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Gareth von Kallenbach (977 KP) rated The Day the Earth Stood Still (2008) in Movies
Aug 14, 2019
In 1951 Director Robert Wise helped create one of the most insightful films of the dawning Science Fiction genre. At that time, the growing theme was the good folks of Earth having to defend ourselves against all manner of evil creatures from beyond.
This tone has carried over to modern day as the notion of hostile invaders from beyond has become part of our cinematic and written culture.
The ironic thing about “The Day The Earth Stood Still” was that it was a cautionary tale that stood apart from the genre films of the day. Instead of an all out assault on humanity, a visitor named Klaatu (Michael Rennie) came to deliver a message that change was needed or else there would be dire consequences. Klaatu told the people of the earth that they must learn to live in peace and make war a thing of the past or they would run the risk of being destroyed by more powerful races that would see them as a threat to their peaceful ways.
Klaatu had a powerful robot named Gort who would destroy any hints of aggression and used him to get his message of the need for peace across.
Now in 2008, 20th Century Fox has recreated this classic tale with a star studded cast and a large production budget.
In the new version, Jennifer Connelly stars as Helen Benson, a scientist who is raising her stepson Jacob (Jaden Smith), who still mourns for his father who was recently killed while serving in the gulf. One night, Helen is taken into custody by agents who whisk her and other scientists to a secret conference where it is learned that an object in on a collision course with Manhattan and that due to a lack of warning, there is no time to evacuate the city.
Just when the gathered group prepares for the worst, the mysterious object lands in the middle of Central Park and after being surrounded by the military, produces a lone being from the interior of the spherical object. Just as Helen is about to make first contact with the being, he is shot by a nervous soldier, and before anyone knows what has happened, a giant mechanized being emerges from the sphere and incapacitates the assembled crowd with a sound wave. Just as the creature is about to take matters further he is called off by the wounded being.
The wounded being is taken to for medical care and the confounded scientists are amazed to find a human being underneath the organic suit that the being was wearing. The being grows very quickly and is soon a full grown adult.
Naturally these events are very concerning to the U.S. government and Defense Secretary Jackson (Kathy Bates). The Being identifies himself as Klaatu (Keanu Reeves), and asks to speak with the leaders of the world about a very important matter. Jackson is convinced that Klaatu is the first wave of an invasion and orders him to be interrogated in order to learn his true mission.
Klaatu is able to escape and soon finds himself on the run with Helen and in doing so, learns about humanity. As his mission is revealed, it soon becomes a race against time for Klaatu and Helen to save the world from the greatest threat it has ever known.
The setup to the new film was very good and I was fortunate enough to see the film at an Imax screen which really enhanced the visuals of the film. Sadly there was not enough action for it to hold my attention as the best visuals in the film were largely shown in the trailer.
Once the events of the plot were put into motion, I found them to be very underwhelming, and the message of the film was lost in a series of muddled dialogue and a script lacking any really tension or drama. Klaatu is supposed to be a fish out of water that learns through Helen and Jacob about the other side of humanity, the one that is not about war, death, and destruction. Yet, thanks to the lack of chemistry between Reeves and the always good Connelly the audience is left with little to root for.
When the action finally comes it is very brief and restrained and not nearly enough to save the film, which stumbles to a very awkward and predictable finale.
I had hoped that this new version would be able to up the action promised in the first film and greater delve into the origins of Klaatu as well as the message of change he brought to humanity. Instead the film loses its way and the message becomes an afterthought leaving the audience with very little.
This tone has carried over to modern day as the notion of hostile invaders from beyond has become part of our cinematic and written culture.
The ironic thing about “The Day The Earth Stood Still” was that it was a cautionary tale that stood apart from the genre films of the day. Instead of an all out assault on humanity, a visitor named Klaatu (Michael Rennie) came to deliver a message that change was needed or else there would be dire consequences. Klaatu told the people of the earth that they must learn to live in peace and make war a thing of the past or they would run the risk of being destroyed by more powerful races that would see them as a threat to their peaceful ways.
Klaatu had a powerful robot named Gort who would destroy any hints of aggression and used him to get his message of the need for peace across.
Now in 2008, 20th Century Fox has recreated this classic tale with a star studded cast and a large production budget.
In the new version, Jennifer Connelly stars as Helen Benson, a scientist who is raising her stepson Jacob (Jaden Smith), who still mourns for his father who was recently killed while serving in the gulf. One night, Helen is taken into custody by agents who whisk her and other scientists to a secret conference where it is learned that an object in on a collision course with Manhattan and that due to a lack of warning, there is no time to evacuate the city.
Just when the gathered group prepares for the worst, the mysterious object lands in the middle of Central Park and after being surrounded by the military, produces a lone being from the interior of the spherical object. Just as Helen is about to make first contact with the being, he is shot by a nervous soldier, and before anyone knows what has happened, a giant mechanized being emerges from the sphere and incapacitates the assembled crowd with a sound wave. Just as the creature is about to take matters further he is called off by the wounded being.
The wounded being is taken to for medical care and the confounded scientists are amazed to find a human being underneath the organic suit that the being was wearing. The being grows very quickly and is soon a full grown adult.
Naturally these events are very concerning to the U.S. government and Defense Secretary Jackson (Kathy Bates). The Being identifies himself as Klaatu (Keanu Reeves), and asks to speak with the leaders of the world about a very important matter. Jackson is convinced that Klaatu is the first wave of an invasion and orders him to be interrogated in order to learn his true mission.
Klaatu is able to escape and soon finds himself on the run with Helen and in doing so, learns about humanity. As his mission is revealed, it soon becomes a race against time for Klaatu and Helen to save the world from the greatest threat it has ever known.
The setup to the new film was very good and I was fortunate enough to see the film at an Imax screen which really enhanced the visuals of the film. Sadly there was not enough action for it to hold my attention as the best visuals in the film were largely shown in the trailer.
Once the events of the plot were put into motion, I found them to be very underwhelming, and the message of the film was lost in a series of muddled dialogue and a script lacking any really tension or drama. Klaatu is supposed to be a fish out of water that learns through Helen and Jacob about the other side of humanity, the one that is not about war, death, and destruction. Yet, thanks to the lack of chemistry between Reeves and the always good Connelly the audience is left with little to root for.
When the action finally comes it is very brief and restrained and not nearly enough to save the film, which stumbles to a very awkward and predictable finale.
I had hoped that this new version would be able to up the action promised in the first film and greater delve into the origins of Klaatu as well as the message of change he brought to humanity. Instead the film loses its way and the message becomes an afterthought leaving the audience with very little.
Chris Sawin (602 KP) rated The Hills Run Red (2009) in Movies
Jun 22, 2019
Wilson Wyler Concannon was a director who made a horror film twenty years ago that was said to be so gory, so disturbing, and so traumatizing that it was pulled from theaters after only a handful of people got to see it. Now, in the present day, Tyler is obsessed with The Hills Run Red even though a copy of the complete film doesn't seem to exist. After doing countless hours of research on this lost horror gem and seeing the trailer more times than he can count, Tyler decides to make a documentary as he, his best friend Lalo, and girlfriend Serina travel outside the city. Tyler only has one lead to fall back on and that's Alexa Concannon, the daughter of Wilson Wyler Concannon. Tyler feels like this is the break he's been waiting for as he thinks he'll either get to meet the director he's grown to admire or see this lost classic in its entirety to see if it lives up to the hype. But is there really light at the end of this tunnel? For what reason would a film not be released for twenty years? How does the killer, Babyface, fit into all of this? As stated earlier on in the film, some films should stay buried.
Going by the DVD cover and title alone, The Hills Run Red looks like it's just capitalizing on the success of The Hills Have Eyes remake from 2006. So going into the film, that's pretty much what I was expecting. Since it's a horror film that was released straight to DVD, expectations should never be high since they're usually released that way for a reason. Surprisingly though, that wasn't the case this time around as this turned out to be a pretty solid little horror flick. The film winds up bearing little resemblance to the Alexandre Aja directed The Hills Have Eyes as it delivers a fairly original concept and a satisfying experience overall.
The film will pretty much reel any horror fan in with the opening sequence as the atmosphere for the film is set up early on and doesn't shy away from blood and gore. Lack of nudity and sexual content isn't an issue either as there is plenty of that to go around. With all that in mind, this pretty much has everything any horror fan could ask for already: lots of blood and tons of T&A. The acting is also a bar above what you're probably expecting for a release like this. To be honest, it's pretty decent and there really isn't much to complain about in that department. Although, I do think William Sadler steals the show but he's also probably the only recognizable actor in the film. Babyface actually turned out to be quite sadistic and better than his origin let on. When you're shown how he got his name and who he really is, it's kind of lame at first. The concept eventually grows on you though and is pretty original as far as serial killers from slasher films go.
If you ever saw Behind the Mask: The Rise of Leslie Vernon, one of its peaks was that it not only pointed out cliche moments in other horror films and dissected them but also wound up breaking most of them while going in a different direction. The Hills Run Red touches on this a bit, as well. Some examples are cell phones actually work out in secluded areas, a gun is brought just in case they run into trouble, and flares are brought in case flashlights don't work. Horror movies need to be as fresh as possible as it seems like just about everything has been done, which is probably one of the reasons remakes are so popular right now. It's just refreshing to see a movie not follow the same generic formula.
You can't always rely on your first impression as The Hills Run Red seemed like nothing more than a copycat horror film that was rushed straight to DVD. In all actuality, however, it turns out to be a sexy, blood-splattering wet dream for horror fans with a better than expected storyline, above par acting, and what could be a new face in the horror franchise. If you like films like this, give this one a go. You may be pleasantly surprised and be sure to catch the extra scene in the middle of the credits at the end.
Going by the DVD cover and title alone, The Hills Run Red looks like it's just capitalizing on the success of The Hills Have Eyes remake from 2006. So going into the film, that's pretty much what I was expecting. Since it's a horror film that was released straight to DVD, expectations should never be high since they're usually released that way for a reason. Surprisingly though, that wasn't the case this time around as this turned out to be a pretty solid little horror flick. The film winds up bearing little resemblance to the Alexandre Aja directed The Hills Have Eyes as it delivers a fairly original concept and a satisfying experience overall.
The film will pretty much reel any horror fan in with the opening sequence as the atmosphere for the film is set up early on and doesn't shy away from blood and gore. Lack of nudity and sexual content isn't an issue either as there is plenty of that to go around. With all that in mind, this pretty much has everything any horror fan could ask for already: lots of blood and tons of T&A. The acting is also a bar above what you're probably expecting for a release like this. To be honest, it's pretty decent and there really isn't much to complain about in that department. Although, I do think William Sadler steals the show but he's also probably the only recognizable actor in the film. Babyface actually turned out to be quite sadistic and better than his origin let on. When you're shown how he got his name and who he really is, it's kind of lame at first. The concept eventually grows on you though and is pretty original as far as serial killers from slasher films go.
If you ever saw Behind the Mask: The Rise of Leslie Vernon, one of its peaks was that it not only pointed out cliche moments in other horror films and dissected them but also wound up breaking most of them while going in a different direction. The Hills Run Red touches on this a bit, as well. Some examples are cell phones actually work out in secluded areas, a gun is brought just in case they run into trouble, and flares are brought in case flashlights don't work. Horror movies need to be as fresh as possible as it seems like just about everything has been done, which is probably one of the reasons remakes are so popular right now. It's just refreshing to see a movie not follow the same generic formula.
You can't always rely on your first impression as The Hills Run Red seemed like nothing more than a copycat horror film that was rushed straight to DVD. In all actuality, however, it turns out to be a sexy, blood-splattering wet dream for horror fans with a better than expected storyline, above par acting, and what could be a new face in the horror franchise. If you like films like this, give this one a go. You may be pleasantly surprised and be sure to catch the extra scene in the middle of the credits at the end.
Chris Sawin (602 KP) rated Cop Out (2010) in Movies
Jun 22, 2019 (Updated Jun 23, 2019)
Jimmy Monroe (Bruce Willis) and Paul Hodges (Tracy Morgan) have been working as partners at the NYPD for the past nine years. They have a reputation at the precinct for doing things their own sporadic and wreckful way that isn't normal procedure and usually winds up getting them into hot water with the captain. A suspect is brought in for interrogation and when he finally spills the beans on a drug deal happening that afternoon, Jimmy and Paul think it's best to act on it right then and there. After their plan fails, their suspect is killed and months of work is flushed down the drain. Jimmy and Paul are suspended for 30 days without pay, which isn't good news for Jimmy since his daughter is getting married and has the typical expensive wedding of her dreams in mind. Jimmy plans on selling a collectible baseball card that could pay for his daughter's wedding and then some, but the card is stolen by some crackheads before he can get the chance. Now Jimmy's just trying to get the card back to pay for his daughter's wedding, but him and Paul, who's too distracted with his wife's possible infidelity to really concentrate on the task at hand, are thrown into something much deeper.
To tell the truth, I wasn't looking forward to this film at all. I'm a pretty big fan of most of Kevin Smith's work, but he didn't write the film. It could be argued that he did write Jersey Girl and that could be considered a bomb, but his films usually average about $25-$30 million anyway. A Kevin Smith film isn't really about bringing in a large amount of money at the box office. His charm is in his writing, especially the dialogue and interaction between characters. There's a very specific audience his films will appeal to and none of them have really branched away from that. But him not writing this one made me think, "Eh. Not sure what that'll be like since he didn't write it." When it comes to Bruce Willis, I've never talked to anyone who dislikes him entirely. There always seems to be at least one of his films everybody enjoys. Die Hard, The Fifth Element, and Sin City are just a few off the top of my head. The real buzz-killer for me though was Tracy Morgan. He's just never been funny to me. He was beyond lame on Saturday Night Live and 30 Rock has never been able to hold my attention for very long. Not to mention all the trailers for Cop Out didn't make me laugh. Thankfully though, first impressions can be so very wrong.
One of Cop Out's biggest charms is that it feels like a buddy cop comedy you've seen before, but have forgotten how much you enjoy it. The film feels similar to a 48 Hrs or Beverly Hills Cop film. Bulletproof is also a good example. Cop Out is pretty much what you expect when it comes to roles Bruce Willis chooses as it's pretty much no different than his role as John McClane on the surface, but he's a lot funnier this time around. As far as Tracy Morgan goes, the funniest thing I could remember him saying was his one line in Jay and Silent Bob Strike Back ("Man... I don't know what the f--- you just said, Little Kid, but you're special man, you reached out, and you touched a brother's heart.") until this film. He was downright hilarious at times. The only person who was funnier than Morgan was Seann William Scott who stole every scene he was in. Even though Kevin Smith didn't pen the script this time around, it still feels like a Kevin Smith film. It could be due to the fact that Jason Lee has a small role in the film, but I like to think it's because Cop Out offers the same kind of comedy you'd find in a Kevin Smith film with a bit more action. It also took me forever to place Scarface from Half Baked as Poh Boy.
Cop Out is surprisingly funny and incredibly entertaining. Give this film a chance even if the trailers may not be doing anything for you. I felt the same way and wound up thoroughly enjoying the film. After a long, stressful day at work, an R-rated comedy with a lot of laughs is one of the best ways to relax and this film offers just that. It's a great film to go into with no expectations other than to just have a good time.
To tell the truth, I wasn't looking forward to this film at all. I'm a pretty big fan of most of Kevin Smith's work, but he didn't write the film. It could be argued that he did write Jersey Girl and that could be considered a bomb, but his films usually average about $25-$30 million anyway. A Kevin Smith film isn't really about bringing in a large amount of money at the box office. His charm is in his writing, especially the dialogue and interaction between characters. There's a very specific audience his films will appeal to and none of them have really branched away from that. But him not writing this one made me think, "Eh. Not sure what that'll be like since he didn't write it." When it comes to Bruce Willis, I've never talked to anyone who dislikes him entirely. There always seems to be at least one of his films everybody enjoys. Die Hard, The Fifth Element, and Sin City are just a few off the top of my head. The real buzz-killer for me though was Tracy Morgan. He's just never been funny to me. He was beyond lame on Saturday Night Live and 30 Rock has never been able to hold my attention for very long. Not to mention all the trailers for Cop Out didn't make me laugh. Thankfully though, first impressions can be so very wrong.
One of Cop Out's biggest charms is that it feels like a buddy cop comedy you've seen before, but have forgotten how much you enjoy it. The film feels similar to a 48 Hrs or Beverly Hills Cop film. Bulletproof is also a good example. Cop Out is pretty much what you expect when it comes to roles Bruce Willis chooses as it's pretty much no different than his role as John McClane on the surface, but he's a lot funnier this time around. As far as Tracy Morgan goes, the funniest thing I could remember him saying was his one line in Jay and Silent Bob Strike Back ("Man... I don't know what the f--- you just said, Little Kid, but you're special man, you reached out, and you touched a brother's heart.") until this film. He was downright hilarious at times. The only person who was funnier than Morgan was Seann William Scott who stole every scene he was in. Even though Kevin Smith didn't pen the script this time around, it still feels like a Kevin Smith film. It could be due to the fact that Jason Lee has a small role in the film, but I like to think it's because Cop Out offers the same kind of comedy you'd find in a Kevin Smith film with a bit more action. It also took me forever to place Scarface from Half Baked as Poh Boy.
Cop Out is surprisingly funny and incredibly entertaining. Give this film a chance even if the trailers may not be doing anything for you. I felt the same way and wound up thoroughly enjoying the film. After a long, stressful day at work, an R-rated comedy with a lot of laughs is one of the best ways to relax and this film offers just that. It's a great film to go into with no expectations other than to just have a good time.
Heather Cranmer (2721 KP) rated Small Spaces (Small Spaces #1) in Books
Jul 29, 2019
I love creepy books, so when I came across Small Spaces by Katherine Arden, it immediately caught my attention. I don't normally read middle grade fiction, but I do make an exception for middle grade horror, and I'm really glad I had the chance to read Small Spaces.
Olivia, or Ollie as she prefers, is in middle school. She loves reading and books, so when she comes across a sobbing lady getting ready to throw a book in a river, she steals it before the woman has a chance to do so. Ollie thinks the book she stole is just a creepy ghost story, but she soon realizes it is anything but fiction! When her class goes on a field trip to a farm, Ollie realizes just how true the book is. When the field trip bus breaks down in the middle of nowhere, Ollie and two friends decided to leave the bus fearing that they may be in even worse danger if they stay on the bus. With the help of her broken watch from her deceased mother, Ollie must be very careful if she wants to return home unscathed.
I did enjoy the plot of Small Spaces. I felt like I was reading a R.L. Stine novel! Katherine Arden did such a fantastic job with this story in keeping it interesting. There were a few times were the story felt a little disjointed with what was going on as it sometimes seemed as if Small Spaces wanted to be more of a ghost story other than what it actually was. However, it was still a great plot! There was one plot twist I didn't see coming which I thought was great considering I'm an adult, and this is a middle grade story. Usually I can figure out the plot twists, but not this time! One thing that got me wondering is how all these 11 and 12 year old kids each had their own cell phone. I know it's not impossible for a whole class of junior high children to have a cell phone, but it just seems improbable. While most of my questions were answered, I was left pondering over the ending as to why more questions weren't asked by the police or the parents. Another question I had, I won't go into detail because of spoilers, but it pertained to the kids and the water. I'll just leave it at that. Although Small Spaces is a series, it can be read as a standalone as there is no cliff hanger ending.
The pacing for Small Spaces starts out a bit slow, but it picks up quickly to a fantastic pace a few chapters in. It stays at a decent pace for the majority of the book until it slows a little bit towards the ending. I wouldn't say the pacing lets the book down in any way though.
I felt all the characters in Small Spaces were written very well especially as the main characters were written as middle schoolers. I felt every character was solid. I didn't really care for Ollie's personality though. For the first half of the book, especially, she came across as a bully. As this book is aimed towards kids that are impressionable, it kind of irked me that the main character was a little mean to others. I liked Brian. I thought he seemed like he'd be a great kid in real life. I admire how he wasn't ashamed to show his emotions at certain times. My favorite character was Coco. Coco had just moved from the city to Ollie's middle school. She seemed really vulnerable, yet Ollie was mean to her a lot of the time. I just wanted to hug and protect Coco. She was such a sweet girl to everyone unlike Ollie. Coco came across as a happy go lucky girl.
Trigger warnings in Small Spaces besides being a scary story include death, minor violence, a minor profanity (one of the characters says hell), ghosts, and bullying.
All in all, Small Spaces is a fantastic scary read despite some minor flaws. It's got such a great spooky plot and characters that feel realistic. I would definitely recommend Small Spaces by Katherine Arden to everyone aged 10+ who love to be spooked! R.L. Stine better watch out; Katherine Arden could give him a run for his money judging by this book! Even though Small Spaces can stand on its own, I will definitely be reading the next book in the Small Spaces series.
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(Thank you to Netgalley for providing me with an eBook of Small Spaces by Katherine Arden in exchange for an honest and unbiased review.)
Olivia, or Ollie as she prefers, is in middle school. She loves reading and books, so when she comes across a sobbing lady getting ready to throw a book in a river, she steals it before the woman has a chance to do so. Ollie thinks the book she stole is just a creepy ghost story, but she soon realizes it is anything but fiction! When her class goes on a field trip to a farm, Ollie realizes just how true the book is. When the field trip bus breaks down in the middle of nowhere, Ollie and two friends decided to leave the bus fearing that they may be in even worse danger if they stay on the bus. With the help of her broken watch from her deceased mother, Ollie must be very careful if she wants to return home unscathed.
I did enjoy the plot of Small Spaces. I felt like I was reading a R.L. Stine novel! Katherine Arden did such a fantastic job with this story in keeping it interesting. There were a few times were the story felt a little disjointed with what was going on as it sometimes seemed as if Small Spaces wanted to be more of a ghost story other than what it actually was. However, it was still a great plot! There was one plot twist I didn't see coming which I thought was great considering I'm an adult, and this is a middle grade story. Usually I can figure out the plot twists, but not this time! One thing that got me wondering is how all these 11 and 12 year old kids each had their own cell phone. I know it's not impossible for a whole class of junior high children to have a cell phone, but it just seems improbable. While most of my questions were answered, I was left pondering over the ending as to why more questions weren't asked by the police or the parents. Another question I had, I won't go into detail because of spoilers, but it pertained to the kids and the water. I'll just leave it at that. Although Small Spaces is a series, it can be read as a standalone as there is no cliff hanger ending.
The pacing for Small Spaces starts out a bit slow, but it picks up quickly to a fantastic pace a few chapters in. It stays at a decent pace for the majority of the book until it slows a little bit towards the ending. I wouldn't say the pacing lets the book down in any way though.
I felt all the characters in Small Spaces were written very well especially as the main characters were written as middle schoolers. I felt every character was solid. I didn't really care for Ollie's personality though. For the first half of the book, especially, she came across as a bully. As this book is aimed towards kids that are impressionable, it kind of irked me that the main character was a little mean to others. I liked Brian. I thought he seemed like he'd be a great kid in real life. I admire how he wasn't ashamed to show his emotions at certain times. My favorite character was Coco. Coco had just moved from the city to Ollie's middle school. She seemed really vulnerable, yet Ollie was mean to her a lot of the time. I just wanted to hug and protect Coco. She was such a sweet girl to everyone unlike Ollie. Coco came across as a happy go lucky girl.
Trigger warnings in Small Spaces besides being a scary story include death, minor violence, a minor profanity (one of the characters says hell), ghosts, and bullying.
All in all, Small Spaces is a fantastic scary read despite some minor flaws. It's got such a great spooky plot and characters that feel realistic. I would definitely recommend Small Spaces by Katherine Arden to everyone aged 10+ who love to be spooked! R.L. Stine better watch out; Katherine Arden could give him a run for his money judging by this book! Even though Small Spaces can stand on its own, I will definitely be reading the next book in the Small Spaces series.
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(Thank you to Netgalley for providing me with an eBook of Small Spaces by Katherine Arden in exchange for an honest and unbiased review.)
Gareth von Kallenbach (977 KP) rated By The Sea (2015) in Movies
Aug 6, 2019
Today, we have yet another film that strays from ‘the norm’. A film that not only stars one of the most beloved celebrity couples on the planet but also harkens back to the Italian dramatic films of the late 1960s/early 70s. It most definitely qualifies as an ‘art house’ film.
Since the world saw Angelina Jolie and Brad Pitt together in ‘Mr. & Mrs. Smith’ it has awaited the day when the couple would appear together again in another film. Although it’s not the sequel to THAT film many had hoped for, it is most definitely and intriguing look at how the couple appear together in a movie in a completely genre with the creative control Angelina had.
‘By the Sea’ stars Angelina Jolie Pitt, Brad Pitt, Mélanie Laurent, Melvil Poupaud, Niels Arestrup, and Richard Bohringer. The film was also written, directed, and co-produced by Angelina with Brad Pitt serving as co-producer.
The film opens in the south of France in the mid-1970s. Roland (Brad Pitt), a writer from New York City and his wife Vannessa (Angelina Jolie Pitt), a former dancer, have traveled to a seaside town to quote,”Get away from it all”. Their marriage is strained and there is a distance between the two that is sometimes obvious to those around them and hidden at other times. The trip is clearly an effort by them to reconnect with one another but they spend much of their time apart once they get settled. Rolland is attempting to write another book but he cannot find anything as inspiration and Vanessa is using drugs and alcohol to numb the pain of a recent trauma. When they’re not spending their time alone they associate with some of the towns more colorful characters including the local barkeeper/cafe owner, the hotel manager, and a newlywed couple who are spending their honeymoon not only in the same town but in the room next door. One night, just when it seems like the strain of their marriage will finally snap a bizarre occurrence in their hotel room leads to a reconnection despite its volatile nature.
First off, I have not seen all the films that Angelina and Brad have appeared in but I must say I the both of them were almost completely unrecognizable in the way they portray the characters. Second, I believe this is Angelina’s second run as director and if this film and her previous film ‘Unbroken’ are any Indiction I believe we’ll see her directing movies in the future more than acting.
This film was a true homage the the Italian dramatic films of the 1970s I mentioned earlier.
The only way I believe they could’ve ‘replicated’ that so precisely would be to have filmed the movie with the cameras and equipment available to film makers during that period. Christian Berger the film’s cinematographer used mostly natural light throughout the filming process which was also one of the most impressive qualities of the movie which is not done nearly enough with modern film in my opinion.
Not everyone is going to like this film. It’s quite unique when put side by side with ‘modern day American movies’. Even if you are a die hard fan of either Angelina and or Brad’s work that alone might not save the film in your eyes. Some critics are calling this film a ‘vanity project’ on the part of Jolie and Pitt. I find that to be ridiculous. No sane person would’ve made that accusation against Humphrey Bogart and Lauren Bacall. Everyone’s been screaming for Angelina and Brad to make another film together. Big deal if they want to have creative control over it too. They’re both accomplished actors and decided to put together a film themselves and and get other accomplished cast and crew members to sign on for the project. Honestly what the hell more do the critics want? If you are a fan of foreign movies or curious about the second acting collaboration between the husband and wife power couple though you should see it. I’d actually recommend checking out one or two films from the genre/era it represents before going to see this one.
The film is rated R and clocks in at 132 minutes. I’d recommend catching it at a small indie or art house theater and make sure you grab some snacks and a drink for this one. It opens in all the major theaters Friday the 18th of November but you can catch in those smaller theaters now.
It’s not my normal ‘cup of coffee’ but I will give the film 4 stars.
Since the world saw Angelina Jolie and Brad Pitt together in ‘Mr. & Mrs. Smith’ it has awaited the day when the couple would appear together again in another film. Although it’s not the sequel to THAT film many had hoped for, it is most definitely and intriguing look at how the couple appear together in a movie in a completely genre with the creative control Angelina had.
‘By the Sea’ stars Angelina Jolie Pitt, Brad Pitt, Mélanie Laurent, Melvil Poupaud, Niels Arestrup, and Richard Bohringer. The film was also written, directed, and co-produced by Angelina with Brad Pitt serving as co-producer.
The film opens in the south of France in the mid-1970s. Roland (Brad Pitt), a writer from New York City and his wife Vannessa (Angelina Jolie Pitt), a former dancer, have traveled to a seaside town to quote,”Get away from it all”. Their marriage is strained and there is a distance between the two that is sometimes obvious to those around them and hidden at other times. The trip is clearly an effort by them to reconnect with one another but they spend much of their time apart once they get settled. Rolland is attempting to write another book but he cannot find anything as inspiration and Vanessa is using drugs and alcohol to numb the pain of a recent trauma. When they’re not spending their time alone they associate with some of the towns more colorful characters including the local barkeeper/cafe owner, the hotel manager, and a newlywed couple who are spending their honeymoon not only in the same town but in the room next door. One night, just when it seems like the strain of their marriage will finally snap a bizarre occurrence in their hotel room leads to a reconnection despite its volatile nature.
First off, I have not seen all the films that Angelina and Brad have appeared in but I must say I the both of them were almost completely unrecognizable in the way they portray the characters. Second, I believe this is Angelina’s second run as director and if this film and her previous film ‘Unbroken’ are any Indiction I believe we’ll see her directing movies in the future more than acting.
This film was a true homage the the Italian dramatic films of the 1970s I mentioned earlier.
The only way I believe they could’ve ‘replicated’ that so precisely would be to have filmed the movie with the cameras and equipment available to film makers during that period. Christian Berger the film’s cinematographer used mostly natural light throughout the filming process which was also one of the most impressive qualities of the movie which is not done nearly enough with modern film in my opinion.
Not everyone is going to like this film. It’s quite unique when put side by side with ‘modern day American movies’. Even if you are a die hard fan of either Angelina and or Brad’s work that alone might not save the film in your eyes. Some critics are calling this film a ‘vanity project’ on the part of Jolie and Pitt. I find that to be ridiculous. No sane person would’ve made that accusation against Humphrey Bogart and Lauren Bacall. Everyone’s been screaming for Angelina and Brad to make another film together. Big deal if they want to have creative control over it too. They’re both accomplished actors and decided to put together a film themselves and and get other accomplished cast and crew members to sign on for the project. Honestly what the hell more do the critics want? If you are a fan of foreign movies or curious about the second acting collaboration between the husband and wife power couple though you should see it. I’d actually recommend checking out one or two films from the genre/era it represents before going to see this one.
The film is rated R and clocks in at 132 minutes. I’d recommend catching it at a small indie or art house theater and make sure you grab some snacks and a drink for this one. It opens in all the major theaters Friday the 18th of November but you can catch in those smaller theaters now.
It’s not my normal ‘cup of coffee’ but I will give the film 4 stars.
Gareth von Kallenbach (977 KP) rated Spotlight (2015) in Movies
Aug 6, 2019
Greetings & Salutations Fellow Movie Fanatics!
We’ve definitely got a serious drama film for you this time around. Not for the faint of heart but
one that discusses a serious controversy that shook the foundations of the Catholic community
not only in the city of Boston but also America and the rest of the world.
Directed by Thomas McCarthy (The Station Agent, The Visitor, Up, Win Win, Million Dollar Arm,
and The Cobbler) and co-written by McCarthy and Josh Singer (The West Wing, Law &
Order:SVU) ‘Spotlight’ follows the Boston Globe’s investigation and coverage of the
Massachusetts Catholic sex abuse scandal which was brought to the public’s attention in early
2002 after nearly a year of investigation and research by the Boston Globe’s ‘Spotlight Team’
the oldest continuously running newspaper investigative group in the United States.
Starring Mark Ruffalo, Michael Keaton, Rachel McAdams, and Brian d’Arcy James, as reporters
Michael Rezendes, Walter “Robby” Robinson, Sacha Pfeiffer, and Matt Carroll, the movie
begins just after the Globe’s new editor Marty Baron’s (Liev Schreiber) arrival in Boston. At a
time when more and more people are going to the Internet to get their news the Globe is like
many other large newspapers around the country facing declining revenue and possible job
losses. What appears to be an isolated case involving one priest soon evolves into something
much bigger than one church or one diocese and the Spotlight Team sets out to uncover a
conspiracy within the church hide an epidemic of abuse which has been covered up for
decades.
To say that this scandal is horrifying to think about is an understatement. Knowing it was
covered up for so many years is even worse. I remember when I first started seeing the news
stories about it how sick it made me feel. In a day and age where the news is now more about
ratings and how many news organizations have become compromised and biased beyond
belief, the truth no matter how bad it might be is a rare thing. This film is basically a dramatic,
well written, and well acted account of the reporter’s investigation into the scandal … the
complete and true story and its scope … and bring it to the public’s attention. So that the people
would know what happened and also perhaps, help bring some sort of closure to the victims.
The film helps to put the whole scandal and its scope in perspective.
With an excellent supporting cast including Gene Amoroso, John Slattery, Liev Schreiber,
Jamey Sheridan, Stanley Tucci, Billy Crudup, Maureen Keiller, Paul Guilfoyle, Len Cariou,
Neal Huff, and Michael Cyril Creighton, ‘Spotlight’ is a film certainly worthy of mention. It shows
that sometimes even in this world of ‘instant news’ that sometimes, the most important stories
are brought to light they way they were brought to our attention before the Internet, before
computers, before satellites. By honest reporters who wanted the public to know the truth.
I’m giving this film 4 out of 5 stars. As I mentioned earlier, it puts the whole scandal in
perspective and allows you to see it theoretically from the perspective of the reporters and the
situations it sometimes places them in in their public and personal lives.
On behalf of my fellows at ‘Skewed & Reviewed’ i’d like to say Thanks For Reading’ and we’ll
see you at the movies
Review By Lauren Dove
The movie all together was slower than I thought it might be. Coming from a person that enjoys conspiracy theories, I enjoyed the movie. However, someone who is not interested in the plot line I don’t think would enjoy it.
I think the movie could have added a little more drama, in order to draw in more people. I would watch this movie when comes out on dvd, probably would not pay money to see in a movie theater. I think the facts themselves were shocking to a lot people although it wasn’t surprising for me. A large powerful group such as the church I would expect some corruption.
I feel like the plot line built up and was expecting this grand finally that never came. I was expecting this to go a lot farther than it did. It really didn’t tell us what happened to the people themselves who were found guilty. Or what was done or not done to change after all the victims came forward with all these accusations of being sexually abused by priest in the Catholic Church. I would give this movie 3 out of 5 stars.
We’ve definitely got a serious drama film for you this time around. Not for the faint of heart but
one that discusses a serious controversy that shook the foundations of the Catholic community
not only in the city of Boston but also America and the rest of the world.
Directed by Thomas McCarthy (The Station Agent, The Visitor, Up, Win Win, Million Dollar Arm,
and The Cobbler) and co-written by McCarthy and Josh Singer (The West Wing, Law &
Order:SVU) ‘Spotlight’ follows the Boston Globe’s investigation and coverage of the
Massachusetts Catholic sex abuse scandal which was brought to the public’s attention in early
2002 after nearly a year of investigation and research by the Boston Globe’s ‘Spotlight Team’
the oldest continuously running newspaper investigative group in the United States.
Starring Mark Ruffalo, Michael Keaton, Rachel McAdams, and Brian d’Arcy James, as reporters
Michael Rezendes, Walter “Robby” Robinson, Sacha Pfeiffer, and Matt Carroll, the movie
begins just after the Globe’s new editor Marty Baron’s (Liev Schreiber) arrival in Boston. At a
time when more and more people are going to the Internet to get their news the Globe is like
many other large newspapers around the country facing declining revenue and possible job
losses. What appears to be an isolated case involving one priest soon evolves into something
much bigger than one church or one diocese and the Spotlight Team sets out to uncover a
conspiracy within the church hide an epidemic of abuse which has been covered up for
decades.
To say that this scandal is horrifying to think about is an understatement. Knowing it was
covered up for so many years is even worse. I remember when I first started seeing the news
stories about it how sick it made me feel. In a day and age where the news is now more about
ratings and how many news organizations have become compromised and biased beyond
belief, the truth no matter how bad it might be is a rare thing. This film is basically a dramatic,
well written, and well acted account of the reporter’s investigation into the scandal … the
complete and true story and its scope … and bring it to the public’s attention. So that the people
would know what happened and also perhaps, help bring some sort of closure to the victims.
The film helps to put the whole scandal and its scope in perspective.
With an excellent supporting cast including Gene Amoroso, John Slattery, Liev Schreiber,
Jamey Sheridan, Stanley Tucci, Billy Crudup, Maureen Keiller, Paul Guilfoyle, Len Cariou,
Neal Huff, and Michael Cyril Creighton, ‘Spotlight’ is a film certainly worthy of mention. It shows
that sometimes even in this world of ‘instant news’ that sometimes, the most important stories
are brought to light they way they were brought to our attention before the Internet, before
computers, before satellites. By honest reporters who wanted the public to know the truth.
I’m giving this film 4 out of 5 stars. As I mentioned earlier, it puts the whole scandal in
perspective and allows you to see it theoretically from the perspective of the reporters and the
situations it sometimes places them in in their public and personal lives.
On behalf of my fellows at ‘Skewed & Reviewed’ i’d like to say Thanks For Reading’ and we’ll
see you at the movies
Review By Lauren Dove
The movie all together was slower than I thought it might be. Coming from a person that enjoys conspiracy theories, I enjoyed the movie. However, someone who is not interested in the plot line I don’t think would enjoy it.
I think the movie could have added a little more drama, in order to draw in more people. I would watch this movie when comes out on dvd, probably would not pay money to see in a movie theater. I think the facts themselves were shocking to a lot people although it wasn’t surprising for me. A large powerful group such as the church I would expect some corruption.
I feel like the plot line built up and was expecting this grand finally that never came. I was expecting this to go a lot farther than it did. It really didn’t tell us what happened to the people themselves who were found guilty. Or what was done or not done to change after all the victims came forward with all these accusations of being sexually abused by priest in the Catholic Church. I would give this movie 3 out of 5 stars.
Gareth von Kallenbach (977 KP) rated Brick Mansions (2014) in Movies
Aug 6, 2019
3 weeks ago, I had never heard of this movie. I happened upon the commercial as I was watching TV
one day, and I was intrigued. Brick Mansions is touted as Paul Walker’s last complete movie, may he
rest his in peace. But I am really hoping that it’s not true. Because if it is, I really have to question some
of the filmmakers’ decisions.
Brick Mansions comes from the creative mind of Luc Besson, who happened to also write District B13
which this movie is a remake of. In fact, David Belle, who plays Leno in the movie, played the same role
in District B13. Leno is a man who lives in Brick Mansions, a highly-dilapidated area of Detroit in 2018,
who is trying to thwart the big boss in Brick Mansions, Tremaine (RZA), and keep drugs off the streets.
When Leno steals 20 Kilos of cocaine and destroys it, Tremaine kidnaps his ex-girlfriend to lure him in
and ultimately land him in jail. Damien (Paul Walker) is an undercover cop looking to take down the
organization that killed his father, who was also a cop. He traces it back to Tremaine, and desperately
wants to take him down. When a threat of a bomb going off that could obliterate Brick Mansions,
Damien is asked to infiltrate the city, and he must enlist the help of Leno to pull it off. As Damien and
Leno race against time to disarm the bomb, they realize that they may have misjudged each other, and
the threat at hand.
IMDB credits Belle as the founder of Parkour. I do not know if it is true or not, but the man definitely
makes it seems like it. The fight scenes were excellently choreographed, if not a bit cheesy at times
(Walker and Belle doing mirror image Parkour in perfect unison). It was nice to see the parity between
Damien’s style of getting things done Leno’s style, and the film was definitely not afraid to focus on
strengths. And it wouldn’t be a Paul Walker movie these days if the man didn’t have a driving/chase
scene. It was not focus-stealing or over the top, in fact there was just enough of an emphasis to show
that it was a respectful nod to what made Walker so famous.
I had two major issues with the movie, though. The first being the overuse of slow motion in the fight
scenes. Especially the one between Tremaine’s right-hand woman Rayza (Ayisha Issa) and Leno’s ex-
girlfriend, Lola (Catalina Denis). It seemed that every 10-15 seconds they would slow time to focus
on the most asinine thing in the shot, but only for 1-2 seconds and then speed the scene back up. It
seemed like a real quick and easy way to extend the scene and pad the length of the movie.
My other gripe had to do with how quickly the conflicts resolved themselves in the film. First, spoiler
alert. If you do not want to know the resolution of the one of the major plot-points, please skip this
paragraph. All the way up until mere moments before Damien and Leno get access to the bomb to
defuse it, everyone is certain that Tremaine is bad guy, and rightfully so. He is an ex-military, now drug-
lord that essentially monopolized the crime in Brick Mansions. But when he shows one out-of-character
moment of compassion, Lola defends his actions which leads to a quick turnaround of “now we can trust
this guy” among the main characters. It just didn’t make sense in the scheme of things. And that’s just
the tip of the iceberg on this point. But I will leave the rest for the movie.
All-in-all, I liked this movie. It had a feel like a Jet Li movie when he was first trying to break into
American Cinema (a la Romeo Must Die and Cradle 2 Grave). And it might just be the same for David
Belle, who already has a slew of stunt work under his belt. It would be nice to see him get some more
starring things. Would I have paid to watch it in theater? Probably, as I wouldn’t know exactly what
I was in store for. Will I go back and do it now, no. But I can say I will end up picking it up on Blu-ray
when it is released.
one day, and I was intrigued. Brick Mansions is touted as Paul Walker’s last complete movie, may he
rest his in peace. But I am really hoping that it’s not true. Because if it is, I really have to question some
of the filmmakers’ decisions.
Brick Mansions comes from the creative mind of Luc Besson, who happened to also write District B13
which this movie is a remake of. In fact, David Belle, who plays Leno in the movie, played the same role
in District B13. Leno is a man who lives in Brick Mansions, a highly-dilapidated area of Detroit in 2018,
who is trying to thwart the big boss in Brick Mansions, Tremaine (RZA), and keep drugs off the streets.
When Leno steals 20 Kilos of cocaine and destroys it, Tremaine kidnaps his ex-girlfriend to lure him in
and ultimately land him in jail. Damien (Paul Walker) is an undercover cop looking to take down the
organization that killed his father, who was also a cop. He traces it back to Tremaine, and desperately
wants to take him down. When a threat of a bomb going off that could obliterate Brick Mansions,
Damien is asked to infiltrate the city, and he must enlist the help of Leno to pull it off. As Damien and
Leno race against time to disarm the bomb, they realize that they may have misjudged each other, and
the threat at hand.
IMDB credits Belle as the founder of Parkour. I do not know if it is true or not, but the man definitely
makes it seems like it. The fight scenes were excellently choreographed, if not a bit cheesy at times
(Walker and Belle doing mirror image Parkour in perfect unison). It was nice to see the parity between
Damien’s style of getting things done Leno’s style, and the film was definitely not afraid to focus on
strengths. And it wouldn’t be a Paul Walker movie these days if the man didn’t have a driving/chase
scene. It was not focus-stealing or over the top, in fact there was just enough of an emphasis to show
that it was a respectful nod to what made Walker so famous.
I had two major issues with the movie, though. The first being the overuse of slow motion in the fight
scenes. Especially the one between Tremaine’s right-hand woman Rayza (Ayisha Issa) and Leno’s ex-
girlfriend, Lola (Catalina Denis). It seemed that every 10-15 seconds they would slow time to focus
on the most asinine thing in the shot, but only for 1-2 seconds and then speed the scene back up. It
seemed like a real quick and easy way to extend the scene and pad the length of the movie.
My other gripe had to do with how quickly the conflicts resolved themselves in the film. First, spoiler
alert. If you do not want to know the resolution of the one of the major plot-points, please skip this
paragraph. All the way up until mere moments before Damien and Leno get access to the bomb to
defuse it, everyone is certain that Tremaine is bad guy, and rightfully so. He is an ex-military, now drug-
lord that essentially monopolized the crime in Brick Mansions. But when he shows one out-of-character
moment of compassion, Lola defends his actions which leads to a quick turnaround of “now we can trust
this guy” among the main characters. It just didn’t make sense in the scheme of things. And that’s just
the tip of the iceberg on this point. But I will leave the rest for the movie.
All-in-all, I liked this movie. It had a feel like a Jet Li movie when he was first trying to break into
American Cinema (a la Romeo Must Die and Cradle 2 Grave). And it might just be the same for David
Belle, who already has a slew of stunt work under his belt. It would be nice to see him get some more
starring things. Would I have paid to watch it in theater? Probably, as I wouldn’t know exactly what
I was in store for. Will I go back and do it now, no. But I can say I will end up picking it up on Blu-ray
when it is released.
Gareth von Kallenbach (977 KP) rated Battle: Los Angeles (2011) in Movies
Aug 7, 2019
War movies depicting a group of soldiers against overwhelming odds are nothing new. For generations, moviegoers have been treated to cinematic recreations as well as new scenarios of fighting units in combat. Usually these films follow a typical formula that includes the tough and gritty commanding officer, the naïve new soldier, the one with a woman and children waiting at home, and one who has difficulties with combat. In the new movie Battle: Los Angeles a new twist is given to the formulaic troops-in-combat picture which produces a mixed bag of results.
Aaron Eckhart stars as Staff Sgt. Michael Nantz; a 20 year Marine who, after losing men on a recent mission, has decided that it is time for him to leave and has filed his retirement paperwork from the corps. While completing a training exercise, Nantz and a squadron of Marines at Camp Pendleton are activated for what they are told is an evacuation mission in order to clear Santa Monica and other area residents from a swarm of meteors which are scheduled to hit just off the coast.
Nantz is assigned to a new commanding officer who, like the men in his unit, is wary of Nantz as many believe that he got his men killed in his last assignment. Despite the misgivings of the new lieutenant, he agrees that Nantz offers a wealth of experience and should be just fine for a simple evacuation assignment.
However during the mission briefing, the Marines are informed that the meteors that are hitting off the coast of major cities around the world contain metallic centers and that this is very likely an invasion from an unknown force. While the Marines are deploying an otherworldly fighting unit emerges destroying everything in their path as they moved inland from the coast line. Unsure what they are dealing with, the military decides to carpet bomb the city in order to contain the alien threat and give Nantz and his unit three hours to enter the combat zone and evacuate civilians from a police station.
While the movie is for the most part the standard soldiers-at-war film which substitute’s aliens for the usual enemy forces, the strength of the cast and the solid action and special effects help the movie overcome many of its shortcomings. There is little character development in the film and scenarios that were introduced in some of the characters’ backstories early in the film were given little to no chance to develop once the shooting started.
I also had an issue with some of the tactics in the film. While it may seem nitpicking there were a few scenes where the soldiers didn’t follow logical courses of engagement until later in the film. I have had only the most basic of combat instruction from my brief time in the Air Force, yet I can think of at least four scenarios in the film where the unit failed to use the most logical options available in their combat situation. Of course any film dealing with an alien invasion is sure to have plot holes and yes I can quibble about the Air Force waiting three hours to bomb a heavily overrun area when containment would have been priority one in not allowing a hostile force that much time to entrench itself.
That being said it was an interesting and entertaining film. The enemy was sufficiently mysterious and dangerous enough to hold my interest and had me rooting desperately for the troops to rise up and strike back at the enemy. Michelle Rodriguez does fine supporting work in the role of an Air Force Tech Sgt. who may have the key to turning the tide of the battle. Eckhart is solid as the gruff but caring staff sergeant is equally strong and his unit of young corporals, including R&B singer Ne-Yo, are believable.
Director Jonathan Liebesman knows the core intention of this film is and in doing so provides enough action to keep the audience entertained throughout. despite some issues with pacing and plot. While it doesn’t have the epic feel of Independence Day, Battle: Los Angeles is a film that provides enough entertainment to make it one of the better alien invasion films ever made and one that I certainly would not mind seeing revisited in a future sequel.
3.5 stars out of 5
Aaron Eckhart stars as Staff Sgt. Michael Nantz; a 20 year Marine who, after losing men on a recent mission, has decided that it is time for him to leave and has filed his retirement paperwork from the corps. While completing a training exercise, Nantz and a squadron of Marines at Camp Pendleton are activated for what they are told is an evacuation mission in order to clear Santa Monica and other area residents from a swarm of meteors which are scheduled to hit just off the coast.
Nantz is assigned to a new commanding officer who, like the men in his unit, is wary of Nantz as many believe that he got his men killed in his last assignment. Despite the misgivings of the new lieutenant, he agrees that Nantz offers a wealth of experience and should be just fine for a simple evacuation assignment.
However during the mission briefing, the Marines are informed that the meteors that are hitting off the coast of major cities around the world contain metallic centers and that this is very likely an invasion from an unknown force. While the Marines are deploying an otherworldly fighting unit emerges destroying everything in their path as they moved inland from the coast line. Unsure what they are dealing with, the military decides to carpet bomb the city in order to contain the alien threat and give Nantz and his unit three hours to enter the combat zone and evacuate civilians from a police station.
While the movie is for the most part the standard soldiers-at-war film which substitute’s aliens for the usual enemy forces, the strength of the cast and the solid action and special effects help the movie overcome many of its shortcomings. There is little character development in the film and scenarios that were introduced in some of the characters’ backstories early in the film were given little to no chance to develop once the shooting started.
I also had an issue with some of the tactics in the film. While it may seem nitpicking there were a few scenes where the soldiers didn’t follow logical courses of engagement until later in the film. I have had only the most basic of combat instruction from my brief time in the Air Force, yet I can think of at least four scenarios in the film where the unit failed to use the most logical options available in their combat situation. Of course any film dealing with an alien invasion is sure to have plot holes and yes I can quibble about the Air Force waiting three hours to bomb a heavily overrun area when containment would have been priority one in not allowing a hostile force that much time to entrench itself.
That being said it was an interesting and entertaining film. The enemy was sufficiently mysterious and dangerous enough to hold my interest and had me rooting desperately for the troops to rise up and strike back at the enemy. Michelle Rodriguez does fine supporting work in the role of an Air Force Tech Sgt. who may have the key to turning the tide of the battle. Eckhart is solid as the gruff but caring staff sergeant is equally strong and his unit of young corporals, including R&B singer Ne-Yo, are believable.
Director Jonathan Liebesman knows the core intention of this film is and in doing so provides enough action to keep the audience entertained throughout. despite some issues with pacing and plot. While it doesn’t have the epic feel of Independence Day, Battle: Los Angeles is a film that provides enough entertainment to make it one of the better alien invasion films ever made and one that I certainly would not mind seeing revisited in a future sequel.
3.5 stars out of 5
Lee (2222 KP) rated Sonic the Hedgehog (2020) in Movies
Feb 17, 2020
It’s been a very long time since I played the Sonic the Hedgehog video games on my brothers SEGA Megadrive. I was, and always have been, a Nintendo guy, so since then my only experience of Sonic has been when he joins forces with Mario and Co for Mario and Sonic at the Olympic Games. I do have good memories of his solo outings though, and he is clearly an enduring and popular character, ideally suited for a CGI/live action movie.
When we first meet Sonic, he’s a young hedgehog on his home world, zipping about the place without a care in the world and being mentored by an owl called Longclaw. Before we get a chance to learn anything about Longclaw and the world that he and Sonic inhabit, some bad guy echidnas show up, looking to get their hands on Sonic and his speedy powers. Longclaw gives Sonic a bag of rings that can be used to open a portal to another world, and after opening one for him to escape through, tells him to use one whenever he is in danger of being captured.
Cut to Green Hills, Montana where we meet local sheriff Tom Wachowski (James Marsden) and his wife Maddie (Tika Sumpter). Tom has been accepted, pending background checks, into the San Francisco police department, and he and Maddie are currently in the process of looking at houses there. We also learn that a now grown up Sonic has found his way into our world and has been living in hiding in Green Hills for some time now. The local crazy old man, Crazy Carl, claims to have seen a ‘blue devil’ on a number of occasions, but otherwise Sonic has managed to stay hidden. He’s even got himself a little underground man cave, and has become quite attached to Tom and Maddie, observing and following their every day lives from afar.
When Sonic manages to cause a city-wide power outage one evening, he draws the attention of the government, who bring in mad scientist Dr Robotnik (Jim Carrey) to investigate. When the gold rings that Sonic needs to transport to another world are mislaid, and as Robotnik and his team close in on him, Sonic makes himself known to an unsuspecting Tom and asks for his help. The movie then becomes a road trip, with them both on the run, evading Dr Robotnik and searching for the gold rings.
The CGI representation of Sonic had been something of a hot talking point, ever since the release of the first trailer sparked a huge online backlash. Looking more human, with smaller eyes, and longer limbs, the reaction of horror by anyone vaguely familiar with the character was enough to make director Jeff Fowler stand up and take notice, and the release date of the movie was pushed back to allow for some serious rework by the VFX team. Thankfully, when the new trailer was released, it was to a much more positive reaction, and rightfully so - Sonic was now much more aligned to his video game persona and on the receiving end of some pretty decent marketing material and promotion to back it all up. Ben Schwartz provides the voice for Sonic, giving him a wonderful childlike quality - in awe of the world around him, funny and confident in his abilities, but never really coming across as an annoying brat.
Jim Carrey brings to Robotnik the kind of madcap comedy that he we haven’t seen from him in a long time and is a delight in every scene he features. James Marsden is no stranger to appearing alongside CGI characters in children’s movies, and does his part well once again. Outside of that, the rest of the cast don’t get much to work with and kind of just fade into the background.
Overall, Sonic the Hedgehog is a fairly enjoyable movie, but it’s also instantly forgettable. It’s been a couple of days since I saw it and, apart from a couple of fun action scenes along the way, and the climactic showdown, I really don’t remember very much about it. If you’ve seen the wonderful scenes in the X-Men movies where QuickSilver zips around, interacting with characters and scenery as though time has stood still, then there are a few scenes just like that for you to enjoy. It’s a much better movie than I was expecting to see, but ultimately I think it could have been a hello a lot worse if they’d stuck to their guns with the original character design.
When we first meet Sonic, he’s a young hedgehog on his home world, zipping about the place without a care in the world and being mentored by an owl called Longclaw. Before we get a chance to learn anything about Longclaw and the world that he and Sonic inhabit, some bad guy echidnas show up, looking to get their hands on Sonic and his speedy powers. Longclaw gives Sonic a bag of rings that can be used to open a portal to another world, and after opening one for him to escape through, tells him to use one whenever he is in danger of being captured.
Cut to Green Hills, Montana where we meet local sheriff Tom Wachowski (James Marsden) and his wife Maddie (Tika Sumpter). Tom has been accepted, pending background checks, into the San Francisco police department, and he and Maddie are currently in the process of looking at houses there. We also learn that a now grown up Sonic has found his way into our world and has been living in hiding in Green Hills for some time now. The local crazy old man, Crazy Carl, claims to have seen a ‘blue devil’ on a number of occasions, but otherwise Sonic has managed to stay hidden. He’s even got himself a little underground man cave, and has become quite attached to Tom and Maddie, observing and following their every day lives from afar.
When Sonic manages to cause a city-wide power outage one evening, he draws the attention of the government, who bring in mad scientist Dr Robotnik (Jim Carrey) to investigate. When the gold rings that Sonic needs to transport to another world are mislaid, and as Robotnik and his team close in on him, Sonic makes himself known to an unsuspecting Tom and asks for his help. The movie then becomes a road trip, with them both on the run, evading Dr Robotnik and searching for the gold rings.
The CGI representation of Sonic had been something of a hot talking point, ever since the release of the first trailer sparked a huge online backlash. Looking more human, with smaller eyes, and longer limbs, the reaction of horror by anyone vaguely familiar with the character was enough to make director Jeff Fowler stand up and take notice, and the release date of the movie was pushed back to allow for some serious rework by the VFX team. Thankfully, when the new trailer was released, it was to a much more positive reaction, and rightfully so - Sonic was now much more aligned to his video game persona and on the receiving end of some pretty decent marketing material and promotion to back it all up. Ben Schwartz provides the voice for Sonic, giving him a wonderful childlike quality - in awe of the world around him, funny and confident in his abilities, but never really coming across as an annoying brat.
Jim Carrey brings to Robotnik the kind of madcap comedy that he we haven’t seen from him in a long time and is a delight in every scene he features. James Marsden is no stranger to appearing alongside CGI characters in children’s movies, and does his part well once again. Outside of that, the rest of the cast don’t get much to work with and kind of just fade into the background.
Overall, Sonic the Hedgehog is a fairly enjoyable movie, but it’s also instantly forgettable. It’s been a couple of days since I saw it and, apart from a couple of fun action scenes along the way, and the climactic showdown, I really don’t remember very much about it. If you’ve seen the wonderful scenes in the X-Men movies where QuickSilver zips around, interacting with characters and scenery as though time has stood still, then there are a few scenes just like that for you to enjoy. It’s a much better movie than I was expecting to see, but ultimately I think it could have been a hello a lot worse if they’d stuck to their guns with the original character design.
Charlie Cobra Reviews (1840 KP) rated I Am a Hero (2015) in Movies
Jul 7, 2020 (Updated Oct 29, 2020)
The Hero's Journey In The Zombie Apocalypse Is As Serious As It Is Funny
Contains spoilers, click to show
I have to say that this movie is one of the best zombie movies I've seen lately. From the beginning I like the way that the main character Hideo has these little moments where he zones out and has these little fantasies where he imagines himself as being more outgoing or heroic. Even if its just something small like the first one where he's at work and get's everyone cheering about being proud to work there when in reality he was just muttering to himself quietly. I really like how he's this kind of everyday regular guy who's just kind of down on his luck doubting himself. He's not where he thought he would be career wise which is hindering his relationship with his girlfriend and his co-workers. His girlfriend even kicks him out because of this and throws out some of his stuff. He really has bad luck because as he tries to make up for the fight with his girlfriend Tekko, he goes back to the apartment to find out that she has been infected by the ZQN virus and she attacks him and nearly infects him too. The ZQN's were pretty cool by the way. At first I thought that the whole cross-eyed look to them looked a little too silly but as it became a signature visualization that marked when someone had become a zombie. When his girlfriend turned it was quite horrifying as she contorted all over the place and did everything in her power to try and eat him. She even bit the door so violently she broke off all of her teeth, which was quite lucky for Hideo because when she bit him she didn't break the skin infecting him. The scene when he is running through the city and everything is in chaos was one of the more memorable scenes for me because so much was going on. There were ZQN's and regular people running all over the place in all directions and cars hitting people, but the car scene with the business man, the school girl Hiromi, and the taxi driver was spectacular. In fact one of the coolest things I've seen in a zombie movie is the school girl Hiromi who becomes a abnormal ZQN. She says that she was bit by a baby who was probably infected from breast milk if the mother was a ZQN. She didn't exhibit any symptoms for like 2 days and when she turns she doesn't attack Hideo but instead saves him by killing a ZQN that was trying to kill him. She has one eye that looks like a ZQN and has crazy superhuman strength but for some reason sleeps a lot. Most of the time in these survival zombie movies the story suffers from a lack of plot structure but a news report stating that the virus can't sustain itself at higher elevations make traveling to Mt. Fuji a destination propelling the plot further in a direction that makes sense. I also like how they used foreshadowing in certain scenes like when he finds a shopping basket with a logo of a marketplace, you can tell that place is more than likely the next destination. I also thought it was pretty cool how Hiromi wasn't the only abnormal and there was a weird "grudge" spider walking girl and then the infamous track star zombie with the crushed head. That one ran super fast and jumped really high and was pretty cool. One of the things I kind of didn't like was that Hideo had a gun for a lot of the movie but never even shot it until close to the end but it did go with the characters personality and make the story more interesting. It's just a little hard to believe. Also why weren't there anybody using any samurais swords on the zombies. I mean with the ZQN's being hard to kill because you need to destroy the whole brain, cutting their heads off would have been really efficient and machetes or swords would have been perfect. And just because it's Japan, I don't expect there to be swords everywhere but I'm surprised there wasn't even one. This movie was just so unexpectedly good it's hard for me to nitpick at things with it and I'm sure there's more that bothered me with it but I really enjoyed and liked this movie. I give this movie a 8/10 and my "Must See Seal of Approval"