"Despite the kind of movies I make, I love small, little movies. I love foreign films in general, I love to see something that really moves me emotionally, and that moves me to tears. Maybe Cinema Paradiso is a little bit of a cliché, but I’m sure every cinema lover lists it as their favourite movie. There’s something so beautiful about it, I love the milieu of the little town and this boy’s story and what the whole thing says about how lives go and about our dreams and memories. When he grows up and goes to the movie theatre and sees all the bits that the priest cut out and it reminds him of his childhood… Cinema doesn’t get more beautiful. The whole film is about the incredible nostalgia of movies in general."

"Any recording of this just kills me. Faure's writing feels incredibly contemporary to me, in the way the melodies and harmonies move. The 'Paradisum' has a quality about it that reminds me of Massive Attack's 'Teardrop', or maybe it should be the other way around.

I also sung this in my boys' choir at school – I was a boy treble before my voice broke. Usually, I was more interested in the coach trips to concerts, the mucking about in the back row of the bus, as much as performing. But I remember us singing at Malvern Cathedral, surrounded by candles, and what a profoundly beautiful moment it was. Every now and then, odd moments from childhood just bounce back at you, and I'm always happy when it's this one.
"

"I’m gonna have to say, because of my childhood, and it’s such a strong influence for me, Raiders of the Lost Ark. I would define my interest in acting as a long-standing compulsion, and I was interested in pursuing this career since I was five years old. But it was films like Star Wars, or, you know, films that really got me interested. Star Wars, Raiders, Jaws… Alien. Alien I have to put on the list… I feel like… Every time, if I name a film like Alien, I say, “Well, I should really say Blade Runner as well.” You can’t… I mean, the attention to detail, and the characters. I just can’t wait to see where [Ridley Scott] goes next. The fact that he’s doing prequels has just got me giddy."

"Last of the Mohicans was like my childhood favorite. I love that movie. The soundtrack to that is probably one of my favorite in the world. My favorite movie is probably the life of Daniel Day-Lewis. If you watched Gangs of New York, it sucked, but then you see him as Bill the Butcher, it’s unbelievable. You really want to say Gangs of New York because he’s so amazing, but then you want to say There Will Be Blood. I mean, really, he’s so amazing. My Left Foot, Last of the Mohicans; the guy is just a freak of nature. He’s like a national treasure. That’s what he should be considered. Mindblowing, absolutely mindblowing. I can’t wait to see him play Lincoln. Anything Daniel Day-Lewis is in, that’s pretty much my favorite movie."

"Jessica Mitford was part of the legendary English aristocratic Mitford family. Her sisters included the novelist Nancy, Diana, who was imprisoned with her husband Sir Oswald Mosley for being a fascist, Unity, who fell in love with Hitler, and Deborah, who became the Duchess of Devonshire. Jessica was the family communist and eloped with Esmond Romilly, Churchill's nephew, to go and fight in the Spanish Civil War. Some of the best bits of the book are her descriptions of her childhood. Their poor mother, desperate to knock some sense into her unruly girls, would make them sit down each week and write out how they would economize for a family on an income of 200 pounds a year. Every week without fail Nancy would write at the top of her paper, “199 pounds : flowers.”"

"The Mirror was the closest cinema came to poetry. Tarkovsky abandoned narrative and mixed up different perspectives, stitching together the personal and the historical in a totally unique way. He made some other powerful films, but for me The Mirror is the one I keep going back to for air and inspiration. Its collage, fractured-mirror approach and refusal of anything literal and linear make sure the film will always keep its power and mystery, not unlike Eliot’s Waste Land. I have a problem these days getting through Tarkovsky’s more linear films, with these long, slow tracking shots that have spawned so many imitators (mainly male directors who love to exercise their power over a captive audience for hours). The other Tarkovsky film I can watch repeatedly and keep discovering anew is Ivan’s Childhood."

"This is generally known as Bergman’s most personal film, a complete masterpiece and triumphant study of childhood and the human condition, but I came to it by accident. This is a bit embarrassing, but I was about fifteen and I thought it was the movie adaptation of Salinger’s Franny and Zooey. To a highly untrained teenager’s eye, there are just enough similarities—like messed-up bourgeois family dynamics as seen through the prism of siblings—that I must have thought, “Well, I guess the whole thing just takes place over Christmas now. And they changed the names. And everyone’s Swedish.” Best cinematic mix-up of my life. Even better than that time in college when I drunkenly watched the second disc of Magnolia first and thought it made total sense."

"As counterweight to the weird and eerie elements in many of the books I have selected I propose the sweet and kind Summer Book. Tove Jansson’s fictionalized memoir about the summers she spent as a girl with her grandmother on a tiny island in the archipelago off Finland’s south coast is a wonderful ode to the curiosity of childhood and the wisdom of old age. In a precise, lyrical language that never gives in to easy sentiments Jansson allows us to take part in the summer days with the girl and the grandmother as one is discovering nature for the first time and the other is contemplating its vulnerability. It is sunshine in the shape of a book — for the shadowy part of Jansson’s oeuvre one must look to her children stories about the Moomins."