Search
UT
Understanding the Digital World: What You Need to Know About Computers, the Internet, Privacy, and Security
Book
The basics of how computer hardware, software, and systems work, and the risks they create for our...
Sarah Paulson recommended Frances (1982) in Movies (curated)
Hidden Camera Detector
Utilities and Entertainment
App
Quickly scan any room for hidden cameras and make sure no one is spying on you! ...
GadgetTrak
Navigation and Business
App
Rated 4.5 out of 5 by Macworld: http://bit.ly/dFpcfl Winner of CTIA E-Tech Awards Top...
Necole (36 KP) rated All We Ever Wanted in Books
Aug 25, 2018
Family Drama at it's best
Family Drama at it's best!!!
A powerful story relatable to today's society about family, morals, values, the treatment of others, standing up for what is right and all else a mother's love and a father's love. All We Ever Wanted will tug at your heart strings, make you think, and maybe open your eyes a little on how to treat people better. It also holds a message of how materialism can lead people astray and change people not for the better but you can always find your self again especially when you have people who love you have your back. Loyalty, compassion, standing up for what is right and love is what you will take away from this book!!!
All We Ever Wanted is about the complications modern life can bring in a society with cell phones mixed will the old school story of privileged high society and the pay check to paycheck society and how even the wealthy struggle with morals, values, and what love for a child means. It is told is told from the perspectives of Nina (Finch's mother, who is the boy accused of taking a picture of Lyla at a party where she is passed out, in a provocative pose, and a racially charged blurb written on it that got sent to kids at the prestigious Windsor high school), Tom (the single carpenter dad of Lyla, who is the girl in the photo) and Lyla. It was so well written and fascinating to read from each of their perspectives.
So what happens to these characters and others in the book when this photo gets leaked? Will there be justice for Lyla? How do the parents handle their kids? Is there a love story in the mix?
Read the book to find out!!!! You will not be disappointed!!! The books summary does a perfect job of explaining without giving away the many twists and turns and events that occur in this book!
A powerful story relatable to today's society about family, morals, values, the treatment of others, standing up for what is right and all else a mother's love and a father's love. All We Ever Wanted will tug at your heart strings, make you think, and maybe open your eyes a little on how to treat people better. It also holds a message of how materialism can lead people astray and change people not for the better but you can always find your self again especially when you have people who love you have your back. Loyalty, compassion, standing up for what is right and love is what you will take away from this book!!!
All We Ever Wanted is about the complications modern life can bring in a society with cell phones mixed will the old school story of privileged high society and the pay check to paycheck society and how even the wealthy struggle with morals, values, and what love for a child means. It is told is told from the perspectives of Nina (Finch's mother, who is the boy accused of taking a picture of Lyla at a party where she is passed out, in a provocative pose, and a racially charged blurb written on it that got sent to kids at the prestigious Windsor high school), Tom (the single carpenter dad of Lyla, who is the girl in the photo) and Lyla. It was so well written and fascinating to read from each of their perspectives.
So what happens to these characters and others in the book when this photo gets leaked? Will there be justice for Lyla? How do the parents handle their kids? Is there a love story in the mix?
Read the book to find out!!!! You will not be disappointed!!! The books summary does a perfect job of explaining without giving away the many twists and turns and events that occur in this book!
Technically Speaking: Why All Americans Need to Know More About Technology
Committee on Technological Literacy, National Academy of Engineering, National Research Council and G
Book
Cell phones ...airbags ...genetically modified food ...the Internet. These are all emblems of modern...
The Island of Sea Women
Book
A new novel from Lisa See, the New York Times bestselling author of The Tea Girl of Hummingbird...
BankofMarquis (1832 KP) rated The Black Phone (2022) in Movies
Jul 19, 2022
Tense and Suspenseful
Part STRANGER THINGS and Part IT, the new Blumhouse film, THE BLACK PHONE, is a surprisingly effective horror/thriller that is reminiscent of the better Stephen King stories - and that just might be because the short story for which this film is based on is written by Joe Hill - Stephen King’s son.
Wisely set in a time before cell phones (like both Stranger Things and It), THE BLACK PHONE tells the tale of a small town in Colorado that suddenly falls victim to “THE GRABBER” - an individual who grabs young teenage boys and kills them.
Smartly Directed by Scott Derrickson (the first DOCTOR STRANGE film), THE BLACK PHONE is effective for it focuses on the isolation of being in captivity, the anxiety of not knowing when someone is going to come through the door of the cell and the relationships of the young teens caught in “The Grabber’s” web. Credit for this, of course, goes to Derrickson who dropped out of Directing DOCTOR STRANGE IN THE MULTIVERSE OF MADNESS (over “creative differences”) and chose this passion project as his salve - and the passion shows. It must also be pointed out that Derrickson, wisely, opts to up the tension of this film, rather than the gore, so this movie becomes a suspense flick and not torture-porn.
Derrickson also draws very good performances from the young actors playing the main roles of this film - Mason Thames (Finney), Madeleine McGraw (Gwen), Tristan Pravong (Bruce), Jacob Moran (Billy) and Miguel Cazarez Mora (Robin). All are believable in their well written roles bringing more than just one-dimension to their characters.
These kids are more than ably joined by adult actors like James Ransone (IT: CHAPTER TWO), Jeremy Davies (TV’s LOST) and E. Roger Mitchell (OUTER BANKS). All of these folks bring gravitas and reality to a story that does drift into the un-reality at times.
And then there is the performance of the always good Ethan Hawke as the villain of this piece - THE GRABBER. It is a masterful performance by Hawke who brings humanity to this monster. Almost every actor that plays a villain say that they try to see the film from the villain’s point of view and Hawke brings that to this character in spades and (almost) makes one want to root for him. It is one of the better villains realized on film in the last few years.
One quibble with The Black Phone, is that it does have a tendency to sag a bit (especially in the middle). It is in the middle of the film that one can tell that this movie was based on a SHORT story and so, by necessity, there is some padding.
But that is picking a nit in what is a smart and tense film, one that will have you on the edge of your seat until the end.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Wisely set in a time before cell phones (like both Stranger Things and It), THE BLACK PHONE tells the tale of a small town in Colorado that suddenly falls victim to “THE GRABBER” - an individual who grabs young teenage boys and kills them.
Smartly Directed by Scott Derrickson (the first DOCTOR STRANGE film), THE BLACK PHONE is effective for it focuses on the isolation of being in captivity, the anxiety of not knowing when someone is going to come through the door of the cell and the relationships of the young teens caught in “The Grabber’s” web. Credit for this, of course, goes to Derrickson who dropped out of Directing DOCTOR STRANGE IN THE MULTIVERSE OF MADNESS (over “creative differences”) and chose this passion project as his salve - and the passion shows. It must also be pointed out that Derrickson, wisely, opts to up the tension of this film, rather than the gore, so this movie becomes a suspense flick and not torture-porn.
Derrickson also draws very good performances from the young actors playing the main roles of this film - Mason Thames (Finney), Madeleine McGraw (Gwen), Tristan Pravong (Bruce), Jacob Moran (Billy) and Miguel Cazarez Mora (Robin). All are believable in their well written roles bringing more than just one-dimension to their characters.
These kids are more than ably joined by adult actors like James Ransone (IT: CHAPTER TWO), Jeremy Davies (TV’s LOST) and E. Roger Mitchell (OUTER BANKS). All of these folks bring gravitas and reality to a story that does drift into the un-reality at times.
And then there is the performance of the always good Ethan Hawke as the villain of this piece - THE GRABBER. It is a masterful performance by Hawke who brings humanity to this monster. Almost every actor that plays a villain say that they try to see the film from the villain’s point of view and Hawke brings that to this character in spades and (almost) makes one want to root for him. It is one of the better villains realized on film in the last few years.
One quibble with The Black Phone, is that it does have a tendency to sag a bit (especially in the middle). It is in the middle of the film that one can tell that this movie was based on a SHORT story and so, by necessity, there is some padding.
But that is picking a nit in what is a smart and tense film, one that will have you on the edge of your seat until the end.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Spelling One
10.0
Rate It
Book
Spelling One is the first in the Spelling for Kids interactive spelling workbooks series, which...
children education
Gareth von Kallenbach (980 KP) rated Earth to Echo (2014) in Movies
Aug 6, 2019
Earth to Echo really excited me when I first heard about it. The premise reminded me of movies of my youth, such as Goonies, E.T.: Extra Terrestrial and Explorers. In fact, Echo actually seems like a mix of these three movies, which made me even more excited about it.
Earth to Echo sees three childhood friends Alex (Teo Halm), Tuck (Brian “Astro” Bradley) and Munch (Reese Hartwig) as they deal with moving away from each other because their neighborhood is being torn down to make way for a new freeway. Shortly before the final move date, something weird starts happening to their phones, and it turns out that a map is being fed into them. On their last night together as a group, they decide to pursue the map, not knowing the great adventure they have waiting for them, or the dangers that lie ahead. Of course, without any spoilers that are not already in the commercials/trailers, they find an alien life-form in a small owl-like creature. The creature is hurt and trying to get off planet, and the kids decide to help.
Overall the main story-arch of Echo was great. While a little unbelievable in this day and age that an established neighborhood is going to be uprooted for a new freeway (at least to me), the story was solid and things are not exactly as they seem. All three boys, and a love interest Emma (Ella Wahlestedt) did an excellent job in their performances, and you forget that the actors are actually the age of the children they are portraying. The visual effects were awesome, and the score was spot-on. The film was very enjoyable and knocked it out of the park in these aspects.
Now, this movie unfortunately suffers from its cinematography. The movie is viewed through cameras that are “controlled” by the characters themselves. Think Chronicle. Tuck is the camera-fanatic of the group and we see the adventures of the friends through his GoPro camera, spy glasses and handheld camcorder, as well as through the cell phones of the various characters. There is nothing wrong with this method of filming, and in fact could have worked really well, especially as it does play into the plot with our little alien friend. However, this filming technique was not used appropriately. There was just way too much “shaky-cam”. In fact, every single person in my party became nauseated by the overuse of the film style. While two in my group were able to overcome the sick feeling, the rest of us could not shake it. There are several things that could have happened on our part to prevent this (i.e., sitting farther back in the theater), but many will not know this going in and it could be a bane to their movie-going experience.
It really is too bad that the camera-work had this much effect on the film. As I said, overall it was a very enjoyable movie. My suggestion is to sit toward the back of the theater, or even just wait until it comes out on Blu-ray/DVD/Digital. I think that being able to see it on a smaller screen, or sitting in the back of theater, will allow you to frame the film and not be so submersed into it. This will prevent the nausea that my party, as well as other moviegoers I heard expressing the same concern. I will definitely be picking it up when it is released for purchase, despite my experience in the theater.
Earth to Echo sees three childhood friends Alex (Teo Halm), Tuck (Brian “Astro” Bradley) and Munch (Reese Hartwig) as they deal with moving away from each other because their neighborhood is being torn down to make way for a new freeway. Shortly before the final move date, something weird starts happening to their phones, and it turns out that a map is being fed into them. On their last night together as a group, they decide to pursue the map, not knowing the great adventure they have waiting for them, or the dangers that lie ahead. Of course, without any spoilers that are not already in the commercials/trailers, they find an alien life-form in a small owl-like creature. The creature is hurt and trying to get off planet, and the kids decide to help.
Overall the main story-arch of Echo was great. While a little unbelievable in this day and age that an established neighborhood is going to be uprooted for a new freeway (at least to me), the story was solid and things are not exactly as they seem. All three boys, and a love interest Emma (Ella Wahlestedt) did an excellent job in their performances, and you forget that the actors are actually the age of the children they are portraying. The visual effects were awesome, and the score was spot-on. The film was very enjoyable and knocked it out of the park in these aspects.
Now, this movie unfortunately suffers from its cinematography. The movie is viewed through cameras that are “controlled” by the characters themselves. Think Chronicle. Tuck is the camera-fanatic of the group and we see the adventures of the friends through his GoPro camera, spy glasses and handheld camcorder, as well as through the cell phones of the various characters. There is nothing wrong with this method of filming, and in fact could have worked really well, especially as it does play into the plot with our little alien friend. However, this filming technique was not used appropriately. There was just way too much “shaky-cam”. In fact, every single person in my party became nauseated by the overuse of the film style. While two in my group were able to overcome the sick feeling, the rest of us could not shake it. There are several things that could have happened on our part to prevent this (i.e., sitting farther back in the theater), but many will not know this going in and it could be a bane to their movie-going experience.
It really is too bad that the camera-work had this much effect on the film. As I said, overall it was a very enjoyable movie. My suggestion is to sit toward the back of the theater, or even just wait until it comes out on Blu-ray/DVD/Digital. I think that being able to see it on a smaller screen, or sitting in the back of theater, will allow you to frame the film and not be so submersed into it. This will prevent the nausea that my party, as well as other moviegoers I heard expressing the same concern. I will definitely be picking it up when it is released for purchase, despite my experience in the theater.