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Goddess in the Stacks (553 KP) rated Frankenstein in Baghdad in Books
Jul 23, 2019
This book won at least two awards; the International Prize for Arabic Fiction and France's Grand Prize for Fantasy, and the author had previously been named one of the 39 best Arab authors under the age of 39. I picked it up to read for the Year of the Asian Reading Challenge, since the Middle East is all-too-often neglected in regional groupings like that. People don't think of it as Europe or Asia. I also try to read translated books on occasion, in an effort to diversify my reading. So this hit a number of my interests - I wish I had actually liked the book more!
It's an interesting retelling of Frankenstein - which I haven't actually read, and now feel like I really should. But it bounces around between several viewpoints. It's not too many to keep straight, but it's definitely too many to truly care about. And it suffers from an unreliable narrator - it's written as several stories told to an author from multiple people that he's woven together into a single narrative, and while he does that well, it suffers from contradictions between how different characters recall things, scenes that don't play a part in furthering the plot but the characters thought they were important, and no authoritative "this is what REALLY happened" to draw it all together.
And I very much dislike unreliable narrators, so that alone is enough to make me dislike the book. If you like ambiguous narratives and vigilante stories, however, you might enjoy this, and the writing style itself was quite engrossing.
You can find all my reviews and more at http://goddessinthestacks.com
It's an interesting retelling of Frankenstein - which I haven't actually read, and now feel like I really should. But it bounces around between several viewpoints. It's not too many to keep straight, but it's definitely too many to truly care about. And it suffers from an unreliable narrator - it's written as several stories told to an author from multiple people that he's woven together into a single narrative, and while he does that well, it suffers from contradictions between how different characters recall things, scenes that don't play a part in furthering the plot but the characters thought they were important, and no authoritative "this is what REALLY happened" to draw it all together.
And I very much dislike unreliable narrators, so that alone is enough to make me dislike the book. If you like ambiguous narratives and vigilante stories, however, you might enjoy this, and the writing style itself was quite engrossing.
You can find all my reviews and more at http://goddessinthestacks.com
Phil Leader (619 KP) rated Wool in Books
Nov 28, 2019
In the far future all of mankind lives in an underground silo. Every aspect of the inhabitant's lives are carefully controlled and they are told that the surface is too polluted to support life. But why is mankind controlled like this and who is doing the controlling? What is the truth and what are lies? What would happen if an individual was clever enough, ingenious enough and just desparate enough to challenge the status quo?
Howey's novel - the first of a series - is a classic of modern science fiction. The environs of the silo are suitable claustrophobic, populated with a range of interesting characters from the upper to the lower levels. The plot itself is pretty relentless, gathering momentum from the first pages like a boulder rolling down a slope, and like a boulder it seems to be heading towards certain disaster.
The silo and the reasons behind it are well thought out what areas we see a lot of are well described, other parts are only glimpsed but the world (such as it is) is certainly convincing. As the story moves along and starts to be told from the viewpoint of several people this just adds to the sense of urgency as each story intertwines and the reader wants to find out what is going to happen in each thread, not only for the sake of the characters but for the gradual reveal of the overarching plot.
I will definitely be reading the other books in the series and as long as the ideas keep coming as fresh and richly described as they are here then they will also be well worth reading.
Howey's novel - the first of a series - is a classic of modern science fiction. The environs of the silo are suitable claustrophobic, populated with a range of interesting characters from the upper to the lower levels. The plot itself is pretty relentless, gathering momentum from the first pages like a boulder rolling down a slope, and like a boulder it seems to be heading towards certain disaster.
The silo and the reasons behind it are well thought out what areas we see a lot of are well described, other parts are only glimpsed but the world (such as it is) is certainly convincing. As the story moves along and starts to be told from the viewpoint of several people this just adds to the sense of urgency as each story intertwines and the reader wants to find out what is going to happen in each thread, not only for the sake of the characters but for the gradual reveal of the overarching plot.
I will definitely be reading the other books in the series and as long as the ideas keep coming as fresh and richly described as they are here then they will also be well worth reading.
Mike75 (5 KP) rated Zombicide: Invader in Tabletop Games
Jan 19, 2020
Mechanics (1 more)
Component Quality
Best Version of Zombicide
CMON really hits their stride in the Zombicide series with Zombicide: Invader. The original Zombicide was a good start but had some rough rules, as many early offerings on Kickstarter often do. Over the years, CMON has matured the series, refining the rules and making plenty of gameplay improvements with follow on editions, including a medieval/fantasy themed Black Plague editions, and now the sci-fi themed Invader.
Invader shows off the maturity of the Zombicide series with well balanced fights against hordes of aliens (who might be alien zombies, though this seems a little unclear). This game uses the nice plastic boards to track each survivors stats, as was introduced in Black Plague. New rule tweaks in Invader allow a survivor to concentrate fire on larger targets, reducing some of the unwinnable situations that sometimes dogged earlier editions. Overall the scenarios and gameplay mechanics all seem well crafted to create tense and rewarding game sessions.
As with all CMON games, there is a wide variety of expansions and characters. There are the usual cameo/homage characters drawn from pop culture and real life. There are also a number of interesting variant Abominations to increase the challenge and variety, as well as several expansions. I bought into the Kickstarter, and Zombicide: Invader may be the first Kickstarter game I've ever gotten where I've actually played through all the expansions.
Overall, a great game from CMON. Zombicide: Invader is lots of fun, and this latest edition makes me very optimistic about their upcoming Zombicide 2nd Edition and the Night of the Living Dead Editions.
Invader shows off the maturity of the Zombicide series with well balanced fights against hordes of aliens (who might be alien zombies, though this seems a little unclear). This game uses the nice plastic boards to track each survivors stats, as was introduced in Black Plague. New rule tweaks in Invader allow a survivor to concentrate fire on larger targets, reducing some of the unwinnable situations that sometimes dogged earlier editions. Overall the scenarios and gameplay mechanics all seem well crafted to create tense and rewarding game sessions.
As with all CMON games, there is a wide variety of expansions and characters. There are the usual cameo/homage characters drawn from pop culture and real life. There are also a number of interesting variant Abominations to increase the challenge and variety, as well as several expansions. I bought into the Kickstarter, and Zombicide: Invader may be the first Kickstarter game I've ever gotten where I've actually played through all the expansions.
Overall, a great game from CMON. Zombicide: Invader is lots of fun, and this latest edition makes me very optimistic about their upcoming Zombicide 2nd Edition and the Night of the Living Dead Editions.
How can you prove what is real? This is essentially what Grzegorz Kunowski is asking in his novellaUbiety. The title relates to the state of existing and being in a localised space, which is what the protagonist Adam Johnson is challenging throughout the story. Designed to help people face up to reality and question endless possibilities about what could or should be, Adam finds himself in many bizarre situations that blur the lines between reality and fantasy.
Quite frankly difficult to follow, Ubiety includes many dream scenes that border on madness. “Since the dawn of time common folk and wise men have scratched their heads as they asked about topics to do with dreams, such as why do we have them?” (Page 9, PDF version) Through his dreams, Adam’s brilliant mind creates scenes based on human fears and curiosity, however, it is difficult to tell which parts of the novel are “reality” since everything is equally absurd.
Adam is a person who thinks too much, resulting in overanalysing every aspect of life. The imaginary monsters that haunt his dreams begin to seem less scary than the hidden evils in the real world. Through his writing, Kunowski questions whether we are truly free or are we slaves? Slaves to machines, slaves to technology, slaves to social norms and so forth.
Unfortunately, Ubiety is difficult to read, however, within the confusion, there are a couple of gems that make you think and philosophise about life, the world and reality. Heading each chapter with a quote from a historical thinker, Kunowski draws our attention to the “realities” of the past, present and future, encouraging us to challenge what we know and believe.
Quite frankly difficult to follow, Ubiety includes many dream scenes that border on madness. “Since the dawn of time common folk and wise men have scratched their heads as they asked about topics to do with dreams, such as why do we have them?” (Page 9, PDF version) Through his dreams, Adam’s brilliant mind creates scenes based on human fears and curiosity, however, it is difficult to tell which parts of the novel are “reality” since everything is equally absurd.
Adam is a person who thinks too much, resulting in overanalysing every aspect of life. The imaginary monsters that haunt his dreams begin to seem less scary than the hidden evils in the real world. Through his writing, Kunowski questions whether we are truly free or are we slaves? Slaves to machines, slaves to technology, slaves to social norms and so forth.
Unfortunately, Ubiety is difficult to read, however, within the confusion, there are a couple of gems that make you think and philosophise about life, the world and reality. Heading each chapter with a quote from a historical thinker, Kunowski draws our attention to the “realities” of the past, present and future, encouraging us to challenge what we know and believe.
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