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Budge Studios™ presents Thomas & Friends: Go Go Thomas! - a fun speed game for kids. Race against...
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Show your fury & Get ready to take revenge this time as a gangster from police. It’s enough for...
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Ever kissed a fish? Cult of Mac's Best Damn iOS Games of 2013! Games and art become one in the...
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***APPLE-FEATURED GAME OF THE DAY 09/25*** THE WORLD’S BEST SUDOKU GAME WITH FULL APPLE PENCIL...
Matthew Krueger (10051 KP) rated Payback (1999) in Movies
Jul 15, 2020
Get Ready To Root For The Bad Guy
Payback- is a intresting revenge action thriller. Maybe its me, but i fell like this movie is boring. Its good, but some what boring, like nothing going on. Also its kinda of confusing, again it might just be me, but i fell like its confusing as well. Like i said before its good, but in the end its both boring and confusing.
The plot: Porter (Mel Gibson) is a thief betrayed by both his wife, Lynn (Deborah Kara Unger), and his partner, Val (Gregg Henry), when he is shot in the back after a heist. Slowly, Porter recovers from his wounds and begins a search for Val, intent on recovering his share of the money they stole together. With the aid of prostitute Rosie (Maria Bello), Porter captures Val but still cannot find his cash. For this, Porter will have to challenge an imposing crime syndicate called the Outfit.
Although credited as director, Brian Helgeland's cut of the film was not the theatrical version released to audiences. After the end of principal photography, Helgeland's version was deemed too dark for the mainstream public. Following a script rewrite by Terry Hayes, director Helgeland was replaced by the production designer John Myhre, who reshot 30% of the film. The intent was to make the Porter character accessible. The film's tagline became: "Get Ready to Root for the Bad Guy." A potentially controversial scene between Porter and Lynn which arguably involves spousal abuse was excised and more plot elements were added to the third act. After 10 days of reshoots, a new opening scene and voiceover track also were added, and Kris Kristofferson walked on as a new villain.
The Director's Cut version features a female Bronson, that is never seen only heard over the phone voiced by Sally Kellerman, does not include the voice-over by Porter and several Bronson-related scenes. During their scuffle (which is longer than in the theatrical version and was the main source of controversy), Porter earlier tells Lynn that his picture with Rosie was taken before they met, thereby rendering her jealousy unjustified. This version has an entirely different, ambiguous ending where Porter is seriously wounded in a train station shootout and driven off by Rosie.
A June 4, 2012, look at "movies improved by directors' cuts" by The A.V. Club described Payback: Straight Up as "a marked improvement on the unrulier original.
Mel Gibson stated in a short interview released as a DVD extra that it "would've been ideal to shoot in black and white." He noted that "people want a color image" and that the actual film used a bleach bypass process to tint the film. In addition to this, the production design used muted shades of red, brown, and grey for costumes, sets, and cars for further effect.
Like i said its a good revenge action thriller but to me its both boring and confusing. Maybe i have to watch the directors cut.
The plot: Porter (Mel Gibson) is a thief betrayed by both his wife, Lynn (Deborah Kara Unger), and his partner, Val (Gregg Henry), when he is shot in the back after a heist. Slowly, Porter recovers from his wounds and begins a search for Val, intent on recovering his share of the money they stole together. With the aid of prostitute Rosie (Maria Bello), Porter captures Val but still cannot find his cash. For this, Porter will have to challenge an imposing crime syndicate called the Outfit.
Although credited as director, Brian Helgeland's cut of the film was not the theatrical version released to audiences. After the end of principal photography, Helgeland's version was deemed too dark for the mainstream public. Following a script rewrite by Terry Hayes, director Helgeland was replaced by the production designer John Myhre, who reshot 30% of the film. The intent was to make the Porter character accessible. The film's tagline became: "Get Ready to Root for the Bad Guy." A potentially controversial scene between Porter and Lynn which arguably involves spousal abuse was excised and more plot elements were added to the third act. After 10 days of reshoots, a new opening scene and voiceover track also were added, and Kris Kristofferson walked on as a new villain.
The Director's Cut version features a female Bronson, that is never seen only heard over the phone voiced by Sally Kellerman, does not include the voice-over by Porter and several Bronson-related scenes. During their scuffle (which is longer than in the theatrical version and was the main source of controversy), Porter earlier tells Lynn that his picture with Rosie was taken before they met, thereby rendering her jealousy unjustified. This version has an entirely different, ambiguous ending where Porter is seriously wounded in a train station shootout and driven off by Rosie.
A June 4, 2012, look at "movies improved by directors' cuts" by The A.V. Club described Payback: Straight Up as "a marked improvement on the unrulier original.
Mel Gibson stated in a short interview released as a DVD extra that it "would've been ideal to shoot in black and white." He noted that "people want a color image" and that the actual film used a bleach bypass process to tint the film. In addition to this, the production design used muted shades of red, brown, and grey for costumes, sets, and cars for further effect.
Like i said its a good revenge action thriller but to me its both boring and confusing. Maybe i have to watch the directors cut.
https://travelingwife4life.wordpress.com/2020/07/23/landing-in-my-present-lone-star-lit/
Landing in My Present by Mary Walker Clark got me hook, line, and sinker; and for someone who does not generally read biographies that is saying something. From the opening chapter, Mary Walker Clark drew me into her story and her journey to know her father better. I enjoyed the way she shared her journey; it was like a reading story full of learning, history, emotions, and some great life lessons. From finding old letters, listening to people who had known her dad, and traveling to where he had lived, Mary brought him to life before my eyes. I cannot even imagine how awesome and meaningful her adventure was for her and her family on a personal level.
“How do you broaden your relationship with someone who has been dead 50 years?”
This question stood out to me and was part of the challenge of Mary Walker Clark’s story. Can you truly know someone who died 50 years ago? Well, I think Mary Walker Clark got pretty darn close. From the start, Mary Walker Clark weaved in her childhood memories, historical details about the different planes her dad flew, personal letters from friends of her father… It made me feel like I was on the journey with her. Gleaning a little bit more knowledge of who her dad was. It was also interesting to see how her perspective of her father grew and changed over the course of the book; it was like watching something unfold before my eyes.
I think many people can relate to Mary Walker Clark’s family, from their early compartmentalization of feelings, their hard work ethics, and how they learned that life can pass much to quickly, leaving never enough time to feel like we truly know our family. They are so similar to the dynamics in my family and many others that I know of.
The research, emotions, and time that went into this book are amazing. I rarely find a book that makes me want to cry but Mary Walker Clark wrote with such forthrightness about her experiences that it caused me to think about how much history we are losing every day because we do not take the time to sit and listen to the people around us. I am so glad I read this book, and I definitely recommend it to anyone who likes WWII history. I learned so much about WWII that I did not know beforehand, and I learned the importance of writing down or passing down the history of your family.
I give it 5 out of 5 stars for the detailed WWII history, the way Mary Walker Clark drew a picture of her dad, and for the amazing journey that Mary Walker Clark took me on which involved me in every aspect of her journey.
*I volunteered to read this book in return for my honest feedback. The thoughts and opinions expressed in this review are my own.
Landing in My Present by Mary Walker Clark got me hook, line, and sinker; and for someone who does not generally read biographies that is saying something. From the opening chapter, Mary Walker Clark drew me into her story and her journey to know her father better. I enjoyed the way she shared her journey; it was like a reading story full of learning, history, emotions, and some great life lessons. From finding old letters, listening to people who had known her dad, and traveling to where he had lived, Mary brought him to life before my eyes. I cannot even imagine how awesome and meaningful her adventure was for her and her family on a personal level.
“How do you broaden your relationship with someone who has been dead 50 years?”
This question stood out to me and was part of the challenge of Mary Walker Clark’s story. Can you truly know someone who died 50 years ago? Well, I think Mary Walker Clark got pretty darn close. From the start, Mary Walker Clark weaved in her childhood memories, historical details about the different planes her dad flew, personal letters from friends of her father… It made me feel like I was on the journey with her. Gleaning a little bit more knowledge of who her dad was. It was also interesting to see how her perspective of her father grew and changed over the course of the book; it was like watching something unfold before my eyes.
I think many people can relate to Mary Walker Clark’s family, from their early compartmentalization of feelings, their hard work ethics, and how they learned that life can pass much to quickly, leaving never enough time to feel like we truly know our family. They are so similar to the dynamics in my family and many others that I know of.
The research, emotions, and time that went into this book are amazing. I rarely find a book that makes me want to cry but Mary Walker Clark wrote with such forthrightness about her experiences that it caused me to think about how much history we are losing every day because we do not take the time to sit and listen to the people around us. I am so glad I read this book, and I definitely recommend it to anyone who likes WWII history. I learned so much about WWII that I did not know beforehand, and I learned the importance of writing down or passing down the history of your family.
I give it 5 out of 5 stars for the detailed WWII history, the way Mary Walker Clark drew a picture of her dad, and for the amazing journey that Mary Walker Clark took me on which involved me in every aspect of her journey.
*I volunteered to read this book in return for my honest feedback. The thoughts and opinions expressed in this review are my own.
BankofMarquis (1832 KP) rated Judas and the Black Messiah (2021) in Movies
Feb 23, 2021
Kaluuya in an Oscar worthy performance
Ever since Daniel Kaluuya burst onto the scene in 2017’s GET OUT, he has been an actor to watch - one who’s brilliance bursts off the screen in whatever project he is in.
This brilliance shines brightly in his latest effort JUDAS AND THE BLACK MESSIAH that teams him up with his GET OUT co-star LaKeith Stanfield in the true story of 1960’s Chicago Black Panther leader Fred Hampton (Kaluuya) and his friend/Security Chief, Bill O’Neal (Stanfield) who just happens to be an FBI informant.
Directed and Written by Shaka King, JUDAS AND THE BLACK MESSIAH tells an important, under-told story of the African-American struggle in the wild, changing times of America in the 1960’s.
Kaluuya’s performance as Hampton is up to the challenge of a story this big and bold - his Fred Hampton is charismatic and involving, drawing all into his world. He’s a bigger-than-life icon that demands attention whenever Kaluuya/Hampton is on the stage. I expect an Oscar nomination (at least) for this performance.
The problem with this film is that Kaluuya’s Hampton is such a strong and commanding presence that the rest of the story and characters pale in comparison to him.
Such is the case with Stanfield’s portrayal of O’Neal. I really like LaKeith Stanfield as a performer and was really looking forward to seeing him and Kaluuya go toe-to-toe, but his character is swallowed up in the largess of the Hampton character and, so, I never connected or sympathized with him. I don’t blame this on the actor, I blame this on the script and the direction of King, making the O’Neal character weak - especially when he is up against Hampton.
The character/actor that WAS able to hold their own with Kaluuya/Hampton is Dominique Fishback as Hampton’s lover (and mother of his child), Deborah Johnson. The scenes of Hampton and Johnson together were sharp and interesting - perhaps because Hampton was toned down, but also because Fishback’s portrayal of Johnson was strong enough to stand up to Kaluuya’s portrayal of Hampton.
In addition, Kaluuya’s performance is so strong in this film that it is noticeable when it is absent, so when his character is sent to prison (and disappears) for the middle 1/3 of this film, the movie drags considerably.
Finally, the film hits a plateau at about the 4/5 mark and doesn’t really build to a crescendo at the end - an ending that should be powerful, but just sorts of lies there.
All-in-all, JUDAS AND THE BLACK MESSIAH is worth seeing for the powerful performance by Daniel Kaluuya that more than makes up for the shortcomings of the rest of the film.
Letter Grade: B
7 stars (out of 10) - and you can take that to the Bank(ofMarquis)
This brilliance shines brightly in his latest effort JUDAS AND THE BLACK MESSIAH that teams him up with his GET OUT co-star LaKeith Stanfield in the true story of 1960’s Chicago Black Panther leader Fred Hampton (Kaluuya) and his friend/Security Chief, Bill O’Neal (Stanfield) who just happens to be an FBI informant.
Directed and Written by Shaka King, JUDAS AND THE BLACK MESSIAH tells an important, under-told story of the African-American struggle in the wild, changing times of America in the 1960’s.
Kaluuya’s performance as Hampton is up to the challenge of a story this big and bold - his Fred Hampton is charismatic and involving, drawing all into his world. He’s a bigger-than-life icon that demands attention whenever Kaluuya/Hampton is on the stage. I expect an Oscar nomination (at least) for this performance.
The problem with this film is that Kaluuya’s Hampton is such a strong and commanding presence that the rest of the story and characters pale in comparison to him.
Such is the case with Stanfield’s portrayal of O’Neal. I really like LaKeith Stanfield as a performer and was really looking forward to seeing him and Kaluuya go toe-to-toe, but his character is swallowed up in the largess of the Hampton character and, so, I never connected or sympathized with him. I don’t blame this on the actor, I blame this on the script and the direction of King, making the O’Neal character weak - especially when he is up against Hampton.
The character/actor that WAS able to hold their own with Kaluuya/Hampton is Dominique Fishback as Hampton’s lover (and mother of his child), Deborah Johnson. The scenes of Hampton and Johnson together were sharp and interesting - perhaps because Hampton was toned down, but also because Fishback’s portrayal of Johnson was strong enough to stand up to Kaluuya’s portrayal of Hampton.
In addition, Kaluuya’s performance is so strong in this film that it is noticeable when it is absent, so when his character is sent to prison (and disappears) for the middle 1/3 of this film, the movie drags considerably.
Finally, the film hits a plateau at about the 4/5 mark and doesn’t really build to a crescendo at the end - an ending that should be powerful, but just sorts of lies there.
All-in-all, JUDAS AND THE BLACK MESSIAH is worth seeing for the powerful performance by Daniel Kaluuya that more than makes up for the shortcomings of the rest of the film.
Letter Grade: B
7 stars (out of 10) - and you can take that to the Bank(ofMarquis)
Heather Cranmer (2721 KP) created a post
Jul 11, 2021
BookInspector (124 KP) rated Into the Night in Books
Sep 24, 2020
Our protagonist in this story is Gemma, she moved from a little town to Melbourne, leaving her family behind, to try and start her life fresh. She is assigned to a couple of murders, first of all, we have a homeless man stabbed in an alley, followed shortly by a stabbing of a movie star. Are these murders related? Who stabbed the celebrity and why? These questions followed me all the way throughout the pages of this novel.
I really liked Gemma in this book. In the first book I didn’t support her actions, and couldn’t understand her behaviour, but in this book, she explained her actions a little better, and I was able to have a better glimpse into her inner personality. I really liked that the author chose the characters who are hard to read and incredibly disturbed, they give the book this mysterious aura, and as a reader, I like the challenge of trying to figure them out. 😀 I really enjoyed the variety and diversity of the characters as well, from homeless and poor, to rich and famous, and everything in between. 🙂 I did like the parts, where Gemma was sharing her personal feelings, they allowed to get to know her better, but in some places, these parts were a bit too long, and my mind tended to wander off…
The narrative is told from a single perspective, and there is quite a lot happening in this book. The spotlight is on the famous actor’s death, but there are other two cases (homeless man and an escort), which remain in the shadows for most of the time, appearing just briefly here and there. The investigation is going on quite slowly, but paired with other murders and Gemma’s life, the story didn’t drag to me. Even though I missed more twists, I did like the turns author brought to this book, they were quite unexpected to me.
I really liked the writing style, I think it was creative and very well thought through, with decent length chapters, which made my reading experience very enjoyable. I liked the setting of this book, it changed between different places, and I appreciate that the author skipped the unimportant events. I thought that I figured out the reasoning for the murders halfway through the book, but I was really happy to be proved wrong. 😀 I really liked the ending of this book, I think it concluded this story nicely, however, I still couldn’t fully figure out what Gemma wants. 😀
So, to conclude, I can see author’s improvement in this book, the characters picked for this novel are challenging and intriguing, the plot is very creatively layered and complex, filled with unexpected discoveries. I strongly recommend this book if you are looking for a different thriller, where the protagonist is as important as the investigation. I hope you will enjoy it as much as I did.
I really liked Gemma in this book. In the first book I didn’t support her actions, and couldn’t understand her behaviour, but in this book, she explained her actions a little better, and I was able to have a better glimpse into her inner personality. I really liked that the author chose the characters who are hard to read and incredibly disturbed, they give the book this mysterious aura, and as a reader, I like the challenge of trying to figure them out. 😀 I really enjoyed the variety and diversity of the characters as well, from homeless and poor, to rich and famous, and everything in between. 🙂 I did like the parts, where Gemma was sharing her personal feelings, they allowed to get to know her better, but in some places, these parts were a bit too long, and my mind tended to wander off…
The narrative is told from a single perspective, and there is quite a lot happening in this book. The spotlight is on the famous actor’s death, but there are other two cases (homeless man and an escort), which remain in the shadows for most of the time, appearing just briefly here and there. The investigation is going on quite slowly, but paired with other murders and Gemma’s life, the story didn’t drag to me. Even though I missed more twists, I did like the turns author brought to this book, they were quite unexpected to me.
I really liked the writing style, I think it was creative and very well thought through, with decent length chapters, which made my reading experience very enjoyable. I liked the setting of this book, it changed between different places, and I appreciate that the author skipped the unimportant events. I thought that I figured out the reasoning for the murders halfway through the book, but I was really happy to be proved wrong. 😀 I really liked the ending of this book, I think it concluded this story nicely, however, I still couldn’t fully figure out what Gemma wants. 😀
So, to conclude, I can see author’s improvement in this book, the characters picked for this novel are challenging and intriguing, the plot is very creatively layered and complex, filled with unexpected discoveries. I strongly recommend this book if you are looking for a different thriller, where the protagonist is as important as the investigation. I hope you will enjoy it as much as I did.
Kristy H (1252 KP) rated Emergency Contact in Books
Oct 8, 2020
This is the fifth book in my #atozchallenge! I'm challenging myself to read a book from my shelves that starts with each letter of the alphabet. Let's clear those shelves and delve into that backlist!
Penny Lee is heading to college in Austin, Texas to finally start her life. She's leaving behind her needy Mom, her annoying boyfriend, and everything else. She wants to become a writer and now, she thinks, is when her life will truly begin. For Sam, his life in Austin is at a standstill. He's broken up with his girlfriend and is living above the coffee shop where he works. He has a mattress on the floor, a dying laptop, and a dream of becoming a movie director. When Sam and Penny meet, it's not glamorous or romantic. They know each other, vaguely, via Penny's roommate, Jude. But they soon are texting each other--a lot. Sharing everything about their lives, all the time. But can the two maintain this intimate friendship if they meet again in real life?
I absolutely loved this book. There was just something about it that spoke to me, and I was lost in Sam and Penny's world from practically the first page. I had to laugh, because I read some other reviews that maligned Penny, calling her an unlikable character. However, I felt like Penny was ME--I empathized with her character so much, and found so many good lines in the books that I could relate with. (What that says about me, we won't go into, ha.)
This was such a funny, sweet, and real story. I didn't find Sam and Penny's relationship to be insta-love whatsoever as they bonded over text. As anyone who has met someone and shared things online knows, it can become something so deep and private--offering something about yourself with someone you don't see. I loved the wit and sarcasm in their texts. These are my kind of people--funny, wounded, and just so them.
There's definitely seriousness to this book, and the theme of family runs across the entire novel. Sam and Jude are oddly related in a way I won't unpack here. Sam and Penny both have complicated and difficult relationships with their mothers. Penny's mom is a character unto herself. And we see friendship presented in various ways, including Penny's relationship with Jude, and Jude's best friend, Mallory. I loved all the characters, who are each so individualistic.
Overall, this was just a great book for me. It's funny yet dark at times and the humor was right up my alley. I fell hard for the characters, so everything hit me right in the gut. I can see how it might not be for everyone, but I think it's definitely worth a read. I'm glad my challenge made me finally pick this one up. 4.5 stars.
Penny Lee is heading to college in Austin, Texas to finally start her life. She's leaving behind her needy Mom, her annoying boyfriend, and everything else. She wants to become a writer and now, she thinks, is when her life will truly begin. For Sam, his life in Austin is at a standstill. He's broken up with his girlfriend and is living above the coffee shop where he works. He has a mattress on the floor, a dying laptop, and a dream of becoming a movie director. When Sam and Penny meet, it's not glamorous or romantic. They know each other, vaguely, via Penny's roommate, Jude. But they soon are texting each other--a lot. Sharing everything about their lives, all the time. But can the two maintain this intimate friendship if they meet again in real life?
I absolutely loved this book. There was just something about it that spoke to me, and I was lost in Sam and Penny's world from practically the first page. I had to laugh, because I read some other reviews that maligned Penny, calling her an unlikable character. However, I felt like Penny was ME--I empathized with her character so much, and found so many good lines in the books that I could relate with. (What that says about me, we won't go into, ha.)
This was such a funny, sweet, and real story. I didn't find Sam and Penny's relationship to be insta-love whatsoever as they bonded over text. As anyone who has met someone and shared things online knows, it can become something so deep and private--offering something about yourself with someone you don't see. I loved the wit and sarcasm in their texts. These are my kind of people--funny, wounded, and just so them.
There's definitely seriousness to this book, and the theme of family runs across the entire novel. Sam and Jude are oddly related in a way I won't unpack here. Sam and Penny both have complicated and difficult relationships with their mothers. Penny's mom is a character unto herself. And we see friendship presented in various ways, including Penny's relationship with Jude, and Jude's best friend, Mallory. I loved all the characters, who are each so individualistic.
Overall, this was just a great book for me. It's funny yet dark at times and the humor was right up my alley. I fell hard for the characters, so everything hit me right in the gut. I can see how it might not be for everyone, but I think it's definitely worth a read. I'm glad my challenge made me finally pick this one up. 4.5 stars.