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Kristy H (1252 KP) rated More Than Words in Books
Apr 22, 2021
This is the thirteenth book in my #atozchallenge! I'm challenging myself to read a book from my shelves that starts with each letter of the alphabet. Let's clear those shelves and delve into that backlist!
Nina Gregory has always been a loyal daughter. After her mother's death, she was raised by her father, the owner of the Gregory Hotels, a renowned chain in New York City. She knows she will take over the family business someday. And her father has always taught her that family (and reputation) come before everything. But when Nina's father dies, she finds herself adrift. Not even her boyfriend, Tim, whom she's been raised with since childhood (his parents work with her father) can provide comfort. When Nina finds out something about her father that causes her to question everything, she finds herself turning to her boss, mayoral candidate Rafael. Nina's always been cautious and proper. But now, she's not so sure what to believe.
"Not only was she going to lose her father, she was going to lose the life she'd imagined for herself. The future she'd expected would be hers."
This was a good read about love, loss, and politics. I think parts of it might have annoyed me more, but I read it at a good time. Nina honestly came across as self-centered at moments, but she was certainly going through a lot, trying to find herself in the wake of her father's death. With her family legacy, she was under a lot of pressure. The book did a good job of capturing grief and loss. I also really liked Rafael--he was a character I could root for. The story seemed to meander a little and could be heartbreaking, but it was a book centered around death, after all.
Overall, I enjoyed this one. It's sad, but hopeful too. A good read if you go in with the right mindset. 3.5 stars.
Nina Gregory has always been a loyal daughter. After her mother's death, she was raised by her father, the owner of the Gregory Hotels, a renowned chain in New York City. She knows she will take over the family business someday. And her father has always taught her that family (and reputation) come before everything. But when Nina's father dies, she finds herself adrift. Not even her boyfriend, Tim, whom she's been raised with since childhood (his parents work with her father) can provide comfort. When Nina finds out something about her father that causes her to question everything, she finds herself turning to her boss, mayoral candidate Rafael. Nina's always been cautious and proper. But now, she's not so sure what to believe.
"Not only was she going to lose her father, she was going to lose the life she'd imagined for herself. The future she'd expected would be hers."
This was a good read about love, loss, and politics. I think parts of it might have annoyed me more, but I read it at a good time. Nina honestly came across as self-centered at moments, but she was certainly going through a lot, trying to find herself in the wake of her father's death. With her family legacy, she was under a lot of pressure. The book did a good job of capturing grief and loss. I also really liked Rafael--he was a character I could root for. The story seemed to meander a little and could be heartbreaking, but it was a book centered around death, after all.
Overall, I enjoyed this one. It's sad, but hopeful too. A good read if you go in with the right mindset. 3.5 stars.
Kirk Bage (1775 KP) rated I Am a Killer in TV
Apr 8, 2021
Although the first season of this series is from August 2018, I came to it most recently when season 2 was advertised and released just 3 weeks ago. It is an interesting concept that sometimes works well and sometimes doesn’t. Basically, it is a talking heads documentary where inmates on death row get an opportunity to restate their standpoint of their case and what led them to a death sentence. Quite often that standpoint is either maintaining innocence completely or partially, or admitting full culpability with some caveat based on mitigating circumstances they feel were never fully explored. It covers such a varied range of personalities and detail that the main point of interest for me was how little each death row inmate had in common, except a past of deprivation and a series of smaller crimes that led to the big one – either committed by them or upon them as the victim.
Stories of drug abuse, sexual and physical abuse from parents, role models and influencing figures seems so common that almost all of the 20 inmates interviewed so far can pin some of the blame on their childhood in some way. But our sympathy also ranges from zero to quite a lot as each tale is told, depending on the personality we are now seeing. In many cases there is no contrition, only more blame or excuses and self pity. In some cases there is a lot of regret and sorrow. And in one or two cases, a definite sense of a massive injustice. In the main however, it is all just so sad – how easily lives were taken or ruined by a moment of impulsive behaviour. There is a lot to find of use in studying the criminal mind in this show, but on the whole I found it very depressing and hard going. Maybe one at a time and not a binge on this one!
Stories of drug abuse, sexual and physical abuse from parents, role models and influencing figures seems so common that almost all of the 20 inmates interviewed so far can pin some of the blame on their childhood in some way. But our sympathy also ranges from zero to quite a lot as each tale is told, depending on the personality we are now seeing. In many cases there is no contrition, only more blame or excuses and self pity. In some cases there is a lot of regret and sorrow. And in one or two cases, a definite sense of a massive injustice. In the main however, it is all just so sad – how easily lives were taken or ruined by a moment of impulsive behaviour. There is a lot to find of use in studying the criminal mind in this show, but on the whole I found it very depressing and hard going. Maybe one at a time and not a binge on this one!
Derek Cianfrance recommended The Gospel According to St. Matthew (1964) in Movies (curated)
Matthew Weiner recommended And Now My Love (1974) in Movies (curated)
Erika (17789 KP) rated Cruella (2021) in Movies
Jun 1, 2021 (Updated Jun 1, 2021)
Cruella is the newest live-action adaptation of a cartoon character that Disney decided to give us. I only went to see the movie because there was nothing else out in the theater this weekend.
At an overly-long, bloated run time of 2 hours and 12 minutes, we get the entire life story of Cruella, prior to 101 Dalmatians, whose real name is Estella. Of course, it starts with the stereotypical birth scene, continuing through childhood to adulthood. She becomes orphaned, and meets her two future henchmen, played by Paul Walter Hauser and Joel Fry. They were pretty bumbling, and I found myself both amused and annoyed by them.
Estella dreams of a career in fashion, and by a series of events, ends up at the fashion house of the Baroness. There’s a connection from the Baroness to the events that caused Estella to be orphaned, and when that connection is made by Estella, she goes full on Cruella. I think Disney was attempting to show that Estella/Cruella has some sort of hereditary personality disorder, and I don’t know how I felt about that being used as a plot device. Cruella’s vendetta and revenge are sort of fun to watch, but there’s just too much. Every time you thought the movie was ending, something else happened.
Emma Stone does make Cruella interesting, which is a positive. Emma Thompson as the Baroness was so over the top, but at least Thompson seemed to enjoy playing someone that deranged.
For me, the only positives of this film were the costumes and music. The 60s/70s soundtrack was sick (in a good way), and the fashion was over the top and outrageous. The run time was so long, and Disney should have just slapped it on Disney+, for free, as a miniseries. The movie was not worth the price of a ticket, and definitely not worth that crazy premium pricing on VOD. If you’re interested, wait a couple of months and watch it for free when it joins the Disney+ library.
At an overly-long, bloated run time of 2 hours and 12 minutes, we get the entire life story of Cruella, prior to 101 Dalmatians, whose real name is Estella. Of course, it starts with the stereotypical birth scene, continuing through childhood to adulthood. She becomes orphaned, and meets her two future henchmen, played by Paul Walter Hauser and Joel Fry. They were pretty bumbling, and I found myself both amused and annoyed by them.
Estella dreams of a career in fashion, and by a series of events, ends up at the fashion house of the Baroness. There’s a connection from the Baroness to the events that caused Estella to be orphaned, and when that connection is made by Estella, she goes full on Cruella. I think Disney was attempting to show that Estella/Cruella has some sort of hereditary personality disorder, and I don’t know how I felt about that being used as a plot device. Cruella’s vendetta and revenge are sort of fun to watch, but there’s just too much. Every time you thought the movie was ending, something else happened.
Emma Stone does make Cruella interesting, which is a positive. Emma Thompson as the Baroness was so over the top, but at least Thompson seemed to enjoy playing someone that deranged.
For me, the only positives of this film were the costumes and music. The 60s/70s soundtrack was sick (in a good way), and the fashion was over the top and outrageous. The run time was so long, and Disney should have just slapped it on Disney+, for free, as a miniseries. The movie was not worth the price of a ticket, and definitely not worth that crazy premium pricing on VOD. If you’re interested, wait a couple of months and watch it for free when it joins the Disney+ library.
ClareR (5911 KP) rated The Devil You Know: Stories of Human Cruelty and Compassion in Books
Jun 22, 2021
The Devil You Know is a series of case studies of some of the patients that Dr Gwen Adshead has worked with in her role as a forensic psychiatrist. I don’t know quite what I expected from this: perhaps a dry, academic-type book. It was nothing at all like that. It’s a book full of compassion for the terrible mistakes, acts and choices that these people have made. And this is what’s made clear in this book: we (or rather, I) have always been led to believe that people who murder, stalk or destroy others lives are sub-human, have no empathy, no guilt or reasons for their actions. But there are those who have made terrible, unforgivable, life-changing decisions and must now live with those choices. Some are wracked with guilt, others aren’t.
It’s really interesting to read about this diverse group of people - they were in Broadmoor, secure prisons or units, and some had been released back into society and were experiencing the world again after serving their sentences.
If you’ve always wondered what motivates people to commit violent crimes, then this is, in part, the book for you. I found it quite reassuring to know that there are people like Dr Adshead out there who listen to perpetrators of crime, who want to learn what it is that causes them to make that fatal decision. I found the part about early childhood neglect and abuse and its impact on brain development particularly interesting (I work in Early Years), and the fact that it is potentially within society’s power to prevent crime before it has even been thought about was sobering.
I could go on, but I won’t. Just to say that I found this whole book fascinating - it’s such a well-written, accessible and interesting read.
Many thanks to The Pigeonhole for serialising this, and to Gwen Adshead and Eileen Horne for reading along with the Pigeons!
It’s really interesting to read about this diverse group of people - they were in Broadmoor, secure prisons or units, and some had been released back into society and were experiencing the world again after serving their sentences.
If you’ve always wondered what motivates people to commit violent crimes, then this is, in part, the book for you. I found it quite reassuring to know that there are people like Dr Adshead out there who listen to perpetrators of crime, who want to learn what it is that causes them to make that fatal decision. I found the part about early childhood neglect and abuse and its impact on brain development particularly interesting (I work in Early Years), and the fact that it is potentially within society’s power to prevent crime before it has even been thought about was sobering.
I could go on, but I won’t. Just to say that I found this whole book fascinating - it’s such a well-written, accessible and interesting read.
Many thanks to The Pigeonhole for serialising this, and to Gwen Adshead and Eileen Horne for reading along with the Pigeons!
BookInspector (124 KP) rated The Alibi Girl in Books
Sep 24, 2020
This story is told from two perspectives. The first one to tell the story is Ellis, a very strange character, called a freak by many. I think Ellis is quite disturbed and she does need help, she kind of got stuck in her childhood. I think everything she does is quite odd, but she does have her own reasons for her actions. The second person that is sharing the story is Foy, Ellis and she are cousins, and they were extremely close while growing up. I, personally, liked Foy more in this story, I liked her straight forward manner as well as her fierceness. I just couldn’t connect to Ellis however, I found her way of dealing with the world quite amusing.
The narrative was very well constructed, adding all the little unexpected surprises, and creating slowly accumulating suspense. I really liked that the plot kept changing between the present and the past, that kept me always interested in all the turns and twists, also it explained many questions, that were building up while reading the book. The topics discussed in this novel were bullying, social acceptance, mental health issues, sisterly love, paranoia, and many more.
I was kind of used to funny writing style, that I encountered in the author’s previous books, and I was pleasantly surprised to read this quite serious book. This novel unravels quite severe mental health issues. I really liked the setting of this book, it was constantly changing. The chapters are quite short, and the pages just flew by, for me. I really liked the ending of this book, it left me very satisfied with the outcome of this story.
So, to conclude, C.J. Skuse as a true talent in creating complex and disturbed characters, that are quite entertaining and sometimes pleasantly shocking. The plot kept me engrossed and constantly guessing. I really enjoyed this book, and I strongly recommend it to all, I hope it will teach solidarity and acceptance.
The narrative was very well constructed, adding all the little unexpected surprises, and creating slowly accumulating suspense. I really liked that the plot kept changing between the present and the past, that kept me always interested in all the turns and twists, also it explained many questions, that were building up while reading the book. The topics discussed in this novel were bullying, social acceptance, mental health issues, sisterly love, paranoia, and many more.
I was kind of used to funny writing style, that I encountered in the author’s previous books, and I was pleasantly surprised to read this quite serious book. This novel unravels quite severe mental health issues. I really liked the setting of this book, it was constantly changing. The chapters are quite short, and the pages just flew by, for me. I really liked the ending of this book, it left me very satisfied with the outcome of this story.
So, to conclude, C.J. Skuse as a true talent in creating complex and disturbed characters, that are quite entertaining and sometimes pleasantly shocking. The plot kept me engrossed and constantly guessing. I really enjoyed this book, and I strongly recommend it to all, I hope it will teach solidarity and acceptance.
BookInspector (124 KP) rated The Spectacular Vision of Oskar Dunkelblick in Books
Sep 24, 2020
The protagonist in this book is Oskar, and the whole story is told from his perspective. He is a misery artist, which I found very amusing. I had no idea it is a thing. 😀 I really liked the protagonist’s personality, until I found out, that he is not that innocent as I thought. Oskar came to the saddest place in Germany, looking for the inspiration for his next painting, but he got sucked in into local affairs very quickly. I really liked how the author picked the characters for this book. I loved the way she portrayed the complexity of the people and how their life stories unravelled.
The narrative of this novel was very interesting to follow. We have Oskar telling his story and describing his relationships with the citizens at the present time, but at the same time, he time travels to his childhood as well as sharing an unbelievable story from his recent past. Because of this constant change in the plot, the story went pretty quickly for me. There are some parts which didn’t really make sense to me, but I liked the message behind it. I really liked the topics used in this book, such as parenting, homelessness, misery, lack of socializing, alcoholism, loneliness etc.
The setting of this book was very unusual, I loved that the story was set in Germany, and the atmosphere of this book felt like everything around is grey and colourless, and Oskar is this little sparkly gem, which makes everything better and brighter. I can not exactly describe the feeling it created. 🙂 I really liked the writing style of this book, it is very creative but at the same time quite simple and understandable. The chapters are pretty short, and the pages flew by quick. The ending rounded the story nicely and left me satisfied with the outcome.
So, to conclude, I really enjoyed this amusing book, set in a very intriguing place, and filled with very unique and complex characters, whose life stories created something unforgettable.
The narrative of this novel was very interesting to follow. We have Oskar telling his story and describing his relationships with the citizens at the present time, but at the same time, he time travels to his childhood as well as sharing an unbelievable story from his recent past. Because of this constant change in the plot, the story went pretty quickly for me. There are some parts which didn’t really make sense to me, but I liked the message behind it. I really liked the topics used in this book, such as parenting, homelessness, misery, lack of socializing, alcoholism, loneliness etc.
The setting of this book was very unusual, I loved that the story was set in Germany, and the atmosphere of this book felt like everything around is grey and colourless, and Oskar is this little sparkly gem, which makes everything better and brighter. I can not exactly describe the feeling it created. 🙂 I really liked the writing style of this book, it is very creative but at the same time quite simple and understandable. The chapters are pretty short, and the pages flew by quick. The ending rounded the story nicely and left me satisfied with the outcome.
So, to conclude, I really enjoyed this amusing book, set in a very intriguing place, and filled with very unique and complex characters, whose life stories created something unforgettable.
BookInspector (124 KP) rated The Last Time I Lied in Books
Sep 24, 2020
Our protagonist in this novel is Emma, an artist, who can’t get away from the ghosts of the past. Years ago, three of her friends disappeared from the summer camp. Now she returns to the same camp, to try and figure out, where her childhood friends could’ve gone. But there are some things, which Emma lied about… And the wish to figure out what was the lie creates a tormenting suspense. I really liked the wide variety and very believable characters, which the author chose for this book. Even though I liked Emma, Vivian (one of the missing friends) was the one, who left me intrigued. So even though the story was told by Emma, this story was kind of about Vivian, a charismatic manipulator, who knew how to play with people and their feelings.
The narrative is constantly changing between the present and the past, and Sager is an expert in creating suspense. All the little clues and this time traveling really got me curious and glued to the book, and I was dying to find out what in a world happened there. The author brings back his “love” for mental institutions but with a different approach this time. I really loved all the twists, turns, and intriguing adventures. The story is told from a single perspective, and it was fully enough for me. The setting of this book is quite calming, but at the same time pretty sinister.
I think the author is very talented and his writing is exceptionally polished. The chapters are pretty short, and the suspense makes the “book melt in your hands”. The climax was very unexpected and I really loved the way this story ended. So, to conclude, I really enjoyed this fast-paced, amusing and very well written story, filled with secrets and lies. I do strongly recommend this book and I hope you will enjoy it as much as I did. 🙂
The narrative is constantly changing between the present and the past, and Sager is an expert in creating suspense. All the little clues and this time traveling really got me curious and glued to the book, and I was dying to find out what in a world happened there. The author brings back his “love” for mental institutions but with a different approach this time. I really loved all the twists, turns, and intriguing adventures. The story is told from a single perspective, and it was fully enough for me. The setting of this book is quite calming, but at the same time pretty sinister.
I think the author is very talented and his writing is exceptionally polished. The chapters are pretty short, and the suspense makes the “book melt in your hands”. The climax was very unexpected and I really loved the way this story ended. So, to conclude, I really enjoyed this fast-paced, amusing and very well written story, filled with secrets and lies. I do strongly recommend this book and I hope you will enjoy it as much as I did. 🙂
Matthew Krueger (10051 KP) rated Videodrome (1983) in Movies
Sep 8, 2020
First It Controls Your Mind Than It Destorys Your Body
Holy shit this movie is good. The effects, the psychological espect, the sci-fi, the horror, the suspense, the mystery and James Woods.
The Plot: As the president of a trashy TV channel, Max Renn (James Woods) is desperate for new programming to attract viewers. When he happens upon "Videodrome," a TV show dedicated to gratuitous torture and punishment, Max sees a potential hit and broadcasts the show on his channel. However, after his girlfriend (Deborah Harry) auditions for the show and never returns, Max investigates the truth behind Videodrome and discovers that the graphic violence may not be as fake as he thought.
Distributed by Universal Pictures, Videodrome was the first film by Cronenberg to gain backing from any major Hollywood studio. With the highest budget of any of his films to date, the film was a box-office bomb, recouping only $2.1 million from a $5.9 million budget.
Now considered a cult classic, the film has been cited as one of Cronenberg's best, and a key example of the body horror and science fiction horror genres.
The basis for the film came from David Cronenberg's childhood. Cronenberg used to pick up television signals from Buffalo, New York, late at night after Canadian stations had gone off the air, and worry he might see something disturbing not meant for public consumption.
After the box office success of Scanners, Cronenberg turned down the chance of directing Return of the Jedi, having had no desire to direct material produced by other filmmakers.
When it came to casting the character of Max Renn, Cronenberg chose James Woods, who was a fan of Rabid and Scanners and met with the actor in Beverly Hills to offer him the part, and liked the fact that Woods was very articulate in terms of delivery.
Its a excellent movie and a must see, same with david cronenberg's early horror films.
The Plot: As the president of a trashy TV channel, Max Renn (James Woods) is desperate for new programming to attract viewers. When he happens upon "Videodrome," a TV show dedicated to gratuitous torture and punishment, Max sees a potential hit and broadcasts the show on his channel. However, after his girlfriend (Deborah Harry) auditions for the show and never returns, Max investigates the truth behind Videodrome and discovers that the graphic violence may not be as fake as he thought.
Distributed by Universal Pictures, Videodrome was the first film by Cronenberg to gain backing from any major Hollywood studio. With the highest budget of any of his films to date, the film was a box-office bomb, recouping only $2.1 million from a $5.9 million budget.
Now considered a cult classic, the film has been cited as one of Cronenberg's best, and a key example of the body horror and science fiction horror genres.
The basis for the film came from David Cronenberg's childhood. Cronenberg used to pick up television signals from Buffalo, New York, late at night after Canadian stations had gone off the air, and worry he might see something disturbing not meant for public consumption.
After the box office success of Scanners, Cronenberg turned down the chance of directing Return of the Jedi, having had no desire to direct material produced by other filmmakers.
When it came to casting the character of Max Renn, Cronenberg chose James Woods, who was a fan of Rabid and Scanners and met with the actor in Beverly Hills to offer him the part, and liked the fact that Woods was very articulate in terms of delivery.
Its a excellent movie and a must see, same with david cronenberg's early horror films.