themselves.
One of the movie’s aspects that bugged me though was the soundtrack. The only way I could describe it would be ‘hipsters trying to sound retro’ and they didn’t succeed. The music didn’t sound like it belonged in the timeframe which the movie took place in. There were also far too many clips and scenes where they kicked in the slow motion or decided to have the camera pan or zoom out in some attempt to capture more of the surroundings. They could’ve used this wasted time to include more dialogue and interaction between the main characters in my opinion. Besides the A-List actors they managed to enlist for this film the only thing that saved it in the end was the knowledge that the film was based on a true story. It kinda of fizzled about halfway though and then kicked back in 3/4s of the way through. The film is worth watching visually but the thing that killed it was that it could’ve used more dialogue. I’d give it 2.5 out of 5 stars. It’s worth watching once or twice. Nothing to write home about though.
Goddess in the Stacks (553 KP) rated Fire and Heist in Books
Apr 2, 2019
I picked this up off the library shelf for the title; I took it home for the description. Were-dragon thieves? Awesome. It turns out it's not that simple. For one, the were-dragons have lost the ability to transform over the years - the last dragon to transform was Sir Francis Drake, and the book is set in modern times, so, at least a couple hundred years have passed. And humans know the were-dragons exist! I suppose without the ability to transform, they're little more than rich celebrities with parlor tricks. (Immune to fire to certain temperatures, ability to breathe fire.) What humans don't know is how much the wyverns tend to steal to enrich their hoards. And that some of them can do limited magic.
We open on Sky, sixteen, rattling around her mansion, dealing with her now dysfunctional family of three brothers and their father. Her mother went missing not very long ago, during a heist. The kids have been told she's gone, she's alive, she's not coming back, and to drop the matter. Were-dragon society almost exiled all of them for whatever their mother got into, so they're all on thin ice. Sky, of course, is having none of this. When she stumbles on a lead for where her mother went, she pursues it, and learns all kinds of secrets.
The book was okay, I suppose. I was a little appalled at were-dragon society, and that the dragons just - bow to the authority of the Council. Dragons should have more spine. The heist part was pretty cool, with Sky and her friends figuring out how to take apart every layer of security piece by piece.
I don't know. It was a fluffy book, but not a feel-good book, and I just wasn't that enthused.
You can read all my reviews at http://goddessinthestacks.com
We open on Sky, sixteen, rattling around her mansion, dealing with her now dysfunctional family of three brothers and their father. Her mother went missing not very long ago, during a heist. The kids have been told she's gone, she's alive, she's not coming back, and to drop the matter. Were-dragon society almost exiled all of them for whatever their mother got into, so they're all on thin ice. Sky, of course, is having none of this. When she stumbles on a lead for where her mother went, she pursues it, and learns all kinds of secrets.
The book was okay, I suppose. I was a little appalled at were-dragon society, and that the dragons just - bow to the authority of the Council. Dragons should have more spine. The heist part was pretty cool, with Sky and her friends figuring out how to take apart every layer of security piece by piece.
I don't know. It was a fluffy book, but not a feel-good book, and I just wasn't that enthused.
You can read all my reviews at http://goddessinthestacks.com
Gareth von Kallenbach (980 KP) rated Extract (2009) in Movies
Aug 9, 2019
While some might argue potty mouth humor is a constant from Mike Judge, the man behind “Office Space” and “King of the Hill”, I always seem to be curious when he takes on a new project. Judge’s latest film “Extract” combines his classic comedy style with a slightly more mature kind of humor.
A small company, Reynold’s Extract, is about to be bought out much to the joy of the depressed and sexually frustrated owner, Joel Reynold (Jason Bateman). Joel, tired of working long days with disgruntled employees, would love nothing more than returning to a simpler life at home with his wife, Suzie (Kristen Wiig). When the factories irresponsible employees accidently injure long time worker, Step, the deal begins to go south.
The sudden appearance of attractive new employee, Cindy (Mila Kunis) who has the eye of both frustrated Joel and recently damaged employee, Step, further complicates the situation. As does Reynold’s best friend, Dean (Ben Affleck), the local bartender filled with creative ideas on “bettering” Joel’s situation.
As the film progressed I keep wondering is the movie really funny or is Jason Bateman just so entertaining that it doesn’t matter. The honest truth is probably a little of both. With that said I did laugh, mostly at the blatant delivery by the aforementioned Bateman and at the scattered comedic moments derived from the unexpected nature of the film, it is not everyday you encounter a movie about an flavor extract company.
The eclectic cast of actors, from various avenues of fame, works seamlessly together. The most unexpected acting choice is Ben Affleck as Dean a role that could have filled by any number of lesser celebrities, possibly Rob Schneider.
Still the plot is unique and the story varies greatly from Judge’s traditional support of the working class. In “Extract” the protagonist is the boss man, not an underpaid employee.
A delightful little flick about working, neighbors, and other relationships, “Extract” is a creative yet diluted tale
A small company, Reynold’s Extract, is about to be bought out much to the joy of the depressed and sexually frustrated owner, Joel Reynold (Jason Bateman). Joel, tired of working long days with disgruntled employees, would love nothing more than returning to a simpler life at home with his wife, Suzie (Kristen Wiig). When the factories irresponsible employees accidently injure long time worker, Step, the deal begins to go south.
The sudden appearance of attractive new employee, Cindy (Mila Kunis) who has the eye of both frustrated Joel and recently damaged employee, Step, further complicates the situation. As does Reynold’s best friend, Dean (Ben Affleck), the local bartender filled with creative ideas on “bettering” Joel’s situation.
As the film progressed I keep wondering is the movie really funny or is Jason Bateman just so entertaining that it doesn’t matter. The honest truth is probably a little of both. With that said I did laugh, mostly at the blatant delivery by the aforementioned Bateman and at the scattered comedic moments derived from the unexpected nature of the film, it is not everyday you encounter a movie about an flavor extract company.
The eclectic cast of actors, from various avenues of fame, works seamlessly together. The most unexpected acting choice is Ben Affleck as Dean a role that could have filled by any number of lesser celebrities, possibly Rob Schneider.
Still the plot is unique and the story varies greatly from Judge’s traditional support of the working class. In “Extract” the protagonist is the boss man, not an underpaid employee.
A delightful little flick about working, neighbors, and other relationships, “Extract” is a creative yet diluted tale
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