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Enchanted Ink
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From beloved romance author, Robin Lynn, comes a hotly-anticipated, fantastical adventure in art,...
Fantasy Romance Futuristic LGBTQIA+
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Installing Mocha to send unlimited amount of on-net SMS for free ! (Vietnamese below) 1.Easily...
Bob Mann (459 KP) rated The Laundromat (2019) in Movies
May 18, 2021
Is this the dullest movie title in film history?
In "The Laundromat", Ellen Martin (Meryl Streep) loses her husband Joe (James Cromwell) in a boating accident. She expects a multi-million dollar insurance payout, but is frustrated that the insurance companies evaporate in a miasma of shell-companies and double-dealing. Her compulsive investigations lead her to two Panamanian-based double dealers: Jürgen Mossack (Gary Oldman) and Ramón Fonseca (Antonio Banderas).
Based on a true story, a hack of the company's 2.6 TB of email data led to the 2016 scandal known as "The Panama Papers": something that dragged into the headlines the alleged dodgy-dealings of many celebrities including David Cameron.
Positives:
- Meryl Steep delivers another superb performance as the grieving avenging widow.
- There's a "twist" in the final scene which I didn't see coming, and which was impressive.
Negatives:
- This is a really strange and disjointed movie. It seems to be trying to be "The Big Short", but is a significant fail. There are numerous quirky scenes, most involving Oldman and Banderas. But there is enough bat-shit crazy stuff in here to make you think that either Sonderbergh, or the writers, or both were on acid. What was with the "Dawn of Man" sequence at the start? And why the anonymisation of the 'hominids'? Lots of bonkers stuff.
- The movie is made up of a series of chapters ("Lessons"), but the connection between the lesson title and the "message" conveyed is loose at best. It's all a bit of a convoluted mess.
- The script seems to assume a school-boy level of knowledge of the subject matter. As a result, some of the explanations of Mssrs, Oldman and Banderas come across as extremely patronising 'mansplaining'.
Summary Thoughts on "The Laundromat": There's a stellar cast involved with this one, and the subject matter in the hands of an Adam McKay could have been compelling. But as it is, it's rather a disjointed mess. It's worth a watch just to see the actors at work. But that's about the long and the short of it. Watch "The Big Short" again instead.
This has been sitting on my Netflix box for a long time without a watch, and this is mostly because the title suggested something completely different (and not of great interest). (Yes, I understand in retrospect that the movie is partially concerned with money laundering!) It was only my wife suggesting we watch it that pushed it onto the list. If it had been titled something like "The Panama Papers" I would have probably watched it sooner!
(For the full graphical review, please check out One Mann's Movies review here - https://bob-the-movie-man.com/2021/05/18/the-laundromat-is-this-the-worst-title-of-any-movie-in-film-history/. Thanks.)
Based on a true story, a hack of the company's 2.6 TB of email data led to the 2016 scandal known as "The Panama Papers": something that dragged into the headlines the alleged dodgy-dealings of many celebrities including David Cameron.
Positives:
- Meryl Steep delivers another superb performance as the grieving avenging widow.
- There's a "twist" in the final scene which I didn't see coming, and which was impressive.
Negatives:
- This is a really strange and disjointed movie. It seems to be trying to be "The Big Short", but is a significant fail. There are numerous quirky scenes, most involving Oldman and Banderas. But there is enough bat-shit crazy stuff in here to make you think that either Sonderbergh, or the writers, or both were on acid. What was with the "Dawn of Man" sequence at the start? And why the anonymisation of the 'hominids'? Lots of bonkers stuff.
- The movie is made up of a series of chapters ("Lessons"), but the connection between the lesson title and the "message" conveyed is loose at best. It's all a bit of a convoluted mess.
- The script seems to assume a school-boy level of knowledge of the subject matter. As a result, some of the explanations of Mssrs, Oldman and Banderas come across as extremely patronising 'mansplaining'.
Summary Thoughts on "The Laundromat": There's a stellar cast involved with this one, and the subject matter in the hands of an Adam McKay could have been compelling. But as it is, it's rather a disjointed mess. It's worth a watch just to see the actors at work. But that's about the long and the short of it. Watch "The Big Short" again instead.
This has been sitting on my Netflix box for a long time without a watch, and this is mostly because the title suggested something completely different (and not of great interest). (Yes, I understand in retrospect that the movie is partially concerned with money laundering!) It was only my wife suggesting we watch it that pushed it onto the list. If it had been titled something like "The Panama Papers" I would have probably watched it sooner!
(For the full graphical review, please check out One Mann's Movies review here - https://bob-the-movie-man.com/2021/05/18/the-laundromat-is-this-the-worst-title-of-any-movie-in-film-history/. Thanks.)
Make.over Trendy Man Hair & Beard Style.s Salon
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If you want to change your hair and beard style but not really sure into what, Makeover Trendy Man...
The Grand Mafia
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Join The Grand Mafia Guns Blazing & Carve Out Your Journey To Greatness! ...
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“You have the luck of Croesus on stilts (as my Auntie Vi would have said) if you’ve had the sort...
Movie Metropolis (309 KP) rated Sausage Party (2016) in Movies
Jun 11, 2019
Utterly Ridiculous
Just when Sharknado: the 4th Awakens made you think film-making couldn’t get any more ridiculous, a movie like Sausage Party comes along to remind you that Hollywood can always go that one step further to mind-boggling peculiarity.
Of course, that’s not always a bad thing, there have been countless weird and wacky films over the years that have gone on to become cult classics – look at Kick-Ass or even Pulp Fiction for examples of that. But for every Pulp Fiction there’s a Sharknado. So is Sausage Party good weird or as stale as a month-old bagel?
From the mind of Seth Rogen, Sausage Party is a strictly adults only animation that combines hugely offensive language and racial stereotypes with surprisingly meaningful religious undertones. And do you know what? It’s a breath of fresh air.
Life is good for all the food items that occupy the shelves at the local supermarket. Frank (Seth Rogen) the sausage, Brenda (Kristen Wiig) the hot dog bun, Teresa Taco and Sammy Bagel Jr. (Edward Norton) can’t wait to go home with a happy customer. Soon, their world comes crashing down as poor Frank learns the horrifying truth that he will eventually become a meal. After warning his pals about their similar fate, the panicked perishables devise a plan to escape from their human enemies.
Directors Conrad Vernon and Greg Tiernan take Rogen’s intriguing premise and inject a warmly familiar animation style, distancing itself just enough to make any comparisons simply inconceivable. Sausage Party is like nothing you will have ever seen.
The voice-acting is great too. Rogen plays his usual film staple – in sausage form – with the spicy Salma Hayek outdoing everyone else as a lustful taco. Kristen Wiig, Bill Hader, Michael Cera and Jonah Hill also lend their familiar voices to a hot-dog bun, a bottle of spirit and two other frankfurters respectively.
Elsewhere, the comedy, for the most part, hits the spot. As dreadful as it sounds, the racial stereotyping works incredibly well in food form. British tea, Mexican taco shells and German sauerkraut will have you rolling about the aisles with their outrageous vulgarity, but everyone needs to release their inner teenager once in a while.
Unfortunately, the films standout sequence has already been shown in the trailer – a side-splitting food-eye view of a normal kitchen, before every edible item is butchered; that poor Irish potato didn’t stand a chance. This is a real shame as the rest of the film doesn’t quite match up to the standard of that scene.
Nevertheless, there’ll be chuckles throughout as numerous celebrities are parodied in food form. One in particular, immortalised in chewing gum, is incredibly well thought out.
And that’s where Sausage Party succeeds the most. Underneath the polished animation and crude humour, this film is actually kind of clever. It tackles religion, war, race, sexuality and food waste very well indeed and that’s something the genre doesn’t ask for. It’s just unfortunate that it’s not quite as funny as the trailer would have you believe.
https://moviemetropolis.net/2016/09/03/utterly-ridiculous-sausage-party-review/
Of course, that’s not always a bad thing, there have been countless weird and wacky films over the years that have gone on to become cult classics – look at Kick-Ass or even Pulp Fiction for examples of that. But for every Pulp Fiction there’s a Sharknado. So is Sausage Party good weird or as stale as a month-old bagel?
From the mind of Seth Rogen, Sausage Party is a strictly adults only animation that combines hugely offensive language and racial stereotypes with surprisingly meaningful religious undertones. And do you know what? It’s a breath of fresh air.
Life is good for all the food items that occupy the shelves at the local supermarket. Frank (Seth Rogen) the sausage, Brenda (Kristen Wiig) the hot dog bun, Teresa Taco and Sammy Bagel Jr. (Edward Norton) can’t wait to go home with a happy customer. Soon, their world comes crashing down as poor Frank learns the horrifying truth that he will eventually become a meal. After warning his pals about their similar fate, the panicked perishables devise a plan to escape from their human enemies.
Directors Conrad Vernon and Greg Tiernan take Rogen’s intriguing premise and inject a warmly familiar animation style, distancing itself just enough to make any comparisons simply inconceivable. Sausage Party is like nothing you will have ever seen.
The voice-acting is great too. Rogen plays his usual film staple – in sausage form – with the spicy Salma Hayek outdoing everyone else as a lustful taco. Kristen Wiig, Bill Hader, Michael Cera and Jonah Hill also lend their familiar voices to a hot-dog bun, a bottle of spirit and two other frankfurters respectively.
Elsewhere, the comedy, for the most part, hits the spot. As dreadful as it sounds, the racial stereotyping works incredibly well in food form. British tea, Mexican taco shells and German sauerkraut will have you rolling about the aisles with their outrageous vulgarity, but everyone needs to release their inner teenager once in a while.
Unfortunately, the films standout sequence has already been shown in the trailer – a side-splitting food-eye view of a normal kitchen, before every edible item is butchered; that poor Irish potato didn’t stand a chance. This is a real shame as the rest of the film doesn’t quite match up to the standard of that scene.
Nevertheless, there’ll be chuckles throughout as numerous celebrities are parodied in food form. One in particular, immortalised in chewing gum, is incredibly well thought out.
And that’s where Sausage Party succeeds the most. Underneath the polished animation and crude humour, this film is actually kind of clever. It tackles religion, war, race, sexuality and food waste very well indeed and that’s something the genre doesn’t ask for. It’s just unfortunate that it’s not quite as funny as the trailer would have you believe.
https://moviemetropolis.net/2016/09/03/utterly-ridiculous-sausage-party-review/
Movie Metropolis (309 KP) rated The Wedding Ringer (2015) in Movies
Jun 11, 2019
Best reserved for the DVD shelf
The comedy genre is one which goes through many cycles. You can go for years with lacklustre efforts featuring big-name celebrities like Norbit and Johnny English: Reborn, but every so often something special comes along to remind you how funny films can be – a la Bridesmaids or The Heat.
This year’s first offering is The Wedding Ringer. Fronted by Kevin Hart and Josh Gad, it follows the story of a loner who is forced to hire a best man to ensure his upcoming wedding goes without a hitch. But will it have you in fits of laughter or running from the altar?
Jeremy Garelick directs a film that despite a few chuckles here and there and the odd laugh-out-loud moment never really manages to settle into a groove and as such it all feels a little, well vanilla.
Dough Harris (Gad) is a man with a secret, one so big he is unable to share it with his obnoxious fiancée Gretchen – the normally adorable Kaley Cuoco-Sweeting in an against type performance. He simply hasn’t got any friends and is forced to hire Jimmy Callahan (Hart) as his best man to make himself look less of a loser.
Naturally things don’t go quite to plan with a selection of mildly amusing set-pieces involving bachelor parties, dogs and dancing interspersed with genuinely touching scenes which look at self-worth and finding true love and friendship.
Unfortunately this is where things begin to unravel. A mixture of slapstick and more complex comedic elements are put into a film which isn’t quite sure which genre it is trying to be, outright comedy or romantic comedy drama.
Hart plays Jimmy well and Gad is good as the bumbling yet sweet Doug, but the former seems to be on autopilot for the majority of The Wedding Ringer’s 101 minute running time while the latter seems to be just going through the motions, exhibiting no real connection with the script.
Other characters including a selection of hired groomsmen and close family barely register as cardboard cut-outs, never mind major characters in a motion picture.
However, the real fun to be had here is in the more childish sequences with one involving a dog, and another featuring an extended danceringer-dancing sequence having the audience in fits of laughter, though again these moments are few and far between.
Ultimately then, The Wedding Ringer isn’t as disappointing as it could have been but falls short of the comedic standard that audiences now expect when paying the increasingly expensive price of a cinema ticket.
Despite some reasonably charming performances, a couple of stand-out scenes and a cracking soundtrack, The Wedding Ringer fits into a bracket reserved for comedy films which could have delivered so much, but in the end just didn’t go quite far enough and it leaves Bridesmaids at the top of the pile for wedding-themed hilarity.
https://moviemetropolis.net/2015/02/22/best-reserved-for-the-dvd-shelf-the-wedding-ringer-review/
This year’s first offering is The Wedding Ringer. Fronted by Kevin Hart and Josh Gad, it follows the story of a loner who is forced to hire a best man to ensure his upcoming wedding goes without a hitch. But will it have you in fits of laughter or running from the altar?
Jeremy Garelick directs a film that despite a few chuckles here and there and the odd laugh-out-loud moment never really manages to settle into a groove and as such it all feels a little, well vanilla.
Dough Harris (Gad) is a man with a secret, one so big he is unable to share it with his obnoxious fiancée Gretchen – the normally adorable Kaley Cuoco-Sweeting in an against type performance. He simply hasn’t got any friends and is forced to hire Jimmy Callahan (Hart) as his best man to make himself look less of a loser.
Naturally things don’t go quite to plan with a selection of mildly amusing set-pieces involving bachelor parties, dogs and dancing interspersed with genuinely touching scenes which look at self-worth and finding true love and friendship.
Unfortunately this is where things begin to unravel. A mixture of slapstick and more complex comedic elements are put into a film which isn’t quite sure which genre it is trying to be, outright comedy or romantic comedy drama.
Hart plays Jimmy well and Gad is good as the bumbling yet sweet Doug, but the former seems to be on autopilot for the majority of The Wedding Ringer’s 101 minute running time while the latter seems to be just going through the motions, exhibiting no real connection with the script.
Other characters including a selection of hired groomsmen and close family barely register as cardboard cut-outs, never mind major characters in a motion picture.
However, the real fun to be had here is in the more childish sequences with one involving a dog, and another featuring an extended danceringer-dancing sequence having the audience in fits of laughter, though again these moments are few and far between.
Ultimately then, The Wedding Ringer isn’t as disappointing as it could have been but falls short of the comedic standard that audiences now expect when paying the increasingly expensive price of a cinema ticket.
Despite some reasonably charming performances, a couple of stand-out scenes and a cracking soundtrack, The Wedding Ringer fits into a bracket reserved for comedy films which could have delivered so much, but in the end just didn’t go quite far enough and it leaves Bridesmaids at the top of the pile for wedding-themed hilarity.
https://moviemetropolis.net/2015/02/22/best-reserved-for-the-dvd-shelf-the-wedding-ringer-review/
Bookapotamus (289 KP) rated FAME in Books
Oct 24, 2018
An Interesting Exploration of Fame
Raise your hand if you LOVED Family Ties as a kid! And had a crush on Alex P. Keaton? And wanted TO BE Mallory!?! Justine Bateman was an idol of mine in the 80's. If I could be like her, or look like her, I pressed my parents to give me a sister just like her! But I got stuck with a brother. Boo!
It's funny, because when I first heard about this book, I said first thing, "Whatever happened to her?" in that snarky, snide voice - like oh, she was has-been, she didn't do anything after Family Ties, she's a one-hit wonder.... And THAT is exactly the type of attitude Justine addresses in this book. (I'm totally sorry for what I said btw Justine and I still love you!)
If you're looking for the behind the scenes secrets and juicy scandal of the beloved sitcom - this is not the book. If you want the scoop on MJ Fox and hanging with child stars of the 80's - nope, not that book either. In fact, one of the first chapters in the book fully explains this - the book is NOT a memoir. It's an exploration of fame. Justine dissects everything from childhood fame in the 80's, to reality star "fame" of today, as well as both the construction AND destruction of fame that social media can make happen. I was fascinated by her take on all things fame. I felt for her - being an actress on a hit TV show, and only being seen for THAT. That her education, and directing, and successes in business mean nothing - cause the "whatever happened to her" mentality translates to - well, if we haven't seen her on TV anymore - she must be a failure in life.
I loved reading this - she's frantic, and passionate, and, OK I'll say it- a bit crazy, yes - but do you blame her? Imagine people saying about you "Boy, she sure has let herself go" on a public forum, on google searches, on Twitter. Just cause the last time they saw her she was 21 - and now she's 50. Well, clearly she's aged - duh. Obviously she doesn't LOOK the same!
I gobbled up every chapter and loved her take on how crazy it is to be famous, but how much crazier it is today. Sure, there's some namedropping, some mentions of Michael J. Fox, Sarah Jessica Parker, and more - and there's even a bunch of color photos in the book that she talks about and references throughout the book, which I loved. I didn't need the juicy gossip, as I felt like it made me understand celebrities more and totally got me out of that mentality of "Oh, they wanted to be in the spotlight, so they are just automatically targets." No. I feel terrible now for ever ragging on a celeb in the spotlight - especially the young ones out there.
But I'm still not laying off the reality "stars" ;) haha.
It's funny, because when I first heard about this book, I said first thing, "Whatever happened to her?" in that snarky, snide voice - like oh, she was has-been, she didn't do anything after Family Ties, she's a one-hit wonder.... And THAT is exactly the type of attitude Justine addresses in this book. (I'm totally sorry for what I said btw Justine and I still love you!)
If you're looking for the behind the scenes secrets and juicy scandal of the beloved sitcom - this is not the book. If you want the scoop on MJ Fox and hanging with child stars of the 80's - nope, not that book either. In fact, one of the first chapters in the book fully explains this - the book is NOT a memoir. It's an exploration of fame. Justine dissects everything from childhood fame in the 80's, to reality star "fame" of today, as well as both the construction AND destruction of fame that social media can make happen. I was fascinated by her take on all things fame. I felt for her - being an actress on a hit TV show, and only being seen for THAT. That her education, and directing, and successes in business mean nothing - cause the "whatever happened to her" mentality translates to - well, if we haven't seen her on TV anymore - she must be a failure in life.
I loved reading this - she's frantic, and passionate, and, OK I'll say it- a bit crazy, yes - but do you blame her? Imagine people saying about you "Boy, she sure has let herself go" on a public forum, on google searches, on Twitter. Just cause the last time they saw her she was 21 - and now she's 50. Well, clearly she's aged - duh. Obviously she doesn't LOOK the same!
I gobbled up every chapter and loved her take on how crazy it is to be famous, but how much crazier it is today. Sure, there's some namedropping, some mentions of Michael J. Fox, Sarah Jessica Parker, and more - and there's even a bunch of color photos in the book that she talks about and references throughout the book, which I loved. I didn't need the juicy gossip, as I felt like it made me understand celebrities more and totally got me out of that mentality of "Oh, they wanted to be in the spotlight, so they are just automatically targets." No. I feel terrible now for ever ragging on a celeb in the spotlight - especially the young ones out there.
But I'm still not laying off the reality "stars" ;) haha.