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Bob Mann (459 KP) rated Paddington 2 (2017) in Movies
Sep 29, 2021
Bear faced brilliance.
I never went to see “Paddington 2” at the cinema when it came out. Well, it’s a kids film isn’t it? And my grandkids I thought… well, their probably a bit too young for the long haul on this one. But – after catching up with it recently on a transatlantic flight – I’m sorry I missed it. For it is brilliant in its own way.
Having not seen the first “Paddington”, also directed by Paul King, there is a useful little flashback to the Peruvian origins of the little chap before we pitch into the plot proper. Paddington (voiced by Ben Wishaw, “Spectre“) has nicely settled down to life with The Brown’s in their London home and is a well-loved member of the community (well, well loved that is by everyone except the cranky Mr Curry (Peter Capaldi, “Dr Who“, “World War Z“). But he longs to buy his Aunt Lucy (Imelda Staunton, “Finding Your Feet“) a special birthday present – a pop-up book of London scenes that he’s seen in a local antique shop. But for that he needs a lot of cash, and so proceeds to earn it through a variety of different jobs.
However, fading actor Phoenix Buchanan (Hugh Grant, “Florence Foster Jenkins“, “The Man From U.N.C.L.E.“) also shows an unhealty interest in the book and, after it disappears from the shop with Paddington’s paw prints all over the scene, the poor bear finds himself on the wrong side of the law.
This is a continually inventive movie, which rockets along with truly impressive verve and panache from scene to scene. As a particular example of this, an animated walk through the pop-up book is marvellously done: a tribute to the 2D retro nature (even in those days!) of the TV animation of the 70’s that will go over the heads of younger viewers. There are plenty of slapstick scenes – notably of Paddington trying window cleaning, and his job in a barber’s shop – which will not only delight younger children but also made this 57 year old laugh out loud too! The prison sequence also delights, with a laundry blunder by the bear leading into a comical showdown with the prison’s chief poisoner, sorry, head chef played by Brendan Gleeson (“Alone in Berlin“, “Live By Night“).
Vision AND sound! Paddington with incarcerated friends, including Brendan Gleeson (centre).
The cast all seem to revel in their parts, with Hugh Bonneville (“Viceroy’s House“, “The Monuments Men“) energetic as Mr Brown and Oscar runner-up (surely!) Sally Hawkins (“The Shape of Water“) very chirpy as Mrs Brown. All of the residents of Windsor Gardens are a who’s who of UK film and TV, and each cameo has a lovely little tale behind it: Julie Walters (“Brooklyn“) as Mrs Bird, the Brown’s help; Sanjeev Bhaskar as Dr Jafri, forever nearly locking himself out; Miss Kitts (Jessica Hynes) and the crusty Colonel Lancaster (Ben Miller) in a ‘will they/won’t they’ potential romance. Elsewhere, Jim Broadbent (“Bridget Jones Baby“, “Eddie the Eagle“) is great as the antique store owner; Tom Conti adds both gravitas and humour as Judge Biggleswade and Richard Ayoade (“The Double“) is very funny as a forensic expert.
The Brown family: from left; Mr Brown (Hugh Bonneville); Jonathan (Samuel Joslin); Mrs Brown (Sally Hawkins); Mrs Bird (Julie Walters); and Judy Brown (Madeleine Harris).
Head and shoulders above all of them though is Hugh Grant who is just outstandingly good as the puffed-up and self-important ham-actor. His Best Supporting Actor nomination for a BAFTA was surprising, but having seen the film so very much deserved. Hang around in the end credits for his last words of the film which are cornily hilarious! One can only hope that Phoenix Buchanen returns for Paddington 3.
A career best… Hugh Grant as the devilishly slippery Phoenix Buchanan.
I would have thought that some of the scenes towards the end of the film, particularly one where Paddington seems doomed to a watery end, might be a little frightening for younger viewers. Thank heavens Sally Hawkins has gills! 🙂
Overall, this is a movie I would gladly watch again, with or without kids. In a movie landscape that is pretty devoid of good comedy, here is a movie that really did make me laugh out loud.
Having not seen the first “Paddington”, also directed by Paul King, there is a useful little flashback to the Peruvian origins of the little chap before we pitch into the plot proper. Paddington (voiced by Ben Wishaw, “Spectre“) has nicely settled down to life with The Brown’s in their London home and is a well-loved member of the community (well, well loved that is by everyone except the cranky Mr Curry (Peter Capaldi, “Dr Who“, “World War Z“). But he longs to buy his Aunt Lucy (Imelda Staunton, “Finding Your Feet“) a special birthday present – a pop-up book of London scenes that he’s seen in a local antique shop. But for that he needs a lot of cash, and so proceeds to earn it through a variety of different jobs.
However, fading actor Phoenix Buchanan (Hugh Grant, “Florence Foster Jenkins“, “The Man From U.N.C.L.E.“) also shows an unhealty interest in the book and, after it disappears from the shop with Paddington’s paw prints all over the scene, the poor bear finds himself on the wrong side of the law.
This is a continually inventive movie, which rockets along with truly impressive verve and panache from scene to scene. As a particular example of this, an animated walk through the pop-up book is marvellously done: a tribute to the 2D retro nature (even in those days!) of the TV animation of the 70’s that will go over the heads of younger viewers. There are plenty of slapstick scenes – notably of Paddington trying window cleaning, and his job in a barber’s shop – which will not only delight younger children but also made this 57 year old laugh out loud too! The prison sequence also delights, with a laundry blunder by the bear leading into a comical showdown with the prison’s chief poisoner, sorry, head chef played by Brendan Gleeson (“Alone in Berlin“, “Live By Night“).
Vision AND sound! Paddington with incarcerated friends, including Brendan Gleeson (centre).
The cast all seem to revel in their parts, with Hugh Bonneville (“Viceroy’s House“, “The Monuments Men“) energetic as Mr Brown and Oscar runner-up (surely!) Sally Hawkins (“The Shape of Water“) very chirpy as Mrs Brown. All of the residents of Windsor Gardens are a who’s who of UK film and TV, and each cameo has a lovely little tale behind it: Julie Walters (“Brooklyn“) as Mrs Bird, the Brown’s help; Sanjeev Bhaskar as Dr Jafri, forever nearly locking himself out; Miss Kitts (Jessica Hynes) and the crusty Colonel Lancaster (Ben Miller) in a ‘will they/won’t they’ potential romance. Elsewhere, Jim Broadbent (“Bridget Jones Baby“, “Eddie the Eagle“) is great as the antique store owner; Tom Conti adds both gravitas and humour as Judge Biggleswade and Richard Ayoade (“The Double“) is very funny as a forensic expert.
The Brown family: from left; Mr Brown (Hugh Bonneville); Jonathan (Samuel Joslin); Mrs Brown (Sally Hawkins); Mrs Bird (Julie Walters); and Judy Brown (Madeleine Harris).
Head and shoulders above all of them though is Hugh Grant who is just outstandingly good as the puffed-up and self-important ham-actor. His Best Supporting Actor nomination for a BAFTA was surprising, but having seen the film so very much deserved. Hang around in the end credits for his last words of the film which are cornily hilarious! One can only hope that Phoenix Buchanen returns for Paddington 3.
A career best… Hugh Grant as the devilishly slippery Phoenix Buchanan.
I would have thought that some of the scenes towards the end of the film, particularly one where Paddington seems doomed to a watery end, might be a little frightening for younger viewers. Thank heavens Sally Hawkins has gills! 🙂
Overall, this is a movie I would gladly watch again, with or without kids. In a movie landscape that is pretty devoid of good comedy, here is a movie that really did make me laugh out loud.
Chris Sawin (602 KP) rated Demon Slayer: Kimetsu no Yaiba The Movie: Mugen Train (2020) in Movies
Oct 6, 2021
Exceptional animation (2 more)
Insanely cool villains
Rengoku is the MVP
Tanjiro is still too much of a crybaby (2 more)
Zenitsu's constant shouting
The lackluster writing that haunts the series is still relevant here
Drawn to a Tasty Flame
Demon Slayer: Mugen Train is mostly an incredible anime film that not only lives up to the first season of the anime, but also successfully bridges the gap between the first season and the upcoming second season.
When it comes to anime films they are generally connected to the anime television series they’re based on by featuring the same characters or taking place in the same universe. However, the movies almost always are their own stories that don’t cross paths with the stories being told in the series. Mugen Train picks up right after the first season ends.
Tanjiro, Zenitsu, and Inosuke board the train Rengoku, the Flame Hashira, is already on. They’ve been summoned to the train because people keep disappearing and there’s said to be demons aboard including a demon who has supposedly killed several demon slayers. He has pawns, who are usually children, who infiltrate the dreams of Enmu’s victims that bypass their subconscious and destroy their spiritual core.
There is usually a drastic difference in animation quality between an anime series and its films, but Demon Slayer already features such impressive animation that it’s difficult to top it. Mugen Train features all of the glorious breathing and sword techniques animated to blissful perfection, but what it does differently with its animation lies within its backgrounds. Trees and water are either 3D elements or are somehow lifted from realistic backgrounds because they’re amazingly detailed and look genuine.
The main demon on the train, Enmu, utilizes 3D animation in unique ways. Going into too much detail will spoil the film and where the Enmu character is taken, but keep in mind a certain form of Enmu is animated in 3D. It’s pink, slimy, wet sounding, and gross. Enmu’s English voice actor sounds like he’s doing a Michael Jackson on South Park impersonation. Enmu has the ability to put people to sleep, but he feeds them pleasant dreams at first and then injects them full of the worst nightmares imaginable during their gruesome death. He has the ability to detach his left hand, which has one eye near its thumb and a talking mouth on the back of its palm.
The main issues you may have with the Demon Slayer series are still relevant here. Tanjiro still cries and whines about stuff way too much and the film suffers a bit too much from over explaining things; a trait most anime titles fall victim to. Zenitsu’s unbearable yelling about how much of a weakling he is gets tiresome, as well. But you knew all of this going into it.
The film makes up for its few shortcomings by having jaw-dropping action sequences and laugh out loud humor at every turn. Inosuke’s dream about being the real leader of the group and being the voice of reason when Tanjiro is too emotional to move on is both hilarious and justifiable. And Zenitsu fantasizing about being with Nezuko is too good. He also has bucked teeth in more than one person’s “good” dream, which is only funnier in the long run. Also, why does everyone seem to purposely call Tanjiro the wrong name?
The highlight of Mugen Train is Rengoku. His fight sequences are the highlight of the film, but he’s also hysterical. Rengoku will forever be associated with the term, “TASTY!” Rengoku has a fight at the end of the film that is lengthy, memorable, and just downright amazing. He talks in a bold and boisterous voice and is slightly ridiculous in nature; think All Might from My Hero Academia engulfed in fire.
Demon Slayer: Mugen Train won’t make you a fan of the franchise if you aren’t already, but it will absolutely strengthen your love for it if you’re already an established fan. It’s also an anime film that covers just about everything; it tries to tear at your heartstrings, it has two awesomely sinister villains, it has significantly kick-ass action sequences, and it further develops a supporting character you were only briefly introduced to previously. Mugen Train is outrageously funny and action packed and is an impressive feat of animation even if you aren’t an anime fan.
When it comes to anime films they are generally connected to the anime television series they’re based on by featuring the same characters or taking place in the same universe. However, the movies almost always are their own stories that don’t cross paths with the stories being told in the series. Mugen Train picks up right after the first season ends.
Tanjiro, Zenitsu, and Inosuke board the train Rengoku, the Flame Hashira, is already on. They’ve been summoned to the train because people keep disappearing and there’s said to be demons aboard including a demon who has supposedly killed several demon slayers. He has pawns, who are usually children, who infiltrate the dreams of Enmu’s victims that bypass their subconscious and destroy their spiritual core.
There is usually a drastic difference in animation quality between an anime series and its films, but Demon Slayer already features such impressive animation that it’s difficult to top it. Mugen Train features all of the glorious breathing and sword techniques animated to blissful perfection, but what it does differently with its animation lies within its backgrounds. Trees and water are either 3D elements or are somehow lifted from realistic backgrounds because they’re amazingly detailed and look genuine.
The main demon on the train, Enmu, utilizes 3D animation in unique ways. Going into too much detail will spoil the film and where the Enmu character is taken, but keep in mind a certain form of Enmu is animated in 3D. It’s pink, slimy, wet sounding, and gross. Enmu’s English voice actor sounds like he’s doing a Michael Jackson on South Park impersonation. Enmu has the ability to put people to sleep, but he feeds them pleasant dreams at first and then injects them full of the worst nightmares imaginable during their gruesome death. He has the ability to detach his left hand, which has one eye near its thumb and a talking mouth on the back of its palm.
The main issues you may have with the Demon Slayer series are still relevant here. Tanjiro still cries and whines about stuff way too much and the film suffers a bit too much from over explaining things; a trait most anime titles fall victim to. Zenitsu’s unbearable yelling about how much of a weakling he is gets tiresome, as well. But you knew all of this going into it.
The film makes up for its few shortcomings by having jaw-dropping action sequences and laugh out loud humor at every turn. Inosuke’s dream about being the real leader of the group and being the voice of reason when Tanjiro is too emotional to move on is both hilarious and justifiable. And Zenitsu fantasizing about being with Nezuko is too good. He also has bucked teeth in more than one person’s “good” dream, which is only funnier in the long run. Also, why does everyone seem to purposely call Tanjiro the wrong name?
The highlight of Mugen Train is Rengoku. His fight sequences are the highlight of the film, but he’s also hysterical. Rengoku will forever be associated with the term, “TASTY!” Rengoku has a fight at the end of the film that is lengthy, memorable, and just downright amazing. He talks in a bold and boisterous voice and is slightly ridiculous in nature; think All Might from My Hero Academia engulfed in fire.
Demon Slayer: Mugen Train won’t make you a fan of the franchise if you aren’t already, but it will absolutely strengthen your love for it if you’re already an established fan. It’s also an anime film that covers just about everything; it tries to tear at your heartstrings, it has two awesomely sinister villains, it has significantly kick-ass action sequences, and it further develops a supporting character you were only briefly introduced to previously. Mugen Train is outrageously funny and action packed and is an impressive feat of animation even if you aren’t an anime fan.
Hadley (567 KP) rated Pet Sematary in Books
Jul 31, 2019
Realistic horror scenes (1 more)
Great writing
Overuse of some words (1 more)
Some contradictions
Louis Creed, the main character of Stephen King's 'Pet Sematary,' wants a good life for his family. He's starting his first term as a newly appointed doctor for the University of Maine. Louis' family moved from Chicago to Maine for this very job, which consists of his young daughter, Ellie, his wife, Rachel, his infant son, Gage, and Ellie's black cat, Church (which is short for Winston Churchill). This cat quickly becomes the topic of conversation when the Creeds' new neighbor, Jud Crandall, warns them about the road in front of their house: " 'I'd get him fixed, ' Crandall said, crushing his smoke between his thumb and forefinger. 'A fixed cat don't tend to wander as much. But if it's all the time crossing back and forth, its luck will run out, and it'll end up there with the Ryder kids' coon and little Timmy Dessler's cocker spaniel and Missus Bradleigh's parakeet. Not that the parakeet got run over in the road, you understand. It just went feet up one day.' "
When Louis becomes curious about a trail behind his new home that leads into the woods, Jud gladly introduces the Creed family to the infamous 'Pet Sematary.' A place where children, for years, have buried their pets when they die. This place, and the death of Church, form the starting basis of King's amazing novel.
Louis' life suddenly changes after the death of a University student named Victor Pascow, and gets even worse when Louis starts to have dreams about him. One night, even the ghost of Pascow shows up at Louis' house: " He stood there with his head bashed in behind the left temple. The blood had dried on his face in maroon stripes like Indian warpaint. His collarbone jutted whitely. He was grinning. 'Come on, Doctor,' Pascow said. 'We got places to go.' " Louis ends up following Pascow to the pet sematary where he tells him: " 'I come as a friend,' Pascow said--- but was friend actually the word Pascow had used? Louis thought not. It was as if Pascow had spoken in a foreign language which Louis could understand through some dream magic... and friend was as close as to whatever word Pascow had actually used that Louis's struggling mind could come. ' Your destruction and the destruction of all you love is very near, Doctor.' He was close enough for Louis to be able to smell death on him. "
Later on, Louis feels Pascow's premonition might be coming true when he finds that Church has been killed by a passing vehicle. Jud, who happened to find Church, tells him to follow him so that they can bury the cat, but Jud doesn't stop at the pet sematary as expected, instead he goes past a deadfall barrier and continues on to a place he calls the Micmac Burial Ground, a burial ground that was made by the Micmac Indians. Through this entire scene, Louis experiences paranormal-type things, including the maniacal laughter of a disembodied voice. Jud warns Louis to not pay any attention to anything he experiences here: " 'You might see St. Elmo's fire- - - what the sailors call foo-lights. It makes funny shapes, but it's nothing. If you should see some of those shapes and they bother you, just look the other way. You may hear sounds like voices, but they are the loons down south toward Prospect. The sound carries. It's funny.' "
Now, the real story begins when Church returns to the house after his burial, where Louis finds dried blood on the cat's face and small pieces of plastic from the garbage bag his body had been in. Breathing and eating, the cat has certainly come back to life, but Louis notices that Church isn't the same as he was before; while Louis is in a hot bath, Church takes a seat on the toilet, where we witness him swaying back and forth, from this point on, Louis starts to regret following Jud to the Micmac burial ground.
Ellie, Louis' daughter, begins to suspect that something is different about Church, but she shrugs it off and doesn't necessarily question it:
" 'Daddy?' Ellie said in a low, subdued voice.
'What, Ellie? '
'Church smells funny.'
'Does he?' Louis asked, his voice carefully neutral.
'Yes!' Ellie said, distressed. 'Yes, he does! He never smelled funny before! He smells like... he smells like ka-ka!'
'Well, maybe he rolled in something bad, honey,' Louis said. 'Whatever that bad smell is, he'll lost it.'
'I certainly hope so,' Ellie said in a comical dowager's voice. She walked off. " King spends a majority of 'Pet Sematary' addressing everyone's fear of death; he discusses parents' fear of explaining death to their children for the first time, and even makes readers face the real nightmare of losing a child.
And the realism that King writes about is what makes him the great writer that he is today. King writes about the death of a child, but also makes Louis into a very real character that any parent could relate to. While many books touch on this subject, none can touch on grief like King does: " It was well for Louis- - - well for all three of the remaining family members--- that Steve had shown up as promptly as he had, because Louis was at least temporarily unable to make any kind of decision, even one so minor as giving his wife a shot to mute her deep grief. Louis hadn't even noticed that Rachel had apparently meant to go to the morning viewing in her housecoat, which she had misbuttoned. Her hair was uncombed, unwashed, tangled. Her eyes, blank brown orbits, bulged from sockets so sunken that they had almost become the eyes of a living skull. Her flesh was doughy. It hung from her face. She sat at the breakfast table that morning, munching unbuttered toast and talking in disjointed phrases that made no sense at all. At one point she had said abruptly, 'About that Winnebago you want to buy, Lou---' Louis had last spoken about buying a Winnebago in 1981. "
Yet, this isn't a book about grief, but a horror book about grief, which King masterfully put together. He molds the darkness of losing a child with the horror of making zombies, but King makes the story seem so realistic that any parent would go to the lengths that Louis did - - -and Jud, for that matter - - - even with the dire consequences at stake: " You're slanting all the evidence in favor of the conclusion you want to produce, his [Louis] mind protested. At least tell yourself the goddamned truth about the change in Church. Even if you want to disqualify the animals--- the mice and the birds--- what about the way he is? Muddled... that's the best word of all, that sums it up. The day we were out with the kite. You remember how Gage was that day? How vibrant and alive he was, reacting to everything? Wouldn't it be better to remember him that way? Do you want to resurrect a zombie from a grade-B horror picture? Or even something so prosaic as a retarded little boy? A boy who eats with his fingers and stares blankly at images on the TV screen and who will never learn to write his own name? What did Jud say about his dog? 'It was like washing a piece of meat.' Is that what you want? A piece of breathing meat? And even if you're able to be satisfied with that, how do you explain the return of your son from the dead to your wife? To your daughter? To Steve Masterton? To the world? What happens the first time Missy Dandridge pulls into the driveway and sees Gage riding his trike in the yard? Can't you hear her screams, Louis? Can't you see her harrowing her face with her fingernails? What do you say to the reporters? What do you say when a film crew from 'Real People' turns up on your doorstep, wanting to shoot film of your resurrected son? "
Pet Sematary is an emotional thrill ride, with Louis as a very relatable character, and the writing makes this a must-read book for all readers. With one of my favorite descriptive parts taking place in the 'Little God Swamp' that exists just outside of the Micmac Burial Ground when King describes the legendary Wendigo:
" The mist stained to a dull slate- gray for a moment, but this diffuse, ill-defined watermark was better than sixty feet high. It was no shade, no insubstantial ghost; he could feel the displaced air of its passage, could hear the mammoth thud of its feet coming down, the suck of mud as it moved on. For a moment he believed he saw twin yellow- orange sparks high above him. Sparks like eyes. "
The novel is so well-written that it reads easily, and King's descriptions put the reader right inside of the book.
With a few inconsistencies here and there, and overuse of some words, Pet Sematary is a very enjoyable book for lovers of the horror genre. I highly recommend this book!
When Louis becomes curious about a trail behind his new home that leads into the woods, Jud gladly introduces the Creed family to the infamous 'Pet Sematary.' A place where children, for years, have buried their pets when they die. This place, and the death of Church, form the starting basis of King's amazing novel.
Louis' life suddenly changes after the death of a University student named Victor Pascow, and gets even worse when Louis starts to have dreams about him. One night, even the ghost of Pascow shows up at Louis' house: " He stood there with his head bashed in behind the left temple. The blood had dried on his face in maroon stripes like Indian warpaint. His collarbone jutted whitely. He was grinning. 'Come on, Doctor,' Pascow said. 'We got places to go.' " Louis ends up following Pascow to the pet sematary where he tells him: " 'I come as a friend,' Pascow said--- but was friend actually the word Pascow had used? Louis thought not. It was as if Pascow had spoken in a foreign language which Louis could understand through some dream magic... and friend was as close as to whatever word Pascow had actually used that Louis's struggling mind could come. ' Your destruction and the destruction of all you love is very near, Doctor.' He was close enough for Louis to be able to smell death on him. "
Later on, Louis feels Pascow's premonition might be coming true when he finds that Church has been killed by a passing vehicle. Jud, who happened to find Church, tells him to follow him so that they can bury the cat, but Jud doesn't stop at the pet sematary as expected, instead he goes past a deadfall barrier and continues on to a place he calls the Micmac Burial Ground, a burial ground that was made by the Micmac Indians. Through this entire scene, Louis experiences paranormal-type things, including the maniacal laughter of a disembodied voice. Jud warns Louis to not pay any attention to anything he experiences here: " 'You might see St. Elmo's fire- - - what the sailors call foo-lights. It makes funny shapes, but it's nothing. If you should see some of those shapes and they bother you, just look the other way. You may hear sounds like voices, but they are the loons down south toward Prospect. The sound carries. It's funny.' "
Now, the real story begins when Church returns to the house after his burial, where Louis finds dried blood on the cat's face and small pieces of plastic from the garbage bag his body had been in. Breathing and eating, the cat has certainly come back to life, but Louis notices that Church isn't the same as he was before; while Louis is in a hot bath, Church takes a seat on the toilet, where we witness him swaying back and forth, from this point on, Louis starts to regret following Jud to the Micmac burial ground.
Ellie, Louis' daughter, begins to suspect that something is different about Church, but she shrugs it off and doesn't necessarily question it:
" 'Daddy?' Ellie said in a low, subdued voice.
'What, Ellie? '
'Church smells funny.'
'Does he?' Louis asked, his voice carefully neutral.
'Yes!' Ellie said, distressed. 'Yes, he does! He never smelled funny before! He smells like... he smells like ka-ka!'
'Well, maybe he rolled in something bad, honey,' Louis said. 'Whatever that bad smell is, he'll lost it.'
'I certainly hope so,' Ellie said in a comical dowager's voice. She walked off. " King spends a majority of 'Pet Sematary' addressing everyone's fear of death; he discusses parents' fear of explaining death to their children for the first time, and even makes readers face the real nightmare of losing a child.
And the realism that King writes about is what makes him the great writer that he is today. King writes about the death of a child, but also makes Louis into a very real character that any parent could relate to. While many books touch on this subject, none can touch on grief like King does: " It was well for Louis- - - well for all three of the remaining family members--- that Steve had shown up as promptly as he had, because Louis was at least temporarily unable to make any kind of decision, even one so minor as giving his wife a shot to mute her deep grief. Louis hadn't even noticed that Rachel had apparently meant to go to the morning viewing in her housecoat, which she had misbuttoned. Her hair was uncombed, unwashed, tangled. Her eyes, blank brown orbits, bulged from sockets so sunken that they had almost become the eyes of a living skull. Her flesh was doughy. It hung from her face. She sat at the breakfast table that morning, munching unbuttered toast and talking in disjointed phrases that made no sense at all. At one point she had said abruptly, 'About that Winnebago you want to buy, Lou---' Louis had last spoken about buying a Winnebago in 1981. "
Yet, this isn't a book about grief, but a horror book about grief, which King masterfully put together. He molds the darkness of losing a child with the horror of making zombies, but King makes the story seem so realistic that any parent would go to the lengths that Louis did - - -and Jud, for that matter - - - even with the dire consequences at stake: " You're slanting all the evidence in favor of the conclusion you want to produce, his [Louis] mind protested. At least tell yourself the goddamned truth about the change in Church. Even if you want to disqualify the animals--- the mice and the birds--- what about the way he is? Muddled... that's the best word of all, that sums it up. The day we were out with the kite. You remember how Gage was that day? How vibrant and alive he was, reacting to everything? Wouldn't it be better to remember him that way? Do you want to resurrect a zombie from a grade-B horror picture? Or even something so prosaic as a retarded little boy? A boy who eats with his fingers and stares blankly at images on the TV screen and who will never learn to write his own name? What did Jud say about his dog? 'It was like washing a piece of meat.' Is that what you want? A piece of breathing meat? And even if you're able to be satisfied with that, how do you explain the return of your son from the dead to your wife? To your daughter? To Steve Masterton? To the world? What happens the first time Missy Dandridge pulls into the driveway and sees Gage riding his trike in the yard? Can't you hear her screams, Louis? Can't you see her harrowing her face with her fingernails? What do you say to the reporters? What do you say when a film crew from 'Real People' turns up on your doorstep, wanting to shoot film of your resurrected son? "
Pet Sematary is an emotional thrill ride, with Louis as a very relatable character, and the writing makes this a must-read book for all readers. With one of my favorite descriptive parts taking place in the 'Little God Swamp' that exists just outside of the Micmac Burial Ground when King describes the legendary Wendigo:
" The mist stained to a dull slate- gray for a moment, but this diffuse, ill-defined watermark was better than sixty feet high. It was no shade, no insubstantial ghost; he could feel the displaced air of its passage, could hear the mammoth thud of its feet coming down, the suck of mud as it moved on. For a moment he believed he saw twin yellow- orange sparks high above him. Sparks like eyes. "
The novel is so well-written that it reads easily, and King's descriptions put the reader right inside of the book.
With a few inconsistencies here and there, and overuse of some words, Pet Sematary is a very enjoyable book for lovers of the horror genre. I highly recommend this book!
Purple Phoenix Games (2266 KP) rated Bunny Party at Maple Valley in Tabletop Games
Oct 11, 2021
What kinds of pets did you have growing up? My family was allowed one dog throughout my formative years, and I even tried to keep a turtle once in college. I have not ever had rabbits, but my brother did – Brewster. He was a cool bunny. Kinda freaked out sometimes and made a huge mess, but overall a nice little fella. I am trying to imagine an entire village of Brewsters planning a party and inviting all their friends. I can’t really do it, but now I don’t have to – there’s a game I can play.
Bunny Party at Maple Valley (which I shall refer to as simply Bunny Party from here) is a sweet and cute little card game for three or four players. In it players are the titular bunnies decorating for and competing to win the chance to host the Night Sky Party at their place. However, in this game more often than not the victory is shared between they who amass the requisite five decorations and their neighbor who also co-hosts the event! The bunnies gotta get crackin’ so let’s get going!
PS – I will be reviewing the 3-player version of the game, which has ever-so-slightly different rules.
DISCLAIMER: We were provided a copy of this game for the purposes of this review. This is a retail copy of the game, so what you see in these photos is exactly what would be received in your box. I do not intend to cover every single rule included in the rulebook, but will describe the overall game flow and major rule set so that our readers may get a sense of how the game plays. For more in depth rules, you may purchase a copy online or from your FLGS. -T
To setup, character cards are shuffled and two dealt to each player. They choose one to be their avatar and discard the other back to the box. The large deck of cards with the house on the back is shuffled and placed on the table within reach. The villager cards are shuffled and one is drawn and placed outside the play area – it will not be used this round. The other five villagers are arranged as a market of friends. Each player draws three cards on the first round, and the game is ready to begin!
Bunny Party is played over a series of rounds until one player satisfies the win condition. Each round consists of eight phases: Turn Start, Tidy a Card, Villagers Visit, Play Cards, Trade, Play Cards (again), Party Start?, and Villagers Go Home. Turn Start typically involves players setting the table for the round. First, the villager cards are re-shuffled, one set aside to be ignored this round (they are staying home), and the remainders displayed. Then each player draws two cards from the deck and collects one Trade Token.
Next, all players will choose one of their cards they drew during the Tidy a Card step to be placed in a temporary discard pile face-down. Alternatively, a player may forego the Tidy in order to place a card in front of another player by spending one Trade Token. Once all players have tidied a card or placed one in front of another player, the Tidy pile is shuffled, then flipped as a stack to the top of the discard pile, face-up.
The villagers are now becoming impatient, so players will allow them audience during this Villagers Visit phase. Each player chooses a villager from those available to host during their party preparation. These villagers offer special abilities each round and can be very valuable at certain times during the game.
While the villagers are visiting, players may next Play Cards from their hand. These cards are typically of three types: Item, Event, or Decoration. Item cards are placed in the player’s tableau and offer one-time or lingering effects. Event cards are typically one-and-done cards to be completed and then discarded. Decorations are what players are really after, as they are what determine win conditions. With five star or moon cards the player can start the party and end the game. At the bottom of the decoration cards is printed an arrow. This arrow points to the neighbor that will co-host and also win the game. In a three-player game Decoration cards are displayed upside down, so that is why the photo below looks a little strange.
When players have all played their hand of cards, the Trade phase may begin. Players may offer Item cards to other players and a trade may be struck by each player discarding a Trade Token from their stash. This may result in a player receiving a new card to be played. When this happens, the next phase is immediately played (after all trades have been completed). Any player who now holds an unplayed card may Play Cards (again) as before.
If a player (or players) have now collected five or more star or moon Decoration cards, they may claim victory during this Party Start? phase. Again, the Decoration cards have arrows printed to determine the co-host/co-victor in the game, and the winners may then invite the rest of the burrow to their den for the Night Sky Party! However, if no victor emerges during the Party Start? phase, then all the Villagers Go Home, and a new round begins with the Turn Start phase.
Play continues in this fashion until winners have been crowned host and co-host of the Night Sky Party in Maple Valley!
Components. This one is a bunch of cards a few cardboard chits. The cards are all fine quality, as are the chits. What is really great about these components is the art on them. I cannot think of many cuter themes than uber-nice bunnies throwing a party and sharing their victory with a neighbor. So obviously the art has to match the theme, tone, and style of the game. I believe Bunny Party knocks it out of the park here. The art is so playful and cute, and I absolutely have to give a huge shout out to Evan’s Games for the very apparent inclusivity and representation. I see you and I applaud you!
Gameplay for me is where I take just a little issue. Everything works, and once you understand the phases it does flow better, but, I can see myself really only playing this with children or in a gateway/breaking in new gamers situation. It is very light, but there are eight phases to a round! So while each phase is easy to understand and execute, each round takes a little longer because there are a few too many steps. Once my kids really know how to read well they will be playing this with me and I know right now that we will have a great time with it. I really do appreciate the special efforts that were made with regards to representation (yes, even with anthropomorphic cartoon animals) and with the design being more focused on sharing victory and being nice to neighbors. My children will certain have good habits reinforced while playing this, and that is what makes this game important.
Again, this is not the game for hardcore gamers, nor those who are interested in bigger and more complex medium-weight games. This is a quick filler at best during a game night when newer gamers are gathered. That being said, I still find a great deal of value in this one, and will be keeping it for a long time. Purple Phoenix Games gives this one a 4 / 6 on stand-by. I do want to try this with different types of people (once we are able again) to see if my predictions are correct. I have only been able to play it with adult family, and none of them are medium to heavy weight game enthusiasts. If you are needing a nice game that can be played among other games for a themed game night (like Bunny Party + Bob Ross: Art of Chill + Hues and Cues + Escape: The Curse of the Temple) then this certainly fits that niche.
So my official stance, for now, is that Bunny Party has a great theme, excellent art, a wonderful message of harmony, but is both too light and too complex for what it is. I realize that sounds ridiculous. Please try it and let me know your thoughts. For now, I am keeping this close and I will be trying it with various groups with whom I game.
Bunny Party at Maple Valley (which I shall refer to as simply Bunny Party from here) is a sweet and cute little card game for three or four players. In it players are the titular bunnies decorating for and competing to win the chance to host the Night Sky Party at their place. However, in this game more often than not the victory is shared between they who amass the requisite five decorations and their neighbor who also co-hosts the event! The bunnies gotta get crackin’ so let’s get going!
PS – I will be reviewing the 3-player version of the game, which has ever-so-slightly different rules.
DISCLAIMER: We were provided a copy of this game for the purposes of this review. This is a retail copy of the game, so what you see in these photos is exactly what would be received in your box. I do not intend to cover every single rule included in the rulebook, but will describe the overall game flow and major rule set so that our readers may get a sense of how the game plays. For more in depth rules, you may purchase a copy online or from your FLGS. -T
To setup, character cards are shuffled and two dealt to each player. They choose one to be their avatar and discard the other back to the box. The large deck of cards with the house on the back is shuffled and placed on the table within reach. The villager cards are shuffled and one is drawn and placed outside the play area – it will not be used this round. The other five villagers are arranged as a market of friends. Each player draws three cards on the first round, and the game is ready to begin!
Bunny Party is played over a series of rounds until one player satisfies the win condition. Each round consists of eight phases: Turn Start, Tidy a Card, Villagers Visit, Play Cards, Trade, Play Cards (again), Party Start?, and Villagers Go Home. Turn Start typically involves players setting the table for the round. First, the villager cards are re-shuffled, one set aside to be ignored this round (they are staying home), and the remainders displayed. Then each player draws two cards from the deck and collects one Trade Token.
Next, all players will choose one of their cards they drew during the Tidy a Card step to be placed in a temporary discard pile face-down. Alternatively, a player may forego the Tidy in order to place a card in front of another player by spending one Trade Token. Once all players have tidied a card or placed one in front of another player, the Tidy pile is shuffled, then flipped as a stack to the top of the discard pile, face-up.
The villagers are now becoming impatient, so players will allow them audience during this Villagers Visit phase. Each player chooses a villager from those available to host during their party preparation. These villagers offer special abilities each round and can be very valuable at certain times during the game.
While the villagers are visiting, players may next Play Cards from their hand. These cards are typically of three types: Item, Event, or Decoration. Item cards are placed in the player’s tableau and offer one-time or lingering effects. Event cards are typically one-and-done cards to be completed and then discarded. Decorations are what players are really after, as they are what determine win conditions. With five star or moon cards the player can start the party and end the game. At the bottom of the decoration cards is printed an arrow. This arrow points to the neighbor that will co-host and also win the game. In a three-player game Decoration cards are displayed upside down, so that is why the photo below looks a little strange.
When players have all played their hand of cards, the Trade phase may begin. Players may offer Item cards to other players and a trade may be struck by each player discarding a Trade Token from their stash. This may result in a player receiving a new card to be played. When this happens, the next phase is immediately played (after all trades have been completed). Any player who now holds an unplayed card may Play Cards (again) as before.
If a player (or players) have now collected five or more star or moon Decoration cards, they may claim victory during this Party Start? phase. Again, the Decoration cards have arrows printed to determine the co-host/co-victor in the game, and the winners may then invite the rest of the burrow to their den for the Night Sky Party! However, if no victor emerges during the Party Start? phase, then all the Villagers Go Home, and a new round begins with the Turn Start phase.
Play continues in this fashion until winners have been crowned host and co-host of the Night Sky Party in Maple Valley!
Components. This one is a bunch of cards a few cardboard chits. The cards are all fine quality, as are the chits. What is really great about these components is the art on them. I cannot think of many cuter themes than uber-nice bunnies throwing a party and sharing their victory with a neighbor. So obviously the art has to match the theme, tone, and style of the game. I believe Bunny Party knocks it out of the park here. The art is so playful and cute, and I absolutely have to give a huge shout out to Evan’s Games for the very apparent inclusivity and representation. I see you and I applaud you!
Gameplay for me is where I take just a little issue. Everything works, and once you understand the phases it does flow better, but, I can see myself really only playing this with children or in a gateway/breaking in new gamers situation. It is very light, but there are eight phases to a round! So while each phase is easy to understand and execute, each round takes a little longer because there are a few too many steps. Once my kids really know how to read well they will be playing this with me and I know right now that we will have a great time with it. I really do appreciate the special efforts that were made with regards to representation (yes, even with anthropomorphic cartoon animals) and with the design being more focused on sharing victory and being nice to neighbors. My children will certain have good habits reinforced while playing this, and that is what makes this game important.
Again, this is not the game for hardcore gamers, nor those who are interested in bigger and more complex medium-weight games. This is a quick filler at best during a game night when newer gamers are gathered. That being said, I still find a great deal of value in this one, and will be keeping it for a long time. Purple Phoenix Games gives this one a 4 / 6 on stand-by. I do want to try this with different types of people (once we are able again) to see if my predictions are correct. I have only been able to play it with adult family, and none of them are medium to heavy weight game enthusiasts. If you are needing a nice game that can be played among other games for a themed game night (like Bunny Party + Bob Ross: Art of Chill + Hues and Cues + Escape: The Curse of the Temple) then this certainly fits that niche.
So my official stance, for now, is that Bunny Party has a great theme, excellent art, a wonderful message of harmony, but is both too light and too complex for what it is. I realize that sounds ridiculous. Please try it and let me know your thoughts. For now, I am keeping this close and I will be trying it with various groups with whom I game.
Kristy H (1252 KP) rated Now Is Everything in Books
Dec 24, 2017
breathtaking (3 more)
powerful
suspenseful
heartbreaking
Hadley's life looks perfect from the outside. Her family is wealthy, and she's a successful athlete and student. What you don't see is that Hadley's father works at breaking her down, day after day, forcing her into playing lacrosse and taking flying lessons (his two passions), monitoring her whereabouts and food intake, berating and belittling her constantly, and much worse. Hadley endures it all though, if it keeps the spotlight off her beloved spitfire of a little sister, Lila. Hadley would do anything to keep her father's focus off of Lila. Lila's only ten--the age her father targeted his laser beam on her. Hadley's life improves, however, when she secretly starts dating Charlie Simmons. On the surface, Charlie's life isn't anything like hers--he's the son of a poor single mom, but the two quickly find they have more in common than they realize. Even better, Charlie gives Hadley something she hasn't had in a long time: hope. Then, Hadley is in a plane crash, which tragically leaves her family is dead. Only Hadley can tell everyone what happened, but she isn't divulging the details. What happened that day in the plane? And why would it cause Hadley--the only survivor--to want to take her own life?
This book. Oh this book. Wow. I completely overlooked this one on my ARC shelf, and for that, I deeply apologize. But, I'm so, so, so glad I did pick it up! This is an amazing, powerful, and heartbreaking book and easily one of my favorite books I've read this year.
Part of the power comes via its format, which seems simple on the surface. The novel and its details are all a slow build via a "then" and "now" format plus transcripts and bits of evidence from the crash investigator. All of our "then" and "now" portions come from Hadley's point of view and leave us constantly wondering. Why is her dad all over her? What makes him so evil? You are also left in utter confusion and suspense over exactly what happened during the crash (and why it happened). I read the second half in one sitting, staying up late to finish it. I simply had to know what happened to Hadley.
I credit this to Giles' writing, which is superb. You will get sucked in by Hadley extremely early. She's a well-written, compelling character, and it's nearly impossible not to become part of her life. In fact, rarely have I felt so strongly for characters in a novel in a long time. If I could have, I would have gone and rescued those children myself! I simply loved Hadley and her wonderful, feisty sister, Lila. The hate I felt for their horrible, abusive father--and, sometimes, their apathetic, passive mother, was insane. They felt like real people. I was completely involved.
In fact, those poor kids. The book actually made me feel tense just reading about their lives. It was so well-done that I read portions of it with a knot in my stomach. (As a note, there's definitely a trigger for abuse.) Watching Hadley try to protect her sister and live up to adult expectations far beyond her teen years--seriously, guys, it was heartbreaking and yet amazing to read. You will find yourself rooting for Hadley and Lila in an inexplicable way.
The ending on this one is interesting. I'm still pondering it. The fascinating thing about this book is that you know *something* has to have happened up in that plane, but you don't know exactly what, or how it all goes down. The ending made me go "wow." I'm not exactly sure it's what I would have chosen, but it still felt right somehow. Although I was so attached to Hadley, that I wish there was a sequel of sorts, because I still feel bonded to the girl. That's how well-done this novel was!
Overall, this is just a lovely book. Very, very rarely does a book make me cry. This one did. This is not a light read, no, but there are still funny moments, beautiful moments, and heartwarming moments among all the dark ones. You will not regret reading this book. Huge kudos to Amy Giles for writing such a powerful and wonderful novel that so deftly deals with abuse and aspects of mental illness. I feel like Hadley and Lila will stay with me for a long time. 4.5 stars.
This book. Oh this book. Wow. I completely overlooked this one on my ARC shelf, and for that, I deeply apologize. But, I'm so, so, so glad I did pick it up! This is an amazing, powerful, and heartbreaking book and easily one of my favorite books I've read this year.
Part of the power comes via its format, which seems simple on the surface. The novel and its details are all a slow build via a "then" and "now" format plus transcripts and bits of evidence from the crash investigator. All of our "then" and "now" portions come from Hadley's point of view and leave us constantly wondering. Why is her dad all over her? What makes him so evil? You are also left in utter confusion and suspense over exactly what happened during the crash (and why it happened). I read the second half in one sitting, staying up late to finish it. I simply had to know what happened to Hadley.
I credit this to Giles' writing, which is superb. You will get sucked in by Hadley extremely early. She's a well-written, compelling character, and it's nearly impossible not to become part of her life. In fact, rarely have I felt so strongly for characters in a novel in a long time. If I could have, I would have gone and rescued those children myself! I simply loved Hadley and her wonderful, feisty sister, Lila. The hate I felt for their horrible, abusive father--and, sometimes, their apathetic, passive mother, was insane. They felt like real people. I was completely involved.
In fact, those poor kids. The book actually made me feel tense just reading about their lives. It was so well-done that I read portions of it with a knot in my stomach. (As a note, there's definitely a trigger for abuse.) Watching Hadley try to protect her sister and live up to adult expectations far beyond her teen years--seriously, guys, it was heartbreaking and yet amazing to read. You will find yourself rooting for Hadley and Lila in an inexplicable way.
The ending on this one is interesting. I'm still pondering it. The fascinating thing about this book is that you know *something* has to have happened up in that plane, but you don't know exactly what, or how it all goes down. The ending made me go "wow." I'm not exactly sure it's what I would have chosen, but it still felt right somehow. Although I was so attached to Hadley, that I wish there was a sequel of sorts, because I still feel bonded to the girl. That's how well-done this novel was!
Overall, this is just a lovely book. Very, very rarely does a book make me cry. This one did. This is not a light read, no, but there are still funny moments, beautiful moments, and heartwarming moments among all the dark ones. You will not regret reading this book. Huge kudos to Amy Giles for writing such a powerful and wonderful novel that so deftly deals with abuse and aspects of mental illness. I feel like Hadley and Lila will stay with me for a long time. 4.5 stars.
Film tie-in
I received this book for free through Goodreads First Reads.
Nominated for an Oscar, BAFTA and Golden Globe,Trumbo is a recent film based on the original biography Dalton Trumbo written by Bruce Cook in 1977. Its adaptation to film provided the perfect opportunity to republish this extremely well researched book. With a forward written by John McNamara, the screenwriter of the motion picture, the story of Dalton Trumbo’s life is just as intriguing as it was almost forty years ago. But who is Trumbo?
If, like me, you have never heard of Trumbo or even the infamous “Hollywood Ten,” it may take a while for it to become clear as to why it was worth Cook’s time to produce a book about the man. Dalton Trumbo was a well-known screenwriter of films such as Papillon, Lonely Are The Brave and Roman Holiday as well as author of the novel Johnny Got His Gun. However these are not all he is famous for. During his life, Trumbo became a member of the Communist Party, which Hollywood branded as an Un-American Activity and thus blacklisted him, as well as other screenwriters, directors and actors. Ten of these men, Trumbo included, were imprisoned for their political beliefs – yet nothing prevented Trumbo from continuing his fairly successful career.
Interestingly, Cook begins the book with the final stages of Trumbo’s life. At time of writing Trumbo was still alive, although rather poorly. After contracting lung cancer, having a lung removed, and suffering a heart attack, Trumbo was a very sick man; nonetheless he was still enthusiastic about being interviewed and telling his personal story.
From his childhood, to his evening shifts at a bakery, Cook details Trumbo’s early life, emphasizing the hard upbringing he had before he found himself in the world of Hollywood. Although roughly 75% of the book focuses on Trumbo’s career, Cook highlights Trumbo as a family man, with both a wife and three children who he absolutely adores.
Cook constantly refers to the Hollywood Ten as a concept that the reader should already be familiar with. Granted, someone who picks up this book is more likely to do so having a prior interest in the central figure, and thus already know about his background; however those ignorant on the topic eventually gather a better understanding on the topic once reaching the relevant chapters. It also becomes clearer why Trumbo is worth reading/writing about – he may have been blacklisted, but he managed to break through all the barriers and reinstate his name and many others.
Reading this half a century after the event, it seems strange that Trumbo was imprisoned. He had not done anything intrinsically wrong, it was purely prejudice against his political beliefs that got him into the mess he found himself. But when you consider the events of the time: World War Two, the Cold War, the Korean War, and Vietnam; it is understandable why many feared those who claimed to be Communists.
Cook’s narrative does not flow as a story, and much of it is broken up with quotes from various people he interviewed. The timeline jumps about between past and present (1970s), which occasionally gets a bit confusing. A large part of the book is spent analyzing many of Trumbo’s works – both for screen and written formats – which, unless you have a particular interest, can be a little tedious.
It has got to be said that Bruce Cook was an exemplary writer with a great eye for detail. He did not jump to conclusions or only talk about things from his point of view. Instead he interviewed, what seems like, everyone who ever met Trumbo, and based his writing on fact backed up with numerous quotes and citations.
This edition of Trumbo contains a selection of photographs taken on the set of the movie. Disappointingly it does not contain any of Trumbo himself – you would think that some photos could have been tracked down!
Trumbo is not a book that will interest everyone. Most people today – particularly in England – will probably be unaware of who Dalton Trumbo was, and thus would only seek out this publication due to a fascination with film production. I have not seen the film, but after reading this and discovering how books go from novels, to screenplays to moving image, it would be interesting to find out which parts of Trumbo’s life made it onto the big screen.
Nominated for an Oscar, BAFTA and Golden Globe,Trumbo is a recent film based on the original biography Dalton Trumbo written by Bruce Cook in 1977. Its adaptation to film provided the perfect opportunity to republish this extremely well researched book. With a forward written by John McNamara, the screenwriter of the motion picture, the story of Dalton Trumbo’s life is just as intriguing as it was almost forty years ago. But who is Trumbo?
If, like me, you have never heard of Trumbo or even the infamous “Hollywood Ten,” it may take a while for it to become clear as to why it was worth Cook’s time to produce a book about the man. Dalton Trumbo was a well-known screenwriter of films such as Papillon, Lonely Are The Brave and Roman Holiday as well as author of the novel Johnny Got His Gun. However these are not all he is famous for. During his life, Trumbo became a member of the Communist Party, which Hollywood branded as an Un-American Activity and thus blacklisted him, as well as other screenwriters, directors and actors. Ten of these men, Trumbo included, were imprisoned for their political beliefs – yet nothing prevented Trumbo from continuing his fairly successful career.
Interestingly, Cook begins the book with the final stages of Trumbo’s life. At time of writing Trumbo was still alive, although rather poorly. After contracting lung cancer, having a lung removed, and suffering a heart attack, Trumbo was a very sick man; nonetheless he was still enthusiastic about being interviewed and telling his personal story.
From his childhood, to his evening shifts at a bakery, Cook details Trumbo’s early life, emphasizing the hard upbringing he had before he found himself in the world of Hollywood. Although roughly 75% of the book focuses on Trumbo’s career, Cook highlights Trumbo as a family man, with both a wife and three children who he absolutely adores.
Cook constantly refers to the Hollywood Ten as a concept that the reader should already be familiar with. Granted, someone who picks up this book is more likely to do so having a prior interest in the central figure, and thus already know about his background; however those ignorant on the topic eventually gather a better understanding on the topic once reaching the relevant chapters. It also becomes clearer why Trumbo is worth reading/writing about – he may have been blacklisted, but he managed to break through all the barriers and reinstate his name and many others.
Reading this half a century after the event, it seems strange that Trumbo was imprisoned. He had not done anything intrinsically wrong, it was purely prejudice against his political beliefs that got him into the mess he found himself. But when you consider the events of the time: World War Two, the Cold War, the Korean War, and Vietnam; it is understandable why many feared those who claimed to be Communists.
Cook’s narrative does not flow as a story, and much of it is broken up with quotes from various people he interviewed. The timeline jumps about between past and present (1970s), which occasionally gets a bit confusing. A large part of the book is spent analyzing many of Trumbo’s works – both for screen and written formats – which, unless you have a particular interest, can be a little tedious.
It has got to be said that Bruce Cook was an exemplary writer with a great eye for detail. He did not jump to conclusions or only talk about things from his point of view. Instead he interviewed, what seems like, everyone who ever met Trumbo, and based his writing on fact backed up with numerous quotes and citations.
This edition of Trumbo contains a selection of photographs taken on the set of the movie. Disappointingly it does not contain any of Trumbo himself – you would think that some photos could have been tracked down!
Trumbo is not a book that will interest everyone. Most people today – particularly in England – will probably be unaware of who Dalton Trumbo was, and thus would only seek out this publication due to a fascination with film production. I have not seen the film, but after reading this and discovering how books go from novels, to screenplays to moving image, it would be interesting to find out which parts of Trumbo’s life made it onto the big screen.
b.Young (97 KP) rated Win (The Atlantis Grail Book 3) in Books
May 21, 2018
Romance (3 more)
Action
The Atlantis Grail Games
Awesome storyline
My favorite in the series so far
Contains spoilers, click to show
I originally downloaded Book 1, Qualify, on my Kindle because it was offered for free. I immediately purchased Book 2 (Compete) and Book 3 (Win) after getting through the third chapter! I knew this was going to be a series to follow because Vera Nazarian's writing has an amazing way of drawing you into the story.
After Qualify, I was completely invested in the fate of Gwen Lark and needed to know what happened, so I continued with Compete. While Compete did not have the same action and urgency as Qualify, it was still an outstanding sequel and made me want to continue the The Atlantis Grail Series.
To be honest, Compete left me right where I wanted to be! Everything I had hoped for Gwen was happening and I had no choice but to continue the story (yes, I am a person who gets emotionally attached to certain fictional characters and therefore live my fantasy life vicariously through them).
Now, on to Win. Oh. My. Lord! Be still my heart, because Aeson has admitted his feelings for Gwen and they are going to get married!!! Yes, regular Earth-girl and winner of an all expense paid trip to Atlantis gets to marry the friggen Crown Prince of Atlantida!!!
Nevermind that Aeson's dad, the Imperator of Atlantida, does not like this one little bit, because what Gwen and Aeson have is real true love and it is so sweet and tender and... I must stop here before I gush all over this review since shit is about to get very real for them (at the hands of the Imperator, of course).
Flashback to that mindnumbing and heartbreaking decision Gwen made in Book 2 to niether become a Civilian or Cadet and instead enter the Atlantis Grail to become a Citizen so she could save her parents and her brother George from the impeding doom of the Asteriod hurtling through space with the purpose of destroying Earth. Well, it just so happens that because she is now the Imperial Bride-to-be, she will be awarded Citizenship when she marries Aeson and thusly inherit the ability to save the rest of her family without having to compete in the horrible and terrifying Atlantis Grail Games. I was literally jumping in my seat and squealing when I learned this!
All that worry and training for the entire year travelling in space to Atlantis was put to a rest and all seemed just hunky-dory. Until....
The Imperial Court Assembly that is held to recognize Gwen as Aeson's choice of Imperial Consort and Bride. Everything goes as planned until the Imperator decides to bestow an unrefusable gift unto Gwen: the "opportunity" to compete in the Atlantis Grail Games. This was such a blow to my heart and I wanted to hold Gwen and tell her it was never going to happen and she could just marry her Prince and have many children and live happily ever after. Alas, that would not have made for a very interesting story, so we must concede to the Imperator's whim and suffer with Aeson as Gwen competes in the stupid Atlantis Grail for her life all because the Imperator is not happy Aeson did not choose Lady Tiri, a proper Atlantean Royal.
Things get intense from this point on as Gwen only has 28 days to train and become a warrior capable of NOT dying in the Games. Thankfully, she has the support of her Bridegroom and the crew of the Astra Diamon to help her with this nearly impossible challenge.
After the 28 days of intense training, it is finally time for Gwen to say her goodbyes and focus on staying alive through all 4 stages of the deadly Grail Games.
During the Games, she is met with unique challenges and ordeals that left me reading into the wee hours of the night to make sure Gwen survived. I seriously could not put this book down I was so worried for Gwen and Aeson.
The Grail Games were more intense and horrible than Katniss Everdeen ever had to endure and although I was confident Gwen would make it through alive, I was unsure just how much of her would make it out at the end.
I cannot wait for Book 4, Survive! I saw an update yesterday from the author mentioning that over 26,000 words had been completed for the book! It cannot come soon enough!
After Qualify, I was completely invested in the fate of Gwen Lark and needed to know what happened, so I continued with Compete. While Compete did not have the same action and urgency as Qualify, it was still an outstanding sequel and made me want to continue the The Atlantis Grail Series.
To be honest, Compete left me right where I wanted to be! Everything I had hoped for Gwen was happening and I had no choice but to continue the story (yes, I am a person who gets emotionally attached to certain fictional characters and therefore live my fantasy life vicariously through them).
Now, on to Win. Oh. My. Lord! Be still my heart, because Aeson has admitted his feelings for Gwen and they are going to get married!!! Yes, regular Earth-girl and winner of an all expense paid trip to Atlantis gets to marry the friggen Crown Prince of Atlantida!!!
Nevermind that Aeson's dad, the Imperator of Atlantida, does not like this one little bit, because what Gwen and Aeson have is real true love and it is so sweet and tender and... I must stop here before I gush all over this review since shit is about to get very real for them (at the hands of the Imperator, of course).
Flashback to that mindnumbing and heartbreaking decision Gwen made in Book 2 to niether become a Civilian or Cadet and instead enter the Atlantis Grail to become a Citizen so she could save her parents and her brother George from the impeding doom of the Asteriod hurtling through space with the purpose of destroying Earth. Well, it just so happens that because she is now the Imperial Bride-to-be, she will be awarded Citizenship when she marries Aeson and thusly inherit the ability to save the rest of her family without having to compete in the horrible and terrifying Atlantis Grail Games. I was literally jumping in my seat and squealing when I learned this!
All that worry and training for the entire year travelling in space to Atlantis was put to a rest and all seemed just hunky-dory. Until....
The Imperial Court Assembly that is held to recognize Gwen as Aeson's choice of Imperial Consort and Bride. Everything goes as planned until the Imperator decides to bestow an unrefusable gift unto Gwen: the "opportunity" to compete in the Atlantis Grail Games. This was such a blow to my heart and I wanted to hold Gwen and tell her it was never going to happen and she could just marry her Prince and have many children and live happily ever after. Alas, that would not have made for a very interesting story, so we must concede to the Imperator's whim and suffer with Aeson as Gwen competes in the stupid Atlantis Grail for her life all because the Imperator is not happy Aeson did not choose Lady Tiri, a proper Atlantean Royal.
Things get intense from this point on as Gwen only has 28 days to train and become a warrior capable of NOT dying in the Games. Thankfully, she has the support of her Bridegroom and the crew of the Astra Diamon to help her with this nearly impossible challenge.
After the 28 days of intense training, it is finally time for Gwen to say her goodbyes and focus on staying alive through all 4 stages of the deadly Grail Games.
During the Games, she is met with unique challenges and ordeals that left me reading into the wee hours of the night to make sure Gwen survived. I seriously could not put this book down I was so worried for Gwen and Aeson.
The Grail Games were more intense and horrible than Katniss Everdeen ever had to endure and although I was confident Gwen would make it through alive, I was unsure just how much of her would make it out at the end.
I cannot wait for Book 4, Survive! I saw an update yesterday from the author mentioning that over 26,000 words had been completed for the book! It cannot come soon enough!
graveyardgremlin (7194 KP) rated The Other Boleyn Girl in Books
Feb 15, 2019
Going into <b>The Other Boleyn Girl</b> I already knew that the historical details weren't very factual, but I had this laying around and needed something both light and set in the past, so I figured this would do nicely. The writing itself is perfectly fine, and mostly, I did enjoy the book. Although, for the first half, it seemed as if everyone only wore red and by the end I got so sick of hearing about Anne's "B" for Boleyn necklace I could scream.
Mary Boleyn, the narrator, is a strange character: sympathetic and of reasonable intelligence one minute, a moronic irritant the next. Personality-wise she went up and down and back and forth. First she was fine not being the King's favorite anymore and seeming to want to leave the court life for the country to be with her children, then she was jealous of a title Anne received, years after the affair between Mary and Henry was over. Possibly this was put in as part of the rivalry between the sisters, but it didn't contextually fit. Her development could have used more work and she didn't mature or change much throughout the whole book, especially between the years 1522 to 1533. I seriously got tired of everybody's patronizing and calling her a fool all the time. They should have just named the book, <b>The Foolish Boleyn Girl</b>. I find it hard to believe Mary was so ignorant the king would have continued to have her as mistress for four years, give or take. She had to offer something other than good looks and being great in the bedroom. Anne herself sure was a piece of work, and even though she was pretty much evil throughout the book, I did still feel sorry for her at the end. Jane Parker was a one-dimensional malicious harpy who wasn't given a reason why she was that way; she was just the resident baddy to the Boleyns. To me, it felt like defamation of character.
Politics and the separation of the Church of England from the Catholic Church were merely mentioned in passing as court life and its primary players took center stage. The whole incest plot, I could have done without. Now if it were the absolute truth then it'd be okay, but since it's highly debatable and based on hearsay, I found it unnecessary and gratuitous. Around the two-thirds mark, the pace let up and it became more sluggish and boring, and it wasn't until the last sixty pages that it recaptured my attention again.
As long as readers know going into this book that the history has been twisted around and invented for pure sensation, then it's fine as a fictional read, but take any "facts" with a grain of salt. While it was an okay read, I didn't love it, but it managed to divert my attention for a few days.
One last note dealing with the fourth question in the Q&A with Philippa Gregory in the back of the book:
<blockquote>How about Mary and Anne's brother, George? Did he really sleep with his sister so that she could give Henry a son?
<i>Nobody can know the answer to this one. Anne was accused of adultery with George at their trials and his wife gave evidence against them both. Most people think the trial was a show trial, but it is an interesting accusation. Anne had three miscarriages by the time of her trial, and she was not a woman to let something like sin or crime stand in her way--she was clearly guilty of one murder. I think if she had thought that Henry could not bear a son she was quite capable of finding someone to father a child on her. If she thought that, then George would have been the obvious choice.</i></blockquote>
Obvious? How in the world is that obvious? You cannot be serious, Ms. Gregory. Now I'm far from an expert in Tudor England, but I cannot imagine that being a common practice. Maybe someone more knowledgeable about this time could tell me if that ever happened, because it just boggles my mind that George would be the "<i>obvious choice</i>." Not to mention, who the hell did Anne supposedly kill? I hadn't heard that anywhere. Even my searches are coming up blank.
Mary Boleyn, the narrator, is a strange character: sympathetic and of reasonable intelligence one minute, a moronic irritant the next. Personality-wise she went up and down and back and forth. First she was fine not being the King's favorite anymore and seeming to want to leave the court life for the country to be with her children, then she was jealous of a title Anne received, years after the affair between Mary and Henry was over. Possibly this was put in as part of the rivalry between the sisters, but it didn't contextually fit. Her development could have used more work and she didn't mature or change much throughout the whole book, especially between the years 1522 to 1533. I seriously got tired of everybody's patronizing and calling her a fool all the time. They should have just named the book, <b>The Foolish Boleyn Girl</b>. I find it hard to believe Mary was so ignorant the king would have continued to have her as mistress for four years, give or take. She had to offer something other than good looks and being great in the bedroom. Anne herself sure was a piece of work, and even though she was pretty much evil throughout the book, I did still feel sorry for her at the end. Jane Parker was a one-dimensional malicious harpy who wasn't given a reason why she was that way; she was just the resident baddy to the Boleyns. To me, it felt like defamation of character.
Politics and the separation of the Church of England from the Catholic Church were merely mentioned in passing as court life and its primary players took center stage. The whole incest plot, I could have done without. Now if it were the absolute truth then it'd be okay, but since it's highly debatable and based on hearsay, I found it unnecessary and gratuitous. Around the two-thirds mark, the pace let up and it became more sluggish and boring, and it wasn't until the last sixty pages that it recaptured my attention again.
As long as readers know going into this book that the history has been twisted around and invented for pure sensation, then it's fine as a fictional read, but take any "facts" with a grain of salt. While it was an okay read, I didn't love it, but it managed to divert my attention for a few days.
One last note dealing with the fourth question in the Q&A with Philippa Gregory in the back of the book:
<blockquote>How about Mary and Anne's brother, George? Did he really sleep with his sister so that she could give Henry a son?
<i>Nobody can know the answer to this one. Anne was accused of adultery with George at their trials and his wife gave evidence against them both. Most people think the trial was a show trial, but it is an interesting accusation. Anne had three miscarriages by the time of her trial, and she was not a woman to let something like sin or crime stand in her way--she was clearly guilty of one murder. I think if she had thought that Henry could not bear a son she was quite capable of finding someone to father a child on her. If she thought that, then George would have been the obvious choice.</i></blockquote>
Obvious? How in the world is that obvious? You cannot be serious, Ms. Gregory. Now I'm far from an expert in Tudor England, but I cannot imagine that being a common practice. Maybe someone more knowledgeable about this time could tell me if that ever happened, because it just boggles my mind that George would be the "<i>obvious choice</i>." Not to mention, who the hell did Anne supposedly kill? I hadn't heard that anywhere. Even my searches are coming up blank.
Lee (2222 KP) rated The Kid Who Would Be King (2019) in Movies
Feb 18, 2019
We've had plenty of spins on the legend of King Arthur over the years. Probably the most enjoyable for me was BBC show 'Merlin', which ran for 5 seasons between 2008 and 2012, focusing on the early life of the famous sorcerer and King Arthur. Probably the worst take on it all was Guy Ritchie's god awful 'Legend Of The Sword' back in 2017. Joe Cornish, writer/director of the brilliant 2011 movie 'Attack The Block', follows that movie with a fresh spin of his own in 'The Kid Who Would Be King'.
For those of us who are unfamiliar with the legend of Arthur, or who had it's memory tarnished by Mr Guy Ritchie, it's recapped for us here in a nice little animated sequence right at the start of the movie. It tells how the evil Morgana was banished to the underworld, vowing to return once more when the world is again divided and at its weakest.
We then join Alex (played by Louis Serkis, son of Andy Serkis), a 12 year old schoolboy living with his mother. He's having some trouble with bullies at school, made worse by his attempts to stand up to them as they terrorise his friend Bedders. One night, while fleeing from bullies Lance and Kay, he stumbles into a building site where he discovers a sword set in stone. He manages to pull it free and takes it home in his backpack, where he and Bedders determine that the sword is in fact the legendary Excalibur.
The next day a mysterious new boy joins them at school. Turns out, he is in fact Merlin, taking the form of a younger boy. He informs Alex and Bedders that they must form a team of knights in order to prepare for the imminent return of Morgana and her army of dead soldiers. They have just 4 days, with her arrival taking place during an upcoming solar eclipse. If they cannot stop her, then she will enslave the Earths inhabitants.
Alex believes that his father is key to all of this, and that he is in fact descended from Arthur, so he decides to go on a quest to Tintagel, the last place that he saw his father. Alex leaves a note for his mum - "Gone on quest to save Britain, don’t worry!” and begins 'knighting' Bedders, and eventually bullies Lance and Kay, as only those that have been knighted are able to see and fight the dead soldiers that come at night.
Their journey takes them via coach, through a portal at Stone Henge, and on a trek across the English countryside where they stop to allow Merlin time to provide them with the sword training they need in order to stand any chance of defeating Morgana. Merlin regularly changes his form, switching between young boy, an owl and his true elderly self (played by Patrick Stewart). In the form of a boy, Merlin is a little bit wacky, performing his magic with a series of clicking hand movements, something which became very annoying for me after the first few times. I get that this is a story about kids banding together and overcoming evil, but part of me just wishes that Merlin had stayed in his adult form of Patrick Stewart as I really wasn't so keen on the younger version at all.
It's also around this time, for a fairly lengthy period in the middle, that I felt the movie slowed and struggled a little. Thankfully though, things improved considerably for the final act, pulling everything together and delivering a hugely enjoyable finale. As the solar eclipse plunges their school into darkness, an army of armour clad school children battle the flame engulfed skeletal warriors and attempt to defeat the dragon-like Morgana. It's the kind of movie you'd love to watch as a child - no adults, just the kids rising up and overpowering evil. In fact, my daughter enjoyed this a lot more than I did, offering up her own 4.5 rating, so there you go!
I would have liked a little more from the great Patrick Stewart, and Rebecca Ferguson as Morgana isn't quite evil enough for me, but overall this is a really fun family movie and that's largely down to it's young stars, who are all fantastic. As shown in Attack the Block, Joe Cornish has a real skill for blending the ordinary with the fantastical and empowering his young characters with the traits of a hero or a leader.
For those of us who are unfamiliar with the legend of Arthur, or who had it's memory tarnished by Mr Guy Ritchie, it's recapped for us here in a nice little animated sequence right at the start of the movie. It tells how the evil Morgana was banished to the underworld, vowing to return once more when the world is again divided and at its weakest.
We then join Alex (played by Louis Serkis, son of Andy Serkis), a 12 year old schoolboy living with his mother. He's having some trouble with bullies at school, made worse by his attempts to stand up to them as they terrorise his friend Bedders. One night, while fleeing from bullies Lance and Kay, he stumbles into a building site where he discovers a sword set in stone. He manages to pull it free and takes it home in his backpack, where he and Bedders determine that the sword is in fact the legendary Excalibur.
The next day a mysterious new boy joins them at school. Turns out, he is in fact Merlin, taking the form of a younger boy. He informs Alex and Bedders that they must form a team of knights in order to prepare for the imminent return of Morgana and her army of dead soldiers. They have just 4 days, with her arrival taking place during an upcoming solar eclipse. If they cannot stop her, then she will enslave the Earths inhabitants.
Alex believes that his father is key to all of this, and that he is in fact descended from Arthur, so he decides to go on a quest to Tintagel, the last place that he saw his father. Alex leaves a note for his mum - "Gone on quest to save Britain, don’t worry!” and begins 'knighting' Bedders, and eventually bullies Lance and Kay, as only those that have been knighted are able to see and fight the dead soldiers that come at night.
Their journey takes them via coach, through a portal at Stone Henge, and on a trek across the English countryside where they stop to allow Merlin time to provide them with the sword training they need in order to stand any chance of defeating Morgana. Merlin regularly changes his form, switching between young boy, an owl and his true elderly self (played by Patrick Stewart). In the form of a boy, Merlin is a little bit wacky, performing his magic with a series of clicking hand movements, something which became very annoying for me after the first few times. I get that this is a story about kids banding together and overcoming evil, but part of me just wishes that Merlin had stayed in his adult form of Patrick Stewart as I really wasn't so keen on the younger version at all.
It's also around this time, for a fairly lengthy period in the middle, that I felt the movie slowed and struggled a little. Thankfully though, things improved considerably for the final act, pulling everything together and delivering a hugely enjoyable finale. As the solar eclipse plunges their school into darkness, an army of armour clad school children battle the flame engulfed skeletal warriors and attempt to defeat the dragon-like Morgana. It's the kind of movie you'd love to watch as a child - no adults, just the kids rising up and overpowering evil. In fact, my daughter enjoyed this a lot more than I did, offering up her own 4.5 rating, so there you go!
I would have liked a little more from the great Patrick Stewart, and Rebecca Ferguson as Morgana isn't quite evil enough for me, but overall this is a really fun family movie and that's largely down to it's young stars, who are all fantastic. As shown in Attack the Block, Joe Cornish has a real skill for blending the ordinary with the fantastical and empowering his young characters with the traits of a hero or a leader.
Movie Metropolis (309 KP) rated The Incredibles 2 (2018) in Movies
Jun 10, 2019
Was it worth the wait?
It’s been fourteen years since Pixar introduced the likes of Violet, Dash, Robert and Helen Parr onto unsuspecting audiences across the globe. The quartet of superheroes swiftly became one of the studio’s best and most profitable films, with a loyal legion of fans begging for a sequel soon after.
Nevertheless, Pixar went on to create some of the greatest animated films of all time. Then the slump came. After Cars and its dreadful sequel came and went and The Good Dinosaur reminded us that not even Pixar was immune from the movie critic curse, they swiftly regrouped and brought us the thrilling Coco and new classic, Inside Out. Now, 14 years later, Mr Incredible and the team are back. But are we looking at a classic Pixar, or a sequel that is too little too late?
Everyone’s favourite family of superheroes is back, but this time Helen (Holly Hunter) is in the spotlight, leaving Bob (Craig T. Nelson) at home with Violet (Sarah Vowell) and Dash (Huck Milner) to navigate the day-to-day heroics of normal life. It’s a tough transition for everyone, made tougher by the fact that the family is unaware of Jack-Jack’s superpowers. When a new villain hatches a dangerous plot, the family and Frozone (Samuel L. Jackson) must find a way to work together again.
Picking up immediately after the events of its predecessor, Incredibles 2 is a thrilling and entertaining sequel that reeks of quality. Everything from the voice acting to the animation is leaps and bounds ahead of the first film and this is testament to the incredible technological gains Pixar has made over the last decade.
Brad Bird is once again in the director’s chair and that familiarity lends it the same heart and emotional engagement of its predecessor. We, as the audience, feel truly invested in the characters again, as we did all that time ago. This time however, the action is dialled up to 11 with some truly exceptional set-pieces.
Thankfully, this is not at the cost of what made The Incredibles such a hit, family drama. The central family unit remains as prevalent as it did before, but this time we have Jack-Jack’s powers thrown into the mix with Elastigirl taking centre stage over Mr. Incredible. This new dynamic is a welcome change from the very male-centric blockbusters we’ve had over the last few years; Wonder Woman being the obvious exception.
The animation is, well incredible. While the quirky character designs never let you forget you’re watching an animated feature, the over-the-top set design means it sits perfectly together. Where The Good Dinosaur went wrong was in its presentation of photo-realistic visuals paired with cartoon-like characters; it simply didn’t work.
Incredibles 2 is a sequel that was absolutely worth the wait
We also have a very interesting villain to contend with. The Screenslaver is pure popcorn wickedness at its very best. It’s amazing that The Incredibles series has scored 2/2 when it comes to their antagonists, yet Marvel still manages to struggle with its bad guys. The Screenslaver may not quite match up the brilliance of Syndrome from its predecessor, but it comes pretty close.
There’s also the welcome return of Edna Mode (voiced by director Brad Bird). Her part is perhaps a little too short, but maintaining her cameo status means she doesn’t feel as overcooked as the minions did after their first solo outing. In the end, we want more Edna, rather than having too much and this is a good thing.
Plot wise, it’s fantastic. With a central storyline about a changing family dynamic, it’s sure to resonate with both children and adults. There are plot twists that wouldn’t look out of place in a live-action feature and some great voice acting by all of the cast.
Negatives? Well it’s hard to think of any whatsoever. This is a much more engaging film than its predecessor but at 118 minutes, it’s long by animation standards. The pacing is a little off just before the finale kicks off, but this is my main and only complaint.
Overall, Incredibles 2 is a sequel that was absolutely worth the wait. It’s filled with sparkling dialogue and great voice acting as well as superb animation and a thrilling plot that all combines to make it one of the year’s best films.
https://moviemetropolis.net/2018/07/15/incredibles-2-review-was-it-worth-the-wait/
Nevertheless, Pixar went on to create some of the greatest animated films of all time. Then the slump came. After Cars and its dreadful sequel came and went and The Good Dinosaur reminded us that not even Pixar was immune from the movie critic curse, they swiftly regrouped and brought us the thrilling Coco and new classic, Inside Out. Now, 14 years later, Mr Incredible and the team are back. But are we looking at a classic Pixar, or a sequel that is too little too late?
Everyone’s favourite family of superheroes is back, but this time Helen (Holly Hunter) is in the spotlight, leaving Bob (Craig T. Nelson) at home with Violet (Sarah Vowell) and Dash (Huck Milner) to navigate the day-to-day heroics of normal life. It’s a tough transition for everyone, made tougher by the fact that the family is unaware of Jack-Jack’s superpowers. When a new villain hatches a dangerous plot, the family and Frozone (Samuel L. Jackson) must find a way to work together again.
Picking up immediately after the events of its predecessor, Incredibles 2 is a thrilling and entertaining sequel that reeks of quality. Everything from the voice acting to the animation is leaps and bounds ahead of the first film and this is testament to the incredible technological gains Pixar has made over the last decade.
Brad Bird is once again in the director’s chair and that familiarity lends it the same heart and emotional engagement of its predecessor. We, as the audience, feel truly invested in the characters again, as we did all that time ago. This time however, the action is dialled up to 11 with some truly exceptional set-pieces.
Thankfully, this is not at the cost of what made The Incredibles such a hit, family drama. The central family unit remains as prevalent as it did before, but this time we have Jack-Jack’s powers thrown into the mix with Elastigirl taking centre stage over Mr. Incredible. This new dynamic is a welcome change from the very male-centric blockbusters we’ve had over the last few years; Wonder Woman being the obvious exception.
The animation is, well incredible. While the quirky character designs never let you forget you’re watching an animated feature, the over-the-top set design means it sits perfectly together. Where The Good Dinosaur went wrong was in its presentation of photo-realistic visuals paired with cartoon-like characters; it simply didn’t work.
Incredibles 2 is a sequel that was absolutely worth the wait
We also have a very interesting villain to contend with. The Screenslaver is pure popcorn wickedness at its very best. It’s amazing that The Incredibles series has scored 2/2 when it comes to their antagonists, yet Marvel still manages to struggle with its bad guys. The Screenslaver may not quite match up the brilliance of Syndrome from its predecessor, but it comes pretty close.
There’s also the welcome return of Edna Mode (voiced by director Brad Bird). Her part is perhaps a little too short, but maintaining her cameo status means she doesn’t feel as overcooked as the minions did after their first solo outing. In the end, we want more Edna, rather than having too much and this is a good thing.
Plot wise, it’s fantastic. With a central storyline about a changing family dynamic, it’s sure to resonate with both children and adults. There are plot twists that wouldn’t look out of place in a live-action feature and some great voice acting by all of the cast.
Negatives? Well it’s hard to think of any whatsoever. This is a much more engaging film than its predecessor but at 118 minutes, it’s long by animation standards. The pacing is a little off just before the finale kicks off, but this is my main and only complaint.
Overall, Incredibles 2 is a sequel that was absolutely worth the wait. It’s filled with sparkling dialogue and great voice acting as well as superb animation and a thrilling plot that all combines to make it one of the year’s best films.
https://moviemetropolis.net/2018/07/15/incredibles-2-review-was-it-worth-the-wait/