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Emma @ The Movies (1786 KP) rated Noelle (2019) in Movies
Dec 20, 2020
It's been 84 years...okay, only a year, but Disney+ really screwed us over on that one in the UK.
Noelle and Nick have grown up in the wonderful world of Christmas. Nick is destined to take his father's place, but when that time comes the magic doesn't, and he decides to take a break the week before Christmas to relax... and doesn't come back. Noelle must venture out into the real world to rescue Nick, and Christmas.
I had managed to zone out on the film before seeing it, I was basically sold on the idea of a Christmas film starring Anna Kendrick that was written and directed by Marc Lawrence... I genuinely didn't need to hear anything else, and so didn't bother with anything extra before I pressed play.
To say I was shocked at the beginning is an understatement, but I can understand why this particular piece of information wasn't in the descriptions... though the blatant lie in the synopsis above seems a little off. I doubt me revealing the actual shocking moment could constitute a spoiler as in hindsight it's pretty obvious, but I'm going to leave it at that vagueness just incase... sorry!
Noelle is easy to predict, but as traditional Christmas fodder I don't think that's really an issue. Its predictability allows you to sit back and relax while you watch it.
I did enjoy the story, and Anna Kendrick does a wonderful job of the naivety in Noelle as she explores the city. She gives the film an amusing lightness with some genuine moments that add some emotion into the proceedings.
Shirley MacLaine as Polly works well in her role as a sidekick and the humour at the beginning particularly amused me. There was definitely something in her that I could identify with.
I sadly wasn't really wowed with much of the ensemble. Maceo Smedley as Alex made a great job of his role and the relationship he had with his father, the script seemed to work nicely with to highlight his kind nature and personality... but other performances were... fine... and helped to move everything along. The characters were much the same, though Gabe Kringle seemed to be missing something to give him that little extra, even with the "nerdiness" factor that they could have worked with he didn't hit the spot.
Early on I was really worried about the effect that were used, Snowcone looked a little ropey, thankfully, although it didn't get any better, the adorableness made up for it in spades.
I really did enjoy the feeling I got from this film, Kendrick's spirit was rather infectious and her humour, intentional or not, brought a smile to my face. At just 1 hour 40 this is well worth your time to watch. While there might be room for improvement I think it's exactly the sort of film that's needed at Christmas, and especially this year.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/12/noelle-movie-review.html
Noelle and Nick have grown up in the wonderful world of Christmas. Nick is destined to take his father's place, but when that time comes the magic doesn't, and he decides to take a break the week before Christmas to relax... and doesn't come back. Noelle must venture out into the real world to rescue Nick, and Christmas.
I had managed to zone out on the film before seeing it, I was basically sold on the idea of a Christmas film starring Anna Kendrick that was written and directed by Marc Lawrence... I genuinely didn't need to hear anything else, and so didn't bother with anything extra before I pressed play.
To say I was shocked at the beginning is an understatement, but I can understand why this particular piece of information wasn't in the descriptions... though the blatant lie in the synopsis above seems a little off. I doubt me revealing the actual shocking moment could constitute a spoiler as in hindsight it's pretty obvious, but I'm going to leave it at that vagueness just incase... sorry!
Noelle is easy to predict, but as traditional Christmas fodder I don't think that's really an issue. Its predictability allows you to sit back and relax while you watch it.
I did enjoy the story, and Anna Kendrick does a wonderful job of the naivety in Noelle as she explores the city. She gives the film an amusing lightness with some genuine moments that add some emotion into the proceedings.
Shirley MacLaine as Polly works well in her role as a sidekick and the humour at the beginning particularly amused me. There was definitely something in her that I could identify with.
I sadly wasn't really wowed with much of the ensemble. Maceo Smedley as Alex made a great job of his role and the relationship he had with his father, the script seemed to work nicely with to highlight his kind nature and personality... but other performances were... fine... and helped to move everything along. The characters were much the same, though Gabe Kringle seemed to be missing something to give him that little extra, even with the "nerdiness" factor that they could have worked with he didn't hit the spot.
Early on I was really worried about the effect that were used, Snowcone looked a little ropey, thankfully, although it didn't get any better, the adorableness made up for it in spades.
I really did enjoy the feeling I got from this film, Kendrick's spirit was rather infectious and her humour, intentional or not, brought a smile to my face. At just 1 hour 40 this is well worth your time to watch. While there might be room for improvement I think it's exactly the sort of film that's needed at Christmas, and especially this year.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/12/noelle-movie-review.html
Matthew Krueger (10051 KP) rated The Muppet Christmas Carol (1992) in Movies
Dec 18, 2019
Christmas With Muppets
A different spin on the classic tale, its the same story but it adds more to it. It adds the muppets to it and Micheal Caine as Scrooge. Which he was perfect in this film by the way. Thank you Jim Hanson and disney for producing this film. Also Jim Hanson's son Brain directed this film.
I love the muppets and their were excellent and perfect in this film. Their make you laugh, cry, smile, happy and more, the muppets make you really care.
The Plot: The Muppets perform the classic Dickens holiday tale, with Kermit the Frog playing Bob Cratchit, the put-upon clerk of stingy Ebenezer Scrooge (Michael Caine). Other Muppets -- Miss Piggy, Gonzo, Fozzie Bear and Sam the Eagle -- weave in and out of the story, while Scrooge receives visits from spirits of three Christmases -- past, present and future. They show him the error of his self-serving ways, but the miserable old man seems to be past any hope of redemption and happiness.
Whos my favorite muppet you may ask well its Kermit the Frog then Beaker then Rowlf the Dog and then Fozzie Bear.
A excellent christmas movie for the whole family to watch.
I love the muppets and their were excellent and perfect in this film. Their make you laugh, cry, smile, happy and more, the muppets make you really care.
The Plot: The Muppets perform the classic Dickens holiday tale, with Kermit the Frog playing Bob Cratchit, the put-upon clerk of stingy Ebenezer Scrooge (Michael Caine). Other Muppets -- Miss Piggy, Gonzo, Fozzie Bear and Sam the Eagle -- weave in and out of the story, while Scrooge receives visits from spirits of three Christmases -- past, present and future. They show him the error of his self-serving ways, but the miserable old man seems to be past any hope of redemption and happiness.
Whos my favorite muppet you may ask well its Kermit the Frog then Beaker then Rowlf the Dog and then Fozzie Bear.
A excellent christmas movie for the whole family to watch.
Emma @ The Movies (1786 KP) rated It's a Wonderful Life (1946) in Movies
Sep 25, 2019
After George Bailey wishes he had never been born, an angel is sent to earth to make his wish come true. George starts to realise how many lives he has changed and impacted, and how they would be different if he was never there.
This one is being shown as part of a classic Christmas line up at Cineworld. I like the idea of seeing some golden oldies on the screen, and I'm a little ashamed to admit that I have never seen this one. It really felt like I needed to fix that.
Is there anything more wonderful than an opening credit scene on an old movie? A printed book with a title page and all the actors listed out... I think not.
I'm not sure this will make it into my list of favourite Christmas movies, even though it was lovely. Old films do get me deep down, there's something so much more wonderful about them than some of the overly CGId modern films.
You've always got the great message of this film to fall back on too. You don't know how your life has impacted someone else. You shouldn't wish it away, you never know who it might impact in the future.
This one is being shown as part of a classic Christmas line up at Cineworld. I like the idea of seeing some golden oldies on the screen, and I'm a little ashamed to admit that I have never seen this one. It really felt like I needed to fix that.
Is there anything more wonderful than an opening credit scene on an old movie? A printed book with a title page and all the actors listed out... I think not.
I'm not sure this will make it into my list of favourite Christmas movies, even though it was lovely. Old films do get me deep down, there's something so much more wonderful about them than some of the overly CGId modern films.
You've always got the great message of this film to fall back on too. You don't know how your life has impacted someone else. You shouldn't wish it away, you never know who it might impact in the future.
Gareth von Kallenbach (980 KP) rated Office Christmas Party (2016) in Movies
Jun 19, 2019
Josh Parker (Jason Bateman) is a man with many things on his mind. He has just finalized a divorce which has cost him his house, tons of money, and his confidence. Known for bunting instead of swinging away, Josh heads to his office to move on with his life as Christmas approaches.
His lead programmer Tracey (Olivia Munn) constantly reminds him of his playing it safe mentality to the point where she fed up with him and his ways.
Thankfully for Josh his boss Clay (T.J. Miller), values him and even though he is a goof who happened to be given the office by his late father who started the company, things are looking up.
That is until Interim CEO Carol (Jennifer Aniston) arrives and makes no effort to hide her disdain for her brother Clay, nor the company not meeting her expectations.
Carol quickly tells Josh and Clay that they will have to downsize if they want to stay open and in a very unpopular move, eliminates bonuses and the office Christmas Party.
Since the movie is called “Office Christmas Party”, you know that Carol’s request will fall on deaf ears as Clay convinces his sister that they are about to close a major client (Courtney B. Vance), and as such will have the deal set before she lands in London later that evening.
With nothing to go on aside from desperation, Clay puts the lovable but highly eccentric office into overdrive to create a party unlike any other so they can land the contract needed to stay in business.
When the party arrives one series of epic misadventures and mishaps after another arises which threatens to sink the company and everyone involved once and for all.
The film follows a fairly linear and somewhat predictable path but the strong cast does a great job and Kate McKinnon as the ultra-weird H.R. lead steals several of the scenes in which she is in. Bateman plays pretty much the same character that he has played in most of his recent work as the everyman that tries to make the best of the bad situation and Miller is pretty much recycling the same character he plays on Silicon Valley. That being said, there are plenty of laughs if you do not mind the very bawdy humor and Directors Josh Gordon and Will Speck keep things moving at a steady pace with laughs throughout the film.
While it is likely not going to be a holiday classic, “Office Christmas Party”, is a very fun and enjoyable diversion.
http://sknr.net/2016/12/09/office-christmas-party/
His lead programmer Tracey (Olivia Munn) constantly reminds him of his playing it safe mentality to the point where she fed up with him and his ways.
Thankfully for Josh his boss Clay (T.J. Miller), values him and even though he is a goof who happened to be given the office by his late father who started the company, things are looking up.
That is until Interim CEO Carol (Jennifer Aniston) arrives and makes no effort to hide her disdain for her brother Clay, nor the company not meeting her expectations.
Carol quickly tells Josh and Clay that they will have to downsize if they want to stay open and in a very unpopular move, eliminates bonuses and the office Christmas Party.
Since the movie is called “Office Christmas Party”, you know that Carol’s request will fall on deaf ears as Clay convinces his sister that they are about to close a major client (Courtney B. Vance), and as such will have the deal set before she lands in London later that evening.
With nothing to go on aside from desperation, Clay puts the lovable but highly eccentric office into overdrive to create a party unlike any other so they can land the contract needed to stay in business.
When the party arrives one series of epic misadventures and mishaps after another arises which threatens to sink the company and everyone involved once and for all.
The film follows a fairly linear and somewhat predictable path but the strong cast does a great job and Kate McKinnon as the ultra-weird H.R. lead steals several of the scenes in which she is in. Bateman plays pretty much the same character that he has played in most of his recent work as the everyman that tries to make the best of the bad situation and Miller is pretty much recycling the same character he plays on Silicon Valley. That being said, there are plenty of laughs if you do not mind the very bawdy humor and Directors Josh Gordon and Will Speck keep things moving at a steady pace with laughs throughout the film.
While it is likely not going to be a holiday classic, “Office Christmas Party”, is a very fun and enjoyable diversion.
http://sknr.net/2016/12/09/office-christmas-party/
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LeftSideCut (3776 KP) rated Black Christmas (1974) in Movies
Dec 8, 2020
Black Christmas is one of those all timers, a horror film that is ground breaking, brimming with well written characters, and most essentially, is still scary as fuck 40+ years after it's release.
Considered by many to be one of the first modern slasher horrors alongside The Texas Chain Saw Massacre (and predating Halloween by 4 years), it's importance can't be understated, and still remains at the top of the pile in terms of quality.
Straight off the bat, Black Christmas is genuinely unsettling. The largely unseen killer makes his presence known mainly through phone calls, but the things he says, and the tone of his voice is genuinely disturbing, and all too realistic. The couple of glimpses we do get are iconic, namely the underside shot during the infamous glass unicorn scene, and then the goosebump inducing moment where lead character Jess spots a singular eye of his staring at her through a crack in a door. It's honestly horrific. Pair that with other creepy shit, such as the corpse in the rocking chair from the poster, and you have some pretty nightmare inducing stuff.
The Christmas setting also provides an unsettling atmosphere, a time that is mostly considered a happy and festive, soured by all of the unpleasantness going on here, and it's all topped off with a pretty bleak ending.
The characters are great - the mostly female cast are all likable, intelligent, well developed protagonists that you want to see win. Stands outs include Olivia Hussey and Margot Kidder, both great actresses who's early career appearances here bring a touch of class to proceedings. It's always nice to see genre favourite John Saxton too.
The narrative is pretty straight forward stuff - little is revealed about the killer so nothing gets bogged down in exposition, and it's perfectly paced. It's never gets boring, and the dialogue centric scenes are engaging. It also deals with heavy topics such as abortion, toxic masculinity, and manages to be subtly feminist, a quality that propels the movie as a whole even further, especially being a 70s film.
Black Christmas is pretty much perfect in my opinion, and easily stands shoulder to shoulder with Halloween in terms of slasher greatness.
Considered by many to be one of the first modern slasher horrors alongside The Texas Chain Saw Massacre (and predating Halloween by 4 years), it's importance can't be understated, and still remains at the top of the pile in terms of quality.
Straight off the bat, Black Christmas is genuinely unsettling. The largely unseen killer makes his presence known mainly through phone calls, but the things he says, and the tone of his voice is genuinely disturbing, and all too realistic. The couple of glimpses we do get are iconic, namely the underside shot during the infamous glass unicorn scene, and then the goosebump inducing moment where lead character Jess spots a singular eye of his staring at her through a crack in a door. It's honestly horrific. Pair that with other creepy shit, such as the corpse in the rocking chair from the poster, and you have some pretty nightmare inducing stuff.
The Christmas setting also provides an unsettling atmosphere, a time that is mostly considered a happy and festive, soured by all of the unpleasantness going on here, and it's all topped off with a pretty bleak ending.
The characters are great - the mostly female cast are all likable, intelligent, well developed protagonists that you want to see win. Stands outs include Olivia Hussey and Margot Kidder, both great actresses who's early career appearances here bring a touch of class to proceedings. It's always nice to see genre favourite John Saxton too.
The narrative is pretty straight forward stuff - little is revealed about the killer so nothing gets bogged down in exposition, and it's perfectly paced. It's never gets boring, and the dialogue centric scenes are engaging. It also deals with heavy topics such as abortion, toxic masculinity, and manages to be subtly feminist, a quality that propels the movie as a whole even further, especially being a 70s film.
Black Christmas is pretty much perfect in my opinion, and easily stands shoulder to shoulder with Halloween in terms of slasher greatness.
Sloane Crosley recommended Fanny and Alexander (1982) in Movies (curated)
Sweet Bird of Youth
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Loneliness, sexual tension and the need for human kindness pervade these three plays by Tennessee...
Emma @ The Movies (1786 KP) rated Nativity Rocks! (2018) in Movies
Sep 25, 2019
It's becoming a habit for me that I haven't seen previous films in franchises, I apologise, at some point I'll find the time to get them all in. I'm led to believe that the Nativity films are all very similar in concept though.
Nativity Rock! is what would happen if School Of Rock did a Christmas remix, and it was definitely an enthusiastic way to edge into Christmas.
The jokes flow quite freely and Jerry spends basically his entire time being the comedy relief. His childish character became frustrating fairly quickly, but I can't argue with the fact he was amusing. I really need to find out how to do the invisible dog trick he's mastered.
What occurred to me quite quickly is that this film is ridiculous. There are story lines aplenty. All equally implausible. Some that seemingly defy the laws of time and motion when it comes to geography. Where they all needed? Probably not.
As far as the cast goes it's a wide group of familiar faces who generally do a good job of their parts... but even as a villain Craig Revel Horwood is just terrible, what is he even famous for?
There won't be awards waiting for this one, it doesn't have a massive amount going for it apart from the fact it's entertaining. I spent most of my time smiling and tapping my foot. It's not a masterpiece but it'll make a good Christmas diversion.
What you should do
If you're looking for a festive family outing then this isn't a bad option. I'd pick it second to The Grinch but I think either way the kids will have a good time.
Movie thing you wish you could take home
Jerry's unrelenting optimism, mine occasionally fluctuates.
Nativity Rock! is what would happen if School Of Rock did a Christmas remix, and it was definitely an enthusiastic way to edge into Christmas.
The jokes flow quite freely and Jerry spends basically his entire time being the comedy relief. His childish character became frustrating fairly quickly, but I can't argue with the fact he was amusing. I really need to find out how to do the invisible dog trick he's mastered.
What occurred to me quite quickly is that this film is ridiculous. There are story lines aplenty. All equally implausible. Some that seemingly defy the laws of time and motion when it comes to geography. Where they all needed? Probably not.
As far as the cast goes it's a wide group of familiar faces who generally do a good job of their parts... but even as a villain Craig Revel Horwood is just terrible, what is he even famous for?
There won't be awards waiting for this one, it doesn't have a massive amount going for it apart from the fact it's entertaining. I spent most of my time smiling and tapping my foot. It's not a masterpiece but it'll make a good Christmas diversion.
What you should do
If you're looking for a festive family outing then this isn't a bad option. I'd pick it second to The Grinch but I think either way the kids will have a good time.
Movie thing you wish you could take home
Jerry's unrelenting optimism, mine occasionally fluctuates.
Bob Mann (459 KP) rated Daddy's Home 2 (2017) in Movies
Sep 29, 2021
Some good comedy moments drowned in schmaltz.
Comedy and tragedy have always gone together hand-in-hand. Every great comedy tends to have its bitter-sweet moments: Roberts Blossom as the “shovel-killer” grandad in “Home Alone” (who always reminds me of my late Dad… in appearance I might add, not that he was a shovel killer!); John Candy’s depressed shower-ring salesman in “Planes Trains and Automobiles”; Ron Burgundy bawling in a phone box in “Anchorman”. The balance between the two is the key thing and comedies can sometimes get it wrong (the Bird Woman in “Home Alone 2” for example!).
Here is another case in point: “Daddy’s Home 2”, which has some laugh-out-loud comedy moments, but is generally so utterly drenched in schmaltz and sentimentality that the film becomes far harder work than it should be. (By the way, I never saw “Daddy’s Home” (but read the IMDB synopsys): it was not a prerequisite for seeing this movie).
A Christmas cast. From left, Alessandra Ambrosio, Didi Costine, Mark Wahlberg, Scarlett Estevez, Will Ferrell, Owen Vaccaro, Linda Cardellini, Conor or Daphne or Dylan Wise(!) and Mel Gibson.
Will Ferrell (“Get Hard“, “Anchorman“) reprises his role as the somewhat incompetent Brad, ‘sharing’ his family of kids and stepkids with the much more streetwise Dusty (Mark Wahlberg, “Patriot’s Day“). After a poignant school recital, the pair realise the damage that a distributed Christmas is doing to their offspring and they determine to spend Christmas all together this year. In the process they vow to try to put aside their attempts at one-upmanship – “the harbour is closed” – in the interests of giving everyone the best Christmas ever.
But their plans are turned upside down when their fathers also turn up for Christmas: Mel Gibson (in a sublime piece of casting) plays Dusty’s dad, astronaut-hero Kurt, who is even more macho and extreme than Dusty, and John Lithgow (“Miss Sloane“; “The Accountant“) plays Brad’s airy-fairy father Don… the apple has not fallen far from the tree there.
Kurt forces the family to ‘fight’ Christmas on a neutral turf by renting a palatial AirBnB in a snowy wilderness. Tensions rise between the diverse individuals until a breaking point is inevitably reached.
There are some great farcical sight-gags in this movie. Quite a few of the funniest ones are spoiled by the trailer, but there are still a few standout routines that made me guffaw. A hi-tech shower is predictable but funny; and Brad’s use of a snowblower to apocalyptic ends is the funniest scene in the movie.
Wahlberg and Ferrell are a trustworthy double act (after their initial surprise pairing in “The Other Guys”). Gibson and Lithgow also inhabit their roles perfectly, although it was hard of me to relate to either of them. The scene on the airport escalator as they arrive is very well done.
The supporting cast all play their parts well: ER’s Linda Cardellini as Brad’s wife and Dusty’s ex-wife; Brazilian model and actress Alessandra Ambrosio, as Dusty’s (almost unbelievably good-looking) new wife Karen; and WWE star John Cena as Karen’s ex-husband. (Doesn’t ANYONE stay married in the US any more?). The kid stars – Didi Costine, Scarlett Estevez and Owen Vaccaro – are also good, with Estevez being particularly appealing.
Watch out for a funny cameo in the final scene as well, which I found very amusing (“You only have one story” … LoL).
“Will my bum look big in this?” – erm… no! Sara (Linda Cardellini) and Karen (Alessandra Ambrosio) on a shopping trip.
What drowns out the comedy though is the sentimental storyline around a personal tragedy being lived out by one of the family. The angst and nasty back-biting that surrounds this I found neither funny nor pleasant. The story builds to a snow-bound cinema (showing “Missile Tow” starring Liam Neeson… a great “pointless answer” for the BBC’s “Pointless” quiz!) and a finale song that is just so over the top that it has both an “awww” factor and is bile-inducing all at the same time. The screenplay is by Sean Anders and John Morris, with Anders also directing.
Will Ferrell films can be like a game of Russian Roulette, and I fully expected this to be truly awful. It wasn’t, and as a Christmas comedy it is an OK watch… and thankfully significantly above “Jingle all the Way”!
Here is another case in point: “Daddy’s Home 2”, which has some laugh-out-loud comedy moments, but is generally so utterly drenched in schmaltz and sentimentality that the film becomes far harder work than it should be. (By the way, I never saw “Daddy’s Home” (but read the IMDB synopsys): it was not a prerequisite for seeing this movie).
A Christmas cast. From left, Alessandra Ambrosio, Didi Costine, Mark Wahlberg, Scarlett Estevez, Will Ferrell, Owen Vaccaro, Linda Cardellini, Conor or Daphne or Dylan Wise(!) and Mel Gibson.
Will Ferrell (“Get Hard“, “Anchorman“) reprises his role as the somewhat incompetent Brad, ‘sharing’ his family of kids and stepkids with the much more streetwise Dusty (Mark Wahlberg, “Patriot’s Day“). After a poignant school recital, the pair realise the damage that a distributed Christmas is doing to their offspring and they determine to spend Christmas all together this year. In the process they vow to try to put aside their attempts at one-upmanship – “the harbour is closed” – in the interests of giving everyone the best Christmas ever.
But their plans are turned upside down when their fathers also turn up for Christmas: Mel Gibson (in a sublime piece of casting) plays Dusty’s dad, astronaut-hero Kurt, who is even more macho and extreme than Dusty, and John Lithgow (“Miss Sloane“; “The Accountant“) plays Brad’s airy-fairy father Don… the apple has not fallen far from the tree there.
Kurt forces the family to ‘fight’ Christmas on a neutral turf by renting a palatial AirBnB in a snowy wilderness. Tensions rise between the diverse individuals until a breaking point is inevitably reached.
There are some great farcical sight-gags in this movie. Quite a few of the funniest ones are spoiled by the trailer, but there are still a few standout routines that made me guffaw. A hi-tech shower is predictable but funny; and Brad’s use of a snowblower to apocalyptic ends is the funniest scene in the movie.
Wahlberg and Ferrell are a trustworthy double act (after their initial surprise pairing in “The Other Guys”). Gibson and Lithgow also inhabit their roles perfectly, although it was hard of me to relate to either of them. The scene on the airport escalator as they arrive is very well done.
The supporting cast all play their parts well: ER’s Linda Cardellini as Brad’s wife and Dusty’s ex-wife; Brazilian model and actress Alessandra Ambrosio, as Dusty’s (almost unbelievably good-looking) new wife Karen; and WWE star John Cena as Karen’s ex-husband. (Doesn’t ANYONE stay married in the US any more?). The kid stars – Didi Costine, Scarlett Estevez and Owen Vaccaro – are also good, with Estevez being particularly appealing.
Watch out for a funny cameo in the final scene as well, which I found very amusing (“You only have one story” … LoL).
“Will my bum look big in this?” – erm… no! Sara (Linda Cardellini) and Karen (Alessandra Ambrosio) on a shopping trip.
What drowns out the comedy though is the sentimental storyline around a personal tragedy being lived out by one of the family. The angst and nasty back-biting that surrounds this I found neither funny nor pleasant. The story builds to a snow-bound cinema (showing “Missile Tow” starring Liam Neeson… a great “pointless answer” for the BBC’s “Pointless” quiz!) and a finale song that is just so over the top that it has both an “awww” factor and is bile-inducing all at the same time. The screenplay is by Sean Anders and John Morris, with Anders also directing.
Will Ferrell films can be like a game of Russian Roulette, and I fully expected this to be truly awful. It wasn’t, and as a Christmas comedy it is an OK watch… and thankfully significantly above “Jingle all the Way”!