"Oh, you know what I love? I’m going to give you one of my holiday movies that I love, that I can’t stop watching. It goes on marathon every year. That’s A Christmas Story. That’s like on marathon all damn day. And I’ve watched that movie ten times. My favorite scene is when the dogs run in there and eat that damn turkey, man. I tell you, I’m in hysterics, man. That is one of my favorite movies."

"One of the scariest, most pessimistic modern horror movies, dressed as a romance. Roeg never had the elements come together the way they do here. Pino Donaggio’s score is unforgettably lush, and a reminder of how vital a collaborator movie music is. Christie and Sutherland are chic in deserted Venice. One of the most shocking climaxes ever—dread-filled and bloody. One of Paramount’s big Christmas films of 1973—today you can only marvel at that."

"Now I just said I don’t like slasher movies, but this is the exception to that rule — because it’s the exception to horror movies. The Rob Zombie remake of Halloween — that thing is f**king genius. It’s like he violates every rule of horror movie making and makes it work. Most horror movies are atmospheric, they’re really dark or they’re at night and they’re creepy; his is taking place in bright noon sunshine daylight, out in the yard. And the way he goes into the story of the Michael Myers character, you know, the reason why he’s making all these masks. That is a great movie. I guess I also like it because of the outside scenes. You know, when they show people walking down the sidewalk or something — it feels like Autumn. You see leaves skitter across the sidewalk as the wind blows ’em, and you feel Halloween when you’re watching ’em. I remember the first time I saw that was when we were in prison. They’ll show movies on holidays just to take the tension out of the air a little bit — and that was the movie we got to see on Christmas. On Christmas they showed us Halloween. And when it was over — it was Christmas night, about 9 o’clock — as soon as it went off I went into such a deep state of mourning, because it was like my favorite time of year was gone. From the Equinox to Christmas morning, that is like the richest, most velvety, delicious time of year. People always ask me, you know, they would say, “How would you describe heaven — in this perfect atmosphere where everything is exactly how you wanted it, how would it be?” And I say, “It would always be December.” So I realized that time of year was over, it was gone, and I was going to have to wait all the way around the will of the year to get back to Autumn and Halloween again. And seeing it in that movie, I just sat down and started crying when it was over, because I realized I was gonna have to make it through another long, hot, brutal summer, you know — prison guards torturing you, there’s nothing to look forward to. It was a horrible feeling. It feels like there’s a hole in you or something. But I can watch that movie now, and automatically feel that time of year again."