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David McK (3540 KP) rated Corpse Thief (Joshua Hawke #1) in Books
Feb 26, 2022
I remember reading Michael Arnold's seemingly-abandoned Captain Stryker Civil War Chronicles books when they first came out, and quite enjoying them.
I wasn't so sure about the setting of his new series, of which this is the first (and currently only) entry.
None-the-less, I thought I would give it a chance anyway: after all, a gin-sodden opium addicted grave robber ex-policeman who previously participated in the Peterloo massacre is hardly, shall we say, your standard protagonist!
Set in and around London's seedy underground of the 1820s, I got a strong flavour of Jack the Ripper when reading this; of a murderer who strikes at his (or her?) victims before disappearing again, and of whom the authorities seemingly have little interest in apprehending until he - or she! - jeopardises their own interests.
It's interesting, therefore, seeing the life and time from the 'other side', as it were, from the points of view of the downtrodden masses rather than from the rich and powerful.
Be aware, however, that this is NOT a self-contained novel in its own right (well, it is and it isn't), in that some major plot threads are purposefully left hanging for the inevitable sequel.
I wasn't so sure about the setting of his new series, of which this is the first (and currently only) entry.
None-the-less, I thought I would give it a chance anyway: after all, a gin-sodden opium addicted grave robber ex-policeman who previously participated in the Peterloo massacre is hardly, shall we say, your standard protagonist!
Set in and around London's seedy underground of the 1820s, I got a strong flavour of Jack the Ripper when reading this; of a murderer who strikes at his (or her?) victims before disappearing again, and of whom the authorities seemingly have little interest in apprehending until he - or she! - jeopardises their own interests.
It's interesting, therefore, seeing the life and time from the 'other side', as it were, from the points of view of the downtrodden masses rather than from the rich and powerful.
Be aware, however, that this is NOT a self-contained novel in its own right (well, it is and it isn't), in that some major plot threads are purposefully left hanging for the inevitable sequel.
Kyera (8 KP) rated Wires and Nerve, Volume 2: Gone Rogue in Books
Jan 31, 2018
As the second and final graphic novel (for now) chronicling Iko's adventures after the events of the Lunar Chronicles, Gone Rogue does a brilliant job catching us up on what all of our favourite characters have been up to in the last year. Despite the fact that Wires and Nerve continues the story in graphic novel form, rather than the original book - I never felt like I was missing anything.
As the story focuses on Iko, there was less time dedicated to the other pairs from the series. In the first graphic novel, I felt that Cress and Thorne were given a lot of story time and that they weren't as present in the second novel. On the other hand, Scarlet and Wolf were almost nonexistent in the first and had more of a presence in the second. Meyer did a brilliant job developing the relationships further and showing readers how they have evolved despite the limited amount of text she had to work with because it was a graphic novel.
Although Iko was a supporting character in the original series, she completely stole the show and lit up every scene that she was in. It was wonderful to see her take the lead in this series and adapt to a world in which she looked human, although there were still those that constantly reminded her that she was not. She struggles to deal with the reminders that she is an android and programmed to be the way that she is, despite the fact that her closest friends never see her as anything but normal.
The three main additions to the series are the villain, the guard Kinney and his sister Tressa. I felt that the two male characters were well developed and you could understand their motivations throughout the story. Tressa felt less real and I honestly forgot who she was from the first book to the second, until reminded in the course of the story. She is an exuberant character who loves a lot of the same things as Iko, but I don't feel that I know as much about her as I wish I did so that I could connect to her more.
Overall, the plot was brilliant and the story was so engaging that I didn't put the book down from the moment I began reading it until I was on the final page. While I am saddened that this is the final graphic novel in the Lunar Chronicles, I love the world and characters so much that I hope that the series continues in some manner. I felt satisfied with the ending and feel that if it is in fact the end of the story - I am happy. I loved this series so much and being able to watch Iko shine in her own adventures.
As the story focuses on Iko, there was less time dedicated to the other pairs from the series. In the first graphic novel, I felt that Cress and Thorne were given a lot of story time and that they weren't as present in the second novel. On the other hand, Scarlet and Wolf were almost nonexistent in the first and had more of a presence in the second. Meyer did a brilliant job developing the relationships further and showing readers how they have evolved despite the limited amount of text she had to work with because it was a graphic novel.
Although Iko was a supporting character in the original series, she completely stole the show and lit up every scene that she was in. It was wonderful to see her take the lead in this series and adapt to a world in which she looked human, although there were still those that constantly reminded her that she was not. She struggles to deal with the reminders that she is an android and programmed to be the way that she is, despite the fact that her closest friends never see her as anything but normal.
The three main additions to the series are the villain, the guard Kinney and his sister Tressa. I felt that the two male characters were well developed and you could understand their motivations throughout the story. Tressa felt less real and I honestly forgot who she was from the first book to the second, until reminded in the course of the story. She is an exuberant character who loves a lot of the same things as Iko, but I don't feel that I know as much about her as I wish I did so that I could connect to her more.
Overall, the plot was brilliant and the story was so engaging that I didn't put the book down from the moment I began reading it until I was on the final page. While I am saddened that this is the final graphic novel in the Lunar Chronicles, I love the world and characters so much that I hope that the series continues in some manner. I felt satisfied with the ending and feel that if it is in fact the end of the story - I am happy. I loved this series so much and being able to watch Iko shine in her own adventures.
Women's Bible (KJV Audio Version with Red Letter)
Book and Education
App
Women's Bible. King James Version. Old Testament and New Testament. With red letters to indicate the...
King James Bible. Red Letter Bible and KJV Version
Book and Education
App
The Holy Bible. King James Version. Old Testament and New Testament. With red letters to indicate...
Bible Offline App. Red Letter KJV Original Version
Book and Education
App
The Holy Bible. King James Version. Old Testament and New Testament. With red letters to indicate...
New King James Version Bible. KJV Holy Scripture
Education and Lifestyle
App
New King James Version Bible List of chapters (Old Testament): Genesis, Exodus, Leviticus, Numbers,...
Rhubarbio (27 KP) rated Chronicles of Crime in Tabletop Games
May 25, 2019
Great use of QR codes (3 more)
Perfect integration of old and new - VR technology with a board game
Co-operative deductive game
Engaging stories!
Chronicles of Crime by Lucky Duck Games is an amazing co-operative game that incorporates QR codes, to be scanned by a mobile phone, VR technology to see crime scenes in 3D, and a board with locations. Therefore this game not only marries technology with traditional gaming, but does this without being tacky or a gimmick! Originally this game was launched via Kickstarter, but I believe this will have hit general release with a few expansions already. The stories are engaging and the game very enjoyable. I must say, the crime scenes are quite sobering and grim, therefore not for children but an amazing experience for adults. The way the game is structured, Lucky Duck can continue to publish new cases, using the characters and locations on the boards you already have, resulting in a potential for continued play beyond the stories contained in the box. I thoroughly recommend this game at a player count of 2-3...more than this, I think it may become a little boring for additional players.
David McK (3540 KP) rated The Horse and His Boy (Chronicles of Narnia, #5) in Books
Jan 28, 2019
Firstly, is this the third Narnia book, or is it the fifth?
The answer to that is whether you go by chronological setting (in which case it's the third), or by publication date (it's the fifth).
This is also a story that I didn't remember reading as a child; however, when I was recently re-reading it I was finding plot elements to be a little-bit-more-familiar than I was otherwise expecting: perhaps I did, and had just forgotten.
Unlike [b: The Lion, The Witch and The Wardrobe|100915|The Lion, the Witch, and the Wardrobe (Chronicles of Narnia, #1)|C.S. Lewis|https://d.gr-assets.com/books/1353029077s/100915.jpg|4790821], this does not follow the Pevensie children, but rather the journey of a young boy named Shasta who discovers he was adopted and is running away to Narnia when his adoptive father is about to sell him into slavery; running away alongside/with the help of the talking horse Bree. Along the way they fall in with a girl named Aravis and her talking horse Hwin, who are also making the same escape.
While I've heard arguments recently that, in this book, CS Lewis is displaying his own racist xenophobia ('fair and white ... accursed but beautiful Barbarians'), personally I think that is reading too much into what is simply intended to be a children's Arabian Nights esque fairytale
The answer to that is whether you go by chronological setting (in which case it's the third), or by publication date (it's the fifth).
This is also a story that I didn't remember reading as a child; however, when I was recently re-reading it I was finding plot elements to be a little-bit-more-familiar than I was otherwise expecting: perhaps I did, and had just forgotten.
Unlike [b: The Lion, The Witch and The Wardrobe|100915|The Lion, the Witch, and the Wardrobe (Chronicles of Narnia, #1)|C.S. Lewis|https://d.gr-assets.com/books/1353029077s/100915.jpg|4790821], this does not follow the Pevensie children, but rather the journey of a young boy named Shasta who discovers he was adopted and is running away to Narnia when his adoptive father is about to sell him into slavery; running away alongside/with the help of the talking horse Bree. Along the way they fall in with a girl named Aravis and her talking horse Hwin, who are also making the same escape.
While I've heard arguments recently that, in this book, CS Lewis is displaying his own racist xenophobia ('fair and white ... accursed but beautiful Barbarians'), personally I think that is reading too much into what is simply intended to be a children's Arabian Nights esque fairytale
David McK (3540 KP) rated The Magician's Nephew (Chronicles of Narnia, #6) in Books
Jan 28, 2019
Chronologically the first Narnia book, this was actually the last book written in the series, and goes back to how the magical land of Narnia (going by publication date, first visited in [b: The Lion, the Witch and the Wardrobe|100915|The Lion, the Witch, and the Wardrobe (Chronicles of Narnia, #1)|C.S. Lewis|https://d.gr-assets.com/books/1353029077s/100915.jpg|4790821]) came to be.
As such, who says that the concept of prequels is a new invention??
Personally, I think I approached this from the wrong perspective: when I hear the word 'magician' mentioned (as in the title of the book) I tend to think either of the likes of Paul Daniels, or (going by literature) of Gandalf the Grey/White.
That, however, is not how the magician is portrayed here: rather than a benevolent, kindly old character, we instead have a selfish, greedy older man, who is responsible for sending the two children protagonists (Digory and Polly) into the magical woods between the worlds, and eventually into the land that will become Narnia.
If I'm honest, it's also not a story that I was overly familiar with: sure, I'd read (as a kid) that more famous previously mentioned entry and (more recently) have even watched a few of the movies, but this one? Not so much.
As such, who says that the concept of prequels is a new invention??
Personally, I think I approached this from the wrong perspective: when I hear the word 'magician' mentioned (as in the title of the book) I tend to think either of the likes of Paul Daniels, or (going by literature) of Gandalf the Grey/White.
That, however, is not how the magician is portrayed here: rather than a benevolent, kindly old character, we instead have a selfish, greedy older man, who is responsible for sending the two children protagonists (Digory and Polly) into the magical woods between the worlds, and eventually into the land that will become Narnia.
If I'm honest, it's also not a story that I was overly familiar with: sure, I'd read (as a kid) that more famous previously mentioned entry and (more recently) have even watched a few of the movies, but this one? Not so much.
David McK (3540 KP) rated Grail Knight: (Outlaw Chronicles, #5) in Books
Jan 30, 2019
Book number 5 in Angus Donald's 'The Outlaw Chronicles' series, and by now the pattern is well established in that all the stories are split into sections, with each section presented as the elderly Alan Dale recalling his younger days spent with that (now) most-famous of all English outlaws: Robin Hood himself.
At the start of this, Alan is newly married and enjoying life in his new manor with his wife. It's not long, however, before he is thrust back into action when word comes that The Knights Templar are holding himself responsible for gold stolen (by Robin, in a previous novel - possibly [b:King's Man|943289|King's Man (Viking, #3)|Tim Severin|https://d.gr-assets.com/books/1328870438s/943289.jpg|928226]) as it was his promissary note that Robin copied and forged.
Following the burning down of his manor, and with the failing health of his wife who is carrying his unborn child, Alan, Robin and a bunch of assorted misfit companions go off in search of that most medieval of all legends: the Holy Grail itself. In Alan's case, he hopes it can save his wife; in Robin's case: well, he's just after the money!
Another solid entry, even if (to my mind) none have been as strong as [b:Outlaw|17333533|Outlaw|Ted Dekker|https://d.gr-assets.com/books/1364009572s/17333533.jpg|24064806].
At the start of this, Alan is newly married and enjoying life in his new manor with his wife. It's not long, however, before he is thrust back into action when word comes that The Knights Templar are holding himself responsible for gold stolen (by Robin, in a previous novel - possibly [b:King's Man|943289|King's Man (Viking, #3)|Tim Severin|https://d.gr-assets.com/books/1328870438s/943289.jpg|928226]) as it was his promissary note that Robin copied and forged.
Following the burning down of his manor, and with the failing health of his wife who is carrying his unborn child, Alan, Robin and a bunch of assorted misfit companions go off in search of that most medieval of all legends: the Holy Grail itself. In Alan's case, he hopes it can save his wife; in Robin's case: well, he's just after the money!
Another solid entry, even if (to my mind) none have been as strong as [b:Outlaw|17333533|Outlaw|Ted Dekker|https://d.gr-assets.com/books/1364009572s/17333533.jpg|24064806].