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General Lee's Immortals: The Battles and Campaigns of the Branch-Lane Brigade in the Army of Northern Virginia, 1861-1865
Book
Two decades after the end of the Civil War, former Confederate officer Riddick Gatlin bewailed the...
LeftSideCut (3778 KP) rated The Falcon and the Winter Soldier in TV
Apr 24, 2021 (Updated Jul 16, 2021)
Contains spoilers, click to show
On the surface, The Falcon and the Winter Soldier starts off in a familiar fashion. The first couple of episodes feel like a (welcome) return to the earlier days of the MCU, but as the story develops, it just blossoms into so much more.
The narrative mainly focuses on the two titular Avengers taking on a revolutionary group, hell bent on returning to a post snap world. It deals head first with the fallout of Thanos' devastating blow in Infinity War, and the subsequent return of the 3.5 billion people who re-materialised after Endgame, and the issues that came with them. It's good to see that Marvel Studios aren't avoiding these complicated plot points that could have potentially just been swept under the rug.
The series also develops the John Walker/U.S. Agent comic story. Its well realised and Wyatt Russell is fantastic in the role. Daniel Brühl returns as Baron Zemo after an underwhelming narrative in Civil War, and unexpectedly is plain hilarious (and finally in full costume, even if it is for one scene).
As well as all this, fans of the comics are treated to a plethora of potential future stories - The introduction of Madripoor marks the first proper acknowledgement of X-Men material. Lesser known comic characters such as Isiah Bradley, Madame Hydra, Battlestar, Batroc, and Ayo are given screentime. There's even some carrots dangled for a potential Young Avengers adaption with the appearance of Eli Bradley/Patriot (and with Kate Bishop incoming, surely this is a thing)
Perhaps most importantly, TFATWS doesn't shy away from tackling race issues, touching upon real world events, and developing them into the plot. This spills over into the future of Captain America, and what the shield represents to the black community. There are some truly powerful moments of dialogue, especially between Isiah and Sam. It's all handled respectfully, and brings new depth the MCU, as they stride into a more diverse future.
With this series, and the preceding WandaVision, this new phase for the MCU is off to an incredibly strong start, and I'm so excited to see where they take it. Between Falcon rightfully taking the reigns as Captain America, the upcoming Shang Chi movie finally adapting the martial arts corner of Marvel for the MCU, and the tantalising promise of the multiverse, it's a good time to be a Marvel fan.
The narrative mainly focuses on the two titular Avengers taking on a revolutionary group, hell bent on returning to a post snap world. It deals head first with the fallout of Thanos' devastating blow in Infinity War, and the subsequent return of the 3.5 billion people who re-materialised after Endgame, and the issues that came with them. It's good to see that Marvel Studios aren't avoiding these complicated plot points that could have potentially just been swept under the rug.
The series also develops the John Walker/U.S. Agent comic story. Its well realised and Wyatt Russell is fantastic in the role. Daniel Brühl returns as Baron Zemo after an underwhelming narrative in Civil War, and unexpectedly is plain hilarious (and finally in full costume, even if it is for one scene).
As well as all this, fans of the comics are treated to a plethora of potential future stories - The introduction of Madripoor marks the first proper acknowledgement of X-Men material. Lesser known comic characters such as Isiah Bradley, Madame Hydra, Battlestar, Batroc, and Ayo are given screentime. There's even some carrots dangled for a potential Young Avengers adaption with the appearance of Eli Bradley/Patriot (and with Kate Bishop incoming, surely this is a thing)
Perhaps most importantly, TFATWS doesn't shy away from tackling race issues, touching upon real world events, and developing them into the plot. This spills over into the future of Captain America, and what the shield represents to the black community. There are some truly powerful moments of dialogue, especially between Isiah and Sam. It's all handled respectfully, and brings new depth the MCU, as they stride into a more diverse future.
With this series, and the preceding WandaVision, this new phase for the MCU is off to an incredibly strong start, and I'm so excited to see where they take it. Between Falcon rightfully taking the reigns as Captain America, the upcoming Shang Chi movie finally adapting the martial arts corner of Marvel for the MCU, and the tantalising promise of the multiverse, it's a good time to be a Marvel fan.
LeftSideCut (3778 KP) rated Black Widow (2021) in Movies
Jul 16, 2021
It should have happened way sooner, but finally, Black Widow is here, and in short, it's pretty damn good.
There are many questions that hang over the future of the MCU and the direction that they are going. With so many cogs in motion via the various limited series on Disney+ and the impending multiverse, this first theatrical realease of phase four is a welcome and grounded change of pace, focusing on a story set in a time period we've already seen before, more specifically, set between the events of Civil War and Infinity War.
Natasha Romanoff is a rich character. Her backstory has been teased a handful of times throughout the series, but her big moment in the spotlight really gets into it. The narrative is nicely paced, fairly dialogue heavy in places, but allows the story arc space to breathe. The set pieces peppered throughout are decent, including a stupidly entertaining finale, but they never detract from the many character moments between Natasha and her "family".
The cast are absolutely solid. Scarlett Johansson is Natasha Romanoff through and through. Her presence in the MCU all this time has been a welcome one. She is bolstered by a stacked supporting cast also. Florence Pugh is great as usual, and a fine addition to the ever growing MCU roster, as is David Harbour. It's always a pleasure to see Rachel Weisz in anything. Same for Ray Winstone, even when he's playing an awful shitpiece.
A couple of minore gripes - The Taskmaster we get here is certainly not the Taskmaster comic fans may be familiar with. The way they are slipped into the narrative makes sense, but I hope the "real" Taskmaster is out there somewhere. The version we have here is parallel to the version of Deadpool we saw in X-Men Origins: Wolverine, essentially a mute henchman which is a shame.
I also wasn't a huge fan of some of the editing, especially in the more action heavy segments, but it's not enough to de-rail what is a triumphant and overdue solo effort for a truly beloved character.
If this is indeed the last time we see Scarlett Johansson's Black Widow (which I'm sceptical about, what with the multiverse incoming and all that), then it's a fitting send off.
There are many questions that hang over the future of the MCU and the direction that they are going. With so many cogs in motion via the various limited series on Disney+ and the impending multiverse, this first theatrical realease of phase four is a welcome and grounded change of pace, focusing on a story set in a time period we've already seen before, more specifically, set between the events of Civil War and Infinity War.
Natasha Romanoff is a rich character. Her backstory has been teased a handful of times throughout the series, but her big moment in the spotlight really gets into it. The narrative is nicely paced, fairly dialogue heavy in places, but allows the story arc space to breathe. The set pieces peppered throughout are decent, including a stupidly entertaining finale, but they never detract from the many character moments between Natasha and her "family".
The cast are absolutely solid. Scarlett Johansson is Natasha Romanoff through and through. Her presence in the MCU all this time has been a welcome one. She is bolstered by a stacked supporting cast also. Florence Pugh is great as usual, and a fine addition to the ever growing MCU roster, as is David Harbour. It's always a pleasure to see Rachel Weisz in anything. Same for Ray Winstone, even when he's playing an awful shitpiece.
A couple of minore gripes - The Taskmaster we get here is certainly not the Taskmaster comic fans may be familiar with. The way they are slipped into the narrative makes sense, but I hope the "real" Taskmaster is out there somewhere. The version we have here is parallel to the version of Deadpool we saw in X-Men Origins: Wolverine, essentially a mute henchman which is a shame.
I also wasn't a huge fan of some of the editing, especially in the more action heavy segments, but it's not enough to de-rail what is a triumphant and overdue solo effort for a truly beloved character.
If this is indeed the last time we see Scarlett Johansson's Black Widow (which I'm sceptical about, what with the multiverse incoming and all that), then it's a fitting send off.
Ross (3284 KP) rated Justice League (2017) in Movies
Aug 7, 2018
A rushed DC version of Infinity Wars
This film just missed the mark on so many different aspects. It had high ambitions but just let itself down pretty much everywhere. It felt like a panicked, rushed answer to Infinity Wars, but without taking the time to embed the characters and storyline first. I thought with hits like The Flash and Arrow TV series the DC world may have been fighting back against Marvel's dominance, but I guess for every "Arrow" there is a "Legends of Tomorrow" cheese-fest.
The CGI is truly awful. Massive, expensive battle scenes looked clunky and dated. Steppenwolf is so badly animated as to be ludicrous, especially noticeable as he looks like one of Thanos' minions (I genuinely think you'd see better animated facial movements in mid-noughties PS games). And lets not overlook the dodgy attempt at using CGI to remove Henry Cavill's moustache (some scenes had to be re-shot after he had already started filming Mission Impossible and his moustache had to be removed by CGI!).
I had no feelings towards any of the characters. Whereas the new Spiderman was an immediate hit in Civil War, here The Flash is just annoying and his chirpy geekiness does not contrast well with Batfleck's grumpiness. Cyborg was totally redundant except to solve a plot point. And Aquaman did nothing of note and was not likeable at all.
This should have been a big-hitting blockbuster with edge-of-the-seat tension, laugh-out-loud banter and head-scratching plot twists (and any more hyphenated adjectives I can think of), instead it was a mediocre action film with none of the character of the DC universe on show.
The CGI is truly awful. Massive, expensive battle scenes looked clunky and dated. Steppenwolf is so badly animated as to be ludicrous, especially noticeable as he looks like one of Thanos' minions (I genuinely think you'd see better animated facial movements in mid-noughties PS games). And lets not overlook the dodgy attempt at using CGI to remove Henry Cavill's moustache (some scenes had to be re-shot after he had already started filming Mission Impossible and his moustache had to be removed by CGI!).
I had no feelings towards any of the characters. Whereas the new Spiderman was an immediate hit in Civil War, here The Flash is just annoying and his chirpy geekiness does not contrast well with Batfleck's grumpiness. Cyborg was totally redundant except to solve a plot point. And Aquaman did nothing of note and was not likeable at all.
This should have been a big-hitting blockbuster with edge-of-the-seat tension, laugh-out-loud banter and head-scratching plot twists (and any more hyphenated adjectives I can think of), instead it was a mediocre action film with none of the character of the DC universe on show.
BookwormMama14 (18 KP) rated Now and Forever (Wild at Heart, #2) in Books
Jan 2, 2019
Romance and suspense in the mountains of Idaho Territory, 1866.
Shannon Wilde, the middle sister, has a soft spot for animals. She cares for her flock of sheep on her homestead. When her life takes a dramatic turn off of a cliff with Matthew Tucker, she finds herself married to the rugged mountain man. Shannon is a strong independent woman who is not used to being protected by a man. But as attacks begin to try and drive her off her land, maybe she needs that protection after all. The attacker picked the wrong family to mess with, Tucker's fury is not something to trifle with. But will he be able to protect the wife that he is falling in love with? Will her past drive a wedge between them? Find out on another adventure with the Wilde family!
Mary Connealy is quickly becoming one of my favorite western authors. Her romantic comedy has a side of action and terror, which makes her books well balanced. Now & Forever is not for squeamish stomachs however. I found myself grimacing as I read through a couple of the scenes. I was hooked from the start though, and I couldn't put it down through all of the action and suspense. It really felt like Criminal Minds meets the Old West as they try to find out who is behind the attacks. I enjoyed watching as Shannon and Tucker's relationship developed, turning into love and respect for one another. After experiencing unbelievable horrors in he Civil War, Shannon's faith is on shaky ground. Tucker helps her through her journey of reestablishing that faith in God. Even with their challenging upbringings and pasts, they learn to work through their differences, becoming a team that is inseparable.
I received a free copy of Now & Forever from Bethany House Publishers in exchange for my honest review.
Shannon Wilde, the middle sister, has a soft spot for animals. She cares for her flock of sheep on her homestead. When her life takes a dramatic turn off of a cliff with Matthew Tucker, she finds herself married to the rugged mountain man. Shannon is a strong independent woman who is not used to being protected by a man. But as attacks begin to try and drive her off her land, maybe she needs that protection after all. The attacker picked the wrong family to mess with, Tucker's fury is not something to trifle with. But will he be able to protect the wife that he is falling in love with? Will her past drive a wedge between them? Find out on another adventure with the Wilde family!
Mary Connealy is quickly becoming one of my favorite western authors. Her romantic comedy has a side of action and terror, which makes her books well balanced. Now & Forever is not for squeamish stomachs however. I found myself grimacing as I read through a couple of the scenes. I was hooked from the start though, and I couldn't put it down through all of the action and suspense. It really felt like Criminal Minds meets the Old West as they try to find out who is behind the attacks. I enjoyed watching as Shannon and Tucker's relationship developed, turning into love and respect for one another. After experiencing unbelievable horrors in he Civil War, Shannon's faith is on shaky ground. Tucker helps her through her journey of reestablishing that faith in God. Even with their challenging upbringings and pasts, they learn to work through their differences, becoming a team that is inseparable.
I received a free copy of Now & Forever from Bethany House Publishers in exchange for my honest review.
BookwormMama14 (18 KP) rated Angels Watching Over Me (Shenandoah Sisters, #1) in Books
Jan 2, 2019
Set during the Civil War, Angels Watching Over Me, is a story about two young women overcoming their differences and working together to survive.
Mayme is a slave girl and Katie is the daughter of a plantation owner. When they are faced with tragedy, they must rely on each other to make it through each day.
I was very excited to read this book, unfortunately, I was quite disappointed. The story line is good. However, there are a lot of inconsistencies and it jumps around more than I would like. The story is narrated by a much older Mayme. She goes back and forth between her story and Katie's. In the beginning of chapter 11 she even says "I know how it is when you’re trying to keep track of what’s going on, and the storyteller jumps about till you get so confused you can’t tell what happened when." I feel that the book could have started at chapter 11 and it would have worked just fine. There is also quite a bit of dialogue and thoughts being repeated.
*Spoilers*
I did not particularly enjoy the portrayal of Katie's character. We are led to believe that she is not very intelligent. On more than one occasion she is put down for not being able to think for herself. But then she magically delivers a baby for a colored girl without any thought or question. And we are given no explanation.
Again, I will say that the main idea of the book is good and I did enjoy the storyline overall. But this is not the style of book that I prefer. I will not be reading the rest of the series.
Mayme is a slave girl and Katie is the daughter of a plantation owner. When they are faced with tragedy, they must rely on each other to make it through each day.
I was very excited to read this book, unfortunately, I was quite disappointed. The story line is good. However, there are a lot of inconsistencies and it jumps around more than I would like. The story is narrated by a much older Mayme. She goes back and forth between her story and Katie's. In the beginning of chapter 11 she even says "I know how it is when you’re trying to keep track of what’s going on, and the storyteller jumps about till you get so confused you can’t tell what happened when." I feel that the book could have started at chapter 11 and it would have worked just fine. There is also quite a bit of dialogue and thoughts being repeated.
*Spoilers*
I did not particularly enjoy the portrayal of Katie's character. We are led to believe that she is not very intelligent. On more than one occasion she is put down for not being able to think for herself. But then she magically delivers a baby for a colored girl without any thought or question. And we are given no explanation.
Again, I will say that the main idea of the book is good and I did enjoy the storyline overall. But this is not the style of book that I prefer. I will not be reading the rest of the series.
ClareR (5721 KP) rated A Thousand Moons in Books
Apr 10, 2020
A Thousand Moons is set after the American Civil War in 1870’s Tennessee. This book follows on from Days Without End, and whilst I haven’t read it (yet! It’s on my bookshelf!), it didn’t affect my enjoyment at all.
Winona is a Lakota orphan who has been adopted by former soldiers Thomas McNulty and John Cole. She lives on their farm with them and Lige Magan, and two ex-slaves, Rosalee and Tennyson. Racism is still rife: Native Americans are seen as little more than animals, and black people are still hanged in the streets without trial for minor infractions.
Despite this, Winona has an admirer who wants to marry her: a white man. He’s persistent, and she doesn’t seem sure as to whether she really wants to marry him. And then something terrible happens. Winona is brought home: she is battered, raped and she doesn’t remember what happened or who did it.
This is such an emotional book. Winona’s reaction after her attack, coupled with the fact that she will never have any protection under the law, is heartbreaking.
Things that happen to other characters just seems to show starkly the injustices in the USA at this time. But it is all told in the most beautiful way. The writing really is exquisite: the descriptions of Winona’s inner thoughts, the descriptions of the landscape, and the way that life is shown, all really drew me in to this story. I loved reading it every day on The Pigeonhole. I will certainly be getting the first book in this series down off the shelf to read.
Many thanks to The Pigeonhole for serialising this book, and to Sebastian Barry for joining in.
Winona is a Lakota orphan who has been adopted by former soldiers Thomas McNulty and John Cole. She lives on their farm with them and Lige Magan, and two ex-slaves, Rosalee and Tennyson. Racism is still rife: Native Americans are seen as little more than animals, and black people are still hanged in the streets without trial for minor infractions.
Despite this, Winona has an admirer who wants to marry her: a white man. He’s persistent, and she doesn’t seem sure as to whether she really wants to marry him. And then something terrible happens. Winona is brought home: she is battered, raped and she doesn’t remember what happened or who did it.
This is such an emotional book. Winona’s reaction after her attack, coupled with the fact that she will never have any protection under the law, is heartbreaking.
Things that happen to other characters just seems to show starkly the injustices in the USA at this time. But it is all told in the most beautiful way. The writing really is exquisite: the descriptions of Winona’s inner thoughts, the descriptions of the landscape, and the way that life is shown, all really drew me in to this story. I loved reading it every day on The Pigeonhole. I will certainly be getting the first book in this series down off the shelf to read.
Many thanks to The Pigeonhole for serialising this book, and to Sebastian Barry for joining in.
The Times Great Women's Lives: A Celebration in Obituaries
Book
This selection of Times obituaries from 1872 to 2014 revisits the lives of 125 women who have all,...
W. B. Yeats: A Life II: The Arch-Poet 1915-1939
Book
The acclaimed first volume of this definitive biography of W. B. Yeats left him in his fiftieth...
P&
Poetic & Real Worlds of Cesar Vallejo (18921938): A Struggle Between Art & Politics
Book
The world-renowned Peruvian poet Cesar Vallejo (18921938) was also a journalist, essayist, novelist...