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Erika (17789 KP) rated Cruella (2021) in Movies
Jun 1, 2021 (Updated Jun 1, 2021)
Cruella is the newest live-action adaptation of a cartoon character that Disney decided to give us. I only went to see the movie because there was nothing else out in the theater this weekend.
At an overly-long, bloated run time of 2 hours and 12 minutes, we get the entire life story of Cruella, prior to 101 Dalmatians, whose real name is Estella. Of course, it starts with the stereotypical birth scene, continuing through childhood to adulthood. She becomes orphaned, and meets her two future henchmen, played by Paul Walter Hauser and Joel Fry. They were pretty bumbling, and I found myself both amused and annoyed by them.
Estella dreams of a career in fashion, and by a series of events, ends up at the fashion house of the Baroness. There’s a connection from the Baroness to the events that caused Estella to be orphaned, and when that connection is made by Estella, she goes full on Cruella. I think Disney was attempting to show that Estella/Cruella has some sort of hereditary personality disorder, and I don’t know how I felt about that being used as a plot device. Cruella’s vendetta and revenge are sort of fun to watch, but there’s just too much. Every time you thought the movie was ending, something else happened.
Emma Stone does make Cruella interesting, which is a positive. Emma Thompson as the Baroness was so over the top, but at least Thompson seemed to enjoy playing someone that deranged.
For me, the only positives of this film were the costumes and music. The 60s/70s soundtrack was sick (in a good way), and the fashion was over the top and outrageous. The run time was so long, and Disney should have just slapped it on Disney+, for free, as a miniseries. The movie was not worth the price of a ticket, and definitely not worth that crazy premium pricing on VOD. If you’re interested, wait a couple of months and watch it for free when it joins the Disney+ library.
At an overly-long, bloated run time of 2 hours and 12 minutes, we get the entire life story of Cruella, prior to 101 Dalmatians, whose real name is Estella. Of course, it starts with the stereotypical birth scene, continuing through childhood to adulthood. She becomes orphaned, and meets her two future henchmen, played by Paul Walter Hauser and Joel Fry. They were pretty bumbling, and I found myself both amused and annoyed by them.
Estella dreams of a career in fashion, and by a series of events, ends up at the fashion house of the Baroness. There’s a connection from the Baroness to the events that caused Estella to be orphaned, and when that connection is made by Estella, she goes full on Cruella. I think Disney was attempting to show that Estella/Cruella has some sort of hereditary personality disorder, and I don’t know how I felt about that being used as a plot device. Cruella’s vendetta and revenge are sort of fun to watch, but there’s just too much. Every time you thought the movie was ending, something else happened.
Emma Stone does make Cruella interesting, which is a positive. Emma Thompson as the Baroness was so over the top, but at least Thompson seemed to enjoy playing someone that deranged.
For me, the only positives of this film were the costumes and music. The 60s/70s soundtrack was sick (in a good way), and the fashion was over the top and outrageous. The run time was so long, and Disney should have just slapped it on Disney+, for free, as a miniseries. The movie was not worth the price of a ticket, and definitely not worth that crazy premium pricing on VOD. If you’re interested, wait a couple of months and watch it for free when it joins the Disney+ library.
ClareR (5874 KP) rated The Devil You Know: Stories of Human Cruelty and Compassion in Books
Jun 22, 2021
The Devil You Know is a series of case studies of some of the patients that Dr Gwen Adshead has worked with in her role as a forensic psychiatrist. I don’t know quite what I expected from this: perhaps a dry, academic-type book. It was nothing at all like that. It’s a book full of compassion for the terrible mistakes, acts and choices that these people have made. And this is what’s made clear in this book: we (or rather, I) have always been led to believe that people who murder, stalk or destroy others lives are sub-human, have no empathy, no guilt or reasons for their actions. But there are those who have made terrible, unforgivable, life-changing decisions and must now live with those choices. Some are wracked with guilt, others aren’t.
It’s really interesting to read about this diverse group of people - they were in Broadmoor, secure prisons or units, and some had been released back into society and were experiencing the world again after serving their sentences.
If you’ve always wondered what motivates people to commit violent crimes, then this is, in part, the book for you. I found it quite reassuring to know that there are people like Dr Adshead out there who listen to perpetrators of crime, who want to learn what it is that causes them to make that fatal decision. I found the part about early childhood neglect and abuse and its impact on brain development particularly interesting (I work in Early Years), and the fact that it is potentially within society’s power to prevent crime before it has even been thought about was sobering.
I could go on, but I won’t. Just to say that I found this whole book fascinating - it’s such a well-written, accessible and interesting read.
Many thanks to The Pigeonhole for serialising this, and to Gwen Adshead and Eileen Horne for reading along with the Pigeons!
It’s really interesting to read about this diverse group of people - they were in Broadmoor, secure prisons or units, and some had been released back into society and were experiencing the world again after serving their sentences.
If you’ve always wondered what motivates people to commit violent crimes, then this is, in part, the book for you. I found it quite reassuring to know that there are people like Dr Adshead out there who listen to perpetrators of crime, who want to learn what it is that causes them to make that fatal decision. I found the part about early childhood neglect and abuse and its impact on brain development particularly interesting (I work in Early Years), and the fact that it is potentially within society’s power to prevent crime before it has even been thought about was sobering.
I could go on, but I won’t. Just to say that I found this whole book fascinating - it’s such a well-written, accessible and interesting read.
Many thanks to The Pigeonhole for serialising this, and to Gwen Adshead and Eileen Horne for reading along with the Pigeons!
BookInspector (124 KP) rated The Alibi Girl in Books
Sep 24, 2020
This story is told from two perspectives. The first one to tell the story is Ellis, a very strange character, called a freak by many. I think Ellis is quite disturbed and she does need help, she kind of got stuck in her childhood. I think everything she does is quite odd, but she does have her own reasons for her actions. The second person that is sharing the story is Foy, Ellis and she are cousins, and they were extremely close while growing up. I, personally, liked Foy more in this story, I liked her straight forward manner as well as her fierceness. I just couldn’t connect to Ellis however, I found her way of dealing with the world quite amusing.
The narrative was very well constructed, adding all the little unexpected surprises, and creating slowly accumulating suspense. I really liked that the plot kept changing between the present and the past, that kept me always interested in all the turns and twists, also it explained many questions, that were building up while reading the book. The topics discussed in this novel were bullying, social acceptance, mental health issues, sisterly love, paranoia, and many more.
I was kind of used to funny writing style, that I encountered in the author’s previous books, and I was pleasantly surprised to read this quite serious book. This novel unravels quite severe mental health issues. I really liked the setting of this book, it was constantly changing. The chapters are quite short, and the pages just flew by, for me. I really liked the ending of this book, it left me very satisfied with the outcome of this story.
So, to conclude, C.J. Skuse as a true talent in creating complex and disturbed characters, that are quite entertaining and sometimes pleasantly shocking. The plot kept me engrossed and constantly guessing. I really enjoyed this book, and I strongly recommend it to all, I hope it will teach solidarity and acceptance.
The narrative was very well constructed, adding all the little unexpected surprises, and creating slowly accumulating suspense. I really liked that the plot kept changing between the present and the past, that kept me always interested in all the turns and twists, also it explained many questions, that were building up while reading the book. The topics discussed in this novel were bullying, social acceptance, mental health issues, sisterly love, paranoia, and many more.
I was kind of used to funny writing style, that I encountered in the author’s previous books, and I was pleasantly surprised to read this quite serious book. This novel unravels quite severe mental health issues. I really liked the setting of this book, it was constantly changing. The chapters are quite short, and the pages just flew by, for me. I really liked the ending of this book, it left me very satisfied with the outcome of this story.
So, to conclude, C.J. Skuse as a true talent in creating complex and disturbed characters, that are quite entertaining and sometimes pleasantly shocking. The plot kept me engrossed and constantly guessing. I really enjoyed this book, and I strongly recommend it to all, I hope it will teach solidarity and acceptance.
BookInspector (124 KP) rated The Spectacular Vision of Oskar Dunkelblick in Books
Sep 24, 2020
The protagonist in this book is Oskar, and the whole story is told from his perspective. He is a misery artist, which I found very amusing. I had no idea it is a thing. 😀 I really liked the protagonist’s personality, until I found out, that he is not that innocent as I thought. Oskar came to the saddest place in Germany, looking for the inspiration for his next painting, but he got sucked in into local affairs very quickly. I really liked how the author picked the characters for this book. I loved the way she portrayed the complexity of the people and how their life stories unravelled.
The narrative of this novel was very interesting to follow. We have Oskar telling his story and describing his relationships with the citizens at the present time, but at the same time, he time travels to his childhood as well as sharing an unbelievable story from his recent past. Because of this constant change in the plot, the story went pretty quickly for me. There are some parts which didn’t really make sense to me, but I liked the message behind it. I really liked the topics used in this book, such as parenting, homelessness, misery, lack of socializing, alcoholism, loneliness etc.
The setting of this book was very unusual, I loved that the story was set in Germany, and the atmosphere of this book felt like everything around is grey and colourless, and Oskar is this little sparkly gem, which makes everything better and brighter. I can not exactly describe the feeling it created. 🙂 I really liked the writing style of this book, it is very creative but at the same time quite simple and understandable. The chapters are pretty short, and the pages flew by quick. The ending rounded the story nicely and left me satisfied with the outcome.
So, to conclude, I really enjoyed this amusing book, set in a very intriguing place, and filled with very unique and complex characters, whose life stories created something unforgettable.
The narrative of this novel was very interesting to follow. We have Oskar telling his story and describing his relationships with the citizens at the present time, but at the same time, he time travels to his childhood as well as sharing an unbelievable story from his recent past. Because of this constant change in the plot, the story went pretty quickly for me. There are some parts which didn’t really make sense to me, but I liked the message behind it. I really liked the topics used in this book, such as parenting, homelessness, misery, lack of socializing, alcoholism, loneliness etc.
The setting of this book was very unusual, I loved that the story was set in Germany, and the atmosphere of this book felt like everything around is grey and colourless, and Oskar is this little sparkly gem, which makes everything better and brighter. I can not exactly describe the feeling it created. 🙂 I really liked the writing style of this book, it is very creative but at the same time quite simple and understandable. The chapters are pretty short, and the pages flew by quick. The ending rounded the story nicely and left me satisfied with the outcome.
So, to conclude, I really enjoyed this amusing book, set in a very intriguing place, and filled with very unique and complex characters, whose life stories created something unforgettable.
BookInspector (124 KP) rated The Last Time I Lied in Books
Sep 24, 2020
Our protagonist in this novel is Emma, an artist, who can’t get away from the ghosts of the past. Years ago, three of her friends disappeared from the summer camp. Now she returns to the same camp, to try and figure out, where her childhood friends could’ve gone. But there are some things, which Emma lied about… And the wish to figure out what was the lie creates a tormenting suspense. I really liked the wide variety and very believable characters, which the author chose for this book. Even though I liked Emma, Vivian (one of the missing friends) was the one, who left me intrigued. So even though the story was told by Emma, this story was kind of about Vivian, a charismatic manipulator, who knew how to play with people and their feelings.
The narrative is constantly changing between the present and the past, and Sager is an expert in creating suspense. All the little clues and this time traveling really got me curious and glued to the book, and I was dying to find out what in a world happened there. The author brings back his “love” for mental institutions but with a different approach this time. I really loved all the twists, turns, and intriguing adventures. The story is told from a single perspective, and it was fully enough for me. The setting of this book is quite calming, but at the same time pretty sinister.
I think the author is very talented and his writing is exceptionally polished. The chapters are pretty short, and the suspense makes the “book melt in your hands”. The climax was very unexpected and I really loved the way this story ended. So, to conclude, I really enjoyed this fast-paced, amusing and very well written story, filled with secrets and lies. I do strongly recommend this book and I hope you will enjoy it as much as I did. 🙂
The narrative is constantly changing between the present and the past, and Sager is an expert in creating suspense. All the little clues and this time traveling really got me curious and glued to the book, and I was dying to find out what in a world happened there. The author brings back his “love” for mental institutions but with a different approach this time. I really loved all the twists, turns, and intriguing adventures. The story is told from a single perspective, and it was fully enough for me. The setting of this book is quite calming, but at the same time pretty sinister.
I think the author is very talented and his writing is exceptionally polished. The chapters are pretty short, and the suspense makes the “book melt in your hands”. The climax was very unexpected and I really loved the way this story ended. So, to conclude, I really enjoyed this fast-paced, amusing and very well written story, filled with secrets and lies. I do strongly recommend this book and I hope you will enjoy it as much as I did. 🙂
Matthew Krueger (10051 KP) rated Videodrome (1983) in Movies
Sep 8, 2020
First It Controls Your Mind Than It Destorys Your Body
Holy shit this movie is good. The effects, the psychological espect, the sci-fi, the horror, the suspense, the mystery and James Woods.
The Plot: As the president of a trashy TV channel, Max Renn (James Woods) is desperate for new programming to attract viewers. When he happens upon "Videodrome," a TV show dedicated to gratuitous torture and punishment, Max sees a potential hit and broadcasts the show on his channel. However, after his girlfriend (Deborah Harry) auditions for the show and never returns, Max investigates the truth behind Videodrome and discovers that the graphic violence may not be as fake as he thought.
Distributed by Universal Pictures, Videodrome was the first film by Cronenberg to gain backing from any major Hollywood studio. With the highest budget of any of his films to date, the film was a box-office bomb, recouping only $2.1 million from a $5.9 million budget.
Now considered a cult classic, the film has been cited as one of Cronenberg's best, and a key example of the body horror and science fiction horror genres.
The basis for the film came from David Cronenberg's childhood. Cronenberg used to pick up television signals from Buffalo, New York, late at night after Canadian stations had gone off the air, and worry he might see something disturbing not meant for public consumption.
After the box office success of Scanners, Cronenberg turned down the chance of directing Return of the Jedi, having had no desire to direct material produced by other filmmakers.
When it came to casting the character of Max Renn, Cronenberg chose James Woods, who was a fan of Rabid and Scanners and met with the actor in Beverly Hills to offer him the part, and liked the fact that Woods was very articulate in terms of delivery.
Its a excellent movie and a must see, same with david cronenberg's early horror films.
The Plot: As the president of a trashy TV channel, Max Renn (James Woods) is desperate for new programming to attract viewers. When he happens upon "Videodrome," a TV show dedicated to gratuitous torture and punishment, Max sees a potential hit and broadcasts the show on his channel. However, after his girlfriend (Deborah Harry) auditions for the show and never returns, Max investigates the truth behind Videodrome and discovers that the graphic violence may not be as fake as he thought.
Distributed by Universal Pictures, Videodrome was the first film by Cronenberg to gain backing from any major Hollywood studio. With the highest budget of any of his films to date, the film was a box-office bomb, recouping only $2.1 million from a $5.9 million budget.
Now considered a cult classic, the film has been cited as one of Cronenberg's best, and a key example of the body horror and science fiction horror genres.
The basis for the film came from David Cronenberg's childhood. Cronenberg used to pick up television signals from Buffalo, New York, late at night after Canadian stations had gone off the air, and worry he might see something disturbing not meant for public consumption.
After the box office success of Scanners, Cronenberg turned down the chance of directing Return of the Jedi, having had no desire to direct material produced by other filmmakers.
When it came to casting the character of Max Renn, Cronenberg chose James Woods, who was a fan of Rabid and Scanners and met with the actor in Beverly Hills to offer him the part, and liked the fact that Woods was very articulate in terms of delivery.
Its a excellent movie and a must see, same with david cronenberg's early horror films.
Hazel (2934 KP) rated The Chalet in Books
Oct 10, 2020
For a debut novel, I think this worked pretty well and it was a nice, quick read.
The plot is set in two time frames - 1998 follows the story of the death of a young man whilst on a skiing holiday with his brother and their girlfriends. Fast forward to 2020 and we find ourselves in the same ski resort, with a group of people who are somehow connected to that death. It's told from multiple points of view so you do have to keep your wits about you but it does work well for the story. In amongst this, we have a mystery narrator - that of a child and her difficult childhood spent in and out of foster care which I found heart breaking - how does she fit into the story?
I am not going to give away any of the plot or provide any spoilers as to do so would ruin it for others but what I will say is that I did see the twist coming from a mile away which took a bit of the suspense and head-scratching away somewhat. Having said that, it is a very clever plot which did make me second-guess myself a couple of times but in the end, I was right.
The characters are thoroughly awful; I think if I was stuck with them, I'd do away with the lot of them! I'm not sure whether it was the author's intention to make them so unlikeable but I felt it actually worked really well in the context of the story and I admit to secretly hoping something bad would befall them all!
Overall, this is a creditable debut and I will be looking out for more from this author in the future and I should thank HarperCollins UK / HarperFiction via NetGalley who invited me to read The Chalet in return for an unbiased review.
The plot is set in two time frames - 1998 follows the story of the death of a young man whilst on a skiing holiday with his brother and their girlfriends. Fast forward to 2020 and we find ourselves in the same ski resort, with a group of people who are somehow connected to that death. It's told from multiple points of view so you do have to keep your wits about you but it does work well for the story. In amongst this, we have a mystery narrator - that of a child and her difficult childhood spent in and out of foster care which I found heart breaking - how does she fit into the story?
I am not going to give away any of the plot or provide any spoilers as to do so would ruin it for others but what I will say is that I did see the twist coming from a mile away which took a bit of the suspense and head-scratching away somewhat. Having said that, it is a very clever plot which did make me second-guess myself a couple of times but in the end, I was right.
The characters are thoroughly awful; I think if I was stuck with them, I'd do away with the lot of them! I'm not sure whether it was the author's intention to make them so unlikeable but I felt it actually worked really well in the context of the story and I admit to secretly hoping something bad would befall them all!
Overall, this is a creditable debut and I will be looking out for more from this author in the future and I should thank HarperCollins UK / HarperFiction via NetGalley who invited me to read The Chalet in return for an unbiased review.
Kristy H (1252 KP) rated Invisible Girl in Books
Oct 29, 2020
A dark, creepy read full of surprises
Owen Pick, a teacher in his thirties, has never had a relationship with a women. He's barely even had a successful date. He's teased by the young female students at the college where he works. He lives in a flat owned by his elderly aunt and recently has found solace on incel forums. Across the street from Owen lives the Fours family. They, frankly, find Owen creepy, especially mom Cate and her teenage daughter. Dad, Roan, a child psychologist, is too busy with work to care that much, while their teenage son is basically the only one Cate doesn't need to worry about. And then there's Saffyre Maddox. Now seventeen, Saffyre, was once a patient of Roan's. She misses their connection and seeks to maintain it by following him. Then, one night, Saffyre disappears, and it seems like Owen was the last person to see her. What truly happened to Saffyre?
After a bit of a slump with thrillers, I'm on a roll (though what's with ambiguous endings lately?). This was a creepy and ominous read! There is a lot going on here--Saffyre and her childhood issues; Owen and his many problems with women; and the complete dysfunction of the Fours family--but Jewell does a good job weaving them all together. The result is a tense and dark novel that keeps you guessing the entire time.
"I have a dark past, and I have dark thoughts." ~Saffyre
This is an engaging read, with Saffyre, Cate, and Owen turning into dynamic and unique voices. It's also ominous, with the overriding sense that something bad is going to happen. Secrets are the name of the game here, and Jewell turns the sexual predator theme on its head a bit. There's also plenty of revenge and strong women, which is great.
I wasn't a fan of the ending, which leaves things up in the end, but this is still a twisty ride with interesting characters and a different plot. 4 stars.
After a bit of a slump with thrillers, I'm on a roll (though what's with ambiguous endings lately?). This was a creepy and ominous read! There is a lot going on here--Saffyre and her childhood issues; Owen and his many problems with women; and the complete dysfunction of the Fours family--but Jewell does a good job weaving them all together. The result is a tense and dark novel that keeps you guessing the entire time.
"I have a dark past, and I have dark thoughts." ~Saffyre
This is an engaging read, with Saffyre, Cate, and Owen turning into dynamic and unique voices. It's also ominous, with the overriding sense that something bad is going to happen. Secrets are the name of the game here, and Jewell turns the sexual predator theme on its head a bit. There's also plenty of revenge and strong women, which is great.
I wasn't a fan of the ending, which leaves things up in the end, but this is still a twisty ride with interesting characters and a different plot. 4 stars.
Eleanor Luhar (47 KP) rated Billy and Me in Books
Jun 24, 2019
This is a very, very different genre than I usually read. It was romantic and contemporary and kind of cliche and gross. But I will admit that it was written well.
Despite the gooey topics, this book was easy to sit and read through. The writing was good, though some of the speech didn't feel particularly authentic. My main problem was how cliche this was. A young woman who loves classic literature andworks in a tea shop meets a movie star without realising who he is and falls in love... Yeah, it's kind of a stereotypical romance. I hate this sort of thing. It's tacky and just ugh. But there was more to it than just the romance, which was very good. Sophie had her own issues to deal with, stemming from childhood grief and caring for her mother. It even had a really tragic moment toward the end, that didn't involve the actor - Billy - much at all.
As I mentioned above, the language wasn't always particularly fluid. It sometimes felt like Fletcher was trying too hard to make it more romantic and emotional. Billy was pretty much 'perfect' and extremely romantic, probably extremely unrealistically so. He was likeable, still, just not very realistic.
Sophie herself was a bit... not annoying, but she's not my favourite protagonist ever. She was trying too hard to be unique and strong and independent and it just irritated me. I get what Fletcher was going for (I think) but I just didn't love Sophie that much at all.
Like most other contemporary novels (not that I've actually read many of them), Sophie's life comes together perfectly at the end. Well, not quite perfectly, but the ending was sickly sweet. But I'm a bit of a cynic. You might like this more than me.
Despite the genre and gross cutesy lovey stuff, I think this deserves 3.5 stars. The writing was good and I did actually enjoy reading it.
Despite the gooey topics, this book was easy to sit and read through. The writing was good, though some of the speech didn't feel particularly authentic. My main problem was how cliche this was. A young woman who loves classic literature andworks in a tea shop meets a movie star without realising who he is and falls in love... Yeah, it's kind of a stereotypical romance. I hate this sort of thing. It's tacky and just ugh. But there was more to it than just the romance, which was very good. Sophie had her own issues to deal with, stemming from childhood grief and caring for her mother. It even had a really tragic moment toward the end, that didn't involve the actor - Billy - much at all.
As I mentioned above, the language wasn't always particularly fluid. It sometimes felt like Fletcher was trying too hard to make it more romantic and emotional. Billy was pretty much 'perfect' and extremely romantic, probably extremely unrealistically so. He was likeable, still, just not very realistic.
Sophie herself was a bit... not annoying, but she's not my favourite protagonist ever. She was trying too hard to be unique and strong and independent and it just irritated me. I get what Fletcher was going for (I think) but I just didn't love Sophie that much at all.
Like most other contemporary novels (not that I've actually read many of them), Sophie's life comes together perfectly at the end. Well, not quite perfectly, but the ending was sickly sweet. But I'm a bit of a cynic. You might like this more than me.
Despite the genre and gross cutesy lovey stuff, I think this deserves 3.5 stars. The writing was good and I did actually enjoy reading it.
Gareth von Kallenbach (980 KP) rated Monster Trucks (2016) in Movies
Jul 12, 2019
It’s safe to say that movies nowadays are either remakes of beloved classic movies, based off a book, or are a sequel. Original ideas and story lines are few and far between. When I first heard about this so-called movie Monster Trucks, I thought it was going to be about those hug trucks you see at Monster Jam shows driving over cars with their loud engines entertaining crowds. This film is far from anything of the sort. It’s based off the idea from a 4 year old about monster trucks actually having monsters in the trucks.
Set in a small oil drilling town in North Dakota, Tripp (Lucas Till), a troubled high school student, befriends an extraterrestrial squid-like creature that takes up residence in the hood of Tripp’s truck. After an accident occurs at a nearby drilling site displacing this creature, it doesn’t take long for the oil company to realize if they don’t locate this creature, they will have to cease drilling which affects their bottom line. With the help of his friend Meredith (Jane Levy), Tripp realizes he must take his new friend back to his home before the villainous oil company CEO ( Rob Lowe) catches them.
If you take the movie for what it is: trucks, monsters, friends, and good guy/bad guys-it’s an entertaining film with some great laugh out loud moments that also attempts to tug at the heartstrings from a pair of unlikely friends. Dig deeper and try to analyze every piece of the movie, you’ll only see the outlandish, unrealistic, and far fetch concept with underdeveloped character relationships. All in all, I enjoyed the film. The friendship between Tripp and the creature he named Creech was similar to that of Elliott and E.T. with less drama. It brought me back to my childhood. It taught my son the meaning of friendship, sacrifice, and loyalty.
Set in a small oil drilling town in North Dakota, Tripp (Lucas Till), a troubled high school student, befriends an extraterrestrial squid-like creature that takes up residence in the hood of Tripp’s truck. After an accident occurs at a nearby drilling site displacing this creature, it doesn’t take long for the oil company to realize if they don’t locate this creature, they will have to cease drilling which affects their bottom line. With the help of his friend Meredith (Jane Levy), Tripp realizes he must take his new friend back to his home before the villainous oil company CEO ( Rob Lowe) catches them.
If you take the movie for what it is: trucks, monsters, friends, and good guy/bad guys-it’s an entertaining film with some great laugh out loud moments that also attempts to tug at the heartstrings from a pair of unlikely friends. Dig deeper and try to analyze every piece of the movie, you’ll only see the outlandish, unrealistic, and far fetch concept with underdeveloped character relationships. All in all, I enjoyed the film. The friendship between Tripp and the creature he named Creech was similar to that of Elliott and E.T. with less drama. It brought me back to my childhood. It taught my son the meaning of friendship, sacrifice, and loyalty.