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BookInspector (124 KP) rated The Whisper Man in Books
Sep 24, 2020
This novel was told from multiple perspectives, but the main characters in this book were Jake and his dad Tom. They move to a new town after Tom’s wife dies. The town is quite ordinary, except for the fact that they moved to a house locally called “the scary house”, and that a child disappeared and was found murdered, and then Jake starts to hear the whispers just outside his window… 😮
I really enjoyed this book and the story. The characters chosen for this novel are quite ordinary, but at the same time incredibly mysterious. I really enjoy reading multiple perspectives, and especially when the murderer’s thoughts are incorporated as well, and this book didn’t disappoint me with that. I really liked how the author delivered the characters, he concentrated on the important ones, and I was able to find out more about them. My favourite character has to be Jake, he is smart, sweet, interesting, and he truly shines in this book. I really enjoyed the variety of characters as well.
The narrative of this novel is very creatively crafted, it has plenty of twists and surprises, and I really liked the way Alex North was building up the suspense throughout this novel. This book had not only chills and thrills, but also some very deep and insightful monologues as well. The characters discussed such topics as loss and how they are dealing with it, how fathers influence their sons, alcoholism and it’s consequences, single parent struggles, and many more. Even though there are female characters in this novel, the author concentrates more on Father-Son bond and relationships, and it feels quite masculine at times, and I really liked reading about it.
I enjoyed the writing style of this book, the book was very well composed and delivered. The chapters are short, so it was very hard to put it down. There are some very disturbing scenes in this book related to dead seven-year-old children, so it is not for faint-hearted readers. Even though this story is very gripping, I was expecting something more from the culmination, it was good, but it could’ve been even better. I liked how this book ended, I think it rounded the story very nicely. There is not much information about the author himself, but I believe it was his debut novel, and I truly hope that there will be more coming in the near future. 🙂
So, to conclude, it was a true page turner for me, that left me scared at night. I loved the complex characters, unexpected discoveries, and always lingering fear and creepiness. I thoroughly enjoyed this book, and I strongly recommend it to all mystery and thriller fans. There are rumours that there will be a film, and I absolutely can’t wait to see, how it will be adapted to the big screen.
I really enjoyed this book and the story. The characters chosen for this novel are quite ordinary, but at the same time incredibly mysterious. I really enjoy reading multiple perspectives, and especially when the murderer’s thoughts are incorporated as well, and this book didn’t disappoint me with that. I really liked how the author delivered the characters, he concentrated on the important ones, and I was able to find out more about them. My favourite character has to be Jake, he is smart, sweet, interesting, and he truly shines in this book. I really enjoyed the variety of characters as well.
The narrative of this novel is very creatively crafted, it has plenty of twists and surprises, and I really liked the way Alex North was building up the suspense throughout this novel. This book had not only chills and thrills, but also some very deep and insightful monologues as well. The characters discussed such topics as loss and how they are dealing with it, how fathers influence their sons, alcoholism and it’s consequences, single parent struggles, and many more. Even though there are female characters in this novel, the author concentrates more on Father-Son bond and relationships, and it feels quite masculine at times, and I really liked reading about it.
I enjoyed the writing style of this book, the book was very well composed and delivered. The chapters are short, so it was very hard to put it down. There are some very disturbing scenes in this book related to dead seven-year-old children, so it is not for faint-hearted readers. Even though this story is very gripping, I was expecting something more from the culmination, it was good, but it could’ve been even better. I liked how this book ended, I think it rounded the story very nicely. There is not much information about the author himself, but I believe it was his debut novel, and I truly hope that there will be more coming in the near future. 🙂
So, to conclude, it was a true page turner for me, that left me scared at night. I loved the complex characters, unexpected discoveries, and always lingering fear and creepiness. I thoroughly enjoyed this book, and I strongly recommend it to all mystery and thriller fans. There are rumours that there will be a film, and I absolutely can’t wait to see, how it will be adapted to the big screen.
BankofMarquis (1832 KP) rated Pieces of a Woman (2020) in Movies
Apr 16, 2021
Realistic view of Grieving
Films about grief are a tricky proposition, for while they can be cathartic and life-affirming, they can also be dour, depressing experiences that spiral downward under it’s own weight.
Fortunately, PIECES OF A WOMAN avoids wallowing in it’s own melancholy and gives the audience a thoughtful, heavy, exploration of grief and what grief does to a dysfunctional family.
Written by Kata Weber, who wrote this as a way to deal with her own grief, PIECES OF A WOMAN tells the tale of how a family deals with a tragedy when a home birth goes “horribly wrong” (not spoiling anything here, it’s in the marketing material).
I was fearful going into this film that we would be subjected to an intense, bloody butchery of a home birth, but Director Kornel Mundruczo and actors Vanessa Kirby, Shia LaBeouf and the always good Molly Parker gives us a loving, caring, intense and (ultimately) sad and tragic beginning to the film.
And then comes grief…and anger…and blame…and isolation.
Sitting squarely in the middle of all of this is Vanessa Kirby (Princess Margaret in the first 2 seasons of THE CROWN) in her Oscar Nominated turn as the birth mother in the middle of all of this. We follow her as she drifts in oblivion while those around her try to tell her what to do and how to feel. It is a haunted, holisitic, realistic portrayal of a person who just wants to fade into nothingness rather than feel the tragic loss.
Shia LaBeouf (TRANSFORMERS) proves, once again, that he can act as the husband/father. His character, Sean, is impotent to prevent the tragedy, care for his wife and deal with his own grief. He, too, creates a real character and the interplay between husband and wife are all too realistic.
The great, Oscar-winning Actress Ellen Burstyn (the mother in THE EXORCIST) is on board as the domineering mother of Kirby’s character who demands that someone pays for the death of the child. This is the type of showy-role that an aging, revered actress is normally Oscar nominated for and I am surprised she was not (especially because an added layer was added to her character that makes her, as well, realistic).
Credit for all of these performance has to go to Director Mundruczo for steering this ship away from maudlin and melodrama and squarely into the real world. It’s not a perfect Directing job as the film does tend to dwell on the grief and Kirby’s character does spend a good deal of time looking out the window while a solo piano plays single notes, but those are nits on an otherwise solid effort.
All-in-all I was pleasantly surprised at how moving - and real - this film is. You have to be in the mood for this movie (grief is not a happy subject) but you will be rewarded with a strong look at grief and it’s affects.
Letter Grade: A- (I could have used a few less moments of looking out the window to tinkling of the piano keys)
8 stars (out of 10) and you can take that to the Bank(OfMarquis)
Fortunately, PIECES OF A WOMAN avoids wallowing in it’s own melancholy and gives the audience a thoughtful, heavy, exploration of grief and what grief does to a dysfunctional family.
Written by Kata Weber, who wrote this as a way to deal with her own grief, PIECES OF A WOMAN tells the tale of how a family deals with a tragedy when a home birth goes “horribly wrong” (not spoiling anything here, it’s in the marketing material).
I was fearful going into this film that we would be subjected to an intense, bloody butchery of a home birth, but Director Kornel Mundruczo and actors Vanessa Kirby, Shia LaBeouf and the always good Molly Parker gives us a loving, caring, intense and (ultimately) sad and tragic beginning to the film.
And then comes grief…and anger…and blame…and isolation.
Sitting squarely in the middle of all of this is Vanessa Kirby (Princess Margaret in the first 2 seasons of THE CROWN) in her Oscar Nominated turn as the birth mother in the middle of all of this. We follow her as she drifts in oblivion while those around her try to tell her what to do and how to feel. It is a haunted, holisitic, realistic portrayal of a person who just wants to fade into nothingness rather than feel the tragic loss.
Shia LaBeouf (TRANSFORMERS) proves, once again, that he can act as the husband/father. His character, Sean, is impotent to prevent the tragedy, care for his wife and deal with his own grief. He, too, creates a real character and the interplay between husband and wife are all too realistic.
The great, Oscar-winning Actress Ellen Burstyn (the mother in THE EXORCIST) is on board as the domineering mother of Kirby’s character who demands that someone pays for the death of the child. This is the type of showy-role that an aging, revered actress is normally Oscar nominated for and I am surprised she was not (especially because an added layer was added to her character that makes her, as well, realistic).
Credit for all of these performance has to go to Director Mundruczo for steering this ship away from maudlin and melodrama and squarely into the real world. It’s not a perfect Directing job as the film does tend to dwell on the grief and Kirby’s character does spend a good deal of time looking out the window while a solo piano plays single notes, but those are nits on an otherwise solid effort.
All-in-all I was pleasantly surprised at how moving - and real - this film is. You have to be in the mood for this movie (grief is not a happy subject) but you will be rewarded with a strong look at grief and it’s affects.
Letter Grade: A- (I could have used a few less moments of looking out the window to tinkling of the piano keys)
8 stars (out of 10) and you can take that to the Bank(OfMarquis)
Until You
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Paul It feels like I’ve been drowning for five years, barely keeping my head above the water. I...
Contemporary MM Romance
An imperfect perfect future
October 2014 Book of the Month
I received this book for free through Goodreads First Reads.
It has been over twenty years since Lois Lowry’s controversial children’s story The Giver was published and it certainly deserves its status as an essential modern classic. Jonas has grown up in the perfect world of the Community whose survival relies on strict rules and rituals. Adults are assigned spouses and children (one boy and one girl) as they take up their role within the society. At the beginning of the book Jonas is approaching then end of his eleventh year and feeling apprehensive about the Ceremony of Twelve where he will be assigned a job for him to do for the rest of his adult life. Jonas gets selected as the Receiver of Memory – a very rare position – and begins to experience memories from humans who lived a long time ago. For Jonas this is exciting until he begins to see the flaws in his perfect world.
Dystopian literature has become popular over the past few years and it would not be surprising if it were The Giver that inspired these contemporary works. Lowry claims that she did not intend for The Giver to have a sinister feel about it; she was writing an adventure story and exploring the concept of the importance of memory, but it turned out to be something much more thought provoking. As the children’s novelist Margaret Mahy (The Haunting) pointed out, up until the publication of this novel in 1993 Lowry was best known for her funny stories about Anastasia Krupnik resulting in The Giver being even more shocking and unexpected.
The Giver highlights that attempting to produce perfection can often result in the loss of good things as well as the bad. The notion of the ideal world may seem like a wonderful proposal, but in order to achieve it humans would have to do away with free choice as in ironing out the inequalities and injustices of the present world would result in everything becoming the same for each individual.
This is a difficult concept to grasp, particularly for a child. Although intended as a children’s series, The Giver and its following installments are more suitable for young adults and older. The only issue with this is that the writing style was target at a younger audience meaning that the overall story is short and lacks depth. If it were to have been written for older readers then there would have been the scope for it to become a much lengthier novel.
There are a lot of mixed reviews surrounding this book although they have changed greatly since the original publication. To begin with The Giver was banned in some areas however the dystopian theme has become accepted in today’s society. What many people comment on now is the oversimplification of such strong ideas. Then again, as already mentioned, it needs to be emphasized that this book was aimed at children, thus the language reflects the reading skills of its target audience.
The Giver is a gem of a book that not only is enjoyable but also can educate the reader on the dangers of attempting a utopian society and why it is important to retain human memories – even the bad – in order that wisdom can exist. Those who have become fans of contemporary dystopian novels, for example Divergent by Veronica Roth or Delirium by Lauren Oliver, will be sure to love this series.
I received this book for free through Goodreads First Reads.
It has been over twenty years since Lois Lowry’s controversial children’s story The Giver was published and it certainly deserves its status as an essential modern classic. Jonas has grown up in the perfect world of the Community whose survival relies on strict rules and rituals. Adults are assigned spouses and children (one boy and one girl) as they take up their role within the society. At the beginning of the book Jonas is approaching then end of his eleventh year and feeling apprehensive about the Ceremony of Twelve where he will be assigned a job for him to do for the rest of his adult life. Jonas gets selected as the Receiver of Memory – a very rare position – and begins to experience memories from humans who lived a long time ago. For Jonas this is exciting until he begins to see the flaws in his perfect world.
Dystopian literature has become popular over the past few years and it would not be surprising if it were The Giver that inspired these contemporary works. Lowry claims that she did not intend for The Giver to have a sinister feel about it; she was writing an adventure story and exploring the concept of the importance of memory, but it turned out to be something much more thought provoking. As the children’s novelist Margaret Mahy (The Haunting) pointed out, up until the publication of this novel in 1993 Lowry was best known for her funny stories about Anastasia Krupnik resulting in The Giver being even more shocking and unexpected.
The Giver highlights that attempting to produce perfection can often result in the loss of good things as well as the bad. The notion of the ideal world may seem like a wonderful proposal, but in order to achieve it humans would have to do away with free choice as in ironing out the inequalities and injustices of the present world would result in everything becoming the same for each individual.
This is a difficult concept to grasp, particularly for a child. Although intended as a children’s series, The Giver and its following installments are more suitable for young adults and older. The only issue with this is that the writing style was target at a younger audience meaning that the overall story is short and lacks depth. If it were to have been written for older readers then there would have been the scope for it to become a much lengthier novel.
There are a lot of mixed reviews surrounding this book although they have changed greatly since the original publication. To begin with The Giver was banned in some areas however the dystopian theme has become accepted in today’s society. What many people comment on now is the oversimplification of such strong ideas. Then again, as already mentioned, it needs to be emphasized that this book was aimed at children, thus the language reflects the reading skills of its target audience.
The Giver is a gem of a book that not only is enjoyable but also can educate the reader on the dangers of attempting a utopian society and why it is important to retain human memories – even the bad – in order that wisdom can exist. Those who have become fans of contemporary dystopian novels, for example Divergent by Veronica Roth or Delirium by Lauren Oliver, will be sure to love this series.
Amanda (96 KP) rated The Woman in the Window in Books
Mar 11, 2019
Anna has what's called Agoraphobia, meaning that she has anxiety leaving her house. Therefore, anything that needs to be done outside the house, she has done for her. Any medications she needs, groceries, etc., they are delivered to her house. She can't even bare to open a window because it would trigger her phobia. You learn there are different reasons for this kind of phobia.
Loss of a loved one.
Tragic accident.
Or...it could be something else entirely.
Ann also talks to other people with the same phobia and tries to also council them. You don't find out till much later as to why Anna who was a child psychologist now cannot bare to leave her home. She suffers from depression and is on multiple medications. She's separated from her husband, whom also has their daughter with him.
And she drinks...a lot.
One of the things I liked about Anna is her love for old movies. I loved how Finn incorporated some lines from different movies, including Alfred Hitchcock. Anna witnesses a murder in her neighbors house across the street. Try as she may, nobody takes her seriously and blame it on the medication she takes with alcohol.
“You can hear someone’s secrets and their fears and their wants, but remember that these exist alongside other people’s secrets and fears, people living in the same room.”
I kind of felt bad for her, but sometime during the story, I started to get frustrated with her as well. I really got a Girl on a Train feel. The main character always needs a drink or has to drink something in order to keep herself together, even though the alcohol doesn't help her situation at all.
On a different note, Girl on a Train was highly depressing.
The more the story progressed the more intrigued I got because there were quite a few twists that I honestly didn't see coming and I found myself yelling, 'WHAT?' Glad I was only listening to a book in the car and not in my house where someone could look at me funny. Not that people don't do that anyway, but such as life as a bookworm, I don't care.
“The definition of insanity, Fox, Wesley used to remind me, paraphrasing Einstein, is doing the same thing again and again and expecting different result.”
I've read a few psychological thrillers and while they were good, none kept me on my toes like this one. So many things happen with Anna and they come in bits and pieces but eventually make up a whole puzzle. You almost start to believe that perhaps Anna didn't see someone being murdered...maybe she did have an illusion.
Did it happen?
You have to read and find out.
I'd definitely give this 4 1/2 stars. Finn's writing in Anna's point of view is brilliant. You are inside her head and you are seeing everything through her eyes. She may start to ramble from time to time, but that just shows that she's still someone who is suffering. Other characters that play a major role in her life you don't know all that much...but you learn who they are in the end.
It's a long book, but every minute of it was well worth the listen. I will say that toward the beginning it was more like Girl on a Train, but it slowly morphs into Alfred Hitchcock's, Rear Window. I will say that I look forward to A.J. Finn's next novel.
Loss of a loved one.
Tragic accident.
Or...it could be something else entirely.
Ann also talks to other people with the same phobia and tries to also council them. You don't find out till much later as to why Anna who was a child psychologist now cannot bare to leave her home. She suffers from depression and is on multiple medications. She's separated from her husband, whom also has their daughter with him.
And she drinks...a lot.
One of the things I liked about Anna is her love for old movies. I loved how Finn incorporated some lines from different movies, including Alfred Hitchcock. Anna witnesses a murder in her neighbors house across the street. Try as she may, nobody takes her seriously and blame it on the medication she takes with alcohol.
“You can hear someone’s secrets and their fears and their wants, but remember that these exist alongside other people’s secrets and fears, people living in the same room.”
I kind of felt bad for her, but sometime during the story, I started to get frustrated with her as well. I really got a Girl on a Train feel. The main character always needs a drink or has to drink something in order to keep herself together, even though the alcohol doesn't help her situation at all.
On a different note, Girl on a Train was highly depressing.
The more the story progressed the more intrigued I got because there were quite a few twists that I honestly didn't see coming and I found myself yelling, 'WHAT?' Glad I was only listening to a book in the car and not in my house where someone could look at me funny. Not that people don't do that anyway, but such as life as a bookworm, I don't care.
“The definition of insanity, Fox, Wesley used to remind me, paraphrasing Einstein, is doing the same thing again and again and expecting different result.”
I've read a few psychological thrillers and while they were good, none kept me on my toes like this one. So many things happen with Anna and they come in bits and pieces but eventually make up a whole puzzle. You almost start to believe that perhaps Anna didn't see someone being murdered...maybe she did have an illusion.
Did it happen?
You have to read and find out.
I'd definitely give this 4 1/2 stars. Finn's writing in Anna's point of view is brilliant. You are inside her head and you are seeing everything through her eyes. She may start to ramble from time to time, but that just shows that she's still someone who is suffering. Other characters that play a major role in her life you don't know all that much...but you learn who they are in the end.
It's a long book, but every minute of it was well worth the listen. I will say that toward the beginning it was more like Girl on a Train, but it slowly morphs into Alfred Hitchcock's, Rear Window. I will say that I look forward to A.J. Finn's next novel.
Midge (525 KP) rated The Girl in the Corner in Books
Jan 13, 2019 (Updated Jan 13, 2019)
Very relatable (2 more)
Compelling, mature and thought-provoking
Great depth and plenty of humour
A Very Enjoyable Read - 4 Stars ! ⭐⭐⭐⭐
I was excited to read this latest novel by Amanda Prowse, having been lured by the attractive cover design and the very relatable premise of a woman who feels the need to re-evaluate her whole life, following her husband's guilty admission of his betrayal.
In the opening chapter, we are introduced to sixteen-year-old Rae-Valentine Pritchard, who is quiet and shy, when she meets the very confident, loud and gregarious Dolly Latimer, at College. The two girls quickly become best friends and are inseparable teenagers, laughing and joking their way through life. Dolly arranges a double date for the two of them, her brother Howard and his friend, Vinnie. Rae and Howard, so in love, get married two years later.
From her modest life in the suburbs to a splendid Georgian house in North London, Rae is now a devoted wife and mother to daughter Hannah and her son, George. Following a surprise party in celebration of their silver wedding anniversary, Howard confesses to a shocking betrayal of their marital vows that totally shatters Rae. She is forced to take stock of her position as wife and mother and also her role as a general dogsbody to the Latimer family restaurant business. Will her relationship with her best friend Dolly be affected?
Rae starts to think about all her teenage dreams that she once had - training as a chef and island-hopping in Greece. Can Rae give up on her shattered marriage, live life for herself, and be the real Rae-Valentine?
The planned anniversary celebration trip to Antigua still goes ahead, however, Dolly travels with Rae, instead of Howard. Dolly's divided loyalties and a handsome and friendly, young barman are just the starts of matters becoming even more complicated. In Antigua, Rae contemplates the possibility of continuing with her marriage and what this might mean for her friendship with the enthusiastic Dolly. A reconciliation with Howard may be much more difficult than everyone thinks.
This is a wonderful story for anyone who has always felt that they were 'the girl in the corner' at every social occasion or even for just being the quiet and reserved middle child in their own family, with which I can personally identify. Amanda Prowse has a lovely writing style that captures Rae’s tormented soul beautifully. I also liked the way other issues were explored, in particular, Rae’s parents and sister, Debbie-Jo, who felt like the humble relations compared to the wealthy and successful Latimers. Howard’s betrayal is the catalyst for all of the years of unspoken emotions, forcing Rae to face her feelings of being second best in the Pritchard family.
"The Girl In The Corner" is a hugely compelling, mature and thought-provoking piece of women’s fiction. Well paced from the very beginning and quick to get into the heart of the story, the novel has great depth and plenty of humour, however, I thought the ending was slightly rushed.
Overall, "The Girl In The Corner" is a well written, emotive book about love, loss, friendship, family and following your dreams that I highly recommend.
Thanks to NetGalley and Amazon Publishing UK for an advance copy of this book.
In the opening chapter, we are introduced to sixteen-year-old Rae-Valentine Pritchard, who is quiet and shy, when she meets the very confident, loud and gregarious Dolly Latimer, at College. The two girls quickly become best friends and are inseparable teenagers, laughing and joking their way through life. Dolly arranges a double date for the two of them, her brother Howard and his friend, Vinnie. Rae and Howard, so in love, get married two years later.
From her modest life in the suburbs to a splendid Georgian house in North London, Rae is now a devoted wife and mother to daughter Hannah and her son, George. Following a surprise party in celebration of their silver wedding anniversary, Howard confesses to a shocking betrayal of their marital vows that totally shatters Rae. She is forced to take stock of her position as wife and mother and also her role as a general dogsbody to the Latimer family restaurant business. Will her relationship with her best friend Dolly be affected?
Rae starts to think about all her teenage dreams that she once had - training as a chef and island-hopping in Greece. Can Rae give up on her shattered marriage, live life for herself, and be the real Rae-Valentine?
The planned anniversary celebration trip to Antigua still goes ahead, however, Dolly travels with Rae, instead of Howard. Dolly's divided loyalties and a handsome and friendly, young barman are just the starts of matters becoming even more complicated. In Antigua, Rae contemplates the possibility of continuing with her marriage and what this might mean for her friendship with the enthusiastic Dolly. A reconciliation with Howard may be much more difficult than everyone thinks.
This is a wonderful story for anyone who has always felt that they were 'the girl in the corner' at every social occasion or even for just being the quiet and reserved middle child in their own family, with which I can personally identify. Amanda Prowse has a lovely writing style that captures Rae’s tormented soul beautifully. I also liked the way other issues were explored, in particular, Rae’s parents and sister, Debbie-Jo, who felt like the humble relations compared to the wealthy and successful Latimers. Howard’s betrayal is the catalyst for all of the years of unspoken emotions, forcing Rae to face her feelings of being second best in the Pritchard family.
"The Girl In The Corner" is a hugely compelling, mature and thought-provoking piece of women’s fiction. Well paced from the very beginning and quick to get into the heart of the story, the novel has great depth and plenty of humour, however, I thought the ending was slightly rushed.
Overall, "The Girl In The Corner" is a well written, emotive book about love, loss, friendship, family and following your dreams that I highly recommend.
Thanks to NetGalley and Amazon Publishing UK for an advance copy of this book.
Hazel (1853 KP) rated Return to the Little Coffee Shop of Kabul (The Little Coffee Shop of Kabul #2) in Books
Dec 14, 2018
<i>I received this book for free through Goodreads First Reads.</i>
Five years since the publication of her fictional debut, fans of Deoborah Rodriguez will be pleased to know they can finally get their hands on the sequel: Return to the <i>Little Coffee Shop of Kabul</i>. In the first book (<i>The Little Coffee Shop of Kabul</i>) we are introduced to Sunny, a 38-year-old American, who has set up a coffee shop in the heart of Afghanistan. Now she has returned to the US, after the unfortunate death of her boyfriend, to a house on an island she did not really want. Meanwhile, her coffee shop struggles to continue in the hands of her Afghan friends.
The narrative alternates between the USA and Afghanistan, keeping the reader informed of two completely different scenarios. Sunny is dealing with the loss of Jack and her conflicted feelings over whether she should stay and live Jack’s dream lifestyle or return to her beloved Kabul. On the other hand, Yazmina and the others reveal to the reader how difficult and dangerous life is for the Afghanistan natives, especially for the women who have very little rights.
As well as the original characters, there are a number of new names introduced to the story. In Afghanistan a young girl is trying to escape an arranged marriage to an evil, rich man – something that has disastrous consequences for herself and her newfound friends. On the other side of the world, Layla, Yazmina’s sister, is experiencing Western culture living with Sunny, and is shocked at how friendly men and women are with each other.
Another new face to add to the mix is Kat, a young woman who escaped to America as a child and has turned her back on the traditions of Islam and the Afghan culture. Despite her growing friendship with Layla, she refuses to agree with Layla’s beliefs, particularly in regards to the <i>hijab</i>. Neither girl’s opinion is more valid than the other however, as they have both had completely different upbringings. Kat has spent the better part of her life relishing in the freedom of Western culture, whereas Layla finds comfort in her traditions.
<i>Return to the Little Coffee Shop of Kabul </i>contains a couple of powerful messages. Firstly, as Sunny realizes, you need to be thankful for what you have got and not assume that going back to a lifestyle you used to follow would be the same as it once was. On the flip side, the Muslim family in Kabul begins to learn that they do not have to put up with the strict, unfairness in the treatment of women, and can strive to do something about it.
It is not necessary to have read the previous book, as there is enough character description and history mentioned within the narrative for new readers to be able to follow along. It is also suitable for book groups as it contains a series of reading group questions at the end of the novel.
Despite its upsetting scenes,<i> Return to the Little Coffee Shop of Kabul </i>is essentially a happy book. The character Sunny, definitely lives up to her name; there is no over emphasis on any of the negative situations she or her friends find themselves in. In a world where it would be easy to fall into despair, Rodriguez has written a story with a positive outlook on life and hope for the future.
Five years since the publication of her fictional debut, fans of Deoborah Rodriguez will be pleased to know they can finally get their hands on the sequel: Return to the <i>Little Coffee Shop of Kabul</i>. In the first book (<i>The Little Coffee Shop of Kabul</i>) we are introduced to Sunny, a 38-year-old American, who has set up a coffee shop in the heart of Afghanistan. Now she has returned to the US, after the unfortunate death of her boyfriend, to a house on an island she did not really want. Meanwhile, her coffee shop struggles to continue in the hands of her Afghan friends.
The narrative alternates between the USA and Afghanistan, keeping the reader informed of two completely different scenarios. Sunny is dealing with the loss of Jack and her conflicted feelings over whether she should stay and live Jack’s dream lifestyle or return to her beloved Kabul. On the other hand, Yazmina and the others reveal to the reader how difficult and dangerous life is for the Afghanistan natives, especially for the women who have very little rights.
As well as the original characters, there are a number of new names introduced to the story. In Afghanistan a young girl is trying to escape an arranged marriage to an evil, rich man – something that has disastrous consequences for herself and her newfound friends. On the other side of the world, Layla, Yazmina’s sister, is experiencing Western culture living with Sunny, and is shocked at how friendly men and women are with each other.
Another new face to add to the mix is Kat, a young woman who escaped to America as a child and has turned her back on the traditions of Islam and the Afghan culture. Despite her growing friendship with Layla, she refuses to agree with Layla’s beliefs, particularly in regards to the <i>hijab</i>. Neither girl’s opinion is more valid than the other however, as they have both had completely different upbringings. Kat has spent the better part of her life relishing in the freedom of Western culture, whereas Layla finds comfort in her traditions.
<i>Return to the Little Coffee Shop of Kabul </i>contains a couple of powerful messages. Firstly, as Sunny realizes, you need to be thankful for what you have got and not assume that going back to a lifestyle you used to follow would be the same as it once was. On the flip side, the Muslim family in Kabul begins to learn that they do not have to put up with the strict, unfairness in the treatment of women, and can strive to do something about it.
It is not necessary to have read the previous book, as there is enough character description and history mentioned within the narrative for new readers to be able to follow along. It is also suitable for book groups as it contains a series of reading group questions at the end of the novel.
Despite its upsetting scenes,<i> Return to the Little Coffee Shop of Kabul </i>is essentially a happy book. The character Sunny, definitely lives up to her name; there is no over emphasis on any of the negative situations she or her friends find themselves in. In a world where it would be easy to fall into despair, Rodriguez has written a story with a positive outlook on life and hope for the future.
Alexandra Hammond and her family are living in Washington DC, and on the outside, they are a typical modern family. But Alexandra and her husband, Josh, are exhausted and frustrated as parents of two children: eleven-year-old Iris and thirteen-year-old Tilly. Tilly, you see, has been diagnosed with PDD-NOS, a form of autism, and it means that Alexandra's lovely, intelligent daughter, who could read by the age of three, is also prone to violent outbursts where she yells out curse words, has an inability to control many of her thoughts and actions, and truly, just doesn't seem to fit into the mold society wishes to place our children. When yet another school kicks Tilly out, Alexandra and Josh are at a loss. So Alexandra turns to Scott Bean, a self-professed expert with "difficult" children whose seminars and private sessions she's been attending for several years now. Scott is starting Camp Harmony in New Hampshire: an isolated society for families struggling with children like Tilly, free of outside influences, electronics, harmful foods and stimulants, and most of all, free from judgement. So Alexandra and Josh do the unthinkable: they sell everything and pack up the kids and head to New Hampshire, joining Scott and two other families in making Camp Harmony work. But will it work? Can it work?
If you haven't read anything by Carolyn Parkhurst, you're missing out. She's a wonderful author, whose books are simply beautiful. My particular favorite is [b:The Dogs of Babel|89691|The Dogs of Babel|Carolyn Parkhurst|https://d.gr-assets.com/books/1344269639s/89691.jpg|1585061], a lovely, haunting novel about a woman, her husband, and her dog that I read 10 years ago and still touches me to this day. While I wasn't as affected by this novel, it still has many flashes of the amazing brilliance of Parkhurst and her wonderful way with the written word. Her characters form before you eyes.
In [b:Harmony|29236564|Harmony|Carolyn Parkhurst|https://d.gr-assets.com/books/1469411954s/29236564.jpg|49477924], Parkhurst does an excellent job conveying Alexandra's fear and anxiety over the frightening aspects of our society and its effects on our children, and how our society has changed, with things like autism and food allergies seemingly becoming more prevalent each year. She doesn't preach, she just paints a picture with her words and Alexandra's thoughts. The book is told between alternating points of view and time periods. We hear from Alexandra in the past, telling the story of Tilly (and Iris) growing up and how things have reached this point and then we hear from Iris, in the present, at Camp Harmony.
Alexandra captures a life and marriage in moments and snapshots, with Parkhurst easily depicting the desperation that parents of children that are different feel. You can sense her terror and why she would actually consider packing up entire family and moving them to an isolated camp in the middle of nowhere, led by a man they really know nothing about.
Iris' perspective, meanwhile, is just beautiful and touching. Parkhurst wonderfully conveys her voice. There were times when I felt Iris was a bit "old" for an eleven-year-old, but I chalked a lot of that up to having a sister such as Tilly and having to grow up rather quickly. And as the book progressed, there were many moments where Iris came across as a scared, naive kid, after all. Iris' depiction of the camp-through her innocent eyes-is perfect, and she has a wonderful way of portraying her sister, where you will grow to love Tilly, as well, and understand Alexandra's fierce desire to protect both her children.
All in all, despite its serious subject matter, the book is often humorous, and I loved its portrayal of real characters and situations, despite the fact that they all gathered in an isolated camp site in New Hampshire. My only real issue with the book was the camp's leader, Scott Bean. To me, he was the least developed character of the bunch, and while you sensed that perhaps we were hurtling toward trouble, the ending seemed a little quick and too pat for such a well-written and developed book.
Still, this book was quite well-done and certainly a must for any parent struggling with a child who feels different, or really, any parent struggling to raise a child in today's modern society. Parkhurst is a wonderful writer, and she will not disappoint with her latest. 3.5+ stars.
I received a copy of this novel from the publisher and Edelweiss - thank you! It is available everywhere as of 08/02/2016.
<a href="http://justacatandabookatherside.blogspot.com/">My Blog</a> ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>;
If you haven't read anything by Carolyn Parkhurst, you're missing out. She's a wonderful author, whose books are simply beautiful. My particular favorite is [b:The Dogs of Babel|89691|The Dogs of Babel|Carolyn Parkhurst|https://d.gr-assets.com/books/1344269639s/89691.jpg|1585061], a lovely, haunting novel about a woman, her husband, and her dog that I read 10 years ago and still touches me to this day. While I wasn't as affected by this novel, it still has many flashes of the amazing brilliance of Parkhurst and her wonderful way with the written word. Her characters form before you eyes.
In [b:Harmony|29236564|Harmony|Carolyn Parkhurst|https://d.gr-assets.com/books/1469411954s/29236564.jpg|49477924], Parkhurst does an excellent job conveying Alexandra's fear and anxiety over the frightening aspects of our society and its effects on our children, and how our society has changed, with things like autism and food allergies seemingly becoming more prevalent each year. She doesn't preach, she just paints a picture with her words and Alexandra's thoughts. The book is told between alternating points of view and time periods. We hear from Alexandra in the past, telling the story of Tilly (and Iris) growing up and how things have reached this point and then we hear from Iris, in the present, at Camp Harmony.
Alexandra captures a life and marriage in moments and snapshots, with Parkhurst easily depicting the desperation that parents of children that are different feel. You can sense her terror and why she would actually consider packing up entire family and moving them to an isolated camp in the middle of nowhere, led by a man they really know nothing about.
Iris' perspective, meanwhile, is just beautiful and touching. Parkhurst wonderfully conveys her voice. There were times when I felt Iris was a bit "old" for an eleven-year-old, but I chalked a lot of that up to having a sister such as Tilly and having to grow up rather quickly. And as the book progressed, there were many moments where Iris came across as a scared, naive kid, after all. Iris' depiction of the camp-through her innocent eyes-is perfect, and she has a wonderful way of portraying her sister, where you will grow to love Tilly, as well, and understand Alexandra's fierce desire to protect both her children.
All in all, despite its serious subject matter, the book is often humorous, and I loved its portrayal of real characters and situations, despite the fact that they all gathered in an isolated camp site in New Hampshire. My only real issue with the book was the camp's leader, Scott Bean. To me, he was the least developed character of the bunch, and while you sensed that perhaps we were hurtling toward trouble, the ending seemed a little quick and too pat for such a well-written and developed book.
Still, this book was quite well-done and certainly a must for any parent struggling with a child who feels different, or really, any parent struggling to raise a child in today's modern society. Parkhurst is a wonderful writer, and she will not disappoint with her latest. 3.5+ stars.
I received a copy of this novel from the publisher and Edelweiss - thank you! It is available everywhere as of 08/02/2016.
<a href="http://justacatandabookatherside.blogspot.com/">My Blog</a> ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>;
Movie Metropolis (309 KP) rated Finding Dory (2016) in Movies
Jun 11, 2019
Is it a return to form for Pixar/
For years, Pixar was an unstoppable force. The studio combined stunning animation with thought-provoking stories that adults and children could enjoy. From Toy Story to Wall.E, everyone, at some point will have watched a Pixar film.
Then a few things caused the bubble to burst. Firstly, other companies upped their game, big time, with Dreamworks in particular being hot on the heels of their rival. Secondly, Pixar’s own partner, Disney started churning out great animated films with Zootropolis and Wreck-it Ralph worth a mention.
Finally, Pixar lost its way. Cars and its dreadful sequel, followed by an underwhelming prequel to Monsters Inc and the marketing disaster that was The Good Dinosaur all culminated in a studio damaged by its own high standards. Now, in 2016, we have a sequel to arguably Pixar’s best film, Finding Nemo, but does Finding Dory build on its predecessor or sink faster than a stone?
Dory (Ellen DeGeneres) is a wide-eyed, blue tang fish who suffers from memory loss. The one thing she can remember is she somehow became separated from her parents as a child. With help from Nemo and Marlin, Dory embarks on an epic adventure to find them. Her journey brings her to the Marine Life Institute, a rehabilitation centre for diverse ocean species and from there; she tries to reunite with her long-lost relatives.
Finding Dory opens with a neatly packaged throwback to its predecessor, providing an easy way of getting the audience up to speed with what came before it – after all, it’s been 13 years since the release of the first film. From then on, it’s full steam ahead with a story that lacks the subtlety of Finding Nemo, but is engaging nonetheless.
The animation is you guessed it, exceptional. Nemo was one of the best films to showcase Pixar’s talents and its sequel continues that trend. The vibrancy of the colour palette is breath-taking and each shimmering wave makes you feel part of the watery depths. The blacks feel endless and the diversity of marine life just adds to the sparkle.
For adults, there are some cracking references to other films. Would you believe me if I told you Pixar managed to shoehorn an Alien homage in there? Well, they did, and it works beautifully. Couple that with a surprise turn from Sigourney Weaver as a park announcer and it’s a recipe for laughs all around.
Ellen DeGeneres takes centre stage this time around and rightly so. Dory is a loveable character, especially in her wide-eyed youth, and a very well-written one, despite her constant forgetfulness. Elsewhere, Idris Elba provides some laughs as a lazy sea lion and Ed O’Neill steals the show as a grumpy octopus.
Unfortunately, the final act of the film delves into unnecessarily and uncharacteristically silly territory. The joy of Pixar’s other works is that, despite their often out-of-this-world themes, they still feel grounded in reality. Dory’s finale is so ridiculous that it spoils the effect of the plot.
Nevertheless, you’ll be reaching for your tissues more than once as director and scriptwriter Andrew Stanton combines that heart-warming story with some lovely dialogue that will resonate with all generations.
Overall, Finding Dory isn’t the outright success it could’ve been, but it doesn’t continue the slip in Pixar’s quality either. The animation is truly wonderful and some of the references to more adult films are worked in very cleverly – but that final act; it’s just awful.
https://moviemetropolis.net/2016/08/01/is-it-a-return-to-form-for-pixar-finding-dory-review/
Then a few things caused the bubble to burst. Firstly, other companies upped their game, big time, with Dreamworks in particular being hot on the heels of their rival. Secondly, Pixar’s own partner, Disney started churning out great animated films with Zootropolis and Wreck-it Ralph worth a mention.
Finally, Pixar lost its way. Cars and its dreadful sequel, followed by an underwhelming prequel to Monsters Inc and the marketing disaster that was The Good Dinosaur all culminated in a studio damaged by its own high standards. Now, in 2016, we have a sequel to arguably Pixar’s best film, Finding Nemo, but does Finding Dory build on its predecessor or sink faster than a stone?
Dory (Ellen DeGeneres) is a wide-eyed, blue tang fish who suffers from memory loss. The one thing she can remember is she somehow became separated from her parents as a child. With help from Nemo and Marlin, Dory embarks on an epic adventure to find them. Her journey brings her to the Marine Life Institute, a rehabilitation centre for diverse ocean species and from there; she tries to reunite with her long-lost relatives.
Finding Dory opens with a neatly packaged throwback to its predecessor, providing an easy way of getting the audience up to speed with what came before it – after all, it’s been 13 years since the release of the first film. From then on, it’s full steam ahead with a story that lacks the subtlety of Finding Nemo, but is engaging nonetheless.
The animation is you guessed it, exceptional. Nemo was one of the best films to showcase Pixar’s talents and its sequel continues that trend. The vibrancy of the colour palette is breath-taking and each shimmering wave makes you feel part of the watery depths. The blacks feel endless and the diversity of marine life just adds to the sparkle.
For adults, there are some cracking references to other films. Would you believe me if I told you Pixar managed to shoehorn an Alien homage in there? Well, they did, and it works beautifully. Couple that with a surprise turn from Sigourney Weaver as a park announcer and it’s a recipe for laughs all around.
Ellen DeGeneres takes centre stage this time around and rightly so. Dory is a loveable character, especially in her wide-eyed youth, and a very well-written one, despite her constant forgetfulness. Elsewhere, Idris Elba provides some laughs as a lazy sea lion and Ed O’Neill steals the show as a grumpy octopus.
Unfortunately, the final act of the film delves into unnecessarily and uncharacteristically silly territory. The joy of Pixar’s other works is that, despite their often out-of-this-world themes, they still feel grounded in reality. Dory’s finale is so ridiculous that it spoils the effect of the plot.
Nevertheless, you’ll be reaching for your tissues more than once as director and scriptwriter Andrew Stanton combines that heart-warming story with some lovely dialogue that will resonate with all generations.
Overall, Finding Dory isn’t the outright success it could’ve been, but it doesn’t continue the slip in Pixar’s quality either. The animation is truly wonderful and some of the references to more adult films are worked in very cleverly – but that final act; it’s just awful.
https://moviemetropolis.net/2016/08/01/is-it-a-return-to-form-for-pixar-finding-dory-review/
This is both a very unique and fairly faithful retelling of the classic Beauty and the Beast fairytale. Hunted takes place in Russia and our main character Yeva (Beauty) is a huntress. She is headstrong, kind, caring, has a bit of a temper and can be vengeful - but overall I quite liked her character.
Like the classic tale, Beauty is the youngest of three sisters and daughter of a merchant. In some versions, she also has three brothers and her sisters are unkind - but that is not the case in this retelling. They live in a nice house until a shipping gamble costs them everything. They are forced to move to their father's old hunting cabin, which is a three-day walk from their current home. Her father used to be a hunter, but his wife believed that it was too dangerous and asked him to stop. Despite that, as a child Beauty was allowed to go hunting with her father and learned to love it. Unfortunately, as she grew her father decided that it was not the way a lady should purport herself and no longer allowed her to hunt.
After the loss of their fortune, Yeva and her family must learn to make due with less. Her father takes up hunting again and goes off to catch game for them to store for the winter. Unfortunately, when he returns he is distraught and swears that the Beast he saw when he was younger is stalking him. When he doesn't return from his second trip, Yeva sets out to find him and this is where the story adopts some significantly different elements from the original tale.
In the original, the father enters a castle and accepts his host's hospitality, but upon leaving takes a single rose for his daughter Beauty and is told he has a choice. He shall either be condemned to death for it or he must stay in the castle. While these are not the events that lead to Yeva's time in the castle, nevertheless she ends up imprisoned there. Over time, she and the Beast grow to know one another - but her treatment isn't as kind overall as the original.
I really enjoyed the tales that Yeva told while she was in captivity because they built the lore of the world and gave us a look into what the characters had grown up listening to. Although Yeva spent most of her time as the castle, I do wish that we were able to get to know the other characters like her sisters a little better. They seem very kind, but relatively one-dimensional. As a result of the Beast's curse, I don't feel like we got to know him as well as we could have. I would have loved to watch him grow and connect with him as Yeva does so that I could feel that </i>yes, they could fall in love.</i> I liked Yeva, but her dog Doe-Eyes was probably my favourite character. The dog was so cheerful and loyal that you couldn't help but love her.
The world that Yeva knows is not one we get to see very often in young adult literature. It is a melding of Russia, with its unique environment and folklore, with a more fantastical world. Yeva tells tales of the Firebird, sees a creature that is half dragon and half woman, and learns to listen to the music of that other world. The world itself reminds me a lot of the Grisha trilogy, although the plots and characters are nothing alike. I would love to experience more of the lore that built this enchanted world in the form of novellas.
I would highly recommend this to young adult/teen readers who enjoy fairytales and retellings, especially ones with a unique take on the tale that includes a lot of culture and lore.
Like the classic tale, Beauty is the youngest of three sisters and daughter of a merchant. In some versions, she also has three brothers and her sisters are unkind - but that is not the case in this retelling. They live in a nice house until a shipping gamble costs them everything. They are forced to move to their father's old hunting cabin, which is a three-day walk from their current home. Her father used to be a hunter, but his wife believed that it was too dangerous and asked him to stop. Despite that, as a child Beauty was allowed to go hunting with her father and learned to love it. Unfortunately, as she grew her father decided that it was not the way a lady should purport herself and no longer allowed her to hunt.
After the loss of their fortune, Yeva and her family must learn to make due with less. Her father takes up hunting again and goes off to catch game for them to store for the winter. Unfortunately, when he returns he is distraught and swears that the Beast he saw when he was younger is stalking him. When he doesn't return from his second trip, Yeva sets out to find him and this is where the story adopts some significantly different elements from the original tale.
In the original, the father enters a castle and accepts his host's hospitality, but upon leaving takes a single rose for his daughter Beauty and is told he has a choice. He shall either be condemned to death for it or he must stay in the castle. While these are not the events that lead to Yeva's time in the castle, nevertheless she ends up imprisoned there. Over time, she and the Beast grow to know one another - but her treatment isn't as kind overall as the original.
I really enjoyed the tales that Yeva told while she was in captivity because they built the lore of the world and gave us a look into what the characters had grown up listening to. Although Yeva spent most of her time as the castle, I do wish that we were able to get to know the other characters like her sisters a little better. They seem very kind, but relatively one-dimensional. As a result of the Beast's curse, I don't feel like we got to know him as well as we could have. I would have loved to watch him grow and connect with him as Yeva does so that I could feel that </i>yes, they could fall in love.</i> I liked Yeva, but her dog Doe-Eyes was probably my favourite character. The dog was so cheerful and loyal that you couldn't help but love her.
The world that Yeva knows is not one we get to see very often in young adult literature. It is a melding of Russia, with its unique environment and folklore, with a more fantastical world. Yeva tells tales of the Firebird, sees a creature that is half dragon and half woman, and learns to listen to the music of that other world. The world itself reminds me a lot of the Grisha trilogy, although the plots and characters are nothing alike. I would love to experience more of the lore that built this enchanted world in the form of novellas.
I would highly recommend this to young adult/teen readers who enjoy fairytales and retellings, especially ones with a unique take on the tale that includes a lot of culture and lore.